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Empirical evidence is scant and scattered. Between these fragments, historians have filled the voids with legends. Though legends are not evidence per se, they do carry a seed of truth – and hopefully, their incorporation in this volume will inspire new interest in the mystery of the world’s greatest temples. The engineering techniques that allowed ancient civilizations to construct such marvellous edifices have been lost to us for generations. Unfortunately, they have not received the attention they deserve, as relics of human culture and faith. This is especially true for Konark. In The Sun Temple of Konark, the author attempts to separate chaff from grain, utilizing scientific tools and methodologies. The Sun Temple has been recognized as a UNESCO World Heritage Site, and is considered one of the seven wonders of India. This seminal volume is the result of extensive research by the author into not only the history and legends related to the temple, but also the temple structure itself. An engineer and architect by profession, the author examines the temple in great detail. He questions several of the established theories regarding construction in its various stages and forwards his own theories with reasonable conviction. He takes great pains to go into as much detail as possible with regard to each and every portion, monument, and sculpture of the temple. With 415 images and 21 detailed architectural drawings, the book is a treasure trove for any admirer or student of Konark, or a researcher of its art, history, and architecture.

A rich and deeply personal journey into the labyrinth of the Thai past, following spectres and vanished landmarks across present day Bangkok. Chariot of the Sun relates the history of Siam to that of the author’s family story; the Bunnags came from Persia in the early 17th century and through daring, cunning and good fortune were to hold commanding positions of power during the 19th century.

Shane Bunnag’s family saga weaves an ancient prophecy with Siamese history to give us a rich and deeply personal account of both his own family and Thai history.

“Shane Bunnag’s artful merging of text and photographs creates an alternative history of Thailand laced with nostalgia and laden with stories – an evocative, dream-like foray into the past that is both enchanting and enlightening.” – Emma Larkin, author of Finding George Orwell in Burma

“An ever-rising star in the world of photography, Pieter Henket is noted for his accomplished portrait pieces and for his work with celebrities from Anjelica Huston to Sir Ben Kingsley. Having gained worldwide renown for shooting the artwork for Lady Gaga s debut album The Fame, he has continued to break ground with a varied oeuvre that includes landscapes, fashion photography and narrative work documenting Carnaval de Rio. . .In his first book, Stars to the Sun, we chart his diverse disciplines over 172 pages of visionary imagery. As the party comes to town in San Luis, Argentina, Henket takes us on a pictorial journey of the carnival, from the mountainous landscapes of the region to the characters that flood this traditional locale wrapped in feathers and glitter. Both documentary-in his unique cinematic style and artistic endeavour, it evidences Henkets ability to find inspiration in everything from the curve of the rock to the sways of a dancer.” MOJEH Magazine
Every year, there is a huge party in San Luis, Argentina. Thousands of Brazilians are invited to the city to organize a show for the ‘Carnaval de Rio’. To photograph it, Pieter Henket was contacted, one of the ‘hottest’ photographers of the moment. The beautiful photography from Pieter Henket allows the reader to join the party and shows the people behind the show. Combined with the impressive Argentinean landscapes, this book will be a unique document. Text in English, Spanish and Dutch.

Maria Lai (Ulassai, September 27, 1919 – Cardedu, April 16, 2013) is without doubt one of the leading figures in the history of contemporary Italian art. Not only on account of the content of her works, but also thanks to the diversity of her artistic approach, ranging as it does across many media – public art, embroidery, weaving, sculpture, drawing, and writing: all are grist for her poetics. The book is published to coincide with the exhibition at the MAXXI Museum in Rome, which is presenting to the general public over one hundred works by the Sardinian artist, from the early 1960s to her very last works, and explores the various themes dear to the artist with the contributions of experts in their fields: the locations, the creation, and publication of art books, her public art events and her relationship with the written word and her own writing. Her entire oeuvre is distinguished by its powerful visual impact, revealing a ‘way of doing art’ that is nothing other than an instrument of thought. The book’s structure reflects the exhibition’s own sections, arranged by theme, whose titles are paradigmatic of Lai’s oeuvre as a whole: Essere è tessere. Cucire e ricucire; L’arte è il gioco degli adulti. Giocare e raccontare; Disseminare e condividere; Il viaggiatore astrale. Immaginare l’altrove; L’arte ci prende per mano. Incontrare e partecipare.

Published to accompany an exhibition at the MAXXI Museum, Rome, 19 June 2019-12 January 2020.

Text in English and Italian.

Italian artist Ugo Rondinone was invited by the Musee d’Art et d’Histoire (MAH) in Geneva to curate a show that invites a dialog between his work and the works in the permanent collection. The show he created centers around two emblematic figures of 19th and 20th century Swiss art – Felix Vallotton and Ferdinand Hodler – and considers the importance of love and desire in our relationship with art and creation. This book documents the museum’s halls and the exhibition, which includes works by Rondinone and art from the MAH Collection.

Text in English and French.

“Who better to supply us with our first comprehensive historical survey than the wine writer with the magic pen, Hugh Johnson?” – Jancis Robinson MW

Hugh Johnson has led the literature of wine in many new directions over a 60-year career. His classic The Story of Wine is his most enthralling and enduring work, winner of every wine award in the UK and USA. It tells with wit, scholarship and humor how wine became the global phenomenon it is today, varying from mass-produced plonk to rare bottles fetching many thousands. It ranges from Noah to Napa, Pompeii to Prohibition to Pomerol, gripping, anecdotal, personal, controversial and fun. This new edition includes Hugh’s view on the changes wine has seen in the past 30 years.

In his Foreword the celebrated historian Andrew Roberts writes: “The genius of The Story of Wine derives from the fact that it is emphatically not a dry-as-dust academic history – there are dozens of those – but an adventure story, full of mysteries, art and culture.”

“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue

“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo

With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.

Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.

Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.

“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue

Night. A place inhabited by an unknown wildlife. A mixture that is not found anywhere else. Often hidden underground, emerging rarely during the day, people are living against time and against a system, for a lifetime or for some hours. A world inside another world. Some come to work, others for fun. The night is fast: while few change overnight, people leave, come back, hide, change their appearance. The Night Day is an almost instant snapshot of that life without the sun, years of reporting on people who make and remake the night in Paris and everywhere the photographer Keffer goes. The stars, the unknown, the opportunist, the organizers, the enthusiasts, the artists. Some left, others have not even arrived yet, The Night Day presents the incredible diversity of this world, this universe that few have known. Over ten incredible years of urban photography has been compiled by Keffer and Drago into this sleek, definitive volume of Parisian nightlife from 2008-2016.

Austin is most definitely weird If by “weird”, you mean quirky, offbeat, intriguing, and utterly lovable. The city shares that uniquely Texan pride of place, and yet it has an independent spirit and character all its own. Locals and visitors alike should look no further than these pages to explore some of the weirdest corners of Austin. Try out the latest innovations in a technology petting zoo. Get your car washed among giant dinosaurs. If you dare, spend some time in a garden inspired by Alice Cooper. Soak up the sun on the only official nude beach in Texas. And, of course, in the city of music and food, catch a live show at the spot where Janis Joplin got her start, or enjoy soul food and soul music in someone’s big backyard. Savor some of the best tacos and tamales in a city known for amazing Mexican food.

In this guidebook, you’ll find out where all the secrets are hidden and learn the unknown stories behind them too. Whether you’ve lived here all your life, you’re just passing through, or something in between, you’ll become even more enamored with the capital of Texas in all its inventive, unabashed – and weird – glory.

Jewelry and the universe are bound together not just in the Ancient Greek sense of the word ‘cosmos’; the sun, moon and stars invariably also found their way into representative forms of art jewelry around the world. While magical, mythological and religious references stood mainly at the forefront of ancient and non-European cultures, over the course of recent history it was on decorative grounds that jewelry pieces with cosmic motifs became so coveted. Whether Köchert in Vienna, Fabergé in St Petersburg or Lalique in Paris, the great jewelers of the nineteenth and twentieth centuries were all inspired by heavenly forms. Today, interest in celestial bodies remains unbroken among contemporary internationally celebrated jewelry artists. With his new, richly illustrated book, the long-standing head of the Jewellery Museum Pforzheim presents for the first time a comprehensive review on the star motif in jewelry – from Ancient Egypt to the present day.

Text in English and German.

“Any number of stories seem to pour forth from the work, which has a unique decorativeness and is very finely and exquisitely drawn. The frame decoration is beautiful and enjoyable, making it seem as though you are looking at a tapestry. In the personification of wood and use of colour, one senses not only the following of tradition but also the artist’s individuality.” The Jury for the Grand Jury Prize at the 15th Noma Concours for Picture Book Illustrations, 2006
Jugnu Rani, a tiny firefly, ponders over her insignificance and witnesses the gradual distancing between trees and humankind. She observes the disciplined life of ants and the hard work of the bees, and feels that her existence is useless. But Suraj Dada, the Sun, reminds her that every creature has a place and purpose in the universe. One day, when the forest is in danger, Jugnu Rani discovers the light within her and find her purpose. Soon no one is afraid of the dark anymore. The Firefly is finally happy. The illustrations are drawn in the Mithila (also Madhubani) style of painting from northeastern India. Giving equal weight in its drawings to people, animals, and plants, the illustrations convey the values of the Mithila region. The unique decorativeness is beautiful and enjoyable.

On 11th May 2018, the Museum of London launched a major new exhibition showcasing both contemporary and historic imagery that explores the capital after hours. Well-known photographers including Bill Brandt, Bob Collins, Brian Griffin, Vicky Grout, Tim Peake, Rut Blees Luxemburg, William Eckersley, Dougie Wallace and Tom Hunter will sit alongside lesser-known artists who explore the dreamy, threatening and shadowy world of the city after the sun goes down. Split into three sections to reflect these different sides of the capital, the book contains essays, poetry by award-winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.
• This collection of historic and contemporary images features work from over 60 photographers who reveal the city after hours: unnerving, beautiful, eerie, energized – sometimes all at once

“It’s not just about spectacular natural landscapes, but above all about inspiring stories behind the residents of the “Shacks”. The book is ideal for travel lovers, adventurers and for all those who want to escape from everyday life for a moment.” — Meter Magazine

“Escape to another place and a less complicated time in South Australia.” — Inside Out Australia

What could be more romantic than watching the sun rise and set over the sea, the mountains or the endless desert from a stylish little getaway shack with the ones you love? In this beautifully illustrated book, design journalist, book author and lifestyle editor Susan Redman not only inspires readers with the many decorating ideas on show, collated from the most gorgeous getaway homes across Europe, the Americas and Australasia, she also delves deeply to reveal the personal stories of creative couples and individuals who have built, styled or restored their special hideaways. From rustic retreats and dreamy beach houses to retro getaways and bespoke architectural havens, the diverse range of love shacks featured here offer design inspiration for your home away from home. Providing readers with an authentic perspective, the ‘shack’ owners share design visions and decorating tips on how they, and you, can awaken one’s inner stylist by combing the natural environment, local markets and vintage fairs to source love shack treasures. Along with stunning photographs, the pages also feature interesting notes on the wild and natural setting of each love shack — so you, too, can immerse yourself in the gorgeous surrounds of each home and find out how the people who live there connect with nature in their sanctuary. This compelling book gives a unique insight into the desire to escape the urban jungle for a holiday home of one’s own making in a remote or wild location, while exploring the role of design and creative vision in the process. It is perfect for anyone with a similar dream.

“Escape to another place and a less complicated time in South Australia.” — Inside Out Australia

What could be more romantic than watching the sun rise and set over the sea, the mountains or the endless desert from a stylish little getaway shack with the ones you love? In this beautifully illustrated book, design journalist, book author and lifestyle editor Susan Redman not only inspires readers with the many decorating ideas on show, collated from the most gorgeous getaway homes across Europe, the Americas and Australasia, she also delves deeply to reveal the personal stories of creative couples and individuals who have built, styled or restored their special hideaways. From rustic retreats and dreamy beach houses to retro getaways and bespoke architectural havens, the diverse range of love shacks featured here offer design inspiration for your home away from home. Providing readers with an authentic perspective, the ‘shack’ owners share design visions and decorating tips on how they, and you, can awaken one’s inner stylist by combing the natural environment, local markets and vintage fairs to source love shack treasures. Along with stunning photographs, the pages also feature interesting notes on the wild and natural setting of each love shack—so you, too, can immerse yourself in the gorgeous surrounds of each home and find out how the people who live there connect with nature in their sanctuary. This compelling book gives a unique insight into the desire to escape the urban jungle for a holiday home of one’s own making in a remote or wild location, while exploring the role of design and creative vision in the process. It is perfect for anyone with a similar dream.

With this beautiful book you will literally bring the summery hippy-chic ‘Ibiza’ atmosphere into your home. With the most beautiful interiors and stunning photography – where you can imagine yourself in the azure bays – Architectural Digest journalist Gala Mora offers you a unique look into the Mediterranean-inspired homes of top designers and creative minds. The interiors breathe sun, sea and beach. Enjoy beautiful design surrounded by breathtaking nature. Open spaces that seemingly flow without boundary into a terrace, garden or beach. Two hundred and fifty-six pages full of exclusive and archetypal interiors that reflect one hundred percent what the island’s way of living stands for. Ibiza Interiors is the third volume in the successful urban interiors series for lovers of design, architecture and interior design.

Also available in the series: London Interiors ISBN 9789401485258; Barcelona Interiors ISBN 9789401485586.

“I have never read a text which goes even half as far as this one in expressing the particular poignancy which lay at the heart of the impressionist movement. I say this as an art critic. As a novelist I would simply like to pay my tribute to the mastery of language, portraiture and storytelling which Figes has now at her command.” – John Berger
“A small masterpiece” – Susan Hill
“A luminous prose poem” – Joyce Carol Oates

This shimmering novel is an extraordinary portrait of a day in the life of an artist at work and at home. In prose as luminous as the colors Monet is using to portray his garden, Eva Figes guides us from dawn (‘midnight blueblack growing grey and misty’) through midday (‘the sun was high now… shrinking what little shadow remained, fading colors, the pink rambler roses on the fence by the railway track looked almost white’) to evening (‘the tide of shadows rising as the sunset glow faded outside.’) Monet’s wife, grieving for a lost daughter; a living daughter, fretting that she will not be able to marry the man she loves; their friend the abbé, eating and drinking with them; two children playing, closest to Monet in the freshness and certainty of their vision; all experiencing in different ways the richness of the light that Monet works unceasingly to pin down in his last, great paintings.

Revealing the patterns and palettes of the Australian landscape, photographer Lisa Michele Burns captures the vast continent as you’ve never seen it before.

From the moment the sun rises on the east coast of Australia, a vivid color palette is revealed, hour by hour, across the country. Ocean blues merge with white sandy shores that connect with green forests, rocky grey ridges and red desert plains. Across the vast and varied landscapes of Australia, the sightlines and the spectacles feel endless and infinite. The horizon stretches and extends; colors collide and combine; patterns compress and expand; and light constantly changes how we perceive and experience a landscape.

In Sightlines: The Patterns + Palettes of the Australian Landscape, award-winning photographer Lisa Michele Burns expertly captures the beauty, artistry and splendor of the Australian landscape. From the rainbow of sandstone hues at Gantheaume Point and ancient monolith of Uluṟu to the dazzling colors and patterns at the Great Barrier Reef and misty rainforests of Tasmania’s Western Wilds, Burns is inspired by the magnificence and fragility of nature and takes the time to observe, research, and learn about each location, its history and formation.

This collection of images, photographed over two years, captures some of the indescribable magic of Australia, its vibrant and varied palette and patterns, and the sightlines that stretch across a seemingly never-ending landscape.

Palm Beach County is known for its glistening beaches, world-class golf and fun in the sun. But beneath the glitz and palm trees lies a legacy of scandal, darkly rich history and a trove of hidden gems.

A playground for the Kennedys, Vanderbilts and Rockefellers, Palm Beach was born of oil and railroad money. Creating an oasis for the elite, the island became a centerpiece of lavish vacationing and hidden dealings. With wealth and power came secrets and whisperings. Over the decades new generations of socialites have graced the island, maintaining a degree of glory days while business executives continue to find rest and relaxation within county lines.

111 Places in Palm Beach That You Must Not Miss provides an in-depth and diverse look into the past and present of the 561. Whether you were born here or are simply enjoying a long weekend, there is much to be discovered between these pages. From hidden artwork in Tequesta to haunted quarters in West Palm Beach to Japanese traditions in Yamato, navigate the varying landscapes of the wealthiest county in Florida.

‘To critics who said that the full-lipped so-called ‘Beardsley mouth’, which adorned many of his women, was ‘inexpressive and ugly’, the artist countered, ‘Well, let them criticise. It’s my mouth and not theirs. I like big mouths. People like the little mouth – the “Dolly Varden” mouth, if that describes it better. A big mouth is the sign of character and strength. Look at Ellen Terry with her great, strong mouth. In fact, I haven’t any patience with small-mouthed people.’ ‘The popular idea of a picture is something told in oil or writ in water to be hung on a room’s wall or in a picture gallery to perplex an artless public.’ ‘To my mind, there is nothing so depressing as a Gothic cathedral. I hate to have the sun shut out by the saints.’ ‘What a nice ample creature George Sand is: like a wonderful old cow with all her calves.’ And other witty, urbane insights on life, art, and culture, illustrated with selected drawings from his Grotesques series.

The East has been for centuries, or perhaps forever, the holy, the sacred, the source of life. Not only does the sun rise in the East, so does a Gautam Buddha. The East has produced thousands of mystics. Just as the West has produced great scientists, the East has produced great explorers of one’s being. The East attracts the seeker, almost like a magnet. Mystics of the East is a compilation of Osho’s discourses on some of the Enlightened Masters who were born in the East: Atisha, Baul mystics, Boddhidharma, the Buddha, Chuang Tze, Kabir, Lao Tzu, Mahakashyap, Nansen, Patanjali and Tilopo. Contents: Introduction Atisha Baul Mystics Bodhidharma Gautama the Buddha Chuang Tzu Kabir Lao Tzu Mahakashyap Nansen Patanjali Tilopa

Madhubani art’s origin is believed to go back to the ancient era of the Ramayana, when the town was decorated by inhabitants of the region for the wedding of Lord Rama and Sita with elaborate wall paintings and murals. The philosophy of Madhubani art is essentially based on the principle of dualism. The artscape appears inundated with divine deities, the sun and moon, and flora and fauna along with features found in Buddhism, Islamic Sufism, tantric symbols and classical Hinduism. Primarily a significant socio-cultural engagement for the womenfolk of Bihar, this art was a welcome break from their daily drudgery. Immersed in the folklore of Mithila, fresh forms and figures are painted and repainted on walls and floors of their homes to mark special occasions. Well-established procedures are followed and techniques are passed on from one generation to the next, keeping the ephemeral art form and ancestral tradition and its lore alive. Madhubani artists today are seen to work more with brushes and acrylic paint rather than natural dyes and pigments. They now also work on paper, cloth, canvas and wood to create art and artifacts, besides painting on walls and floors. Contents: Foreword by H.E.M.S. Puri, Ambassador of India in Belgium; Preface by Martin Gurvich; Imaging the Divine: Artscape of Bharati Dayal by Sushma K Bahl; Krishna; Shiva; Ganesha; Devi; The Mahabharata Nature; Bharati Dayal.

Apart from a handful of art historians no one has ever heard of the Brussels painter Hendrick De Clerck (1560-1630). Nevertheless, De Clerck was a contemporary of Peter Paul Rubens – the latter having gone down in history as an artistic trailblazer and painting powerhouse, while Hendrick De Clerck has quietly faded into oblivion. Yet the subtly coded, vibrantly colored pictures that De Clerck painted for Archduke Albert of Austria and his wife Isabella are political propaganda of the highest order. In creating a mode of archducal representation that could help to gain an empire, the sky is quite literally the limit. De Clerck represents Isabella as wise Minerva, chaste Diana, the Virgin Mary. And that’s nothing compared to her husband, for in De Clerck’s paintings Albert is transformed into the sun god Apollo or even into Jesus Christ himself. Hendrick De Clerck’s mastery of ingenious pictorial strategy made him a leading player in one of the most ambitious projects history has ever seen. For those who know how to read them, his paintings tell a story of power, political promises, and grandiose ambition. Most of all, they are supreme examples of image-building; for as the Archdukes were well aware, even as a monarch you’re only as important as you make yourself. Text in English and Dutch.

Archaeological objects offer outstanding opportunities to explore the way people conceived life in past ages. Their study demonstrates that subjects such as fertility, myths, rituals and cosmogony are embedded in all man-made artefacts, as they have always been part of daily human life. Even when creating artefacts for individual use, we have adopted imaginative and ingenious ways to represent and convey a message, a narrative that is a facet of our personal and social identity. That’s why the amulets presented in this outstanding catalogue hold secrets: memories of deeds, lands and sacred representations. Objects used as offerings are full of life: the warrior recalls his heroic condition during his long mortal journey; the deceased person, who travels to the other world equipped with his objects of power, arrives satisfied and disposed to be generous toward his descendants, who receive fertility and well-being in return.

The choice of materials is a fundamental aspect of such objects. The use of metals, for example, is etched into the language of social communication, whereas the vital force that moves the universe is found immersed to a large degree in magical materials like fired clay, the product of extensive chemical transformation, or shell, a product of the sea, its brilliance a sign of spirituality, or imperishable gold, which is the embodiment of the Sun itself, ductile and able to express extraordinary religious ideas.

This catalogue introduces us to this world of magic, life and death.

Text in English and Spanish.