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“So far, there haven’t been many women who have dared to dream on a truly megalomaniac scale—and see those dreams through to completion.” — Niki de Saint Phalle.
The story of the Tarot Garden, created by Niki de Saint Phalle (1930–2002), unfolds like a fairy tale. For the first time, this book documents the extraordinary adventure of its construction, from 1978 to 1998. It all began when, at the age of twenty-five, Niki de Saint Phalle visited Gaudí’s Park Güell and decided to give form to her lifelong “desire for grandeur.” The result was the creation of twenty-one monumental and esoteric sculptures spread across two hectares in Tuscany’s Maremma region—an artistic interpretation of the Tarot’s major arcana, a system that had long captivated her imagination. The Tarot Garden stands within a visionary lineage of fantastical environments, alongside the Palais Idéal of Ferdinand Cheval, Gaudí’s Park Güell, Alain Bourbonnais’s Fabuloserie, and the Gardens of Bomarzo in Lazio. Enriched with rare archival material, this book reveals the behind-the-scenes story of Niki de Saint Phalle’s magnum opus, shaped by Etruscan heritage, local craftsmanship, and rituals drawn from cultures around the world.

“Seeing the garden Gaudí built in Barcelona changed my life. From that moment on, my path would be a slow apprenticeship—until the day I, too, would be capable of creating a magnificent work like his, a place of joy.” — Niki de Saint Phalle.

Text in English, Italian and French.

Tibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with an interest in Buddhist art and religion.

The Jewish Journey tells the history of the Jewish people from antiquity to modern times through 22 objects from the Ashmolean Museum in Oxford, brought together here for the first time. Many of the objects are little-known treasures and all 22 have remarkable stories. Spanning 4000 years of history and covering 14 different countries, the objects trace the evolution of Jewish life and culture from its earliest beginnings in Ancient Mesopotamia through time and space to the modern day.

In the evening of 6 August 1908, Josef Szombathy boarded a boat from Vienna to Aggsbach to take a carriage to Willendorf on the following day. He never suspected for one minute that he was about to make one of the greatest archaeological finds in human history – the Venus of Willendorf. Created 25,000 years ago, it is one of the most famous female figures in the history of mankind.
Through his camera, Lois Lammerhuber offers the reader a close look never seen before: Venus from all sides, with a wealth of details, down to the tiniest pore of the stone. In their essays, the Venus experts of Vienna’s Natural History Museum, Walpurga Antl-Weiser and Anton Kern, provide a glimpse into the world of the Stone Age period. The hardbound book is in a slipcase with a 3D image of the statue.

From the Belle Époque to the 1960s, jewelry from the Parisian firm Lacloche Frères adorned over four generations of crowned heads, including Queen Victoria of Spain, the Duchess of Westminster, the kings of Greece and Siam, and Grace Kelly. Founded in Paris in 1901 by three brothers, Lacloche Frères sold jewelry created by the best Parisian workshops, including Strauss Allard Meyer, Verger, Helluin-Matlinger, and Langlois, and was renowned for its elegant designs and exquisite workmanship. Their tiaras, bracelets, pins, clocks, and ladies’ accessories (vanities, cigarette cases) embodied the spirit of Art Nouveau and Art Deco, and are some of their best-known pieces. This is the first monograph to trace the dazzling history of the Lacloche family business, and includes an extraordinary album of gouaches that recreates the 21 clocks and 63 pieces of jewelry from their award-winning booth at the 1925 Paris Exhibition des Arts Décoratifs.

Text in English and French.

‘Keep Portland Weird’ is just the tip of this delightfully bizarre city’s iceberg. Though the City of Roses has experienced its fair share of changes in recent years, the spirit of ‘Old Portland’ lives in the shadow of gourmet donut shops and farm-to-table restaurants, and that’s where the real adventure begins. Summon spirits at a haunted pizzeria. Let it all hang out at a nude beach on the Columbia River. Get your kicks at the world’s only vegan strip club, and visit the world’s smallest park (blink and you might miss it).

Throughout these pages, you’ll learn about Portland’s (at times sordid) past; relive the pioneers’ grueling trek to Oregon; discover the strangest museums you’ve ever heard of, and get the scoop on the restaurants, bars, and coffee shops that don’t come with an hour-long wait. Whether you’re a frequent visitor or first timer; recent transplant or Portland native, you will discover 111 hidden places that prove Portland is weirder than you could have ever imagined.

The full-size plaster models that represented the passage from a preliminary designing phase to the production of the marble sculpture were of great significance to Italian sculptor Antonio Canova’s creative process. As the subtitle emphasises, the temporal dimension holds great importance in the neoclassic sculptor’s creative and productive phases: the plaster artefact posits a before and an after. Before comes the preparatory study; after is the finished work. Plaster stands in between, it is central. The plaster forms are not the finished works, however they contain all their power and potential.

This volume explores this meaningful and little-known phase in the creative process of Antonio Canova, along with quality close-up photo sequences that expose the plaster surfaces, bringing a greater focus and appreciation to the plaster form.

Founded probably in the 5th or 6th century, the Cathedral of Genoa was later rebuilt in Romanesque style and devoted to St. Lawrence the martyr. Money came from the successful enterprises of the Genoese fleets in the Crusades. After a fire in 1296, the building was partly restored, the inner colonnades rebuilt and matronei and frescoes added. In 1550 the Perugian architect Galeazzo Alessi was commissioned by the city magistrates to plan the reconstruction of the entire building, but the construction of the cathedral didn’t finish until the 17th century.

Among the artworks inside the church are ceiling frescoes, paintings and altarpieces by Luca Cambiaso, Federico Barocci, Lazzaro Tavarone and Gaetano Previati, while sculpture include works by Domenico Gagini, Andrea Sansovino, Giacomo and Guglielmo Della Porta. Impressive are also the works of art and silverware kept in the Museum of the Treasury which lies under the cathedral. One of the most important pieces is the Sacred bowl brought by Guglielmo Embriaco after the conquest of Cesarea and supposed to be the chalice used by Christ during the Last Supper.

Contributors include: Gianluca Ameri, Beatrice Astrua, Michele Bacci, Piero Boccardo, Antonella Capitanio, Marco Ciatti, Marco Collareta, Anna De Floriani, Clario Di Fabio, Grazia Di Natale, Gabriele Donati, Lucia Faedo, Marco Folin, Maria Flora Giubilei, Henrike Haug, Karin Kranhold, Anna Rosa Calderoni Masetti, Roberto Paolo Novello, Linda Pisani, Stefano Riccioni, Giorgio Rossini, Philippe Sénéchal, Carlo Tosco, Gerhard Wolf, Photographs by Ghigo Roli.

Text in English and Italian.

The Royal Palace of Palermo, today seat of the Sicilian Regional Assembly, is one of the symbols of Sicily and of the rich Sicilian and national patrimony. Formerly a fortress, then royal palace and finally building of government, the palace is today an extraordinary and fascinating monumental complex. A casket of artistic treasures like the Palatine Chapel commissioned by Roger II, testimony of the deep encounter between the cultures of the Normans, the Byzantines and the Arabs. The origins of the Palace go back to the xii century, while its present look is mostly due to the additions made by the Spanish viceroys during the Renaissance. Its history is rooted in the viii century B.C., when can be dated the Phoenician structures discovered during the digs of 1984. The scholarly essays of this book, together with the new photographic campaign realized by the photographer Ghigo Roli, are an indispensable guide to the history of the Royal Palace, its manifold functions and the timeless fascination of its rich artistic heritage.

Published on the occasion of an important international loan exhibition at The Azerbaijan National Museum in Baku, this multi-author book is much more than a mere catalogue. Containing previously unpublished research and a wealth of previously hidden material from museums and private collections around the world, and written by a team of international museum professionals and independent scholars, it is the first co-ordinated and detailed study of the West Caspian region’s characteristic silk embroideries. The book traces the history of embroidery in the Caucasus, the multi-cultural sources of domestic embroidery, iconography and designs in which the textile traditions of the Iranian and Turkic worlds meet, materials and needlework techniques, as well as the relationship between embroidery and the pile carpet weaving tradition in the region.

Contents:
1 Silk Treasures of Azerbaijan, Alberto Boralevi & Asli Samadova
2 Historical Azerbaijan, Murray L. Eiland III
3 Caucasian Embroideries in Context, Penny Oakley
4 Safavid-style Domestic Embroideries from Historical Azerbaijan, 1550-1800, Michael Franses
5 Silk Culture in the Caucasus, Irina Koshoridze
6 Azerbaijan Embroidery Techniques, Jennifer Wearden
7 What Went Before to Make It as It Was? Caucasian Embroidered Textiles from The Textile Museum Collection, Sumru Belger Krody
8 Busily Engaged on Embroidery : Collecting and Curatorship for the V&A, Moya Carey
9 An Early Museum Collection: Azerbaijan Embroideries in the V&A, Penny Oakley
10 A Shared Design Lexicon: Azerbaijan Embroideries and Rugs, Brian Morehouse

With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes’ The Trinity Altarpiece, Rembrandt’s A Woman in Bed, Velázquez’s An Old Woman Cooking Eggs and Degas’ Diego Martelli, Robert Storr discusses the shifting balance of museum collections from historically ‘certified’ classics to art whose status and significance remains in active contention and from singular ‘treasures’ to ensembles that speak to the larger scope of an artist’s endeavor.

Also available: Unfinished Paintings: Narratives of the Non-Finito Watson Gordon Lecture 2014 ISBN 9781906270919 ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein The Watson Gordon Lecture 2010 ISBN 9781906270384 Picasso’s ‘Toys for Adults’ Cubism as Surrealism: The Watson Gordon Lecture 2008 ISBN 9781906270261 Sound, Silence, and Modernity in Dutch Pictures of Manners The Watson Gordon Lecture 2007 ISBN 9781906270254 Roger Fry’s Journey From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 ISBN 9781906270117

Living Buildings celebrates the 60th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team s dedicated work has ensured the longevity of many of Britain s national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.

Switzerland is well-known for its host of remarkable collections of 18th century European porcelain. Exemplary representatives include renowned collectors such as Dr Albert Kocher and Dr Marcel Nyffeler. A number of these magnificent collections can be found today – as a result of endowments or gifts – in Switzerland’s renowned institutions. Today, the ‘white gold’ from Saxony still fascinates Swiss connoisseurs: this publication is dedicated to their passion for collecting and for exceptional treasures, and is enriched with articles by renowned art historians and porcelain experts. An impressive overview of the gems from the most sumptuous Meissen porcelain of the early period.

Greenwich is the one London district whose name resonates around the world. As ‘the place where time began‘, everyone has heard of it, so naturally everyone wants to come here when they visit the capital.

With a memorable and picturesque Thames-side location, its maritime history means that there‘s more to see here per square foot than any other outer London neighborhood, and this new guide tells you how to do it.

111 Places not only tracks down the most interesting nuggets among Greenwich’s mainstream sights, from the Cutty Sark to the Meridian Line, it also lifts the lid on the area’s lesser-known attractions – from haunted Jacobean houses and mudlarking in Deptford Creek to classic pie and mash shops and famous riverside pubs. It explores beyond the confines of Greenwich town centre, turning up treasures like Henry VIII’s favorite residence, Eltham Palace – now an Art Deco gem – and nearby engineering feats like the Thames Barrier.

You could come to London and spend half your time in Greenwich, and we wouldn’t blame you if you did. This book tells you how to make the most of London‘s maritime borough.

This fully illustrated and researched catalog commemorates an exhibition of over 200 pieces of Chinese and related ceramics collected within the members of the Oriental Ceramic Society of London. The selection spans the complete range from Neolithic to contemporary ceramics, from minor kilns in many different regions to the major kilns working for the court, and from pieces of academic interest to world-famous masterpieces. It privileges unusual and rarely seen artifacts and avoids well known, repetitive designs such as that of the dragon, which is so firmly identified with China that it has become a cliche of Chinese art. It also aims to demonstrate the vast variety of wares and the inventiveness of Asian potters well beyond the classic confines.

Text in English and Chinese.

In the 1930s Grigory Barkhin became particularly interested in theater architecture, and this culminated in the publication in 1947 of a two-volume work, Architecture of the Theatre. This was the most comprehensive and deeply researched study of theater architecture of the time. The first volume follows a historical timeline, from early classical theaters to some of Europe’s national treasures – La Scala, Opéra Garnier, Vienna State Opera – and the development of theater architecture in the Russian Empire. The second half of the book is devoted entirely to Soviet theater architecture of the pre-war period, in particular the five-star design of the Red Army theater in Moscow, and competition projects for theaters in Rostov-on-Don, Sverdlovsk and Minsk, which Barkhin himself designed with his son Mikhail. These projects can be seen as the cornerstone of the development of Soviet architecture of the time. In this remarkable book, published here in English for the first time, Barkhin sets out a blueprint for architecture that combines an understanding of the subject with a bold and uncompromising vision.

There’s more to the South of France than sun, beaches, palm trees and the azure blue sea. For over a hundred years, it has been the favorite destination of many artists, who find themselves drawn to the superb light and the pleasant climate. The South of France for Art Lovers will show you what the area between Collioure and Menton has to offer in terms of surprising and remarkable art and cultural treasures. Journalist and art connoisseur Eric Rinckhout (Knack Magazine a.o.) selected more than 350 exceptional places: from the chapel decorated by Louise Bourgeois to the studio of Matisse and the apartment of Nabokov, from Eileen Gray’s modernist Villa E-1027 to architect Frank Gehry’s most recent design, from the oldest cinema in the world to street art in Marseille. Discover the best and most unique spots in inspiring lists such as contemporary sculpture gardens on wine estates, in the footsteps of painters and writers, chansonniers and rock stars, sleeping inside art, gardens that are artistic gems and much more.

This volume is a continuation of the first instalment of the editorial project Canova | In Four Tempos, ISBN 9788874399215, born in co-edition with the Pallavicino Foundation in Genoa with the goal of collecting in a refined publication the photographic research of Luigi Spina focused on the plaster models by Antonio Canova almost entirely preserved at the plaster cast gallery in Possagno.  

This project accompanying the four-year Canovian celebrations (2019–2022) is structured in four publications, each focused on a specific nucleus of plaster models. Its aim is to give new dignity to Antonio Canova’s creative process while highlighting the fundamental role of the bronze nails (repères) that made the metamorphoses from plaster model to marble sculpture possible. 

The first volume is devoted to the dialogue of Myth and Faith, illustrated by Spina with photographs of Cupid and Psyche, Paolina Borghese Bonaparte, Venus and Mars, the Lying Magdalen, Peace, and the Lamentation of Christ, while this, the second volume, revolves mainly around Myth. The sculptures on which the visual narrative focuses are: Dancer with Finger on Chin, Dedalus and Icarus, Theseus Defeats the Centaur, Naiad, Pius VII Praying, Venus and Adonis, and Sleeping Nymph. 

Just as its nickname, ‘cream city’, has nothing to do with beer or dairy, the city of Milwaukee itself is fraught with surprises. While it is undoubtedly the jovial land of beer and cheese (and brats, bowling and The Brewers, for that matter) the city is also a center for world-class art, architecture, culture and innovation, and has been since the 1800s.

Discover Milwaukee’s most unexpected treasures – visit a 15th century French chapel, or a 425 million-year-old tropical reef. Throw a turkey at the nation’s oldest sanctioned bowling alley. Watch an art museum flap its wings, or tour the city’s only urban cheese factory to find out why cheese curds squeak.

Milwaukee, a city both stunning and charming, also possesses a dry, self-deprecating wit and goofy cleverness. Visit 111 amazing places that reveal this unique character, one that keeps Milwaukee’s locals local, and beckons visitors back again and again.

Time is a great mystery. A changeable element, which expands or vanishes, but that appears concrete as it is marked by the passing of seconds, minutes, hours, days, and years. The path toward the capture of minutes and seconds coincided with the phases of scientific evolution that allowed man to manufacture watches that are increasingly reliable, but that are also in tune with changes in customs, social needs, and aesthetic canons.

This book covers the art of watch manufactory as well as 60 great models, covering both their technical evolution and style trends. In each chapter in-depth studies will guide the reader to the history of the most important manufacturers, the personalities linked to the models treated, technical innovations, styles of the period, or records achieved by the wristwatches: from the watch that helped Charles Lindbergh during the first transatlantic solo flight, to the one worn by Sir Edmund Hillary on the top of Mount Everest, the most iconic models will be discussed in detail.

“It’s not just about spectacular natural landscapes, but above all about inspiring stories behind the residents of the “Shacks”. The book is ideal for travel lovers, adventurers and for all those who want to escape from everyday life for a moment.” — Meter Magazine

“Escape to another place and a less complicated time in South Australia.” — Inside Out Australia

What could be more romantic than watching the sun rise and set over the sea, the mountains or the endless desert from a stylish little getaway shack with the ones you love? In this beautifully illustrated book, design journalist, book author and lifestyle editor Susan Redman not only inspires readers with the many decorating ideas on show, collated from the most gorgeous getaway homes across Europe, the Americas and Australasia, she also delves deeply to reveal the personal stories of creative couples and individuals who have built, styled or restored their special hideaways. From rustic retreats and dreamy beach houses to retro getaways and bespoke architectural havens, the diverse range of love shacks featured here offer design inspiration for your home away from home. Providing readers with an authentic perspective, the ‘shack’ owners share design visions and decorating tips on how they, and you, can awaken one’s inner stylist by combing the natural environment, local markets and vintage fairs to source love shack treasures. Along with stunning photographs, the pages also feature interesting notes on the wild and natural setting of each love shack — so you, too, can immerse yourself in the gorgeous surrounds of each home and find out how the people who live there connect with nature in their sanctuary. This compelling book gives a unique insight into the desire to escape the urban jungle for a holiday home of one’s own making in a remote or wild location, while exploring the role of design and creative vision in the process. It is perfect for anyone with a similar dream.

From the 2nd century CE to the 19th century, the people of the fertile estuary of the great Mekong River created treasures of sacred art, architecture and accomplished feats of water engineering that are coming to light in Vietnam’s vigorous new archaeological research programmes. The large stilted wooden houses of Oc Eo, the early Venice of the maritime routes of the East in the earliest centuries of the first millennium, drew in ships with precious cargoes from Rome, India and China to trade while waiting for the change of the monsoon wind to continue their voyages.

Chinese annals record that the early polity they called ‘Funan’ ruled 1,000 km of coastline along the shipping route. Among the earliest Mekong Delta Buddhist icons are a breathtakingly elegant 2.7m tall Buddha carved in hardwood that has survived more than 1000 years in the delta mud and a 29cm bronze Buddha that arrived on a trading ship from the 6th century Chinese Northern Qi dynasty. Very early Vishnu statues wear high, floral mitres and clasp war conch-trumpets on their left hip, and Shiva’s face stares out from stone lingas.

The Ho Chi Minh Museum collection conserves diverse masterpieces of the art from Vietnam, from the prehistoric Dong Son drums of the Red River Delta in the north to the vibrant Hindu and Buddhist statuary of the former kingdoms of Champa in Central Vietnam. In addition, there is an immense array of art and imperial furnishings of the last Vietnamese dynasty, the Nguyen, which was founded in the Mekong Delta at the beginning of the 19th century. There are refined inlaid wooden cabinets, sets of the finest blue and white ceramics and embroidered silken court costumes worn by the royal family, as well as huge wooden and ceramic Buddha statues which played crucial social and political roles in establishing the dynasty and quelling its foes.

Northumberland is the ‘Land of the Far Horizon’ and England’s most northerly county. It was once a place of industrial innovation and manufacturing, literally fuelled by the coal brought up from its depths. Now Northumberland is a quieter place, loved by residents and visitors alike for its rolling hills and long, sandy beaches, as well as its charming towns and villages.

With this book in hand, meet Grace Darling, a Victorian heroine who took to storm-tossed seas to help rescue survivors of a terrible shipwreck; visit Amble, the ‘Friendliest Port’, and discover its connection to the Mauretania, once the fastest passenger ship to sail the Atlantic; and take in Turner’s View, an atmospheric stretch of coastline that was a lifelong inspiration to Britain’s greatest landscape painter.

You can also take a walk to the top of Cheviot, the county’s highest mountain and what was once a massive and very active volcano; and then top it off in the tranquil setting of St Cuthbert’s Island, where the eponymous saint went to get away from the strangely hectic whirl of monastic life.

Written by a proud northerner, this book will help you discover the more offbeat corners of Northumberland, and appreciate its many treasures.

Fully revised and updated edition, now in full color and with two new chapters: Brunoy and Parc Saint Cloud.
The spectacular medieval castle where Henry V died, Napoleon’s private château, dancing in fifties guinguette cafés, a Victorian gunpowder factory – these are just some of the unexpected delights discovered by Annabel Simms just half an hour from Paris.
Following the format of her small classic, An Hour from Paris, and written with the same delight in the little-known treasures of the Île de France, the revised edition of Half an Hour from Paris now presents twelve new destinations easy to reach from central Paris, each with a carefully planned walk, ample meanderings through the cultural, historical and social milieu, comprehensive practical information and clear, detailed maps.