The City Palace at Udaipur is part of a living cultural heritage that has survived in an unbroken line of custodianship from medieval kingship to modern democracy. This volume traces the cultural lineage of the palace through its art and architecture, arriving at a conservation model designed to preserve this magnificent structure for the future. Beginning with the historical precedents that led to the selection of Udaipur as the new capital of Mewar State, the authors of Living Heritage of Mewar trace the evolution of the palace, its sequence of inner and outer chambers, and the subsequent expansions, which added Mughal and British influences to its Mewar Rajput architecture. The authors, who are also conservation scholars, have outlined in this beautifully illustrated volume a master conservation plan that combines modern and traditional methods within the context of the unique history, condition and conservation needs of the City Palace Udaipur.
•Explores the conservation plan of the City Palace at Udaipur, an exemplary Indian cultural heritage monument
•Takes an holistic view, incorporating architecture, environment, history and lived traditions
•Lavishly illustrated with over 160 photographs and 59 plans
The City Palace at Udaipur is part of a living cultural heritage that has survived in an unbroken line of custodianship from medieval kingship to modern democracy. This volume traces the cultural lineage of the palace through its art and architecture, arriving at a conservation model designed to preserve this magnificent structure for the future.
Beginning with the historical precedents that led to the selection of Udaipur as the new capital of Mewar State, the authors of Living Heritage of Mewar trace the evolution of the palace, its sequence of inner and outer chambers, and the subsequent expansions, which added Mughal and British influences to its Mewar Rajput architecture. The authors, who are also conservation scholars, have outlined in this beautifully illustrated volume a master conservation plan that combines modern and traditional methods within the context of the unique history, condition and conservation needs of the City Palace Udaipur.
Personal and private outdoor space is becoming ever-more elusive as urban areas become more crowded due to population growth and increasing development. Urban Oasis: Tranquil Outdoor Spaces at Home explores projects from London to New York and Sydney to San Francisco that reveal inspirational designs of rooftops, garden spaces, outdoor rooms, terraces and courtyards, and provide refuge from the modern world with private pockets of paradise. These outdoor spaces provide relaxing, sociable, and plant-filled settings for residents to savor peace and calm, and the company of family and friends.
It is often said that you can’t take the same walk twice in New York. Its history may be short compared to that of European cities, but it is also a history marked by lightning-fast change. This pictorial journey into the history of New York City starts from the small town that began as New Amsterdam in the 17th century, tracing the unbridled expansion of the 18th century and waves of mass immigration of the 19th and 20th centuries. The authors, both experienced NYC tour guides, explore iconic districts like Times Square, Harlem, Wall Street, Central Park, Ellis Island and the Bronx, bringing the past and people to life through engaging stories and images. An inspired selection of archival photos, prints, vintage maps, stereographs, and ephemera make this publication, with its elegant, silver-edged finish, a fascinating visual homage to the vibrant city that is New York today.
Over the past twenty-five years, the Austrian artist Margit Hart has created an extremely diverse oeuvre of contemporary jewelry. Mindscapes, the name of her latest group of works, is synonymous with her ever changing jewelry objects. Since 2009 Margit Hart’s work – parallel to her jewelry has extended into abstract photography, resulting in a mutual dialogue between both disciplines. In her Schattenflug [Fleeting Shadows] works, she goes beyond illustrating the purely representational to create imaginary three-dimensional pictorial spaces that immerse us in mysterious worlds of light and shade. This monograph showcases the interplay between both modes of artistic expression in a tangible way.
Text in English and German.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on the United States’ Washington Mid-Atlantic region, the Classicist No. 18 explores the city’s rich architectural history as well as contemporary examples of classical design through professional and student portfolios as well as academic articles authored by leaders within the field. Contributors include Guest Editor W. Barksdale Maynard, architectural author; Witold Rybczynski, Martin and Margy Meerson Professor Emeritus of Urbanism at the University of Pennsylvania; David Frazer Lewis, Associate Professor of Architectural History at the University of Oxford; and Bryan Clark Green, Director of Historic Preservation for Commonwealth Architects in Richmond.
For almost 300 years, pocket watches were important accessories for the nobility and middle-classes. In order to store the watches securely and stylishly, artfully designed stands that matched the wearer’s interior were developed and were an impressive reflection of the history of European art and culture from the Baroque to the early 20th-century. The stands ranged from miniature versions of grandfather and mantle clocks to one-off works of art made from wood, ceramic or metal.
Until now, research on pocket-watch stands has attracted little attention. This publication provides a first representative overview of more than 800 objects from a unique private collection in southern Germany, documenting its wealth of designs, which encompass a large repertoire of Christian, mythological and political themes. Scholarly texts on the history of the objects, their designs, and restoration issues make this an indispensable standard work in this field.
Text in English, German and French.
Between the twilight years of the Tokugawa shogunate (1603–1867) and the end of the Meiji Era (1868–1912) that followed it, photography offered a unique insight into the rapid transformation of Japan from an isolated, feudal society to a modern, industrialized state. In the four decades that followed the opening of the country in 1853, the camera evolved from an imported novelty to a familiar witness of Japanese daily life. Operating from the Treaty Ports of Yokohama and elsewhere, early practitioners of photography plied an often precarious trade in images of Japan and laid the foundations of what would soon become a highly competitive industry with a global reach. Whether cherished as souvenirs of an exotic land of fond imagination or curated as visual documents of a fast-changing society, these images by foreign and Japanese photographers, often packaged in exquisitely produced albums, enjoyed a wide circulation abroad and played an important role in influencing perceptions of Japan in the West well into the early 20th century.
Drawing from an extensive private collection assembled over many years, this book presents a unique selection of 19th century photographs of Japan, many of which are published here for the first time.
In the world of grand touring cars, Aston Martin occupies a special place. The English firm has always distinguished itself by its restraint, by the elegance of its creations, by the discretion of its style, by a reserve rarely observed in a universe that willingly abandons itself to exuberance. This book is devoted to DB models. David Brown relaunched the brand with emblematic cars, including some models that later became legendary, like the famous DB5 of James Bond.
The history of Aston Martin over the past 70 years is organized around eight main designs. They are all strongly typed; directly associated with their creators, and with the nature of the successive owners of the company. Serge Bellu, a specialist in the history of the automobile, has produced a superbly illustrated book on the history of this typically British brand.
Delhi Then and Now comprises two masterful essays that trace the story of Delhi from the days when it was known by other names Indraprastha, Firozabad, Dinpanah to its reincarnation as New Delhi. Historian Narayani Gupta takes us through the city of Sultans, Mughal emperors and viceroys, while journalist Dilip Bobb shows us the face of New Delhi as it is now. A rich portfolio of archival photographs and illustrations, together with vibrant new pictures, edited by Pramod Kapoor, capture Delhi in all its glory past and present.
Delhi Then – A city of empires and dynasties, Delhi through the ages has evoked nostalgia of its history written on the red sandstone walls. From Quila Rai Pithora to the palace on Raisina Hill, the changing face of Delhi is remarkably discernible in these photographs – a special collection that give words to the spoken and unspoken history of this city. Delhi Now – A city of dreams and desires, Delhi’s urban landscape is incomplete without the stones of seven ancient cities which give it a distinct meaning, a distinct outlook. A modern city on the move, the colors and digital vibrancy of the photographs capturing Delhi in all moods and moments, is as imposing as the grand old structures of yesteryears. A twin city of old-world charm and new extravagance, Delhi has evolved through the ages and is looking forward to an era that will be remembered down the ages.
“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France
“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue
“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo
With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.
Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.
Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.
Postcards were to people in 1900 what the Internet was to the world in 2000. The world went from a thousand to a billion postcards in a very short span of time, with the finest painters from India, Austria and Japan getting involved. Paper Jewels is the story of postcards during the Raj, and covers India, Pakistan, Sri Lanka and Burma. It is the first book on the subject and features hundreds of professionally-restored images in original format, weaving together the postcard artists, photographers, and publishers who define the rich history of the medium. The author’s research also charts the history and progression of the technological aspects of postcard publishing and its key players. The concluding chapters explore the role postcards played in the Independence struggle, from the First Non-Cooperation Movement through the Dandi March and Partition. It includes some of the earliest cards of Mahatma Gandhi, Mohammed Ali Jinnah and other political figures. Many of the images in the book have not been seen since they were first published nearly a century ago. Published in association with The Alkazi Collection of Photography.
• The first book on the subject of postcards in the Indian subcontinent
• More than 500 professionally restored images
• Chapters dedicated to cities and movements
Postcards were to people in 1900 what the Internet was to the world in 2000. The world went from a thousand to a billion postcards in a very short span of time, with the finest painters from India, Austria and Japan getting involved.
Paper Jewels is the story of postcards during the Raj, and covers India, Pakistan, Sri Lanka and Burma. It is the first book on the subject and features hundreds of professionally-restored images in original format, weaving together the postcard artists, photographers, and publishers who define the rich history of the medium. The author’s research also charts the history and progression of the technological aspects of postcard publishing and its key players. The concluding chapters explore the role postcards played in the Independence struggle, from the First Non-Cooperation Movement through the Dandi March and Partition. It includes some of the earliest cards of Mahatma Gandhi, Mohammed Ali Jinnah and other political figures. Many of the images in the book have not been seen since they were first published nearly a century ago.
Published in association with The Alkazi Collection of Photography.
After the first Thai comic strip was published in 1907, comics flourished in Siam and developed in uniquely Thai ways. With diverse and leading artists working in each generation there is a wealth of material to consider. Gory horror tales, anti-communist propaganda and socially-engaged graphic novels bear witness to the country’s darker years. From 1990, Thai comics struggled to compete with the sudden influx of unlicensed Japanese manga and went through a hiatus, making a comeback in the late ’90s with a new and alternative scene that deserves wider recognition. Each page of The Art of Thai Comics opens a unique window onto Thai society – a distilled vision of its hopes, fears, delights and horrors. From 20th century interpretations of Jataka tales, which replay the Buddha’s various reincarnations, to tales of modern-day millennial angst. Thai comics past and present offer an entertaining and enlightening viewpoint onto the country’s history, culture and enduring creativity.
Awadh has historically been among the most important regions in India, politically, religiously and socially, and holds a vital position with respect to the development of Indian fashion. As such, fashion and history are not mutually distinct, but rather intricately intertwined. This book takes a fascinating journey, connecting dates and events to the evolution of costumes, textiles, colors, motifs and ornamentations from the eighteenth century up to present-day India. It recaptures the ambience of the Nawabi Era and the British Raj in Awadh, and makes them relevant for contemporary times. Costumes & Textiles of Awadh is the culmination of five years of research into an area hitherto untouched by books on costumes. The work is further embellished with rare photographs and exclusive pictures of costumes and textiles. The book makes for an important reference work on the rich textile history of an important region of India, and will appeal to anyone with an interest in the intricacies of fashion with history. Contents: Preface; Introduction; Awadh-Nama – The Chronicle of Awadh (1722-1947); Shan-e-Awadh – Splendour of the Court of Awadh (1722-1856); Nawabi Era (1722-1856); British Raj (1856-1947); Evolution of Motifs and Colours (1722-Present); Evolution of Costumes (Modern Times); Epilogue; Bibliography; Glossary; Acknowledgements.
The impressive Château de Chenonceau is the jewel of the French Loire Valley. The fairytale type castle has had a particularly rich history and has always been inhabited and curated by intelligent, strong-willed women such as Catherine Briçonnet, Diane de Potiers, Catherine de Medici and Louise de Lorraine – hence its nickname ‘Ladies’ Castle’. Through the ages the spaces have been imprinted with the souls of those who built, inhabited and loved the castle. Every part of Chenonceau’s interior and exterior – not in the least the castle’s impressive gardens – exudes peace, harmony and elegance. Since 2015 Jean-Francois Boucher has been appointed floral scenographer of the estate. Together with his small team he creates new floral compositions for the castle’s rooms every week. These ‘staged’ flowers emphasize the history of the estate just like any other piece of art or furniture does. Their designs blend in perfectly with the interiors and are in beautiful harmony with the room’s color codes, perfumes and functions. Sometimes they even wink at poetry, art or the historical events that took place in these spaces. The Bouquets of Chenonceau is a magnificent coffee table book that will please both lovers of history and fans of floral design. Text in English and French.
In this evocative new book, historian David Kynaston tells the fascinating story of Anthony de Rothschild (1887–1961). Through access to never previously consulted diaries and letters, a three-dimensional picture emerges of a complex and thoughtful man guiding the City’s most famous merchant bank through the turbulent years between the 1920s and 1950s.
In politics he was open-minded and constructive whilst in his philanthropy, not least through his leading role in helping Jewish refugees (especially children) to leave Nazi Germany for England, he was thoughtful and generous. Austere on the surface but warm beneath, impatient equally of fools and idealogues, always searching for how he could contribute to make a better world – Anthony de Rothschild deserves, arguably more than almost anyone else in the 20th-century City, to be known properly by later generations.
Pan Am: History, Design & Identity is the captivating story of a company that refused to consider anything impossible and single-handedly revolutionized air travel. From modest beginnings in the late 1920s, Pan Am developed into the world’s largest and best known airline with astonishing speed and determination. Its rise was accompanied by highly effective publicity campaigns flaunting its services and its many achievements. This volume presents an overview of Pan Am’s complex history with new research and documents from the corporate archives. It is an inspired tribute to one of the most influential companies of the 20th century whose iconic designs have remained in our collective memory down to the present day.
Hundreds of images, many published for the first time, were carefully selected not only to create a spell-binding visual storyline to supplement the text, but to allow readers to retrace for themselves Pan Am’s brilliant publicity coups, their goals and their results. All images were digitally restored and reproduced true to the originals.
Between the second half of the 15th century and the 20th century, many painters added a fly to both their sacred and profane compositions. It was painted so convincingly that it seemed real. André Chastel, art historian, reconstructed in this book the history of the fly in painting, here reviewed and updated by Sylvia Ferino-Pagden. At least at the beginning, the fly was introduced as an odd masterpiece, an affirmation of the artist’s skill and convictions. A joke for illusionists, which however contains more complex meanings. The fly in painting then evolved. The insect, as we know it, is not well-loved and goes from simply being a nuisance to being the sign of death itself. And over time, la burla di Giotto, Giotto’s joke, generated a series of symbols where the artist wanted to represent the transience and precariousness of life, of earthly joys. The book chases the flies in picture after picture and recounts how the pictures are strewn with even minuscule signals, plots, and traps which, from time to time, take the form of a flower, an insect, a gem. It is a question of knowing how to interpret them to delve into a story that is also an adventure of the human spirit.
Text in English and Italian.
This volume collects a selection of works of art produced in the western United States belonging to the collection of the Petrie Institute of Western American Art housed in the Denver Art Museum. This collection is one of the richest and most substantial in the world on this subject, thanks to its outstanding bronze sculptures, early modern works, and contributions from the artistic communities of Tao and Santa Fe. The central theme of the book is the period stretching from the beginning of the 19th century to the mid-20th century.
More than 200 pages of portraits, genre scenes, landscapes, and depictions of a still-intact wilderness make evident the diversity of the collection. The narrative proceeds chronologically, presenting early luminaries such as Albert Bierstadt, Frederic Remington, and Charles M. Russell; Robert Henri and the artists of the TAO community; and prominent modernist painters, including Maynard Dixon, Marsden Hartley, and Raymond Jonson. Numerous illustrations and expert interpretations chronicle the artistic, cultural, and identarian climate in the western United States during this period. A prologue by historian Dan Flores and an epilogue by art historian Erika Doss describe the vaster context in which to view this rich history of American art.
For a century now the Aston Martin name has been synonymous with performance, style and sophistication. Perhaps more than any other luxury car it possesses a mystique and charisma that have established it as a cultural icon and the pinnacle of automotive ingenuity. Yet the brand’s survival has not always been assured. That Aston Martins are still being produced today is testament to the power of the name and what it represents to car lovers worldwide. In Aston Martin: Power, Beauty and Soul, author David Dowsey explores the colorful history of Aston Martin, from its humble beginnings in a London garage in 1913, to its takeover by the Ford Motor Company in 1987 and sale in 2007. Many of those intimately involved at the various stages of the car’s history offer fascinating insights into the development of the Aston Martin and amusing behind-the-scenes anecdotes. Mike Harbar s delightful renderings add a charming bespoke dimension to the book. With lush full-color photography, comprehensive specifications of every model from the early DB right up to the V8 Vantage Roadster, and production statistics and racing results Aston Martin: Power, Beauty and Soul is an indispensable reference for motor enthusiasts and a book that truly does justice to the Aston Martin name.
#PorschePur … That’s the hashtag that marked the start of this project. From the 356 to the 911 GT2 RS, from Porsche no. 1 to the Panamera Turbo S E-Hybrid Executive, from Le Mans to the Nürburgring, from the Rallye Monte Carlo to Dakar, from James Dean and Hans Herrmann to Mark Webber and Neel Jani – this book retraces the rich and varied history of the Porsche brand and its models. Included in this book are all the sports car models as well as the race cars with which the brand has earned its laurels in sporting competitions. The visual story is told by means of unique photography of highly detailed miniatures in 1:43 scale, photographed in the actual surroundings be it at the Nürburgring, in Hong Kong, Los Angeles, Paris or any other place on earth. The camera used in all cases is an iPhone. The photos and the fascinating text were originated by long-standing motoring journalist, book author and communications professional Jörg Walz. His ‘Instagram car park’ has grown to become a unique automotive museum with space for more than 1,000 cars. A large proportion of this collection is showcased here in this unique book.
Time is a great mystery. A changeable element, which expands or vanishes, but that appears concrete as it is marked by the passing of seconds, minutes, hours, days, and years. The path toward the capture of minutes and seconds coincided with the phases of scientific evolution that allowed man to manufacture watches that are increasingly reliable, but that are also in tune with changes in customs, social needs, and aesthetic canons.
This book covers the art of watch manufactory as well as 60 great models, covering both their technical evolution and style trends. In each chapter in-depth studies will guide the reader to the history of the most important manufacturers, the personalities linked to the models treated, technical innovations, styles of the period, or records achieved by the wristwatches: from the watch that helped Charles Lindbergh during the first transatlantic solo flight, to the one worn by Sir Edmund Hillary on the top of Mount Everest, the most iconic models will be discussed in detail.