“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art

“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings

George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.

This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.

“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art

“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings

George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.

This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.

a+u’s January issue features Caruso St John Architects, led by Adam Caruso and Peter St John. Practicing for more than 30 years, the firm is completing a series of major buildings, such as ZSC Lions Ice Hockey Arena, a competition-winning project 10 years in the making, and Royale Belge, an ambitious renovation of a landmark corporate building. Founded in London in 1990, Caruso St John carefully analyzes the existing situation – be it the sociocultural context or an old building – to create a unique architecture that informs both materiality and detail. The scale of the projects vary but the architecture is always their own, as their design approach, while consistent, responds sensitively to the variations. Caruso St John Architects have approached the 19 works in this issue with the same passion and sensitivity as in Tate Britain’s Millbank Project and Brick House, projects introduced in a+u’s March 2015 issue. Whether the subject is an existing building or a new construction, Caruso St John always questions norms and standards, and by extracting ideas and materials from the existing built environment, the firm embraces “the challenge to reframe the way we see the world around us and change how we define architecture.” (a+u)

Text in English and Japanese.

“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons

“Caine, the timeless gentleman.”  — Diego Armes, GQ Portugal

“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books

“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”

A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.

Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.

Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.

Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail

Custodians brings together for the first time, in this beautifully compiled collection, images of many of Oxford’s most prestigious buildings along with some rarely seen, but wonderful venues and their ‘Custodians’. Photographer Joanna Vestey set out to explore the extraordinary colleges and buildings of Oxford, behind the closed doors, often beyond the reach of the 9.5 million visitors a year who come here, and to meet the ‘Custodians’ playing a pivotal role in perpetuating these world renowned institutions. Rarely do we get to catch a glimpse behind the closed facades of these iconic structures and to see the spaces that lie within. All the images have been captured in the University City of Oxford, known as the “City of Dreaming Spires” and show its extraordinary breadth of architecture since the arrival of the Saxons. It includes venues such as the 17th Century Divinity School, the mid-18th century Radcliffe Camera continuing through to the most recent award winning RIBA nominated chapel at Ripon College completed last year. Venues such as the Sheldonian Theatre and Christchurch College sit alongside perhaps lesser known venues such as The Real Tennis Courts or the John Martyr Pawsons cricket pavilion portraying the breadth and diversity constituting the city. The ‘Custodians’ and their surroundings enjoy equal status in Joanna’s formal compositions; they seem to belong together, yet do not fuse into one, thereby asking us to question how we are all largely shaped and influenced by the structures around us – how defined we are by them and how much they form us. Full of unexpected venues beautifully photographed, this book will appeal to the his-torian, city visitor, people interested in architecture and interiors as well as to the extensive alumni network of the colleges themselves. It will also appeal to an audience interested in contemporary photography.

Tells the very personal story of the man who changed the face of modern cinema

Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema.

Ray Harryhausen’s work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children’s fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.

This book is published in collaboration with the Ray and Diana Harryhausen Foundation and it will receive a great deal of international publicity. It celebrates the legacy of a filmmaker who changed the face of modern cinema and it is certain to delight and fascinate those who appreciate film, art, science fiction and fantasy.

Shortlisted for Saltire Society Scotland’s National Book Awards, First Book Award 2021. Scotland’s National Book Awards recognise work across Scotland’s literary and publishing community. [The Saltire Society] is delighted to highlight Scotland’s outstanding talent, raise the profile of writers and introduce audiences to exceptional new works.

Toronto, from its humble beginning as Muddy York, has emerged as an exemplary, world-class city. As the 4th largest urban area in North America, it is a treasure trove of obscure, trend-setting Canadian places. Ranked as one of the world’s leading places to live, it represents home to almost 20% of Canada’s population. Toronto has become the nation’s capital of business, culture, sports and entertainment. A place where you can take in the best of all sports, especially hockey, live music, art, and an award-winning culinary scene, all in a weekend. The city’s strength and roots come from its diverse population. Toronto takes from its indigenous and British past, a welcoming and collaborative twist on this dynamic multicultural city. Toronto has been described as a city within a green space. Hike inner city trails along the many ravines. Ride in a canoe or skate along the water’s edges. Take the longest streetcar ride in North America through flourishing neighborhoods, full of hidden gems to discover. Find the small artisanal ice creameries, wander the graffiti alleys, or make music at a karaoke cocktail lounge. Explore the allure of the 6ix, with 111 Places in Toronto That You Must Not Miss.

“Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious … these photos are not simply about ‘serving looks’ but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography.” – Suzanne Moore

Grayson Perry is an award-winning artist best known in the art world for his ceramic works. To the wider public, he is perhaps equally famous for his cross-dressing alter ego. This book reveals a unique relationship between Perry and renowned portrait photographer Richard Ansett through a previously unseen archive from photoshoots spanning over 10 years.
Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas. Beyond the snazzy outfits and cheeky poses, these thematic portrait collections offer wry social commentaries on current and popular phenomena, including the EU referendum, American pop culture and the existential questions of life and death.
At once glossy, fabulous and cutting-edge, Muse: A Portrait of Grayson Perry offers a complex, fascinating and ultimately affectionate insight into our recently knighted national treasure with anecdotes and narration from Ansett himself, this is a masterpiece of rhetorical observations and quick-thinking camerawork. Perfect for art geeks, style freaks and Perry’s long-devoted following.

“Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious … these photos are not simply about ‘serving looks’ but about restlessness and identity and transience…. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography.” – Suzanne Moore

“Great to see Grayson in his various guises. He must have more women’s clothes than the average woman!” — Martin Parr

“Some are artists, some are muses — Sir Grayson Perry is both, according to a new coffee table book.” — The Standard
“Muse documents Perry’s Bowie-like range of personae, from his alter-ego Claire, to Madonna and child, to a Dolly Parton-style American country girl.” — Yahoo News UK

Grayson Perry is an award-winning artist best known in the art world for his ceramic works. To the wider public, he is perhaps equally famous for his cross-dressing alter ego. This book reveals a unique relationship between Perry and renowned portrait photographer Richard Ansett through a previously unseen archive from photoshoots spanning over 10 years.
Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas. Beyond the snazzy outfits and cheeky poses, these thematic portrait collections offer wry social commentaries on current and popular phenomena, including the EU referendum, American pop culture and the existential questions of life and death.
At once glossy, fabulous and cutting-edge, Muse: A Portrait of Grayson Perry offers a complex, fascinating and ultimately affectionate insight into our recently knighted national treasure with anecdotes and narration from Ansett himself, this is a masterpiece of rhetorical observations and quick-thinking camerawork. Perfect for art geeks, style freaks and Perry’s long-devoted following.

Accompanying a major exhibition at the National Gallery of Canada, this catalog presents a broad selection of nineteenth-century and early twentieth-century French and Danish art from the celebrated Ordrupgaard museum near Copenhagen. Assembled for the most part between 1892 and 1931 by the Danish insurance magnate Wilhelm Hansen (1868-1936), the Ordrupgaard collection offers a spectacular overview of French painting from Eugène Delacroix through to Paul Cézanne, as well as magnificent examples from the Danish Golden Age.

Fully illustrated and including an essay by Dr. Paul Lang, Deputy Director and Chief Curator of the National Gallery of Canada, the catalog provides the opportunity to experience the highlights of the Ordrupgaard collection. It includes remarkable groupings of works that reflect various stages in the careers of painters such as Jean-Baptiste-Camille Corot, Gustave Courbet, Camille Pissarro, Claude Monet, Alfred Sisley, Paul Gauguin, C.W. Eckersberg, and Vilhelm Hammershøi. While French Impressionist and Danish works are a focus, other-often contradictory-art movements of nineteenth-century France, including the Barbizon school and Realism, are also well represented.

Text in English and French.

The idea of a ‘healing garden’ is well established in many developed countries as a specific form of landscape design method; it meets the physical, psychological, social and spiritual needs of the people using the garden, as well as their caregivers, family members and friends. Shown through detailed theory and illustrations, the first part of this book focuses on the concept, types, and design considerations. The second part of the book provides insightful design descriptions, detailed plan drawings and photos showing the final, built projects on a wide range of types of healing gardens. This book is a unique and informative text and a useful reference for all landscape architects and designers.

This is the first major publication on the artist Everlyn Nicodemus and accompanies the first ever retrospective of her 40-year career. It offers a fascinating introduction to her life, career and art.

This book introduces readers to Nicodemus’s practice – from the very first work she painted to newly commissioned oil paintings. Many of Nicodemus’s drawings, collages, paintings and textiles are published here for the first time.

Nicodemus engages with complex subject matters, unflinchingly addressing human suffering and societal responsibility. While her works convey and process traumatic experiences, they are ultimately hopeful, focusing on healing and the power of creativity. This publication will reveal the scope and ambition of this astonishing artist’s practice.

Expert contributors offer new insights into Nicodemus’s practice, including a new interview with the artist. Exhibition curator Stephanie Straine explains and contextualizes the rich pages of artworks, drawing on extensive primary research with the artist and her archives.

A unique insight into the ways in which one of today’s leading artists is inspired by great works of the past. In 16 emphatically modern new paintings, renowned artist, Alison Watt, responds to the remarkable delicacy of the female portraits by eighteenth-century Scottish portraitist, Allan Ramsay. Watt’s new works are particularly inspired by Ramsay’s much-loved portrait of his wife, along with less familiar portraits and drawings. Watt shines a light on enigmatic details in Ramsay’s work and has created paintings which hover between the genres of still life and portraiture. In conversation with curator Julie Lawson, Watt discusses how painters look at paintings, explains why Ramsay inspired her, and provides unique insight into her own creative process. Andrew O’Hagan responds to Watt’s paintings with a new work of short fiction and art historian Tom Normand’s commentary explores further layers of depth to our understanding of both artists.

This scholarly catalogue provides a rich survey of the outstanding English drawings and watercolors in the National Gallery of Scotland’s collection. It ranges from the art of the Stuart court to the late Victorian period – from Isaac Oliver to Lord Leighton. Highlights include important works by artists such as William Blake, John Sell Cotman, John Robert Cozens, John Flaxman, Thomas Gainsborough, Thomas Girtin, Edward Lear, John Frederick Lewis, Paul Sandby and J.M.W. Turner. Key works are illustrated in colour and the text provides an authoritative commentary on issues such as their function, history, date and technique. The catalogue will be a valuable resource for students, art historians, collectors, dealers, picture researchers and all serious enthusiasts for British art.

Rabindranath Tagore, a name very close to many people’s hearts, evokes a feeling of pride, awe and inspiration and continues to arouse curiosity about this multi-faceted personality. This book chronicles the Poet’s contributions in the context of the period to which he belonged, bringing into light those incidents, anecdotes and issues which have often been overlooked but, nonetheless, are significant as they enable us to understand Tagore better. His role as a son, brother, husband, father; his accomplishments as a poet, philosopher, writer, painter, choreographer, actor; his relations with his family, friends, contemporary writers and poets, as well as predecessors; his correspondences with the political leaders of his time within the nation as well as abroad; and, above all, his interpretations about life, revealing his quest for love, faith and devotion and his deep-rooted anguish. Tagore’s unfulfilled dreams and expectations as projected in the broad sweep of this lucid narration reveal two facets of the Poet – a man of extraordinary abilities yet a man having ordinary expectations, who could thereby understand the joys and sorrows of the common man keeping aside his own gains and losses. Contents:
Preface; The world of Jorasanko; Out in the open world; Back home, a writer with promise; Meditating on the Infinite Being; At the crossroads; A story-writer; A playwright and an actor; A difficult Poet; A girl remembered; A school in the lap of nature; Indian quietude and European restiveness; His political thoughts; Plays of a different kind; Translating his own poems, and the Nobel Prize; The Poet s nomadic mood; Against materialism and nationalism; Raising funds for a dream; The message of the East; An Argentine adventure; Regal reception in Europe; A many-splendoured mind; In the West for the last time; In the thick of national problems; The last flourishes; The failing body; Genealogy; Bibliography; Acknowledgements.
A one-of-a-kind study of the life of one of India’s most influential national figures
Rabindranath Tagore, a name very close to many people’s hearts, evokes a feeling of pride, awe and inspiration and continues to arouse curiosity about this multi-faceted personality. This book chronicles the Poet’s contributions in the context of the period to which he belonged, bringing into light those incidents, anecdotes and issues which have often been overlooked but, nonetheless, are significant as they enable us to understand Tagore better. His role as a son, brother, husband, father; his accomplishments as a poet, philosopher, writer, painter, choreographer, actor; his relations with his family, friends, contemporary writers and poets, as well as predecessors; his correspondences with the political leaders of his time within the nation as well as abroad; and, above all, his interpretations about life, revealing his quest for love, faith and devotion and his deep-rooted anguish.

Tagore’s unfulfilled dreams and expectations as projected in the broad sweep of this lucid narration reveal two facets of the Poet – a man of extraordinary abilities yet a man having ordinary expectations, who could thereby understand the joys and sorrows of the common man keeping aside his own gains and losses.

Contents:
Preface; The world of Jorasanko; Out in the open world; Back home, a writer with promise; Meditating on the Infinite Being; At the crossroads; A story-writer; A playwright and an actor; A difficult Poet; A girl remembered; A school in the lap of nature; Indian quietude and European restiveness; His political thoughts; Plays of a different kind; Translating his own poems, and the Nobel Prize; The Poet s nomadic mood; Against materialism and nationalism; Raising funds for a dream; The message of the East; An Argentine adventure; Regal reception in Europe; A many-splendoured mind; In the West for the last time; In the thick of national problems; The last flourishes; The failing body; Genealogy; Bibliography; Acknowledgements.

Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail

This catalog for a show at the Tornabuoni Gallery in Paris pays homage to two outstanding Italian women artists of the second half of the 20th century, Carla Accardi Dadamaino (Eduarda Emilia Maino). Both embraced avant-garde art and theory while remaining free of dogmatism, and explored the characteristics and possibilities of painting and signs while forging their own distinct paths. They shared a strong belief in social and political involvement, and left an enduring mark on the history of art. In this book, their creative journey is beautifully illustrated with a vast selection of works and through contextual critical analyses.

Text in English and French.

Maps that Made History is like a 1000-year-long journey around the world; every one of the carefully selected maps featured here has influenced the course of history in some way. This beautifully illustrated book gathers 100 marvelous old maps, each with a fascinating story to tell, from a 12th century Persian world atlas to a Soviet spy map. These maps were used to resolve conflicts, situate battles, construct a road or a canal, establish important shipping routes, even as propaganda tools. All the maps are reproduced in an oversized format, while accompanying text from an experienced team of historians explains the importance of each one.

Traditional Indian Jewellery: Beautiful People is a vast and detailed publication covering the importance of ritual adornment, and the popular design motifs featured in traditional Indian jewelry. Jewelry plays an important part in the everyday lives, important moments, festivals and religious aspects of Indian culture. It is not only girls and women who wear jewelry, but also boys, men, temple statues and even animals. The book excels in its detailed descriptions, which accompany the sumptuous array of images. We discover why enamel is used in the north of India, and how ancestral craftsmen pass their skills from generation to generation, especially the process and tradition of enamelling. The book covers in detail the meaning of the use of flowers and birds in Hindu-influenced jewelry, looking through the eyes of seventeenth-century European travelers who visited the rich Mogul courts. This publication is the result of thirty-five years of research – traveling, studying, and talking to many people across the entire subcontinent of India, as well as having had unprecedented access to goldsmiths and enamellers; being shown techniques known only to one family, which have been transferred from generation to generation; and being granted access to beautiful and never before seen Royal collections.

Traditional Indian Jewellery: The Golden Smile of India explores the rich heritage of Indian jewelry and its significance in past and present Indian society. Jewelry plays an important part in the everyday lives, important moments, festivals and religious aspects of Indian culture. It is not only girls and women who wear jewelry, but also boys, men, temple statues and even animals. The book excels in its detailed descriptions, which accompany the sumptuous array of images. We discover the origin and significance of gold, the significance of setting gems in a certain order, and jewelry’s spiritual importance. The book retells and explains in detail the legends and stories attached to certain gems, as well as their mythological and astrological significance. This publication is the result of thirty-five years of research – traveling, studying, and talking to many people across the entire subcontinent of India, as well as having had unprecedented access to goldsmiths and enamellers; being shown techniques known only to one family, which have been transferred from generation to generation; and being granted access to beautiful and never before seen Royal collections.

Traditional Indian Jewellery is a vast and detailed publication covering the rich heritage of Indian jewelry and its significance in past and present Indian society. Jewelry plays an important part in the everyday lives, important moments, festivals and religious aspects of Indian culture. It is not only girls and women who wear jewelry, but also boys, men, temple statues and even animals. The book excels in its detailed descriptions, which accompany the sumptuous array of images. We discover why enamel is used in the north of India, the origin and significance of gold, the significance of setting gems in a certain order, and jewellery’s spiritual importance. The book covers in detail the meaning of the use of flowers and birds in Hindu influenced jewelry, looking through the eyes of 17th century European travellers who visited the rich Mogul courts. This publication is the result of 35 years of research – traveling, studying, and talking to many people across the entire subcontinent of India, as well as having had unprecedented access to goldsmiths and enamellers; being shown techniques known only to one family, which have been transferred from generation to generation; and being granted access to beautiful and never before seen Royal collections.