This absorbing introduction to the story of Rembrandt s rampant fame and influence in Britain is filled with beautiful images. The story of ‘Rembrandt mania’ began in 18th-century Britain with passionate, and often eccentric, collectors acquiring artworks by any and every means. As the craze for Rembrandt ebbed and flowed, each new wave of enthusiasm brought him ever-greater fame and influence, and collectors became increasingly ingenious. This master’s impact not only on collectors and the public but also on British artists over the last four centuries is explored, with lavish paintings, drawings and prints from artists such as Henry Raeburn, Joshua Reynolds and James Abbott McNeill Whistler shown alongside some of Rembrandt’s most famous masterpieces.

The ‘Two Roberts’: Robert Colquhoun (1914-1962) and Robert MacBryde (1913-1966), were two of the most important and celebrated Scottish artists of the twentieth century. Colquhoun studied at Glasgow School of Art where he met Robert MacBryde. The two became lovers. They were part of a celebrated Soho group that included Francis Bacon and Lucian Freud. Their post-cubist work – much influenced by Picasso – became enormously successful. In the 1950s they established worldwide reputations. Colquhoun’s drinking and temperament caught up with him and he died almost penniless in 1962. MacBryde was killed in a car accident four years later. This catalogue with over 90 illustrations accompanies the only show to ever exhibit both artists together. The authors refer to previously unpublished letters and explore the ‘Two Roberts’ individual art practice as well as works the two executed together.

This volume highlights the treasures of Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly known as the Prince of Wales Museum of Western India, and houses a world-class collection of art objects. It is categorized primarily into three sections: Art, Archaeology and Natural History. The Museum has some fine and rare collections featuring ancient Indus Valley artifacts that date back to 3000 BC as well as relics from the Maurya and Gupta period (320 BC AD 800). The Indian Miniature Painting Gallery houses art treasures from almost every significant school of miniature painting.

In 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso’s sculpture to be held in Rome, and its accompanying catalogue, are conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes – stories and myths, bodies and figures, objects and fragments – in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before.

The Virgin and Child with St. Anne is, with the Battle of Anghiari, Leonardo’s most ambitious project of his later years. This masterpiece has been under restoration and it will be exhibited in its newly found splendor at the Louvre. There, for the first time, it will be flanked by cartoons with the same subject (but with St. John the Baptist) held at the National Gallery, London, and by preparatory sketches and drawings, thus allowing the public to gain new insights in Leonardo’s method of work. The exhibition and the catalogue present 131 works by Leonardo and other contemporary artists, such as Raphael and Luini, placing the St. Anne in its proper art historical context. This great work has had an enduring influence on the development of art in the High Renaissance (Michelangelo, Solario, Andrea del Sarto, etc.), but its effects are seen on paintings much more recent, such as those of Odilon Redon and Max Ernst. Contents: The construction of form The cartoon of 1501 First studies for the St. Anne of the Louvre The cartoon for the the St. Anne of the Louvre New studies; the second version of the composition Last studies The drawings on the reverse Emulation in Florence The St. Anne in Milan: copies and variations The St. Anne in France The fascination for the St. Anne

“Ms. Ruttenberg’s latest efforts make her a force to contend with as a narrator and symbolist, a form maker and colorist.” – Roberta Smith, New York Times The Nature of the Beast is a comprehensive retrospective of artist Kathy Ruttenberg’s work in the past six years including ceramics, drawings, and watercolors. With text by curator and art historian Charles Stuckey, the book also features a tour of her eccentric estate and studio in upstate New York where pigs, rabbits, chickens, and goats roam free. Her most recent show at Stux Gallery in Manhattan for the Fall of 2014 culminate in a conversation between Ruttenberg and Sir John Richardson which is also featured.

Titled After Morandi, the book presents a real encounter, a dialogue, from which sprang this grouping of photographs that interpret rather than describe Morandi’s artistic legacy. In notes at the end of the book, Green tells us the project was intended as a conversation with the work of Morandi and that, while some of the photographs present a direct response to that, Green hopes that most of them connect more tangentially through materials, objects, and geography.

Gary Green’s pensive photographs of a stream near his home in Waterville, Maine were taken between 2017 and 2019. They are imbued with a formal beauty that is revealed in the act of gazing at reflections of the natural world in water. Each frame in this contemplative body of work explores texture, compositional balance, and the contrast between light and shadow. “These photographs… began as meditations on nature: quiet observations of the water and what was reflected, refracted, and shadowed upon its surface. The title is a stanza from Wallace Stevens’s Thirteen Ways of Looking at a Blackbird. The poem invokes, among other themes, the idea that as nature we are all connected: the flora and fauna, the air above and the ground below. ‘A man and a woman are one’, he wrote, ‘A man and a woman and a blackbird are one’.” – Gary Green.

Passing Through is a book concerned with nature, and our transient connection to it. Consequently, the human figure is seen only occasionally and rather vague, like something from the imagination or a memory. Nigel Grierson’s visual journey through the seasons, treads a fine line between reality and fiction, in his search for abstraction and spirituality:

“As adults, in search of sophistication, and jaded by the rigours of work, it’s easy to lose the natural sense of wonder, and to take for granted the things that fascinated us so much as children. For Rudolph Steiner, the most direct route to spirituality for the adult, involves finding the inner child via the occupation of playing. For me, spirituality lies in nature, in its myriad of forms and colors, and in the elements; earth’s chaotic beauty. On a personal level this book represents a journey; a return to childhood, exploring woodlands, playing in the dirt, finding little treasures and taking something home as a souvenir; the photograph.

I once heard it said that spirits are in fact traces or energies left behind when beings repeat the same actions over and over on the same pathways. Perhaps that is why we can sometimes hear voices in the woods, even after the people have long gone.”

“Moonwatch Only is certainly one of the best books ever written about a single watch model.” – William Massena – Timezone.com “It is an indescribable reference work and a true must-have for every Speedmaster collector.” – Forbes “This book sets a new standard. Not only for books on the Omega Speedmaster, but for watch books in general. I’ve never seen anything like it, and believe me when I tell you that I could fill an impressive sized wall with books on watches. Authors of other books or publishers should take a look at Moonwatch Only as well to see how it should be done.” – Robert Jan Broer – FratelloWatches “The OMEGA Speedmaster Professional – the Moonwatch – has done things that no other timepiece has done and it’s been worn in places that only a few human beings have been.” – Captain Eugene Cernan, ‘Last man on the moon’ There are very few timepieces in the world that deserve a definitive and comprehensive book such as this one. The OMEGA Speedmaster Professional Moonwatch is one of them. Initially designed for automobile racing teams and engineers, the Omega Speedmaster embarked on a very different trajectory when NASA chose it to accompany astronauts heading for the Moon in 1965. Its involvement in the space adventure has propelled the Moonwatch to the top of the list of celebrated timepieces. After years of research and observation, the authors present a complete panorama of the Moonwatch in a systematic work that is both technical and attractive, making it the inescapable reference book for this legendary watch. This third edition has been enriched with numerous new features including a 16-page gallery of astronauts and their Speedmaster, QR codes to extend your exploration and a detailed story of a vintage Speedmaster.

Dalek, one of the most exciting artists from the burgeoning Brooklyn art scene, has published a collection of his most ambitious works to date. This book arrives as a celebration of his exhibit with Mike Giant, Coup d’Etat, at the Magda Danysz Gallery in Paris. Together the exhibition and the book explore the evolution of this extraordinary artist throughout his years of immersion in the American art scene, from the street to the gallery. His new body of work reveals, in a profusion and hyper-abundance of color alongside planes of space, that the familiar lines and iconic Space Monkey references that defined his earlier work are only a starting point for this new series. Each of Dalek’s paintings is an innovation that has led him to the vibrant iconography that we see today, as he seamlessly fuses street art, cartoons, Japanese pop, and the energy of and the urban punk scene. Having been Takashi Murakami’s assistant in 2001, Dalek has turned to the subcultures of graffiti, skateboarding and punk rock to help form his identity.

Johannes Vermeer (1632-1675) is world-famous for his scenes of daily life, such as a kitchen maid pouring milk, a woman having a music lesson, or a lady writing a letter. However, when Vermeer began painting around the age of 21, he focused primarily on traditional subjects derived from the Bible and classical mythology. Not only do these early works differ greatly from his later paintings in terms of subject matter, they also differ in style. This publication deals with the young Vermeer’s training and artistic development. It also gives an account of the rediscovery of his early work in the late nineteenth and early twentieth centuries. The exhibition unites three paintings from the beginning of Vermeer’s artistic career: the Mauritshuis’ Diana and her nymphs of c. 1653-1654, is joined by Christ in the house of Martha and Mary (c. 1655) from the National Gallery of Scotland in Edinburgh, and The Procuress (1656) from the Staatliche Kunstsammlungen in Dresden. These three paintings afford an image of the artist seeking his own style. All three paintings have recently been restored. Within this context, the differences between Johannes Vermeer’s early and late work also emerge clearly. The Young Vermeer is organized in collaboration with the Gemäldegalerie Alte Meister in Dresden and the National Gallery of Scotland in Edinburgh.

Ganesh Haloi, one of the best-known abstract Indian artists of his generation, was born in Jamalpur, in present-day Bangladesh, in 1936, and moved to Kolkata in 1950. This book accompanies an exhibition of lyrical works which meditate on the fluid world of nature and water, creating an elegy to living and lost aquatic landscapes in translucent color, shapes, and lines. He expresses a visible joy in composition, and a deep sense of pathos. Ganesh Haloi represented India at the Berlin Biennale in 2014, and exhibited at Documenta 14 in Athens and Kassel in 2017.  Published in association with Akar Prakar Gallery, Kolkata.

Beirut born and based visual artist and creative director Eli Rezkallah founded the visual arts magazine Plastik in 2009. It was unlike anything that had been produced in the Middle East previously, with photographs of drag queens, nudity, bold color, dramatic staging, and cutting edge visual stories by himself and other artists. In addition to the magazine, Plastik is now a studio, a gallery, and a social media presence. This book is a best-of celebration of Eli Rezkallah’s work from Plastik, capturing his accessible, provocative, and socially astute work in a single volume.

“Plastik’s gift to the world is beauty, colour, magic and imagination. The gift is more important today than ever before.” RuPaul

Ganesh Pyne (1937–2013), one of the foremost artists of post-Independence India, is no stranger to connoisseurs of art in India. His haunting images of intimations of mortality, the crepuscular light in his canvases, and his brilliant use of his own version of tempera are widely admired. But he was a shy, reclusive man, who has left little trace of himself in public memory. Memorialising Ganesh Pyne fills this gap by bringing to life the sensitive artist through a remarkable series of photographs shot by artist Veena Bhargava across two decades.

The portfolio of portrait and group photographs that capture glimpses of the artist at work and leisure also provide poignant insights into a very private person. This visual record is anchored by two essays: the first, by Bhargava, recounts her experience of taking these perceptive images; the second, by Ella Datta, analyzes the aesthetic value of these rarely seen portraits as well as Bharagava’s artistic experiment on a suite of photo collages featuring Pyne with elements from his works. A detailed timeline of politics and culture during Pyne’s life adds archival value to the book. The volume will be invaluable for Pyne enthusiasts and research scholars alike.

Published in association with Akar Prakar Gallery, Kolkata.

Covering four decades of photography the book serves as a stunning snapshot of Beckman’s significance in the world of art, photojournalism, music, fashion, and popular culture – but most prevalently, it’s a testament of her unique ability to extract beauty from the outliers of society. With written contributions from Beckman’s peers including academia’s Jason King, Chair of NYU’s Clive Davis Institute of Recorded Music & Vivien Goldman author & professor at NYU; journalists Vikki Tobak, and co-founder of PAPER, Kim Hastreiter; visual artist Cey Adams; music legends Sting, Run DMC, Paul Weller, Salt-n-Pepa, Belinda Carlisle, and Slick Rick; and fashion’s Dapper Dan, Dior’s Maria Grazia Chiuri, Levi’s Chad Hinson – From Punk to Dior showcases Janette Beckman’s influence in her realm. In addition to publishing five books, Janette Beckman’s work has been exhibited in galleries worldwide and is included in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, and the British National Portrait Gallery. She is represented by the Fahey Klein Gallery.

Nicolas Eekman (1889-1973) is the heir of the great creators of his native Flanders, from Jérôme Bosh to James Ensor, as well as one of the representatives of the School of Paris.

Born in Brussels where he studied architecture, he turned to painting and exhibited for a few years in Holland before settling in Paris in 1921. Close to his compatriot Mondrian with whom he exhibited at the Jeanne Bucher gallery (1928), he is also closely linked to the artists Jean Lurçat, Marcoussis, Max Jacob, Lipchitz, and later with Moïse Kisling and Frans Masereel.

Influenced by Cubism to which he devoted a few outstanding years, he gradually returned, in the 1930s, to realism and then from the 1950s turned to the fantastic, reviving the Flemish painting of the fifteenth and sixteenth century.

Author of an abundant painted work, he is also a renowned draftsman, illustrator and engraver whose works have been collected by numerous print studios (Brussels, Hanover, Berlin, Hamburg, Basel, Budapest).

Text in English and French.

This book is the first in-depth study of colorants in Chinese paintings on silk or paper and for the first time they have been compiled into a single volume which provides an overview of pigments used in Chinese paintings from the traditional palette to the importation of new pigments in the modern era.

With pigment identifications of more than two hundred paintings in the Freer Gallery of Art and Arthur M. Sackler Gallery collections, this volume provides the reader with a large database of primary source material that can be used in further technical studies and comparative investigations. Adding to previous studies, it pushes forward efforts to develop a chronology for pigment use in East Asian painting.

Liverpool’s unique history as an international port and a cultural melting pot has given it a character all its own. The city has produced music that conquered the world and is home to more historic buildings than any other British metropolis outside London. It features two magnificent cathedrals and many world famous museums. But beyond its renowned exterior, is an eclectic assortment of places hidden and unknown.
This deliciously offbeat guidebook will lead you to a different Liverpool: down tunnels, up skyscrapers, and into secret bars, speciality shops, and disused factories. You will see Balenciaga trainers and vintage planes, rolling bridges and disappearing statues, Liver birds and celebrity suitcases, home-baked cakes and cast-iron churches.
Stroll under the palms in a magical glasshouse, explore a 1950s kitchen or a museum of false teeth. Relax in a hip tea bar with over 50 varieties of tea (loose leaf naturally). Marvel at the world’s most expensive book or largest brick building (27 million bricks!). Go underground to explore a network of mysterious tunnels or a perfectly preserved World War II bunker. Drink in a prison cell, picnic in a graveyard, or stay in the hotel where Winston Churchill and Bob Dylan were guests.
Think you know Liverpool? Think again! Whether you’re a long-time local, a first-time tourist, or a repeat visitor, prepare to be charmed and intrigued by 111 eccentric and unusual spots you’d never expect to find in the city best known for football and the Fab Four.