John Bellany, born 1942, helped change the course of painting in Scotland. His intensely felt paintings of fisherfolk and their precarious life at sea were a direct challenge to the much diluted Scottish colorist tradition and its landscapes and still lifes. The sheer size and raw emotion of Bellany’s canvases, their depictions of a way of life that the artist knew from growing up in a Port Seton fishing family – and their elevation of that life onto a symbolic level – were at odds with the decorative, drawing-room pictures of much contemporary Scottish painting in the 1960s.
This book will mark John Bellany’s seventieth birthday and will accompany the largest and most comprehensive exhibition of John Bellany’s work since the National Galleries of Scotland organized the retrospective in 1986. The fully illustrated catalogue will illustrate paintings, watercolors, drawings and prints from all the key periods of the artist’s career.
This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.
Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.
This revelatory book concentrates on Scottish women painters and sculptors from 1885, when Fra Newbery became Director of the Glasgow School of Art, until 1965, the year of Anne Redpath’s death. It explores the experience and context of the artists and their place in Scottish art history, in terms of training, professional opportunities and personal links within the Scottish art world. Celebrated painters including Joan Eardley, Margaret Macdonald Mackintosh and Phoebe Anna Traquair are examined alongside lesser-known figures such as Phyllis Bone, Dorothy Johnstone and Norah Neilson Gray, in order to look afresh at the achievements of Scottish women artists of the modern period.
Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography.
Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography.
In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society.
Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography.
Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s ground-breaking work.
This absorbing introduction to the story of Rembrandt s rampant fame and influence in Britain is filled with beautiful images. The story of ‘Rembrandt mania’ began in 18th-century Britain with passionate, and often eccentric, collectors acquiring artworks by any and every means. As the craze for Rembrandt ebbed and flowed, each new wave of enthusiasm brought him ever-greater fame and influence, and collectors became increasingly ingenious. This master’s impact not only on collectors and the public but also on British artists over the last four centuries is explored, with lavish paintings, drawings and prints from artists such as Henry Raeburn, Joshua Reynolds and James Abbott McNeill Whistler shown alongside some of Rembrandt’s most famous masterpieces.
A Shepherd’s Life centres on Jenny Armstrong, born in 1903 at the farm of Fairliehope, who spent her life working as a shepherdess in the Pentland Hills. In a series of remarkable paintings made over twenty years and based on close observation, Victoria Crowe, one of Scotland’s foremost painters, pays tribute to the life and work of this exceptional woman. In spite of their different ages and backgrounds, the two women came to value each other’s company and it was through the shepherdess that the artist learned how to interpret the surrounding landscape. At the same time the paintings depict an ancient way of living that has been long in the decline and which, at the start of a new millennium, may be finally disappearing.
The ‘Two Roberts’: Robert Colquhoun (1914-1962) and Robert MacBryde (1913-1966), were two of the most important and celebrated Scottish artists of the twentieth century. Colquhoun studied at Glasgow School of Art where he met Robert MacBryde. The two became lovers. They were part of a celebrated Soho group that included Francis Bacon and Lucian Freud. Their post-cubist work – much influenced by Picasso – became enormously successful. In the 1950s they established worldwide reputations. Colquhoun’s drinking and temperament caught up with him and he died almost penniless in 1962. MacBryde was killed in a car accident four years later. This catalogue with over 90 illustrations accompanies the only show to ever exhibit both artists together. The authors refer to previously unpublished letters and explore the ‘Two Roberts’ individual art practice as well as works the two executed together.
Unfinished paintings can be seen in many of the world’s great collections, including that of the National Gallery of Scotland: they fascinate the viewer and raise intriguing questions. What circumstances left them incomplete? What do they tell us about the ways that painters worked? How do we define ‘finish’, and when did an artist consider a work to be finished? These and other questions will be considered by David Bomford, in an exploration of the non-finito from the Renaissance to the 20th century. The Watson Gordon Lecture Series: The Watson Gordon Lectures, established in 2006, typify the long-standing collaboration between the University of Edinburgh and the National Galleries of Scotland. Each lecture is by a leading scholar and reveals new research on a focused topic. The lectures are delivered and published annually, and now number eight titles in the series. Also available: ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein ISBN 9781906270384 Picasso’s ‘Toys for Adults’, Cubism as Surrealism ISBN 9781906270261 Roger Fry’s Journey: From Primitives to the Post-Impressionists ISBN 9781906270117 Sound, Silence, and Modernity in Dutch Pictures of Manners ISBN 9781906270254
The Japan National Stadium was completed at the end of November 2019. The new stadium connects to the surrounding environment through its abundant use of wood, building height reduced to a minimum, and intermediate spaces created by eaves and engawa, despite being a massive sports facility that can house over 60,000 people for games and events such as the Tokyo Olympic and Paralympic Games.
This special issue captures the National Stadium through various themes, recording and introducing in detail the design concept and process, engineering, construction, etc.
The magazine is intended to become a valuable document of the stadium that will be loved by the public for years to come as the “mecca” of sports in Japan.
Text in English and Japanese.
Tigers are symbolic of the Indian wilderness and the mesmerizing stripes have long captured popular imagination. A Decade with Tigers is a photographer’s take on the dramatic rise in the popularity of tigers in the past decade. Powered by social media and an increasing number of photographers interested in documenting the various moods and behaviors of tigers in forests across the country, tigers have been anthropomorphized, with some of them becoming the ‘tiger icons’ of India. A Decade with Tigers is a unique tribute to the tigers who have played a vital role as ‘brand ambassadors’ of Indian wildlife. The volume chronicles legendary tiger mothers and male tigers of the past decade, as well as their tales of survival, complemented by exquisite images by wildlife photographer Shivang Mehta, who has spent thousands of hours on the field. Also showcased is the singular diversity of Indian wildlife through spectacular images of the myriad species that share their home with tigers, photographed in terrains ranging from montane forests to the plains of Central India. The book also delves into the changing landscape of tiger photography in India, and contains expert opinions by leading nature photographers on the need for creativity and innovation in the photography and portrayal of India’s magnificent national animal. Contents: Foreword, Preface, Tiger mothers, Bandhavgarh, Ranthambhore, Tadoba, Pench, Corbett, Mighty males, Denizens of the tiger kingdom.
• A unique tribute to the tigers who have played a vital role as ‘brand ambassadors’ of Indian wildlife
• Delves into the changing landscape of tiger photography in India, and contains expert opinions by leading nature photographers
• Also showcased is the singular diversity of Indian wildlife through spectacular images of the myriad species that share their home with tigers
• A photographer’s take on the dramatic rise in the popularity of tigers in the past decade
Tigers are symbolic of the Indian wilderness and the mesmerizing stripes have long captured popular imagination. A Decade with Tigers is a photographer’s take on the dramatic rise in the popularity of tigers in the past decade. Powered by social media and an increasing number of photographers interested in documenting the various moods and behaviors of tigers in forests across the country, tigers have been anthropomorphized, with some of them becoming the ‘tiger icons’ of India.
A Decade with Tigers is a unique tribute to the tigers who have played a vital role as ‘brand ambassadors’ of Indian wildlife. The volume chronicles legendary tiger mothers and male tigers of the past decade, as well as their tales of survival, complemented by exquisite images by wildlife photographer Shivang Mehta, who has spent thousands of hours on the field. Also showcased is the singular diversity of Indian wildlife through spectacular images of the myriad species that share their home with tigers, photographed in terrains ranging from montane forests to the plains of Central India.
The book also delves into the changing landscape of tiger photography in India, and contains expert opinions by leading nature photographers on the need for creativity and innovation in the photography and portrayal of India’s magnificent national animal.
Contents: Foreword, Preface, Tiger mothers, Bandhavgarh, Ranthambhore, Tadoba, Pench, Corbett, Mighty males, Denizens of the tiger kingdom.
In ancient Indian sciences, the courtyard assumes the central position as Brahmasthana, the nucleus of the living environment. Lying at the genesis of the urban dwelling form in India across geography and time, it provided for an open-to-sky outdoor space while being away from the public eye and thus suited an introverted lifestyle. In this book, the author traces the metaphysical, mythical, socio-cultural, environmental and spatial roles of the courtyard in the domestic architecture of India — from early civilization and Vedic times to Islamic and colonial influences. This volume documents traditional and vernacular courtyard dwelling types across India within diverse climatic, cultural as well as geographic zones of the country. It then discerns the spatial elements constituting the court, and the arts and crafts as well as the elements integral to the court. Illustrated with splendid photographs and representative drawings, the book attempts to understand the presence and resolution, continued use and adaptation as well as the diverse interpretations and abstractions of the courtyard.
The German silversmith Paula Straus (1894–1943) was a pivotal figure in shaping the “Golden Twenties” and the creative decades of the Bauhaus. Even early on, her jewelry objects and handmade items of silverware were reviewed with praise in the specialist press, and national and international exhibitions followed. In joining the design studio of the silverware factory Peter Bruckmann & Söhne, Heilbronn, in 1925, an unparalleled career began as Germany’s first woman industrial designer. The silverware she designed — coffee and tea services — for handcrafted as well as machine production stands as an example of her own original style, which is defined by a purist idiom.
Her professional success and her renown as a craftswoman and designer have been completely forgotten due to the national-socialist persecution of the Jews from 1933 and her murder in Auschwitz. The time has now come to rediscover her work.
With contributions by Edith Neumann, Monika and Reinhard Sänger, Joachim W. Storck, Michal S. Friedlander, Christoph Engel, and a foreword by Winfried Kretschmann.
Text in German.
William Bell Scott’s screen, The King’s Quair, was commissioned by James Leathart, an important collector of Pre-Raphaelite art. The beautifully decorated folding screen took as its inspiration The Kingis Quair, a 15th-century Scots poem attributed to James I of Scotland. Depicting key scenes from the king’s 18-year imprisonment in Windsor Castle, it is adorned by exquisite botanical details and gold leaf.
Split into three parts, this book reveals the history of the screen’s commission, details the remarkable imagery of the screen itself, and finally situates the screen in its historical context by explaining the fascinating personal relationships that were the backdrop to its creation, including Scott’s relationship with the artist and heiress Alice Boyd.
Drawing together the chivalric medieval tale of an imprisoned, love-struck king with the vibrancy of the Pre-Raphaelite social circles in which Scott moved, the reader is given a vivid picture of how this captivating artwork was created. Illustrated with new photography of the screen, this book is a vital new part of the story of British, as well as Scottish art.
Written for children, but with parents very much in mind, this book tells the Apollo 11 story through the medium of artist Adrian Buckley’s atmospheric imagery. From President Kennedy’s call to put a man on the moon to the celebratory ticker tape parade in Manhattan, this is a story of three extraordinary men and their incredible achievement: Mission Commander Neil Armstrong, Lunar Module Pilot Edwin Buzz Aldrin and Command Module Pilot Michael Collins. On 21 July 1969, when Neil Armstrong opened the hatch in the Lunar Module and descended the ladder to set foot on the surface of the Moon, he became in an instant the greatest traveler in human history. Full of period detail and fascinating insights, this is a book to be explored and enjoyed.
The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863–1944) at the forefront of European art at the turn of the last century.
Interestingly, Munch’s artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.
Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist’s work: Munch’s relationship to Italy.
The first essay, Lasse Jacobsen’s ‘Edvard Munch. Italian Impressions’, explores this connection explicitly, as part of a general overview of Munch’s life and work.
The second text, ‘Reflections in Munch’s Inner Eye’ by Patricia G. Berman, charts the art historical context of Munch’s exploration of experience’s subjective dimension. Emil Leth Meilvang’s ‘Seeing without Sight. Munch’s Vision’, on its part, explores the relationship between Munch’s artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: ‘I am a Romantic’ and ‘Who Am I’. Each demonstrates Munch’s continuing ability to light the inner fires of other artists.
Text in Italian.
Tong Jun was an outstanding architect and architectural educator in contemporary China. He was widely considered an all-round talent in theory, creation, writing and painting in Chinese architecture. He had a deep foundation in ancient Chinese literature, and studied Chinese classical poetry since childhood. While studying at the University of Pennsylvania, he won many awards in the national architectural student design competition. He has left behind many works and manuscripts on landscape, architecture, and architecture history, sculpture history, and painting history that have enlightened and educated many generations. However, there are few records about him. This book recollects the last 20 years of his life, and introduces the reader to the very real and vivid practitioner that was Tong Jun.
The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863–1944) at the forefront of European art at the turn of the last century.
Interestingly, Munch’s artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.
Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist’s work: Munch’s relationship to Italy.
The first essay, Lasse Jacobsen’s ‘Edvard Munch. Italian Impressions’, explores this connection explicitly, as part of a general overview of Munch’s life and work.
The second text, ‘Reflections in Munch’s Inner Eye’ by Patricia G. Berman, charts the art historical context of Munch’s exploration of experience’s subjective dimension. Emil Leth Meilvang’s ‘Seeing without Sight. Munch’s Vision’, on its part, explores the relationship between Munch’s artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: ‘I am a Romantic’ and ‘Who Am I’. Each demonstrates Munch’s continuing ability to light the inner fires of other artists.
This study of the wooden Serpent figures/headdresses of the Baga people of Guinea is a collaboration by the author, as an art historian, with many contributions from diverse perspectives, including scientists preeminent in their fields, Robert J. Koestler, Roy Sieber, Dennis William Stevenson, Mark T. Wypyski, and Peter J. Zanzucchi.
The text begins with a thorough exploration of the ethnological and art historical evidence for the Serpent masquerade among the Baga of Guinea, bearing an immense wooden serpent figure on top of the head representing a python. Never witnessed or photographed by an outsider, it disappeared in the 1950s along with most ritual performance after an Islamic jihad instated strict prohibitions against indigenous religions. The ritual context is followed by an in-depth analysis of the Serpent masquerade figures now extant in collections in Europe, the Americas, and Africa, as well as other representations of the python in the ritual art of the region. The final sections present the arguments, as a debate, between interested persons in the arts, including art historians, dealers, appraisers, collectors, and curators, and the scientific examinations by specialists in botany, chemistry, physics, entomology, and conservation concerning one particular Serpent figure in question.
Mixing Roman and medieval roots, Chichester sits at the heart of a storied landscape where South Down hills dotted with idyllic hamlets ripple back from a shoreline mixing wild dune-backed beaches with old-school seaside resorts. Reminders of smuggling and war add spice.
But a thrilling thread of modernity runs through this slice of West Sussex too. Chichester’s modernist Festival Theatre provided the foundation for London’s National Theatre, while masterpieces of contemporary architecture that draw admirers from around the world include Sea Lane House in East Preston and The White Tower in Bognor Regis.
Evocative ancient memorials abound. Chichester is blessed with the only English cathedral visible from the sea, while England’s largest castle rises above the ravishing – and cosmopolitan – riverside town of Arundel. Ancient yew trees mark the burial spots of Viking warriors in an idyllic Downland spot. And it’s a land vibrant with creative imprints: poets, painters, composers, from Blake and Keats to Joyce and Chagall.
This guidebook takes you exploring Chichester and its surroundings to find incomparable natural beauty, hidden secrets, astonishing history, art of all kinds, and much more.
Wine has been made commercially in Canada since the mid-1800s but Canadian wine has only really begun to register with professionals and consumers outside the country in the last few decades, as quality has dramatically improved. Canadian wine is now being exported in meaningful volumes to the USA, Asia and Europe and since the beginning of this century the number of wineries has increased more than 250 per cent. In recent years wine regions have been demarcated (with some divided into sub-appellations), provincial wine laws have been adopted and indigenous and hybrid vines have largely been replaced by Vitis vinifera varieties in the main wine regions.
After taking readers through the history of winemaking in Canada, The Wines of Canada provides an overview of the country’s wine regions, their climate, soil and other geographic conditions, and explains noteworthy viticultural and winemaking techniques, such as the practice in some regions of burying vines to protect them from extreme winter temperatures. Phillips details key producers of the main wine-producing provinces (British Columbia, Ontario, Quebec and Nova Scotia), assessing their wines and providing relevant details for those planning winery visits. The book concludes with appendices covering vintage reports, Canadian wine festivals and provincial wine-selling laws.
As the first comprehensive guide to one of the wine world’s rising stars, The Wines of Canada is an eye-opening book for scholars, students and wine aficionados alike.
The 19th and early 20th centuries were a time of change in the technology of dyes and dyeing: brilliantly colored synthetic dyes came onto the market and were welcomed into the world of fashionable clothing. Natural dyes still had a part to play, however: locally available dyes could make a significant contribution to the revival or development of the economy of a region, such as the Scottish Highlands during the First World War.
The dye extracted from a plant growing in one region may differ slightly from that found in a closely related species growing in another; the Japanese and Chinese species of Phellodendron (Amur cork tree and related plants) are a good example. Analysis of the dyes used for a fabric may thus suggest the region in which it was dyed. Trade records can provide additional useful evidence, as shown by a comparison of dyed textiles from the Ryukyu Kingdom (Okinawa and neighboring islands) and Indonesia.
The use of non-invasive spectrometric methods to examine dyes and pigments has increased considerably, notably portable methods that can be taken to the object. This is essential in the case of manuscripts that cannot be moved from the library holding them, such as the Aztec Codex Borbonicus. The application of multispectral imaging techniques to textile dyes is relatively recent and if high-performance liquid chromatography can also be carried out, as in the case of the Italian polychrome laces described in this book, valuable and informative results can be achieved.
These are some of the topics presented at the 33rd and 34th meetings of Dyes in History and Archaeology held in Glasgow (2014) and Thessaloniki (2015): other analytical methods, historical Chinese dyeing practices and the always fascinating topic of indigo may also be found in this book.
Papers on various aspects of dyes and dyeing presented at the annual meeting of the Dyes in History and Archaeology group.
A volume dedicated to the memory of Helmut Schweppe. Papers presented at the 19th annual meeting on Dyes in History and Archaeology, held at the Royal Museum, National Museums of Scotland, Edinburgh in October 2000.