“A history of cool.” — Airmail

“Without a doubt she is the great reference of photography in the Hip Hop Culture, with photos that are already the history of contemporary culture of the 20th century.” — Staf Magazine

“In over 240 pages, the book encapsulates the spirit of history-making generations and their influence on fashion and wider visual culture.” — The Luupe

Covering four decades of photography, this book serves as a stunning snapshot of Beckman’s significance in the world of art, photojournalism, music, fashion, and popular culture – but most prevalently, it’s a testament to her unique ability to extract beauty from the outliers of society. With written contributions from Beckman’s peers including academia’s Jason King, Chair of NYU’s Clive Davis Institute of Recorded Music & Vivien Goldman Author & Professor at NYU; journalists Vikki Tobak, and co-founder of PAPER, Kim Hastreiter; visual artist Cey Adams; music legends Sting, Run DMC, Paul Weller, Salt-n-Pepa, Belinda Carlisle, and Slick Rick; and fashion’s Dapper Dan, Dior’s Maria Grazia Chiuri, Levi’s Chad Hinson – Rebels: From Punk to Dior showcases Janette Beckman’s influence in her realm.

In addition to publishing five books, Janette Beckman’s work has been exhibited in galleries worldwide and is included in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, and the British National Portrait Gallery. She is represented by the Fahey Klein Gallery.

This beautifully illustrated book, with over 300 color reproductions, showcases many of the greatest masterpieces of 19th century Orientalist art. During this period, colonization, and a revolution in means of transportation allowed artists to visit countries from North Africa to the Middle East that had previously been relatively inaccessible. The patterns, colors, and light of this region influenced artists such as Delacroix, Decamps, Berchère, Bridgman, Ziem, Gérôme, Corrodi, Dinet, Matisse, Majorelle and many others. Upon returning to Europe, these artists captured the atmosphere of these distant and exotic lands in painted scenes of daily life and wrote memoirs of their travels. Some returned to settle there, including painters like Dinet, who spent a large part of his life in Algeria, and Majorelle, known as the “painter of Marrakech.” This book offers insight into the Orientalist aesthetic that inspired the movement, and lays the groundwork for a deeper understanding of these vibrant works of art.

Text in English and French.

One of today’s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Self-referential, playful and imaginative, Addenda to a Sequence of Appearances documents his exhibitions with Thomas Dane Gallery across Europe and is a guide to the artist’s key bodies of work.
Uncovering processes is central to Beshty’s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial Portraits. The work that has gone into this substantial monograph, which features contributions from publisher Francis Atterbury, book designer Billie Temple and Thomas Dane partner Francois Chantala, is laid bare. Also presented is an insightful essay by leading professor of Juridical Sociology Carlo De Rita.
Adopting a semiotic approach to books as ‘not just a thing you hold, but something held in common’, Addenda to a Sequence of Appearances embraces the archetypal format, tropes and conventions of a traditional – if unorthodox – book, employing printing and publishing practices seldom seen in contemporary bookmaking.

Manchester is far more than a grey provincial city preoccupied with the business of making money. The bales of cotton goods awaiting export have gone from the grand warehouses styled like palaces, and the cotton mills no longer hum with the sound of machinery. Yet the buildings remain in all their glory of tiles, terracotta and stained glass – converted to hotels, offices, chic apartments, hipster bars, fine eateries or gritty drinking dens. The textile trade may have disappeared, but you can find sustainable fashion in the old rag-trade district, and top quality coats and jackets are still being hand-sewn in the last remaining family-owned clothing factory. This book will also take you to alternative Manchester – Radical Manchester from Peterloo to the Pankhursts, Literary Manchester from Elizabeth Gaskell to Anthony Burgess, and of course to Madchester, the crazy music scene of Morrissey, Tony Wilson, the Hacienda and Factory Records.

“Photography should not reproduce the visible; it should make the invisible visible.” – Franco Fontana

Italian photographer Franco Fontana (b.1933), a pioneer of color photography, is best known for his boldly colored abstract landscapes, seascapes, and cityscapes.

This book features previously unpublished and experimental images from his archive alongside some of his best-known works. Over the 60 years of his career, Franco Fontana photographed that which cannot be seen, and was able to capture images abstracted from reality, independent of the subject portrayed. This meticulously compiled volume is dedicated to those who are approaching this artist’s practice for the first time, as well as to those who wish to go deeper into his work by exploring these previously invisible spaces which the sensitive eye of the photographer has glimpsed and translated into a unique and unprecedented image.

Text in French.

Alfred Wallis (1855-1942) is one of the most original and inspiring British artists of the 20th Century. Promoted by the artist Ben Nicholson amongst others, Wallis’s paintings influenced the development of British art between the wars. The directness of Wallis’ vision reflected a lifetime of living by and from the sea. His paintings are of what he knew, remembered and imagined. Yet they are also timeless stories about survival and the nature of our relationship with the world. As Jim Ede commented “Wallis is never local.”

With over 70 illustrations, excerpts from letters and texts by Michael Bird, Ben Nicholson and Jim Ede, this book takes a fresh look at this extraordinary artist and his relationship to Kettle’s Yard. It includes some of Wallis’s best works from the Kettle’s Yard collection including many that are not normally on display, from ambitious paintings such as Saltash to what Wallis knew and loved best: ships and boats.

Kettle’s Yard, the University of Cambridge’s modern and contemporary art gallery, holds the largest public collection of works by Alfred Wallis. Wallis was born in Devon. He was a fisherman and later a scrap-metal merchant in St. Ives. He took up painting in his later years, following the death of his wife in 1922. He was admired by Ben Nicholson and Christopher Wood, who came across his work when visiting St. Ives in 1928 and included it in the Seven & Five Society’s exhibition of 1929. He died in Madron Poorhouse.

“In an era dominated by traditionalism on one hand and the emergence of modernity on the other, Lutyens’ work serves as a compelling testament to the brilliance of harmonizing these contrasting approaches.” — ArchEyes

Edwin Lutyens was one of the most famous architects of the 20th century. After he died in 1944, three large volumes of his drawings and photographs were commissioned and published by Country Life as a tribute.

All three volumes are in the process of being reissued. Having earned his reputation designing domestic buildings, he was soon given scope to expand his practice to the outdoors and to public projects. This second volume contains his extensive contributions to garden design and town planning, as well as the finest examples of his bridges and a selection of monumental civic constructions. These include various university buildings, the Johannesburg Art Gallery, the Washington Embassy and the Viceroy’s Palace in New Delhi.

The genius of Lutyens is now universally recognized. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings.

Also available: The Architecture of Sir Edwin Lutyens: Volume 1, Country Houses ISBN 9781788842181.

These previously unpublished images of New York’s waterfront are presented here as part of a unique editorial project: the iconographic perspective is analysed and discussed in Pauline Vermare’s interview with Sophie Fenwick, and finds further literary development in the photographer’s poetry, on which she started working during the pandemic and is used here to accompany the visual narrative.     

The language of photography is used here — in a series of black and white and color shots — to retrace the memory of a transformation and to express the urgency of documentation that in these pages evolves from personal to universal. The invitation to travel voiced by Fenwick is visual poetry articulated in a series of pictures, each of which possesses the potential to become a true icon.

Text in English and French.

“Tom’s committed career has captured images that will serve as pieces of history for generations to come.” – Steve McCurry

“… The fascinating images are not only beautiful, they are also a reminder about how important it is to protect our planet’s natural diversity.” — Hoom Magazine

Tom D. Jones is a wildlife photographer: he makes a point of never photographing animals in captivity and portrays them very closely. The results are almost human portraits of impressive animals such as elephants, rhinos, lions, etc. They also carry a clear message: let’s take care of these often endangered species and the world they inhabit before it’s too late. This is precisely what his friend and colleague Steve McCurry emphasizes in the foreword to this great book.

Luca Giordano (Naples, 1634–1705) was one of Italy’s most celebrated Baroque painters when he traveled to Florence, where his art was already appreciated and collected. He received many commissions, but certainly the most prestigious was that for the decoration of the vault of the new wing of Palazzo Medici Riccardi, the ancient house of Lorenzo the Magnificent which was then owned by the Marquis Francesco Riccardi. The Riccardi family was strictly connected to the Medicis and the decorative program of the great hall, known as Gallery of Mirrors, was centered upon the Apotheosis of the Medicis and several mythological scenes which illustrate the progress of humanity. The exhibition and its catalogue document this masterpiece through the ten painted sketches by Giordano (exhibited under the very frescoes) and circa 30 other paintings from his Florentine period (1682–1685) by the aptly named Luca “fa presto” (fare presto = to be fast).

From the 1950s, Beirut and Lebanon have been a veritable laboratory of architectural modernity in the Middle East, calling on the greatest national and international architects. Institutions and large Lebanese companies have turned to concrete and so-called brutalist forms, participating fully to the renewal of world architecture.
If Lebanon gave birth to a flowering of exemplary buildings of this period, this work is an invitation to discover more than thirty, often unknown and admirably captured by the gaze by Matthieu Salvaing.
By their selection, the authors invite the reader to follow in their footsteps at the heart of the various modernist experiences who crossed Lebanon as so many testimonies of an international and generous vision.
Public commissions, such as the emblematic Tripoli International Fair built by Oscar Niemeyer or the Ministry of Defense of André Wogenscky, with private villas such as those created by Henri Edde, passing by the Interdesign building of Khalil Khoury, this work is the celebration of a history happy with Lebanon, rooted in modernity and open to the world.

Text in English and French.

Small Paintings presents the gestural, intimate and hauntingly beautiful paintings by Indian-born British artist Jai Chuhan. The book showcases the art created for her solo exhibition of the same name at Qrystal Partners in London in the summer of 2023.

Chuhan often paints lonely figures in indistinct, nebulous rooms in works that explore love and alienation. They evoke psychological tensions between genders, agency and subjection, the familiar and the unreal. Her practice engages deeply with histories of painting as she navigates transculturalism and the female gaze. Chuhan emigrated to London with her family in the late 1960s, where she later studied at the Slade School of Fine Art.

Donald Ryan, co-founder of Qrystal Partners, contributes a foreward contextualising the exhibition and delineating Chuhan’s key artistic concerns. In her essay, Hannah Marsh, assistant curator of Contemporary British Art at the Tate, ruminates on the idea of being seen, holding space and how Chuhan’s art speaks on its own terms.

Manchester is far more than a grey provincial city preoccupied with the business of making money. The bales of cotton goods awaiting export have gone from the grand warehouses styled like palaces, and the cotton mills no longer hum with the sound of machinery. Yet the buildings remain in all their glory of tiles, terracotta and stained glass – converted to hotels, offices, chic apartments, hipster bars, fine eateries or gritty drinking dens. The textile trade may have disappeared, but you can find sustainable fashion in the old rag-trade district, and top quality coats and jackets are still being hand-sewn in the last remaining family-owned clothing factory. This book will also take you to alternative Manchester – Radical Manchester from Peterloo to the Pankhursts, Literary Manchester from Elizabeth Gaskell to Anthony Burgess, and of course to Madchester, the crazy music scene of Morrissey, Tony Wilson, the Hacienda and Factory Records.

“Common (不二)” is a Buddhist term that comes from the Dictionary of Buddhist Studies. “All matters in the world are originally one and equal, without distinction.” This means that nothing is different from each other.

Born with a congenital disability, Liu Yi underwent more than 20 operations to slowly stretch his body from the “sphere.” He always smiles innocently in life, with paintings, art, and innocence to heal himself while infecting others. Since April 14, 2015, Liu Yi started drawing on his smartphone with his fingers every day. This “assignment” soon became a part of his life.

Common Innocence of Liu Yi is a simple yet satisfying read, with hundreds of little drawings created by the artist, accompanied by his thoughts, the names of paintings given by Jian Guoer during their conversations, as well as comments from professionals.

Text in English and Chinese.

An unprecedented glimpse into the raw, untamed world of New York City’s graffiti scene during the pivotal years of 1972 and 1973. Curated from late artist Gordon Matta-Clark’s photographic archives, the book presents over 500 mostly never-before-seen photographs and essays on UGA: the first NYC graffiti gallery movement.

Who is Samantha McEwen?
Who is this Anglo-American artist born in 1960 in London, about whom Keith Haring declares in one of his interviews: “When I arrived in New York, I spent my time at school (School of Visual Arts). Everything was new and exciting. I was 20 years old. In my drawing class, I was immediately drawn to a girl named Samantha McEwen.” Samantha remembers: “He sat in front of me and said: ‘Can I draw you?’”
Who is this artist, still relatively unknown to this day, who also models for Francesco Clemente and Alex Katz? In the 1980s, Samantha McEwen was one of the few women to exhibit twice in the famous Tony Shafrazi Gallery. She also participates in numerous group exhibitions alongside the leading artists of that flamboyant decade.
However, very few texts exist about her work; art critics are mainly men who write about men. In the numerous articles of the art press on these exhibitions, her name is merely mentioned and rarely accompanied by a few lines. A revealing paradox of that era, Samantha McEwen is found in full-page spreads in the fashion sections of major magazines, such as Interview (Andy Warhol’s magazine) and The New York Times Magazine.
By the late 1980s in New York, most of Samantha’s friends disappear, taken by AIDS or drugs. Samantha McEwen returns to live in London and begins (or simply continues) a long period of obscurity, like most female artists of those generations. It takes until the 2010s for her work to reappear. This happens in 2015 in London, in the famous group exhibition organised by Pace Gallery in homage to the great London art dealer Robert Fraser. 48 artists are presented, 45 men and 3 women.

Text in English and French.

This, the first monograph on acclaimed London- and South Wales-based artist Jacqueline Poncelet (b. 1947, Liège, Belgium), surveys 50 years of the artist’s practice. Working across diverse media, Poncelet transforms patterns from urban and rural contexts, exploring how fashions play out in the ways humans dress, decorate living spaces, and shape architecture.
Having trained in ceramics, Poncelet moved into sculpture, painting, and textiles before turning to public commissions. The publication presents works from different eras, including small-scale ceramics from the 1970s, large, brightly colored paintings and textiles from the 1990s, as well as woven textiles, watercolors, and wallpapers made in the 2020s.
The publication, which includes documentation of In the Making, an exhibition by Poncelet at MIMA, Middlesbrough Institute of Modern Art, in 2024, features a foreword by Laura Sillars; an essay by Elinor Morgan; texts by Salena Barry, Claire Doherty, and Penelope Curtis; and an interview by Hettie Judah. 

Indian Summer presents a group of skillful and expressive figurative paintings in oil on canvas and linen by artist Raghav Babbar (b. 1997) that include intimate portraits as well as large-scale group compositions. Babbar’s sitters span friends from his childhood in Rohtak, a city north-west of Delhi, pan-sellers, dancers from the south of India, family members, as well as himself.
Indian Summer is the first publication on Babbar, which features reproductions of over forty works created from 2020–23 and views of his 2023 exhibitions at Nahmad Projects, London, and Bevilacqua La Masa, Venice. Lock Kresler, Senior Director at Helly Nahmad Gallery, London, introduces the book, explaining his first encounters with Babbar and his practice. An essay by art historian, broadcaster, and commentator Dr Cleo Roberts-Komireddi examines how Babbar uses his materials, treats his subjects, and delves into his sources of inspiration, classic Hindi and Tamil cinema and the School of London artists.
Babbar celebrates the individual as he showcases the diversity of his country in his textural, rich, and joyful portraits that teem with life.

Liverpool’s unique history as an international port and a cultural melting pot has given it a character all its own. The city has produced music that conquered the world and is home to more historic buildings than any other British metropolis outside London. It features two magnificent cathedrals and many world famous museums. But beyond its renowned exterior, is an eclectic assortment of places hidden and unknown.
This deliciously offbeat guidebook will lead you to a different Liverpool: down tunnels, up skyscrapers, and into secret bars, speciality shops, and disused factories. You will see Balenciaga trainers and vintage planes, rolling bridges and disappearing statues, Liver birds and celebrity suitcases, home-baked cakes and cast-iron churches.
Stroll under the palms in a magical glasshouse, explore a 1950s kitchen or a museum of false teeth. Relax in a hip tea bar with over 50 varieties of tea (loose leaf naturally). Marvel at the world’s most expensive book or largest brick building (27 million bricks!). Go underground to explore a network of mysterious tunnels or a perfectly preserved World War II bunker. Drink in a prison cell, picnic in a graveyard, or stay in the hotel where Winston Churchill and Bob Dylan were guests.
Think you know Liverpool? Think again! Whether you’re a long-time local, a first-time tourist, or a repeat visitor, prepare to be charmed and intrigued by 111 eccentric and unusual spots you’d never expect to find in the city best known for football and the Fab Four.

After Tour Paris 13, a spectacular new project has come into being in Paris. The elevated section of metro line 6 now passes through an “open-air museum” all along the Boulevard Vincent Auriol: Boulevard Paris 13 with its immense murals, executed by the greatest international artists, and which can be viewed as if in a gallery of a gigantic museum.
You can enjoy or repeat this unparalleled experience through a richly illustrated book that relates the genesis and making of the project!

Text in English and French.

There’s more to the South of France than sun, beaches, palm trees and the azure blue sea. For over a hundred years, it has been the favorite destination of many artists, who find themselves drawn to the superb light and the pleasant climate. The South of France for Art Lovers will show you what the area between Collioure and Menton has to offer in terms of surprising and remarkable art and cultural treasures. Journalist and art connoisseur Eric Rinckhout (Knack Magazine a.o.) selected more than 350 exceptional places: from the chapel decorated by Louise Bourgeois to the studio of Matisse and the apartment of Nabokov, from Eileen Gray’s modernist Villa E-1027 to architect Frank Gehry’s most recent design, from the oldest cinema in the world to street art in Marseille. Discover the best and most unique spots in inspiring lists such as contemporary sculpture gardens on wine estates, in the footsteps of painters and writers, chansonniers and rock stars, sleeping inside art, gardens that are artistic gems and much more.

This volume brings together leading scholars of Sikhism and of Sikh art to assess and interpret the remarkable art resource known as the Kapany Collection, using it to introduce to a broad public the culture, history, and ethos of the Sikhs. Fifteen renowned scholars contributed essays describing the passion and vision of Narinder and Satinder Kapany in assembling this unparalleled assemblage of great Sikh art, some of which has been displayed in exhibitions around the globe. The Kapanys’ legacy of philanthropic work includes establishing the Sikh Foundation (now celebrating its 50th year) and university endowments for Sikh studies. Through this profusely illustrated book’s chapters, scholars examine the full range of Sikh artistic expression and of Sikh history and cultural life, using artworks from the Kapany Collection.