Chai: The Experience of Indian Tea is a journey into the heartlands of tea production, across the length and breadth of India, offering a glimpse into the history and culture of the people who cultivate it, the process of growing, the diversely beautiful landscapes, the rich traditions and the ceremony. This intriguing volume is a visual treat, that traces leaf to cup, covering the entire spectrum of the tea industry through wonderfully descriptive text and stunning photography; put the kettle on, put your feet up and enjoy! Contents: Preface; Chai the Indian Way; Ever Popular Chai; How Tea Came to India; Contemporary World of Indian Tea; Into the Heartlands of Tea; Picturesque Tea Tourism; Bounty of Assam; Divine Boon of Darjeeling; Bonanza of South India; Bouquet of Regional Teas; From the Leaf to the Sip; Plucking the Leaf; The Planter’s Life; From Nature to Man; The Tea Taster’s Verdict; Tea the Universal Brew; The Saga of Tea; Choices for the Tea Lover; A Cupful of Health; Recipes with Tea; Finally the Perfect Cup of Tea; Author Note: Rajan’s Vision / Rekha’s Musing; Acknowledgements; Photo Credits; Select Bibliography; Glossary; Index
A new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers of the last 60 years, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images.
From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital – these are the stories behind the images as only Terry O’Neill can reveal.
“I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying… I just reached out with the letter in my hand and he took it. He opened it, read it… turned to his security men and said, “this kid’s with me.” I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle.” – Terry O’Neill
From The Beatles to the Rolling Stones, Terry O’Neill fast became the photographer of the 1960s. Having an eye – and ear – for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. “I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we’d do next, after all of this was over. By this, we meant the fame, being the ‘new kids of the moment’. Usually, this sort of celebrity doesn’t last. Little did we know that 60 years later, we’d still be at it.” Music led O’Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He traveled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage.
O’Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O’Neill has worked with over the past 60 years is a Who’s Who in celebrity; from film to music, sports to politics. Terry O’Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.
It is extraordinary enough that one small area in north-eastern France, on the northern edge of Europe’s wine-growing regions, should be capable of producing the finest sparkling wine in the world, one of the few worth discussing as a wine and not merely as a sparkling beverage. Yet Champagne fascinates not only wine lovers, but also historians – social, economic, political – linguists, physiologists, physicists and chemists. The long-awaited new edition of Nicholas Faith’s landmark The Story of Champagne tells the tale of Champagne from the winemakers’ point of view. This classic study of the world’s greatest wine is a masterpiece of storytelling and analysis that has for decades sent readers away with renewed excitement about the different types of Champagne and the landscape, geology and climate that inspire them. The story of champagne explores the history of Champagne from its origins in the seventeenth century to the high-tech industry of the twenty-first before examining the wine itself, how it is made, the crus, the vines and the harvest. Faith provides completely up-to-date statistics on wine production and consumption and finishes the book with an all-important evaluation of today’s most important producers. The Story of Champagne is essential reading for anyone interested in the world’s most celebrated wine.
In 1930s Luang Prabang, the beautiful and demure Kham-Phiou was much admired. On a New Year’s Day, the life of the aristocratic young woman changed when she caught the eye of a sophisticated older man – Prince Souvanna Phouma. The prince fell madly in love with Kham-Phiou and was determined to marry her against all odds. His family wanted a marriage within the dynasty, while her widowed mother feared Palace intrigues. After the wedding, life in the prince’s family home was difficult, but Kham-Phiou began to adapt until the prince decided they should move to Vientiane for the sake of his career. The tale of the tragic love story spans over half a century and is set against the little-known backdrop of old-world Laos where ancient customs and superstitions still held sway.
In this charming and moving personal account incorporating the social history of Laos, Manisamouth, granddaughter of Kham-Phiou, brings her grandmother’s untold story to life, accompanied by evocative black and white photographs, family trees of the Luang Prabang Royals and Kham-Phiou’s lineage, and includes a section on Lao history.
“Showcasing 25 residences by today’s leading classical architects, this wonderful new book also addresses the fundamental issue of collaboration between architect, decorator, landscaper, and the enormous cast of characters who bring their formidable talents to the realization of every project. An Ideal Collaboration is an important addition to the literature of architecture and design.” – Ellie Cullman
“An Ideal Collaboration shares a place in my library next to volumes on great 20th century Classicists. It is essential as a visual reference to the continued evolution of timeless style.” Steven Gambrel
In the follow-up to the critically acclaimed The Art of Classical Details, Phillip James Dodd continues his look at some of the finest examples of contemporary classical architecture in Great Britain and the United States, while also examining how collaboration is the key to their successful design. In reality, collaborative relationships are rare, especially amongst designers, where each is often focused on their own individual objectives and unable to transcend their own egos. Often used as a catch phase, but not often realized, true collaboration requires an understanding and an appreciation – of the role that all parties play in the design and construction of a home. An Ideal Collaboration includes the work of some of the most notable names in contemporary residential design. Architects, decorators, landscape designers, consultants, builders, craftsmen, artists and vendors, all address the design process and the pivotal role that collaboration plays in creating cohesive timeless designs.
In the Foreword to this book, the Lausanne architect Ueli Brauen writes on his collection of small-scale sketches as follows: I have been drawing and sketching since my childhood – I constantly think about my projects. Indeed, we find a cosmos of thoughts, images and image thoughts that grip the viewer, equally revealing the architect, the researcher and the explorer.
Text in English, French and German.
How do you stage an inspiring, original and captivating event? What kind of marketing event awakens the interest of clients, employees or exhibition visitors? Answers to these and many other questions can be found in the new Event Design Yearbook! The rich illustrations and plans with accompanying text show numerous international examples presenting solutions for a wide array of tasks. A yearbook for all creative professionals in the field of event management, who wish to be inspired and keep up to date with the latest developments.
This is a lavish new 360-page book about the legendary Swedish boat builder Hallberg-Rassy. Hallberg-Rassy is one of the world’s most respected and successful boatyards. The book The Story About Hallberg-Rassy – Legendary Boat Builders is a must-have for all sailboat lovers and Hallberg-Rassy aficionados. Read about Hallberg-Rassy’s fascinating journey across its first nine decades. From the 1940s until today this impressive success story is still unfolding with no end in sight. This richly illustrated book contains many interesting insights, pictures, and stories never before published and depicts hitherto unknown yachts that were never built. You can learn about the history and philosophy of the yard through interviews with key people and yacht owners, discover many new details about all the Hallberg-Rassy yachts ever built and about boat builder Christoph Rassy.
Enjoy this engaging and informative read, which includes texts by boat journalists and authors Bengt Jörnstedt and Curt Gelin, as well as Magnus Rassy.
Thanks to its location between two continents, Georgia has traditionally formed a bridge between East and West. A Story of Encounters reflects the exceptional art, culture, and history of the country from the Neolithic to the 18th century. Especially in the “golden age” of united Georgia, between the 11th and 13th centuries, the country experienced an unprecedented cultural and economic boom.
This book shows how the turbulent history and the many exchanges along the major trade and silk routes at this crossroads of Europe and Asia resulted in an unimaginably rich heritage, which has remained largely unexposed until now. Refined goldsmith’s art from the Bronze Age, wine – the country’s oldest cultural asset – and original visual arts: Georgia offers many unexpected treasures, which are shown in detail for the first time.
Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalog, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.
Text in French.
Nantucket: Classic American style 30 miles out to sea explores how the island’s classic New England nautical style is shaped by its rugged landscape, as well as the sport, art, and its inhabitants. The island’s tight-knit community of achievers and dreamers has created an enviable aesthetic that’s affected in equal measure by the people, its historic grey-shingle homes and the 14-mile-long island itself, its wind, sea, and wild landscape. This stunningly photographed book features portraits and environmental shots of summer residents and islanders in their homes and leisure pursuits across the island, and elements that shape their Nantucket style.
Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.
Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.
Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.
This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.
Written as a type of intimate journal combining childhood memories with those of a young apprentice and all the experiences gained and born of encounters, firstly with the great names in jewelry and subsequently in watchmaking, this book is above all a testimony to the birth of a passion placed at the service of the brand. François Bodet makes plain, through his own story, the profound significance of time in the evolution of knowledge. This is all the more worth highlighting today, when our society is confronted with the constraints of standardization, computerization and dehumanization which result in the “quickly done” taking precedence over the “well done”. It is appropriate to remember that success may only be achieved by following the various stages of a process that must allow time to take its course. As well as devoting his life to the rebirth of historical pocket watches while safeguarding their essence, François Bodet succeeded in promoting Breguet internationally, while preserving the emotional substance of objects that have come to life through a process showing respect for the various phases of time. These pages are filled with a sense of humility, since knowledge – as the author aptly expresses it – is passed on by individuals serving as intermediaries in fostering the growth of talent. All his masters are named and due tribute is paid to them, since it is so clearly true that “the nostalgic sound of the soul” in each of these watches.
Written as a type of intimate journal combining childhood memories with those of a young apprentice and all the experiences gained and born of encounters, firstly with the great names in jewelry and subsequently in watchmaking, this book is above all a testimony to the birth of a passion placed at the service of the brand. François Bodet makes plain, through his own story, the profound significance of time in the evolution of knowledge. This is all the more worth highlighting today, when our society is confronted with the constraints of standardization, computerization and dehumanization which result in the “quickly done” taking precedence over the “well done”. It is appropriate to remember that success may only be achieved by following the various stages of a process that must allow time to take its course. As well as devoting his life to the rebirth of historical pocket watches while safeguarding their essence, François Bodet succeeded in promoting Breguet internationally, while preserving the emotional substance of objects that have come to life through a process showing respect for the various phases of time. These pages are filled with a sense of humility, since knowledge – as the author aptly expresses it – is passed on by individuals serving as intermediaries in fostering the growth of talent. All his masters are named and due tribute is paid to them, since it is so clearly true that “the nostalgic sound of the soul” in each of these watches.
Navitimer. A mysterious name at first glance. It is in fact a contraction of two words, which correspond to the two major functions of a revolutionary watch: NAVIgation and TIMER. A chronograph designed for airborne navigation. But much more than that, an exceptional destiny, shaped by extraordinary and visionary actors. From the very beginning of its existence, in 1884, Breitling specialized in time measurement, namely the design of timers and chronographs. It was in the 1930s that the foundations of a close relationship with the world of aviation and aeronautics were laid, under the aegis of Willy Breitling. These ties have remained unbroken ever since. In 1952, in collaboration with the AOPA, the largest aeronautical association of the time, Breitling launched the development of the Navitimer, which offered what no other watch manufacturer had ever proposed: a chronograph combined with a slide rule for aircraft pilots. The Navitimer was available only to AOPA members in 1954, and then marketed to the general public in 1955. For 70 years now, the Navitimer has enjoyed glory, flown into space and weathered crises, integrating numerous evolutions without ever losing its original DNA. It has appealed to several generations of professionals, celebrities and lovers of exceptional watches, undoubtedly earning its status as an icon of watchmaking history.
This second book in the Watch Stories series, dedicated to the history of emblematic timepieces, traces its heroic and unique destiny from its creation to the current models.
“All people need to be seen.” – Bruce Davidson. “America is still out there – You just have to look for it.” – Larry Niehues. “I’m proud to say I’m from the USA because I’ve really seen it with my own eyes – all the beauty and the destruction, the tradition and the innovation, the loud cities and the quiet little spaces.” – Dan Auerbach (The Black Keys). Larry Niehues, a French-born photographer who lives in the United States, traveled around the country for 5 years photographing modern day America while seeking out the continuing presence of a timeless post-war ‘old America’. Photographed using 35mm film, his portraits of people and iconic small town life (motels, diners, gas stations, cars), evoke mid-century American life in a way that is both authentic and powerful in the tradition of William Eggleston, Dennis Hopper, Bruce Davidson, and Robert Frank.
Kifwebe masks are ceremonial objects used by the Songye and Luba societies (Democratic Republic of Congo), where they are worn with costumes consisting of a long robe and a long beard made of plant fibres. As in other central African cultures, the same mask can be used in either magical and religious or festive ceremonies. In order to understand Kifwebe masks, it is essential to consider them within the cosmogony of the python rainbow, metalworking in the forge, and other plant and animal signs. Among the Songye, benevolent female masks reveal what is hidden and balance white and red energy associated with two subsequent initiations, the bukishi. Aggressive male masks were originally involved in social control and had a kind of policing role, carried out in accordance with the instructions of village elders. These two male and female forces acted in a balanced way to reinforce harmony within the village. Among the Luba, the masked figures are also benevolent and appear at the new moon, their role being to enhance fertility. Although the male and female masks fulfil functions that do not wholly overlap, they do have features in common: a frontal crest, round and excessively protruding eyes, flaring nostrils, a cube-shaped mouth and lips, stripes, and colours. Art historians and anthropologists have taken increasing interest in Kifwebe masks in recent years.
A magnificent collection of silver-gilt objects from England and France, meticulously cataloged and illustrated with stunning photographs that illuminate these beautiful items. Famous makers include: Pierre Platel, Benjamin Smith, Jean-Baptiste-Claude Odiot, Martin-Guillaume Biennais, Phillip Rundell and Paul Storr.
Each entry includes comprehensive technical data, with an accompanying short description, setting each object in its social and historical context.
Published in conjunction with displays shown at: TEFAF, Maastricht, 15th-24th March 2013; Masterpiece, London, 26th June-3rd July 2013; Fine Art Asia, Hong Kong, 3rd-7th October 2013; International Fine Art & Antique Dealers Shows, New York, 24th-31st October 2013.
The New York jewelry firm of Marcus & Co. (1892–1942) created exceptional examples of Art Nouveau and Art Deco jewelry for an art-loving, wealthy elite. Innovative in their collaboration with contemporary artists, and in their captivating window displays and advertisements, the firm captured the imagination of Gilded Age families such as the Rockefellers. This volume chronicles their story, from the founder’s apprenticeship in Dresden to the firm’s grand premises on Fifth Avenue neighboring Tiffany and Cartier. The triumphs and tragedies of three generations of Marcus jewelers, both artistic and entrepreneurial, are presented here together with exquisite jewelry and archival design drawings spanning 50 years.
The Tekkieh Moaven is a significant religious monument in Kermanshah and one of the most important national memorials in Iran. Following the building’s destruction in the early 20th century, it was rebuilt and furnished with exclusive tiles, the focal point of this publication. Since 1975, it has also been a popular museum visited by hundreds of thousands of people every year. The tiles illustrate the fascinating world of art in the Persian empire and Islamic era and are distinguished by colorful illustrations featuring floral, calligraphic, and also figurative motifs. Author Hadi Seif weaves the recollections of the ancient guardian Sojdehpur into his narratives, contributing valuable insights into the evolutionary history of these impressive tiles. This is the first major English-language publication dedicated to this outstanding cultural monument.
Love is one of the most difficult things to photograph, yet this anthology of moving, unexpected images captures the heart of what it means to know and love another. From first love to lost love, these intimate portraits express the tenderness and vulnerability, passion and patience of this powerful emotion. Challenging our perceptions of relationships in the 21st century, this joyful celebration of love beautifully depicts the deep connections between partners of all genders, between friends, siblings, parents and children, and communities.
Some people still experience personal branding as a show of ego. Which it can be.
Most people see personal branding as a tool for business growth and wealth, which it is.
But there are more fulfilling reasons to engage in the process of personal branding like building intellectual legacy and becoming a brave new human. If you want to engage in building a legacy, but not want to be blindsided by aspects like fame and hunt for money, then this is the book on personal branding you need. It offers you the complete range of what it can mean to you, not only the social media aspect.
“With this book, ianka succeeds in describing personal branding on a strategic level. ianka’s broad professional background makes this book particularly strong and valuable. She has experienced nearly everything a personal brand can go through in her career. A look behind the scenes and the sharing of that experience adds immense value. I highly recommend this book to everyone!” — Steven Van Belleghem, entrepreneur and author
“In a world of information overload and AI, developing your own authentic voice is more important than ever. How do you build unique visibility in a world of the Never Normal? ianka has written a wonderful book that makes you reflect on your own journey, your own development, and how you can find and strengthen that unique voice.” — Peter Hinssen, entrepreneur and author
“ianka has not only dared to breathe new life into an existing concept, but she has also ventured to create a book tailored to each individual reader. I sincerely wish I had been able to read this book much earlier because it helps me as a person, but also because it helps me make companies and their leaders better.” — Rik Vera, business philosopher and author
One small step for a man, a giant leap for mankind and an extraordinary destiny for the watch that accompanied Man’s first steps on the Moon, thereby becoming the greatest icon in watchmaking history: the Omega Speedmaster “Moonwatch”.
Introduced to the public by Omega in 1957, the Speedmaster was designed for mainly sporting purposes, such as in motor racing. However, its fate took a completely different turn in the early 1960s. Astronauts going to space, some of whom wore a Speedmaster for private use, wanted to be officially equipped with a reliable, accurate and resistant watch. For this reason, NASA undertook a series of rigorous tests in extreme conditions in 1964 to select the best chronograph to accompany them on their space missions. The Omega Speedmaster won these tests and was officially certified (“Flight Qualified for All Manned Space Missions”) by NASA on March 1, 1965 for the Gemini project. It was in July 1969 that it truly made history, serving the astronauts of the Apollo 11 mission (Neil Armstrong, Buzz Aldrin and Michael Collins) for man’s first steps on the Moon.
This book retraces an extraordinary epic and the evolution of a unique and timeless watch which, from its beginnings in 1957 through to the current models, has remained endlessly fascinating. Updated and expanded to include the latest Omega models.
The year was 1978, and Quinnipiac College was forming a new campus in Hamden, Connecticut. Chance would bring the author and the place together, and for the next forty years Jefferson B. Riley, FAIA, one of the founding partners of Centerbrook Architects and Planners, would be Quinnipiac’s architect designing over a hundred renovations, additions, and new buildings on three separate campuses that now comprise Quinnipiac University. The University thus became Riley’s devotion, vigorously so after the arrival of Dr. John L. Lahey in 1987 who, as its eighth president, personally put Quinnipiac University on its path to national prominence. Riley’s work has not only helped to give Quinnipiac roots but also wings. Here, then, is a comprehensive architectural account of Quinnipiac from 1978 to 2018.