Photographer Jasper Léonard previously resized Antwerp and New York and now points his special tilt-shift lenses towards Amsterdam. Amsterdam Resized shows you the city like you’ve never seen it before: the famous canals of Amsterdam have been reduced to mere trickles with mini-sized bridges; the joggers in the Vondelpark now resemble Playmobil puppets, and the Stedelijk Museum now looks more like a bath tub. A new book in the Resized series, which has been a huge success in the US with articles in, among others, USA Today and the New York Post. International press has heaped praise on the Resized series: “The book is an intimate and magical token of admiration.” – The Sydney Morning Herald Also available: Antwerp Resized ISBN: 9789401432702 Belgium Resized ISBN: 9789401434614 New York Resized ISBN: 9789401443395

Text in English and Dutch.

“James O’Mara knows the elusiveness of time and the permanence of one moment. His rhythm is comparable to that of music, performed with a deep understanding but a willingness to abandon logic and convention to instinct and emotion.” – Elvis Costello, Rome, 2016 The photographic art of James O’Mara can be approached in as many ways as the poetry residing in it. Discussing his work, O’Mara says, “I try to approach every adventure in life as if it were a dance. I need that pulse, that rhythm.” In fact, in his pictures we can perceive not only the moment captured by the camera lens, but also a ‘before’ and an ‘after’. He has the ability to grasp the dynamism of the scene, even in perfectly still subjects: the ephemeral moment, the instant in which a figure reveals his or her nature, or events show new meanings. This large-format volume is ideal for showcasing the author’s finest shots, which span about 50 years: from the rock stars of the late Sixties (Jim Morrison, Bob Dylan, Keith Richards, Rod Stewart, Joni Mitchell, and Carole King to name a few), to the more recent portraits of people, famous and otherwise, as well as captured moments of everyday life from around his beloved cities of Vancouver, Tucson, Los Angeles, Paris and, naturally, in Tuscany.

Shivdatt Sharma (b. 1931) is one of the most prolific Indian modernist architects. Starting out as an architect in the Chandigarh Capital Project Team led by Le Corbusier and Pierre Jeanneret, Sharma subsequently became Chief Architect of the Indian Space Research Organisation. He then went into private practice. Sharma’s architecture is a distinct blend of the core principles of Modernism, interpreted through the lens of contemporary Indian realities. Modernism was adopted as both symbol and instrument of nation-building in Nehruvian India. Working alongside designers and artists, architects went to work building innumerable small townships, universities, public institutions, housing estates and infrastructural projects across the country. Progressive businesses also patronized Modernism as full participants in the project of nation-building. The Modernism in India Series documents the extensive heritage of Modernism and modern architecture in India. Bringing to light the work of a forgotten generation, this series documents work that is currently under threat by the forces of globalization. This well-illustrated book documents Sharma’s work from the early days, when it was a part of the experimental and innovative ethos of Chandigarh, to the present. He has designed for a range of public and private clients across the world. Along with a portfolio of selected works, this book includes critical essays, interviews and a chronology of projects.

“I can never say I was born to dance,” she says with a subtle hint of pride. Yet for this very reason, Kumudini Lakhia went on to become one of the great modern innovators of North Indian classical dance. Such paradoxes compose the fabric of Kumudini’s life and personality-an upbringing in the waning days of the Raj characterized by a love for Indian art as well as British sensibilities, a temperament both warm and austere, and an ambitious energy as overwhelming as it is focused. Like her life, her art itself came to embody an element of paradox-contemporary choreography within one of the most ancient dance forms in the world. Her work, criticized thirty years ago as sacrilege, is now considered classic, and continues to inspire novel approaches to the dance form. Unlike many Kathak exponents in the 1940s and 50s, Kumudini did not inherit the narrowly focused life of a traditional dancer. Instead, she was exposed to the modern world-attending an elite boarding school, developing curiosities ranging from agriculture to architecture, and touring Europe by the age of 18. Though she studied Kathak throughout her life, her path to professional dance was shaped more by circumstance than tradition. Told through the refracted lens of writer and dance student, Movement in Stills offers a unique blend of biography and personal impression to depict the life and dance of one of India’s great performing artists.

Kathak: The Dance of Storytellers explores the philosophical and practical aspects of Kathak dance – its origin, development, and techniques. Investigating this compelling dance style from cultural and historical perspectives, the book delves into the essential principles of Kathak, its schools and major artists, the format of Kathak performance, repertoire, Kathak music, predominant trends in training, and the system of practice through the lens of theory and application. A rare resource, the text is a comprehensive read for dancers, teachers, and Kathak lovers. Due to the increase of Kathak performances along with dance classes in the west, Kathak practitioners living outside India will immensely benefit from this book.

“If a picture can speak 1,000 words, then author and photographer Thom Gilbert s Soul: Memphis Original Sound is comparable to an encyclopedia.” Jay Z ‘s Life +Times
“Gilbert’s lens captured the songwriters, engineers, musicians, producers and others who had a hand in creating and shaping the Memphis sound of music.” Memphis Daily News
The book’s mission is to document the legends of the Memphis soul music business. Photographer Thom Gilbert set up a photo studio at Royal Studios in Memphis, home of the famed Hi Records that launched the careers of Al Green, Ann Peebles, and dozens of others. The studio’s “green room” was filled with soul music royalty: Bobby “Blue” Bland in his signature nautical cap, several of the Hodges brothers who make up the incomparable Hi Rhythm Section were on hand, Stax Records musicians Bobby Manuel, Lester Snell were there actually working on a recording, but pausing to have their portraits taken. Gilbert has captured images of what seems like every living person related to Memphis soul music. From Rev. Jesse Jackson, who recorded spoken word albums on Stax’s Respect Records label, to Sam Moore of the indelible soul duo Sam & Dave, Carla Thomas, Steve Cropper, B.B. King, Bobby Rush, and many others, including the lesser known but equally vital session players, writers, engineers, publicists who contributed to what is now world renowned as The Memphis Sound.

Notorious as a refuge for the eccentric, the eclectic, and the creative, the Hotel Chelsea has been home to some of the great and unconventional writers, musicians, artists, and actors of the past century, including Bob Dylan, Janis Joplin, Charles Bukowski, and Allen Ginsburg, to name just a few. When the hotel was sold and closed for full renovations in August 2011, American photographer Victoria Cohen was invited to capture and document the essence of the building’s original interior before it’s imminent demise. Cohen’s photographs of these hallways, lobbies, and rooms, once beaming with life and vision, now bare and aged, illuminate a bohemian era that once was, speaking untold truths of a lost time. Absolutely fascinating and bittersweet, Hotel Chelsea casts the historic landmark through the lens of the twenty-first century, exhibiting it as it has never been seen before, and will never be seen again.

Musicscapes: The Multiple Emotions of Indian Music is a visual diary, comprised of 30 years of photo documentation. It explores Indian music through the lens of the passionate photographer Shobha Deepak Singh. Shobha is a chronicler, dedicated to representing the musical zeitgeist of modern India in pictographic form. Retelling history through evocative black-and-white portraits, she displays the many moods, iconic moments and the ‘rasa’ of Indian music. From the maestros of vocal music, Balasaheb Poonchwale, Kumar Gandharva, Bhimsen Joshi, Kishori Amonkar and Shubha Mudgal; to legendary instrumental musicians, Bismillah Khan, Ravi Shankar, Amjad Ali Khan, Ali Akbar Khan, Vilayat Khan, Hari Prasad Chaurasia, Shiv Kumar Sharma, Ronu Mazumdar and Zakir Hussain; Shobha captures some of the boldest and brightest talents that have emerged from India’s diverse music community. Her unique visual language portrays these artists with a rawness and verve no other photographer’s camera could match.

Brooklyn is one of the world’s great melting pots: a place where cultures converge and creativity thrives. This handsome volume features fifty profiles of prominent individuals, all of whom were born, have lived, or still live in Brooklyn. With biographical details such as where they were born, went to school, or made a name for themselves, this book looks at Brooklyn through the lens of a contemporary outsider; it is Brooklyn heritage as seen from another perspective. Contents include: Woody Allen, Isaac Asimov, Madeleine Astor, W.H. Auden, Lauren Baccall, Matthew Barney & Björk, Jean-Michel Basquiat, Henry Ward Beecher, Lloyd Blankfein, Benjamin Britten, Mel Brooks, Al Capone, Truman Capote, Shirley Chisholm, Lady Randolph Churchill, Aaron Copland, Mos Def, Neil Diamond, Bobby Fischer, Yuri Foreman, John Forsythe, Milton Friedman, David Geffen, George Gershwin, Ruth Bader Ginsberg, Rudy Giuliani, Bob Guccione, Anne Hathaway, Leona Helmsley, Harry Houdini, Wolfman Jack, Jay Z, Norah Jones, Michael Jordan, Danny Kaye, Larry King, Sandy Koufax, Spike Lee, H.P. Lovecraft, Norman Mailer, Arthur Miller & Marilyn Monroe, Henry Miller, Steve Ribell, Carl Sagan, Bernie Sanders, Beverly Sills, Barbra Streisand, Mike Tyson, Mae West and Janet Yellen.

Shobha Deepak Singh’s photographs are a telling documentation of the history of dance in post-independence India. Shobha has been photographing dancers and dance productions ranging from solos to groups to operatic productions; and from traditional to modern to contemporary dance productions. Legends of Indian dance including Kelucharan Mahapatra, Birju Maharaj, Sonal Mansingh, and Uma Sharma have all borne the scrutiny of her lens. Contemporaries such as Akram Khan, Aditi Mangaldas and Astad Deboo amongst others have been captured within the full force of their experimentation. Dancescapes not only documents, but also sets the blood racing in the veins of any lover of Indian dance.

A one-of-its-kind sensory journey across the length and breadth of India. Young, up-and-coming photographers explore India through the five senses – sight, touch, taste, sound, and smell. Their fresh perspective behind the lens and the colours, moods, and moments that their cameras captured gives a unique and definitive peek into the buzzing culture of India.

“I like depicting sexy, strong women – the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I’ve seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist.” – Alejandra Guerrero.

In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenseless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.

From acclaimed Hollywood photographer Firooz Zahedi comes Look at Me, a collection of his most distinguished and intimate celebrity portraits. From editorial commissions from magazines – including Vanity Fair, Glamour, InStyle, GQ, and Entertainment Weekly, to iconic movie posters such as Pulp Fiction, Edward Scissorhands, and The Addams Family – Zahedi has been photographing Hollywood’s biggest stars for over 35 years.

Each photograph is accompanied by a short text offering personal insight into how each shot came together. Also included are never-before-seen photographs as well as special behind-the-scenes snapshots and notes from Zahedi’s appreciative subjects. Look at Me is a celebration of this golden age of celebrity as seen through the lens of one of Hollywood’s most accomplished photographers.

Mayra Martell (b. 1979) is a documentary photographer from Ciudad Juárez, México. She has worked primarily in areas of Latin America and Africa subjected to forced disappearance. Her newest project, the book Ciudad Juárez, is about a city whose social fabric has been torn by violence. Martell has received many distinctions and awards. In 2011, at the 4th International Fotobook Festival in Kassel, Germany, she won the first prize in the Reviewer Award and second prize in the Dummy Award. She also obtained an honorable mention in Lens Culture International Exposure Awards in París, France.

“I was 19 years old the first time I heard about the Concorso d’eleganza villa d’este. I was a budding photographer and deeply fascinated by classic, Italian cars. Some 19 years later, when I participated in the Concorso d’eleganza villa d’este for the first time, I had long since made my passion for photography and exclusive cars into a career. The book contains much more than just tasteful pictures of classic cars. It is my tribute to the most coveted concorso in the world seen through my camera lens from 2005-2011. The evocative and magical moments are captured in an edgy and extravagant reportage style that encapsulates the uniqueness of the occasion; an incredibly atmospheric event with inimitable classic cars, impassioned money men, exclusivity, style and elegance.” Henrik Jauert

A new volume in ACC Art Books’ London series, focusing on the capital’s vibrant LGBTQ+ scene. Queer London is a timely and accessible introduction to the city through a LGBTQ+ lens, and will appeal to anyone with an interest in London’s thriving queer landscape.

Celebrating the diversity and innovation of queer individuals in London, both historically and today, Queer London
features a range of bars, clubs, shops, Pride events, charities, community organisations, saunas and sex shops that cater to the LGBTQ community.

Along with highlighted features on influential queer Londoners of the moment, this book delves into the cultural history of queerness in the capital, including events, organizations or venues that have sometimes been forgotten or overlooked, but which were of key importance to the community. From the long, illustrious queer history of Soho and the legendary drag balls at Porchester Hall, to the hottest clubs of the moment, Queer London is the go-to guide for anyone looking to engage with rich queer legacy of this nation’s capital.

“The sound of the yidaki calls everyone together in unity.” – Djalu Gurruwiwi

The human soul is said to weigh 21 grams. But what is the soul, and what makes us human? What do friendship, relationship, partnership entail? How and, most importantly, who defines us and our (gender) identity, our way of loving and living? Is it society? Or rather we ourselves? In her book, the photographer Celine Yasemin addresses these fundamental questions. She has turned her lens on friends and fleeting acquaintances, people from various cultural and social backgrounds who do not identify with the norm, who live a self-determined life with different experiences, preferences, and approaches to life, who comply neither with traditional roles nor relationship models.

With deeply empathetic images, Yasemin portrays her fellow human beings. She has succeeded in showing people in their most vulnerable state: in their private surroundings, in bed, naked, without makeup – and without sugarcoating anything. Her careful use of lighting together with her great sense for detail have resulted in pictures full of intimacy, dignity, and power. This book serves as a testimony to acceptance of each other’s differences and to mutual respect.

“This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time.” — Yahoo
“…captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Ailbhe Macmahon, Daily Mail

“Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other.”  —Graphius Magazine

Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs.

Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.

Forgotten in Thailand’s troubled Deep South, stands a dilapidated wooden palace once home to a Malay ruler, the last of his dynasty. Locals call it the “House of the Raja,” a place suffused with loss and solitude, laden with the region’s glorious past and tragic present. Intrigued by this demonized, little-known borderland, photographer Xavier Comas chanced upon this mysterious house and felt compelled to delve into its past. The caretaker, a Muslim shaman who held rituals inside, invited the author to stay and initiated him into its hidden dimensions. As Comas builds a bond of trust with the inhabitants of the house, the missing pieces of its history gently fall into place, revealing an ancient culture long hidden and the building’s ties to the centuries-old struggles in this contested region.
 
Comas’ evocative black-and-white photographs take us into a realm of hauntings, mystic powers and fading memories. His first-hand account enthralls the reader with vivid descriptions in which the real and the magical entwine. The House of the Raja provides a missing key to controversial issues of legacy, belief and identity in Thailand’s Muslim South.

Banaras is an enigma with a carefully crafted antiquity that runs deep into its veins. It is an anagram hard to decipher. In more tangible terms, going beyond the metaphorical, Banaras is about all its elements and many sights and sounds. It is about the visible thousands, the Banarasis (the dwellers), the pilgrims, the tourists, the patrons, the kings, the emperors, and the nameless. 

Banaras is the perceived ‘sacred’ by the believer, reflected in its past created and recreated, finally standing ground in the contemporary or the lived-in, in particular. A visit to Banaras leaves you with vivid memories or recall of a particular moment which resides in one’s senses long after the journey.

This book is about the author’s sensing of Banaras, a quest to comprehend all of the above and a catalyst to experience more.