While connoisseurship of natural stones is today well established in the West, books on viewing stones still predominantly feature East Asian examples. This is the first to present the finest North American viewing stones from private and institutional collections, selected by a panel of experts from over 275 professional photographs submitted by over 50 individuals and institutions. Each stone confronts us with the beauty and diversity of the natural world, and each has an uncanny ability to elicit an emotional response in the viewer. Included are introductory essays on Native American stone appreciation and a brief history of stone collecting on the continent.

The project was conceived and developed by Dr. Thomas S. Elias, former Director of the U.S. National Arboretum, Chairman of the Viewing Stone Association of North America, and Honorary Vice-Chairman of the Viewing Stone Association of China.

Although China is the colossus of our times economically, its equally prodigious output of contemporary poetry is relatively unknown. In this anthology, work of the so-called Fourth Generation of poets is selected and introduced by a scholar and former dissident, and translated by a distinguished international team of poets and writers. It offers for the first time in bilingual format the outstanding poetry emerging from a vibrant and rapidly developing cultural scene, and also introduces some of China’s hottest visual artists and their work. An introduction provides an historical and critical framework, while textual commentary and notes, biographical sketches, bibliography, and notes make this a necessary addition to any library of Chinese literature.

The NKTP (People’s Commissariat for Heavy Industry) Sanatorium was commissioned in 1934 by Grigory Ordzhonikidze, one of Stalin’s closest allies and head of the Commissariat for Heavy Industry (he committed suicide after falling out with Stalin in 1937, the year of the sanatorium’s completion). Despite the prevailing ideology that sought to outlaw modernism in favour of Stalinist neoclassicism, architect Moisei Ginzburg, with a team that included Ivan Leonidov, Evgeny Popov and Nikolai Paliudov, succeeded in creating an architectural ensemble that essentially retained its modernist integrity – and today remains a masterpiece of 1930s modernism – while making only minor concessions to the new Stalinist orthodoxy. In the early Soviet period, Kislovodsk in the northern Caucasus became known as a center for health spas and sanatoria – ‘palaces of health for the workers’. Ginzburg’s sanatorium still functions as a therapy center, and retains many of its original features, including windows, light fixtures, some of the furniture etc. This first English-language publication of the original book documenting its creation is an important addition to the Ginzburg canon.

Eighty percent of Porsches produced over the past century are still running! The iconic brand that everyone fantasizes about is, however, an attainable dream. Vintage, current, or futuristic, the brand continually innovates. Christian Martin uses his unique artistic talent to reveal the best of the Stuttgart-based manufacturer’s production. This book truly stands out in the impressive mass of books devoted to the legendary German manufacturer. Iconic models, rare models, special orders, limited-edition racing cars, concepts… After Life in Ferrari Red, Christian Martin’s new opus is set to dazzle the brand’s many fans.

Enter the enchanting world of Dior, where elegance, innovation, and timeless glamor come to life. This expanded volume invites you on a deeper journey through the legendary house of Christian Dior, tracing its rise from postwar revolution to global fashion icon.

Discover the stories behind Dior’s most iconic moments—on red carpets and runways alike—and the stars who brought them to life, from Elizabeth Taylor and Princess Margaret to Rihanna.

Follow the evolution of Dior’s design legacy, from the groundbreaking New Look to the modern visions of today’s creative directors. With rare imagery and new insights, this book offers an intimate look at the magic of Dior and its enduring impact on style and culture.

Also available is ISBN 9788794190572 The Essence of Dior, Unfolded.

Never reprinted since their first, posthumous appearance in 1935, these woodcuts were the only printed versions of his work to receive Rodin’s full approval. Mostly self-educated, Rodin was a passionate re-reader of his favorite books, and Ovid’s Love Elegies occupied a special place in his imagination. These woodcut illustrations were taken from the astonishingly free and improvisatory life drawings he made in his later years. For many people these are the most entrancing manifestation of his genius. Privately published in 1939 in a very strictly limited edition, these 31 beautiful images are very rarely seen. This edition marries Rodin’s illustrations to Christopher Marlowe’s glittering translation, which was ceremonially burnt by the Archbishop of Canterbury in 1599.

“It is wonderful, an instant classic and certainly the most comprehensive and useful single volume on the subject ever written.” – Donald J. La Rocca, Curator, Arms and Armor, The Metropolitan Museum of Art “For those looking for an informed introduction to the topic this book is a treasure trove.” – Natasha Bennett, Curator of Oriental Collections, Royal Armouries, Leeds, UK Arms & Armour Of India, Nepal & Sri Lanka is a very visually-driven and broad-based introduction to the unique world of arms and armor of the Indian region, encompassing India, Pakistan, Nepal, and Sri Lanka, areas with strong martial traditions. It provides an overview of types of arms and armor, with extensive geographical and historical context with many illustrated maps, their decoration and methods of adornment, as well as the iconographic and religious symbology. A unique and valuable feature of the book is an illustrated glossary. It is specifically designed to suit the needs of anyone wanting to familiarize themselves with this topic and the region. It can serve as a reference for the novice collector, and as an image resource for experts. This would include anyone interested in arms and armor in general, antique dealers, museums, general art market, educators, and of course, collectors. There has been increased interest in both collecting and scholarship regarding Indic arms and armor. Nearly every major auction on Indian and Islamic material tends to include arms and armor. Contents: Introduction; Terra Indica; Warfare In The Early Centuries; History: The Essentials; Steel, Trade And Distant Influences; Arms; Armour; Tribal Arms And Armour; Nepal; Sri Lanka; Decoration; Symbolism; Extraordinary Exemplars; Illustrated Glossary; Resources; Tips On Collecting; Museums/Collections; Further Reading; Index.

The 500 Hidden Secrets of Seattle reveals 500 off-the-beaten-track places and interesting details for anyone who’s keen to explore Seattle’s best-kept secrets, e.g. 5 great places for seafood, 5 places to satisfy your sweet tooth, 5 great LGBTQ+ bars, the 5 best views in the city, 5 quirky buildings and structures, 5 swimming spots for hot days, 5 great birding spots… and much more.

Step into the captivating world of Chanel, where heritage, reinvention, and effortless chic intertwine in a story of timeless allure. This expanded volume guides you through the legendary house of Gabrielle “Coco” Chanel, exploring its journey from a trailblazing atelier to a global symbol of modern elegance.

Uncover the tales behind Chanel’s most iconic creations—from the little black dress and the classic tweed jacket to the legendary No. 5 fragrance—and the unforgettable women who made them iconic, from Marilyn Monroe and Jackie Kennedy to contemporary muses like Keira Knightley and Kristen Stewart.

Trace the evolution of Chanel’s creative vision, from Coco’s revolutionary designs that liberated women to the innovative interpretations of Karl Lagerfeld and today’s forward-thinking creative directors. With exclusive photographs and fresh perspectives, this book reveals the captivating world of Chanel and its lasting influence on fashion and culture.

Also available is ISBN 9788794190589 The Essence of Chanel.

Brazil is the fifth largest country in the world, with 80,000 hectares of vines spanning a variety of soils and climates. It has been producing wine since the arrival of the Portuguese in the 16th century and today makes a range of wines: sweet, sparkling, easy-drinking and ageable. Although it produces similar volumes to countries such as New Zealand, Greece and Austria, its wines are not well known outside of South America.

The Wines of Brazil is therefore for wine explorers in search of diverse, off the beaten track wines. It begins by relating Brazil’s wine-making history, before moving on to explain current viticulture and wine making. The regions and their wine producers are profiled in detail, with a particular focus on those whose wines are sold outside the country.

Features a detailed history of alcohol production in Brazil, from indigenous peoples to the arrival of European settlers to the foundations of today’s wine business.

Explores Brazil’s differing varieties and wine growing methods across its broad range of terroirs, from the pioneering region of Serra Gaúcha in the south to the northern tropics of the São Francisco Valley.

Provides details on many of Brazil’s producers, including the author’s recommendations and information on visiting wineries. Author is a Brazilian national who has been a wine educator for more then two decades. Supported by color maps and photos.

“Outsider art” is the name given to the idiosyncratic work of self-taught creators who are driven to use their own invented visual language to bring forth images from their imaginations. It is outside the continuum of art history, outside the boundaries of art recognized by established art institutions, and outside the collective discourse of the mainstream art world. This book examines the underlying biases, ideologies, and social factors that inform the various approaches to outsider art, including myths surrounding mental illness, movements toward social inclusion, and movements away from the marginalizing effect of labels. Most importantly, Outsider Art of Canada explores how we think about art and who is entitled to call themselves an artist. In this survey dedicated to outsider art in Canada, the first of its kind, the artists introduced have much to tell us about their need to create, unapologetically and without regard to public opinion.

“The well-judged employment of classical detail in a new home has an additional significance that cannot be underestimated. It is an expression of an informed personal choice and an evocation of the delight in the human senses. This is true of all the houses featured in this book.” Jeremy Musson
“The architects and craftsmen that Phillip has featured in this wonderful book all have a love for classical detail. The art is alive and well, as can be attested to in these pages.” David Easton
In The Art of Classical Details, Phillip James Dodd takes a close-up look at some of the finest examples of contemporary classical architecture. The book consists of two chapters: The Essays and The Projects. Starting with a foreword by renowned decorator David Easton, The Essays are written by some of today’s most sought after architects, scholars and craftsmen. Accompanied by sumptuous full page photographs and renderings that illustrate a use of fine materials, intricate detailing, and superb artisanship, these insightful texts are essential reading for anyone with an interest in the theory, practice and craft of classical design. The Projects presents an illustrated look at 25 of today’s finest classically-designed homes. Employing the theories prescribed in the writings of the first chapter, this portfolio of contemporary buildings exhibits the work of some of the most recognizable and celebrated architects in Great Britain and the United States. The work featured in within this book demonstrates the timeless beauty of classicism, and delights in the role that superbly crafted details play in creating art.

The sari is the most representative apparel of India that has intrigued men and tempted women all over the world. Worn in a variety of ways, the sari is a fabric-length of varying densities in its body, borders and end pieces often woven by combining a range of cottons and silks in colors and patterns that are constantly evolving. Saris of India is an exhaustive overview of this fascinating unstitched garment and a cutting-edge documentation of design and all that supports it socially, culturally and economically.

Traveling district by district, village by village, the book explores an entire spectrum of traditional weaver and printer settlements in fifteen sari-producing states of India. Thus emerges the first comprehensive compilation of the whole range and scale of the sari: the structures, designs, colors, the format, and technology that make up the lingua of the sari; the inspiration, living experience and sensibilities of the weaving and printing communities; their economic viability and market system; and their predicament in an age of transition.

For the first time, this book offers a step-by-step guide for at least 108 ways of draping the sari, through a series of line drawings and color photographs, after revealing the rationale of the varying lengths and widths of the sari in the distinctive wearing styles of every region. Produced after 20 years of research, Saris of India illustrates the vibrancy and splendor of this age old garment through extensive documentation and stunning photographs. A vivid account of how saris come into being for the lay reader and the specialist – be they textilists, designers, scholars or developers who will find this book equally engaging.

“Neural networks do not understand what optical illusions are.” – Technologyreview.com

“Some pictures tell a thousand lies.” – hplyrikz.com

An optical illusion confuses the eye by pretending to be something it isn’t. It both misleads and deceives the brain, which is trying to make sense of the information the eye is sending. This book presents a selection of brain-bending optical illusions featuring graphic art and photography by 60 artists, and includes an overview of the history of optical illusions in art.

A lone PSG sticker on a North‑London Street sign; the towering Maradona mural that watches over Naples. Europe’s fan‑made canvases tell football’s biggest stories. Timed perfectly for World‑Cup fever, Tifo: The Art of Football Fan Stickers—Revised & Expanded presents 500 plus images from over 100 clubs, printed on premium matte‑art stock and bound in a linen‑wrapped hardback with foil stamping.

Stickerbomb founders Suridh Hassan and Ryo Sanada spent more than two years tracking down these graphics and the tales behind them: the unlikely bond between Boavista and Aberdeen, St Pauli’s anti‑fascist iconography, Sevilla’s surprising love affair with Karl Marx, and how Parma became entangled in Europe’s biggest bankruptcy scandal. Insightful essays by award‑winning journalist James Montague and Design Museum curator Eleanor Watson deepen the cultural and historical context.

Equal parts visual archive and behind‑the‑scenes anecdote, Tifo is the ultimate gift for ground‑hoppers, quiz‑night champions and anyone who bleeds club colors.

“David Brafman, just like the alchemists did, mixes ingredients to make gold.” — The New Scientist
Alchemists are notorious for attempting to synthesize gold. Their goals, however, were far more ambitious: to transform and bend nature to the will of an industrious human imagination. For scientists, philosophers, and artists alike, alchemy seemed to hold the key to unlocking the secrets of creation. Alchemists’ efforts to discover the way the world is made have had an enduring impact on global artistic practice and expression.
Brafman’s book is the first to explore how the art of alchemy globally transformed human creative culture from the ancient world to the modern scientific age, and displays the ways its legacy still permeates the world we make today.

“His is a warm, charming page turner of an autobiography: from start to finish full of fascinating characters, incredible and amusing anecdotes, self-effacing humour and wry asides, beautifully detailed observations and, of course, stuffed with great nuggets of jewellery and art history.” — The Jeweller Magazine

“In this dazzling memoir revealing his encounters with royal and celebrity clients including the Queen Mother, Sir Elton John, Dame Joanna Lumley and Frank Sinatra, Antiques Roadshow presenter and jewellery expert Geoffrey Munn reflects on his stellar career, having spent more than five decades bejewelling some of the biggest names in the world.” — Hello!

“In this colourful and witty narrative, Geoffrey Munn, OBE, MVO, FSA, FLS, best known as a presenter on BBC’s Antiques Roadshow, reflects on his career in the London art world, spanning over 50 years.” — Arts & Collections magazine

“Discover delightful anecdotes from Fabergé expert Geoffrey Munn’s time at Wartski in 1970s London, featuring encounters with royalty, Hollywood icons, and the pursuit of Imperial Eggs.” — The Jewellery Editor

Born and bred in Sussex, Geoffrey Munn, Antiques Roadshow presenter and jewelry expert, came from a traditional rural background – but only weeks after leaving a country Grammar School in 1972, he was plunged into the vortex of the London art world. It was the beginning of the career of a lifetime at the famous firm of Wartski, whose showrooms scintillated with gem-set necklaces, tiaras and three of the famous Fabergé Imperial Easter Eggs. 

In a colourful and witty narrative, Geoffrey relates his daunting but delightful encounters with HM Queen Elizabeth The Queen Mother, HRH Princess Margaret and HRH The Duchess of Cornwall. In their wake, Geoffrey met a rich variety of luminaries, including Frank Sinatra, Bing Crosby, Joanna Lumley, Stephen Fry, Elton John, Vivienne Westwood and Dame Edna Everage. This is certainly a rapid and amusing read but it is also unique study of a narrow and fast-changing society.

These pages tell the story without words of a journey through Spain in which the author, the photographer Fernando Manso, visited unknown and hidden corners and captured them on the plates of his large-format camera. From the remotest parts of Galicia to those of Almería, he passed through coasts, deserts and mountains, stopping at old churches, ghostly castles or majestic cathedrals, in forests and gorges, at natural pools and salt mines, and at cemeteries, Arab baths and hermitages carved out of the rock.

Fernando has made the light of these places into the leading figure of his journey. His is a different light, as he has relinquished blue skies and brilliant sunshine, often the stuff of clichés, to make way for visions of places that appear to us with such intimate truth that even if we know them, we can barely recognize them. This is thanks to his technique, his art and the patience with which he waits for the light.

Fernando’s luxury is being able to use all the time in the world to draw us into an artistic heritage that is sometimes secret and hard to reach, and which the viewer has to know how to see. He reveals these places, often in danger of disappearing, after detailed investigation. Both architecture and landscape – for he knows that natural scenery is also a major patrimony that has to be affectionately preserved and protected from speculation – belong to all of us, and we are responsible for their care. We must be aware of this.

The result of that trip is this publication, with beautiful images in reproductions of exceptional quality that present us with a vision of Spain in a different light.

More than four centuries ago, the small Republic of the United Netherlands embarked on an economic boom. Contacts were established with the four corners of the world. Many of these centuries-old relationships have left traces in museums and archives, in the open fields or in the city, in stories and in pictures. Footsteps and Fingerprints, the Legacy of a Shared History presents an image of the legacy the contacts between Brazil, Ghana, India, Indonesia, the Netherlands, Russia, Sri Lanka, Surinam and South Africa have produced over the last 400 years. Various ‘top pieces’ and other remarkable items designated Mutual Cultural Heritage are described: from Vingboons’ View of Table Bay, Henkes Schnapps in Ghana to the Dutch Church in St Pertersburg.

Hewlett Johnson, the Red Dean of Canterbury Cathedral from 1931 to 1963, was one of the most complex and intriguing public figures in 20th-century Britain. Converted to communism in the 1890s, he spent more than half a century as a priest in the Church of England. At the heart of Johnson’s Christian faith was his unshakeable conviction that the principles of communism were all but indistinguishable from Jesus’s teaching about the Kingdom of God on earth. For those who heard his sermons on Christianity and politics, Hewlett Johnson was either adored as a Christian visionary or hated as a mouthpiece of Soviet propaganda. There was little middle ground. Despised by the senior ranks of the Church of England, Hewlett Johnson was welcomed in high political places throughout the world. He had audiences with Stalin, Khrushchev, Molotov and Malenkov, Mao Tse-Tung and Chou En-Lai, Castro and Che Guevara. He also talked with Truman in the White House. He was tracked by MI5 for 35 years, was awarded the Soviet equivalent of the Nobel Peace Prize, twice spoke to huge audiences in Madison Square Garden, and was condemned by an Archbishop of Canterbury as blind, unreasonable and stupid. He was a prolific writer and a gifted orator, had two long marriages each of nearly 30 years, and became a father for the first time at the age of 66. This biography, which draws on his unpublished personal letters and papers, neither lauds nor condemns him, but re-examines his extraordinary life and career on the 80th anniversary of his appointment as Dean of Canterbury.

Although Vitis vinifera vines have been grown in the American southwest for nearly 400 years, its modern wine era only really began with the new pioneers of the 1960s and 1970s. All four states can boast growing wine industries, each with its own distinct identity. Although home to those first wine grapes, New Mexico may be the least experienced player, with a few major producers and many smaller, new arrivals. The Texas industry is bigger, more developed and more polished, with at least 350 wineries operating and plenty of room for growth. Arizona has perhaps made the most progress in the shortest time; some impressive growing conditions, educational initiatives, and a tight-knit band of producers have led to promising quality wines. Colorado, long known for its fruit orchards, is now home to vineyards too, with many producers also farming other fruit and creating wines from both.

Taking each state in turn, Jessica Dupuy guides us expertly through its history before presenting a thorough summary of its climate and geology, discussing the grapes grown, explaining the sub regions (AVAs), and appraising the challenges wine growers face. Influential and innovative producers are profiled, and each section concludes with ideas on where to visit, dine, and stay. Boxes throughout the text supply asides on historical, geographic, and cultural points of interest. For anybody interested in discovering a truly up-and-coming wine region this book makes for fascinating reading.

Amsterdam Castle Muiderslot is not just the oldest castle in the Netherlands. It is a magical place, surrounded by water and vegetation. The castle gardens feature lots of heritage varieties: vegetables, herbs, fruit, herbaceous plants and flowers (some of them edible). The produce from the gardens was for centuries used to prepare the exquisite meals at the castle. And the gardens still produce a rich harvest every year. Muiderslot is also part of the Amsterdam Defence Line, a World Heritage Site. The castle gardens are open daily, offering visitors the chance to enjoy this lush part of our heritage.

Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.

Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.

Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.

This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.