“Published by Niyogi Books, the translation of the two novellas is executed so unassumingly by these adepts that the language doesn’t become an obstacle, it rather facilitates the original and captures the highly nuanced narative world of Intizar Sahad in a masterly fashion.” – The Hindu, Friday Review, 18 May 2018. “The two novellas included here attest to Husain’s sharp observational skill and gift for transforming the everyday into the magical.” – Mint, Saturday, 19 May 2018. Intizar Husain is the finest writer of Urdu prose and the most brilliant story-teller of the post-partition generation. The two novellas, Day and Dastan (Din Aur Dastan), his favorite texts, show his versatility and fictional inventiveness. Day, a realistic story, is a meditation on the cruellest of events to have scarred our times – migrations. When people are forced to move to new homes or new geographies, they only recall a mix of uncanny facts, streets lost in sad nostalgias, fantasies of lovers, parables of simple things, or an unending romance about a possible life and a world. While physical geographies are redrawn, moral landscapes become so bewildering as to leave one emotionally paralyzed. As in Intizar Husain’s other work, India’s partition haunts the tale like an inexplicable shadow. In contrast, Dastan is a traditional tale of wonder. Its language is lyrical and exaggerated; its narrative, obsessed with action, weaves dreams and adventure, heroism and mercy, beauty and love, magic and grace. It is located in another time of turmoil and uncertainty when mysterious forces cause havoc in nature, and societies rise up suddenly to avenge old wrongs. The 1857 war of independence is prophesied by a mysterious faqir; rivers suddenly break their banks; an old haveli is left desolate; a princess weeps beside a fountain; a parrot shows a soldier the road to take; and hope of political change is fatally lost. Intizar Husain is neither a social critic nor a preacher; he is a story-teller – a supreme one.
• Features two novellas by a supreme story-teller and writer of Urdu prose

• Day, a realistic story, is a meditation on the trauma of migrations

• Dastan, a traditional tale of wonder, is a lyrical narrative of adventure, magic and grace

“Published by Niyogi Books, the translation of the two novellas is executed so unassumingly by these adepts that the language doesn’t become an obstacle, it rather facilitates the original and captures the highly nuanced narative world of Intizar Sahad in a masterly fashion.” – The Hindu, Friday Review, 18 May 2018.

“The two novellas included here attest to Husain’s sharp observational skill and gift for transforming the everyday into the magical.” – Mint, Saturday, 19 May 2018.

Intizar Husain is the finest writer of Urdu prose and the most brilliant story-teller of the post-partition generation. The two novellas, Day and Dastan (Din Aur Dastan), his favorite texts, show his versatility and fictional inventiveness. Day, a realistic story, is a meditation on the cruellest of events to have scarred our times – migrations. When people are forced to move to new homes or new geographies, they only recall a mix of uncanny facts, streets lost in sad nostalgias, fantasies of lovers, parables of simple things, or an unending romance about a possible life and a world. While physical geographies are redrawn, moral landscapes become so bewildering as to leave one emotionally paralyzed. As in Intizar Husain’s other work, India’s partition haunts the tale like an inexplicable shadow.

In contrast, Dastan is a traditional tale of wonder. Its language is lyrical and exaggerated; its narrative, obsessed with action, weaves dreams and adventure, heroism and mercy, beauty and love, magic and grace. It is located in another time of turmoil and uncertainty when mysterious forces cause havoc in nature, and societies rise up suddenly to avenge old wrongs. The 1857 war of independence is prophesied by a mysterious faqir; rivers suddenly break their banks; an old haveli is left desolate; a princess weeps beside a fountain; a parrot shows a soldier the road to take; and hope of political change is fatally lost. Intizar Husain is neither a social critic nor a preacher; he is a story-teller – a supreme one.

Robin Grierson’s photography book, Steam Rally is published by Lost Press and has an introduction by the esteemed journalist and author, Ian Jack. It consists of 72 high quality color photographs that explore steam rallies in England over the past 30 years. The images record the engine men, their restored traction engines, and the lively steam heritage scene, which draws thousands to its events around the country every summer.

Having grown up around his father’s bus garage in County Durham and spent much of his formative years tinkering with engines, Grierson found himself instinctively drawn to the steam people and their beloved vintage machines. This collection of thoughtfully composed images, include respectful portraits, close up details of people and their machines, and wider views of the steam rally within the rural landscape. Grierson pays particular attention to the work-worn textures, stained surfaces, and subtle colors of the working steam environment.
“The genuine tone of this work derives undoubtedly from the photographer’s long acquaintance with tough working men and the tools and sounds of busy engineering yard’s” – Ag magazine  

The story of Ladurée started in 1862 when Louis Ernest Ladurée opened a bakery in the heart of Paris at 16 rue Royale. In 1872, following a fire, the little bakery became a pastry shop and the decoration was then done by Jules Cheret, a famous painter and poster-designer of the time. Jeanne Souchard, Ernest Ladurée’s wife, then had the idea of combining the Parisian café with a pastry-shop, thereby creating one of Paris’ first tea-rooms. 

In 1993 Ladurée was bought by Francis and David Holder and becomes one of the best-known gourmet addresses in Paris, a veritable institution with its famous “macaron” as its emblem. In 1997 Ladurée opened a tea-room/restaurant on the prestigious Champs-Elysées, followed by another in the Printemps department store and on the Left Bank as well as the beginning of their international adventure with branches in London, Geneva, Monaco and Tokyo.

In this book Philippe Andrieu, the Pastry Chef at Ladurée, reveals 100 of the most famous Ladurée recipes, adapted for the general public. From the Strawberry Cake with Rose Choux Pastry to Pistachio Financiers and the world-famous macarons in all their variety, this icon of French “art de vivre” is brought to life in a palette of pastries the color of powder pink, light green, bright purple, and lemon yellow.

“With his legendary swag, Norman Anderson, aka Normski, hip-hop ambassador in the United Kingdom since its emergence in the 1980s, is the great archivist of these glory days he captured London to Detroit.” — Rolling Stone France
“The difference between Normski’s photograph of me and any other is that it captures my soul.” — Goldie

“He was a larger-than-life character, full of energy and totally motivating. He really was the hip hop photographer of the day in the UK.” — Stereo MC’s
“This book contains a striking catalogue of images, many of which have been exhibited by establishments such as Tate Britain, the V&A, Somerset House and the Smithsonian National Museum of African American History and Culture.” — Marcus Barnes

“On the heels of Hip-Hop’s 50th anniversary, Man with the Golden Shutter is a celebratory record of hip-hop as much as it is a definitive collection of Normski’s incredible photographs.” — GQ Middle East

Normski was a vital witness to the period known as the Golden Age of Rap, when big US artists like Run DMC, LL Cool J and Public Enemy started to play in the UK. At the same time, a British music scene born of Black music and myriad multicultural influence was developing, giving birth to Jungle, Garage and Techno.

The author, who describes himself as having been a “young Black British homeboy photographer”, was in the right place at the right time to document the emergent music, community and social movements of hip hop and rap in the UK. Normski: Man with the Golden Shutter presents Normski’s personal journey through that world from the mid-1980s to early 1990s.

The book includes Normski’s often previously unseen photographs of Public Enemy, N.W.A., Cypress Hill, De La Soul, Goldie, Ice-T, Run DMC, Wu-Tang Clan and many others, alongside the photographer’s stories and anecdotes from the center of what would become a hugely influential cultural movement.

Quartier Brugmann – L’Art de Vivre in Brussels’ Most Stylish Area translates the unique atmosphere of this neighborhood, compared to London’s Notting Hill and Paris’ Saint-Germain, into a book of three parts:

I. A short architectural introduction through the Brugmann district, explaining the origins of the place and the important houses and buildings of the Brugmann square, the Avenue Lepoutre, the Avenue Molière…

II. Interviews with 30 Ambassadors who talk about their interest in the neighborhood: why they live and/or work there, which are the addresses they can recommend…

III. A walk along the best addresses (galleries, boutiques, restaurants…) of the place Georges Brugmann, the Rue Franz Merjay and the surrounding avenues and streets.

Text in English and French.

This work centers upon Manaku of Guler – older brother of the greatly celebrated Nainsukh – reconstructing whatever little is known of his life, but following closely his artistic journey. Manaku came from an obscure little town in the hills of northern India – home to his singularly talented family – and yet his vision knew almost no limits. Endowed with soaring imagination and great painterly skills, this man – with a name that literally means a ruby, whose glow keeps hinting at an inner fire – was capable of painting giant rings of time upon timeless waters, envisioning the world of gods and demons, littered with cosmic battles and earthly triumphs. At least three great series were painted by Manaku: the Siege of Lanka which took forward the narrative of the Ramayana from the point where his father, the gifted Pandit Seu, had left it; the Gita Govinda and the Bhagavata Purana. Every single folio that has survived and is at present accessible – the number comes close to five hundred – from these series finds a place in this uncommonly rich volume. For the second time – Nainsukh of Guler was the first (also published by Niyogi Books) – Professor Goswamy looks here at the entire body of work of a great Indian artist from the past.

The Ruskin Society Book of The Year. Who was John Ruskin? What did he achieve – and how? Where is he today? One possible answer: almost everywhere. John Ruskin was the Victorian age’s best-known and most controversial intellectual. He was an art critic, a social activist, an early environmentalist; he was also a painter, writer, and a determined tastemaker in the fields of architecture and design. His ideas, which poured from his pen in the second half of the 19th century, sowed the seeds of the modern welfare state, universal state education and healthcare free at the point of delivery. His acute appreciation of natural beauty underpinned the National Trust, while his sensitivity to environmental change, decades before it was considered other than a local phenomenon, fuelled the modern green movement. His violent critique of free market economics, Unto This Last, has a claim to be the most influential political pamphlet ever written. Ruskin laid into the smug champions of Victorian capitalism, prefigured the current debate about inequality, executive pay, ethical business and automation. Gandhi is just one of the many whose lives were changed radically by reading Ruskin, and who went on to change the world. This book, timed to coincide with the 200th anniversary of John Ruskin’s birth in 2019, will retrace Ruskin’s steps, telling his life story and visiting the places and talking to the people who – perhaps unknowingly – were influenced by Ruskin himself or by his profoundly important ideas. What, if anything, do they know about him? How is what they do or think linked to the vivid, difficult but often prophetic pronouncements he made about the way our modern world should look, live, work and think? As important, where – and why – have his ideas been swept away or displaced, sometimes by buildings, developments and practices that Ruskin himself would have abhorred? Part travelog, part quest, part unconventional biography, this book will attempt to map Ruskinland: a place where, two centuries after John Ruskin’s birth, more of us live than we know.

New York reduced to a miniature city? In New York Resized, photographer Jasper Léonard offers you a completely new perspective on The Big Apple. His Tilt-Shift technique creates a dazzling bird’s-eye perspective. Taking pictures from rooftops, helicopters or even drones, Léonard points his lens at the skyscrapers and yellow cabs from above, transforming the city into a swirling ant-hill of miniature people. His images are accompanied by the best quotes about New York, and his unique style guarantees that this is the most original photobook about New York that you will ever see. Praise for Antwerp Resized: “What started as a dissertation with homemade lenses has resulted in a surprising photo book” – Gazet van Antwerpen (newspaper) – “Thanks to his special tilt-shift lenses the photographer creates the illusion you are watching miniature sculptures. Not people but puppets. Not buildings but maquettes” – De Morgen (newspaper) Facebook: Jasper Leonard Photography Twitter: @jasperleonard Instagram: jasper.leonard www.jasperleonard.be Also available: Belgium Resized ISBN 9789401434614 Antwerp Resized ISBN 9789401432702

Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography.

Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography.

In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society.

Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography.

Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s ground-breaking work.

The Tyagarajasvami Temple in Tiruvarur, a major historic site in the heart of the Tamil country, has preserved among its many treasures a set of ceiling paintings from the 17th century. These magnificent paintings tell the story of Mucukunda, the monkey-faced Chola king who established Lord Tyagaraja in the Tiruvarur temple. They also offer tantalizing glimpses of daily life, material culture, flora and fauna, temple architecture and ritual performance from this period. Contents:
Introducing Tyagaraja Vitivitankan Mucukunda, the Monkey-Faced Chola How Tyagaraja came to Tiruvarur Ajapa and unmanl The Paintings Listening to the Silent Echo of the Murals at Tiruvarur
The Tyagarajasvami Temple in Tiruvarur, a major historic site in the heart of the Tamil country, has preserved among its many treasures a set of ceiling paintings from the 17th century. These magnificent paintings tell the story of Mucukunda, the monkey-faced Chola king who established Lord Tyagaraja in the Tiruvarur temple. They also offer tantalizing glimpses of daily life, material culture, flora and fauna, temple architecture and ritual performance from this period.

The book presents a significantly curated cross-section of the textile treasures offered by Varanasi. It combines the past and the present, linking them to different moments in the city’s history, and makes a powerful case for rediscovering, preserving and patronizing these textile treasures that are inextricably bound to the ancient aura of the city. Jaya Jaitly, emphasizes the need to acknowledge the beauty of Varanasi’s textiles emerging out of age-old traditions and techniques. She highlights the danger of the loss of livelihoods and highly sophisticated skills. She expresses concern over erosion of identity and importance in the wake of machine-made imitations being produced in other parts of the world that has already begun.

Contents: Preface; Varanasi Through Time; Types of Looms; Weaving Techniques; Handloom, Continuity and the River Ganga; Acknowledgements; Bibliography; Photo Credits; Glossary.
This book highlights the tumultuous history of ups and downs of one of the most predominant and best known traditions of weaving in India that has steadfastly refused to be obliterated.

This love letter in photographs to the unique beauty and mystery of Venice is an evocative compilation of vintage photographs, prints, and ephemera. It is a tactile ode to the sensuality of the city, filled to the brim with all manner of Venetian memorabilia: 19th century photographs, engravings, hand-colored magic lantern slides, vintage postcards, old luggage labels, keys from long-lost luxury hotels, golden ducats from the 18th century, Carnival ball invitations. With gilt-edged pages and antique Venetian lettering, it is not a travel or walking guide, but an atmospheric pilgrimage that pays homage to this ever-fascinating city. Serge Simonat’s engaging commentary on Venetian history and culture introduces each subject with affection and insight.

“Every day, a nervous traveller visiting the City of Doges for the first time asks the best way to get to their hotel. ‘The shortest or the most beautiful?’, I once heard the concierge at Hotel Des Bains ask. The tourist who opted for the most beautiful route is still wandering around the city. This is a unique photobook in which to wander and lose oneself.” – Serge Simonart

This third and final volume of the Famous Japanese Swordsmen trilogy presents more thrilling narrative based on solid sword history. The Period of Unification was one of the great turning points in Japan’s medieval era. After more than two centuries of civil strife Japan finally found its way back to peace and order under three successive rulers: Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu. The final drive came in the fall of 1600, when Japan’s eastern and western warlords faced each other in the Battle of Sekigahara. It was a decisive battle, in which each and every man who called himself a warrior faced the stark choice between the forces of division and those of unification. Two such men were Ono Jirôemon Tadaaki and Yagyû Tajima no Kami Munenori. Tadaaki, a swordsman from the Kanto, had lost his family and home to become a ronin, a masterless samurai, forced to lead the life of a wanderer. Munenori hailed from the Home Provinces. His clan had first lost its castle, then its lands, until finally they were thrown upon the mercy of a local temple. Having lost everything, both men staked their lives and futures on the victory of the eastern forces.

Half a century ago, ‘playing out’ was expected of British kids who came together, in all weathers, to run, jump, skip, swing, kick, fight and climb – usually unsupervised. With growing fears over children’s vulnerability in modern society much of this has been lost. Paradise Street brings together the work of many photographers including Shirley Baker, Martin O’Neill and Paul Kaye, most of whom lived and worked among the people they photographed. Spanning the early ’30s to the late 1970s, these images are a celebration of community, trust and friendships, showing how attitudes towards children’s safety have shifted over the 20th century. Featured photographers include: Roger Mayne, Shirley Baker, Paul Kaye, Robin Dale, John Gaye, Henry Grant and David Lewis Hodgon. All images are from the archives of Mary Evans Picture Library.

Before they became two of America’s most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol.

These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognized as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which traveled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 – Full Circle: Before They Were Famous, Documentary on William John Kennedy.

William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy’s books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol’s circle.

Manish Pushkale, born in Bhopal, Madhya Pradesh, is an autodidact who honed his artistic style and sensibility at Bharat Bhavan’s fertile and creativity-filled ambience of the time. His engagement at the art center cemented Pushkale’s deep engagement with indigenous folk and tribal traditions. The installation To Whom the Bird Should Speak? is a visual enquiry into the significance of language as a medium of communication. Pushkale’s artistic research into indigenous cultures was inspired by the story of the Aka-Bo tribe in the Andaman Islands and their oral tradition of communicating with birds that was lost to the world after the death of its last speaker, Boa Sr.

As a contemporary artist and an abstract painter, Pushkale works at the intersection of linguistics and archaeology in an immersive 125 square meters of hand-painted installation, as he imagines a visual ‘script’ of a lost history that we would like to recover, or should it be allowed to fade inexorably into oblivion?

With contributions by Claire Bettinelli, Yannick Lintz, Ganesh Devy and Devika Singh, and a poem by Ashok Vajpeyi.

Text in English and French.

Tribal Rugs: Treasures of the Black Tent is the definitive work on this subject. Dedicated to one of the most ancient crafts of the world, this book leads its reader through the history of the tribal rug. Featured content ranges from the oldest complete rug in the world (dated to the fifth century BC) to the weavings of the nomadic peoples of Iran, Afghanistan, Turkey, the Caucasus and Central Asia, compiled from the 19th Century up to the present day. Each chapter introduces a different group of tribes, illustrating the rugs, carpets, kilims and utilitarian bags attributed to their weavers. This book is both a celebration of the woven legacy left by the tribes and a tribute to the skill and artistry of the women who created these magnificent artworks. It aims to provide an introduction for the novice, and entice the more knowledgeable to further study. This new 2017 edition features a marvellous array of new photography showcasing the finest work of each tribe, which will excite anyone with an eye for the tribal aesthetic.

This book grants unexpected, beautiful and provoking insights into the diversity of the collection of treasures held in Leipzig’s GRASSI Museum of Applied Arts. Focusing on the joy of contemplating the works, its hope is to awaken the desire for a personal encounter with them. The sequence of illustrations highlights exciting connections, diversions and views between the objects. Chronological records or even the stringent arrangement of the collections and materials play no role here, allowing surprisingly novel, latent qualities that are frequently otherwise hidden, to be revealed.

In this publication the works meet face to face and present a wonderful survey of the diverse forms of applied art and design.

Ever since at least the ninth century, the Chinese province of Zhejiang has been known for its fine celadon porcelain with wonderful shimmering surfaces in qing, the magnificent shades of green. Chinese celadon enjoyed its golden age from the eleventh to the fourteenth century, a time when it found its way into the Imperial collections and was exported worldwide. A decline of craftsmanship followed, and by the end of the nineteenth century celadon had almost completely disappeared. It was not until the 1950s that this style of pottery was successfully brought back to life. In the 1990s changes to the market economy forced porcelain artisans to reorient; to this day they have been able to successfully align themselves, similar to the UNESCO World Cultural Heritage system, as ‘Living State Treasures’ with their unparalleled celadon glazes. Seladon im Augenmerk offers an exciting social anthropological insight into the cultural history, technology and sociality of celadon production in the porcelain metropolis of Longquan, PR, China, up to the present day.

Text in German.

The National Galleries of Scotland comprises three galleries: the Scottish National Portrait Gallery, Scottish National Gallery of Modern Art and the Scottish National Gallery. Together these galleries house one of the finest collections of art to be found anywhere in the world, ranging from the thirteenth century to the present day. Many of the greatest names in Western art are represented by major works, from Titian, Rembrandt and Vermeer through to Picasso, Hockney and Warhol. This lavishly illustrated book contains one hundred of the National Galleries of Scotland s greatest and best-loved treasures. The selection made by the Director-General Sir John Leighton is intended to evoke the special character of the collection at the National Galleries with its distinctive interplay between Scottish and international art as well as the many conversations that it establishes between the art of the past and the present.

The largest maps in the world are to be found in the floor of the Citizens’ Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam’s town hall. At that time, the city was the world’s leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.

For centuries, the stories of the world’s great jewelry collections have lain hidden within the archives of Christie’s, the celebrated auctioneers. From the tragic European queens, Mary, Queen of Scots and Marie Antoinette – both beheaded – to Hollywood royalty such as Elizabeth Taylor, the vaults sparkle with the most famous (and occasionally notorious) names of the last 250 years. Following on from the success of his books on Boucheron: The Secret Archives, Van Cleef & Arpels: Treasures and Legends and Mellerio: Jewellers to the Queens of Europe, author Vincent Meylan explores these remarkable jewelry archives, revealing the mysteries within for the first time.

Each sale had its intrigue, each its story to tell. The first auction of jewelry from the British royal family took place at Christie’s in 1773, after the death of the Princess of Wales, mother of George III. As the archives reveal, in the subsequent centuries, Christie’s has been party to the sale of jewelry by several further generations of British royals, from Lady Patricia Ramsay and the Countess of Southesk through to Princess Margaret, Countess of Snowdon. And, in the wake of revolution and regicide further afield, the crown jewels of France, Russia, Bavaria, Serbia, Egypt, India and Spain were all sold at Christie’s. Aside from Elizabeth Taylor, the legendary movie star collections of Merle Oberon and Gloria Swanson are also revealed here, as well as the most famous pearls and diamonds in the world; each explored within the context of their owners’ remarkable lives.

Expertly curating the extensive archives, Vincent Meylan has drawn out the key details of each momentous sale. Original documents from the vaults are reproduced in the book, alongside hundreds of color illustrations of the jewels and their owners.

Masterpieces at the Jaipur Court is the sixth in a new series of books initiated by the Maharaja Sawai Man Singh II Museum, City Palace, Jaipur. Written by leading specialists, they are designed to be accessible and attractive for a new generation of readers and researchers. Each of the other volumes covers one aspect of the collections. But the need was felt for something handier, which would showcase the highlights of the collection as a whole. This selection features some of the most exquisite images, artefacts, paintings, monuments and historical treasures of the Jaipur Court.

Over the years, it has been an honor for the Museum Trust to welcome a variety of visiting scholars from India and abroad. The editors are pleased and grateful that some three dozen visiting scholars readily contributed two-thirds of the entries in this volume, making this a celebration of collaboration, in addition to a tribute to the Museum’s collections.

The contributors were asked to pick their favorite object from among those they had worked on recently, so that readers perceive a diversity of voices and views. Apart from this, current and recent members of the curatorial team have contributed entries, to complete the selection of the Museum’s finest objects across all categories, and all historical periods.