After the worldwide success of The World Book of Happiness and The World Book of Love, author Leo Bormans has spent two years studying the scientific research on hope and meeting the most prominent experts in the field. Hope is not a luxury of the privileged few. It represents a universal psychological resource that can be found in all corners of the world. Hope is all of this: a tool for envisioning definable goals, a coping resource, an expression of trust and openness as well as a spiritual gift earned by faith or ritual. In the course of a lifetime every individual is apt to experience these different shades of hope. The World Book of Hope is an inspiring quest to the breadth and depth of hope. It offers a universal framework for understanding and using the most powerful tool of mankind: hope. Without hope there is no life. In this book, 100 professional researchers from all over the world share what we know about hope. Not spiritual philosophy but evidence based knowledge of recent experiments and life-long research, set in a language everybody understands. This book unveils the secret power of hope in love and relationships, study and work, health and illness, education and care, freedom and prison, management and leadership, therapy and economy, youth and old age. It even shows how we can make pessimism work and how we can benefit from post-traumatic growth: one door closes, another one opens. Also available: The World Book of Love ISBN 9789401422741
Nighttime is often when both humans and animals revert to their truest and most intense physical and psychological states. Arko Datto looks at the night and life that subsists in nightly spaces, often in direct and brutal confrontation with each other, walking through it as if it was a dream. The book is conceived as a dream itself, as a non completely conscious state in which repetition, overlaying and visions are the reference points for a path into the unknown.
Johannes Vermeer (1632-1675) is world-famous for his scenes of daily life, such as a kitchen maid pouring milk, a woman having a music lesson, or a lady writing a letter. However, when Vermeer began painting around the age of 21, he focused primarily on traditional subjects derived from the Bible and classical mythology. Not only do these early works differ greatly from his later paintings in terms of subject matter, they also differ in style. This publication deals with the young Vermeer’s training and artistic development. It also gives an account of the rediscovery of his early work in the late nineteenth and early twentieth centuries. The exhibition unites three paintings from the beginning of Vermeer’s artistic career: the Mauritshuis’ Diana and her nymphs of c. 1653-1654, is joined by Christ in the house of Martha and Mary (c. 1655) from the National Gallery of Scotland in Edinburgh, and The Procuress (1656) from the Staatliche Kunstsammlungen in Dresden. These three paintings afford an image of the artist seeking his own style. All three paintings have recently been restored. Within this context, the differences between Johannes Vermeer’s early and late work also emerge clearly. The Young Vermeer is organized in collaboration with the Gemäldegalerie Alte Meister in Dresden and the National Gallery of Scotland in Edinburgh.
When the American art world turned toward abstract art and action painting, Francis Cunningham remained focused on figurative art and the human form. His interest never waned. This book chronicles his development over an astonishing seven decades. Presented in a nonlinear order, the arc of his work is there for the discerning eye to see. Landscapes, still life, and human forms are interrelated. Cunningham’s work reveals the connection between abstraction and representation. Their coexististence is the material and subject of this book, disclosing a new understanding of American painting by a living artist.
Accompanying over 180 high quality reproductions, the artist’s many facets are explored in essays by art historians and art critics, including Christopher Knight, Edward Lifson, John Walsh, and Valentina De Pasca, as well through the reminiscences of one of his life models, Regina Hawkins-Balducci.
Cunningham attended the Art Students League of New York, where he studied drawing and anatomy with Robert Beverly Hale and painting with Edwin Dickinson. He became an influential master instructor, cofounding the New Brooklyn School of Life Drawing, Painting and Sculpture (1977-1983) and the New York Academy of Art in 1983. At his current age of 90, he continues to paint in his studio in Manhattan and in the rural western part of Massachusetts, known as the Berkshires.
This is the first monograph devoted to his work.
Jasper Krabbe – zelfportretten includes an impressive number of self-portraits made in the period between the Summer of 2004 and the Summer of 2005. The portraits’ formats have been determined by the measurements of an old bookkeeping book in which Krabbe made his self-portraits – one dating from the nineteen-fifties with squared and blank pages. Even the paint he uses for this project is from the same period. This corresponds with the idea that the self-portrait is a typical nineteenth-century activity. The book has been reproduced as a facsimile, which means that the reader has the feeling of looking at the original sketchbook of the artist. Krabbe wanted to explore what the self-portrait can still be in today’s age. He wanted to gauge changing emotions, capture a moment and find the right tone. The selection in the book shows the diversity of solutions and styles he used. The self-portraits reveal there is no such thing as a fixed identity but maybe rather a ‘core’, a soul that is unchangeable. In Dutch, English
is a behind-the-scenes account of today’s aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas’s superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy – from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.
The intention of Reinhold Ziegler’s jewelry objects is to move the attention of the wearer or onlooker from themselves onto something greater – a radical strategy within a field that is strongly occupied with emphasizing the individuality of the wearer. Ziegler’s art is influenced by the French philosopher Georges Bataille, who in his work Eroticism identifies a strong dilemma in humanity in which, on one hand, we want to fight for our individuality yet, at the same time, have a strong desire to be united with what he calls ‘everything that is’. In this book, Ziegler deals with this topic from many angles – gravitation, vibration, meteorites, fossils, and general aspects of humanity such as tools (from the Stone Age), talismans, spirituality, and consciousness.
The bamboo: tall, strong and flexible. This fast-growing shoot has been used as a construction material, a foodstuff and fuel for millennia, from India to Japan. Tanabe Chikuunsai IV’s art elevates bamboo to new heights. By weaving together small pieces of fibrous stalk, he creates vast, detailed sculptures without the use of rivets or adhesives. Under Chikuunsai IV’s skilled craftsmanship, bamboo is more than a functional tool: it is modern art, a unifying symbol of Japanese culture. His sculptures revere traditional workmanship, while conveying important contemporary messages – the codependence of nature and man, and the importance of protecting our environment.
Part autobiography, part introduction to the craft, this monograph follows Chikuunsai IV’s growth from a child marveling at his grandfather’s mastery of bamboo, to a maestro in his own right. Bamboo weaves his past to his present, providing a sturdy foundation on which his art continues to build.
“Love bamboos, live with bamboos,” says Chikuunsai IV. As this book demonstrates, he has done precisely that.
In 1542 Pope Paolo III Farnese, with the approval of Michelangelo, commissioned to Perino del Vaga (1501–1547) a tapestry basement for the Last Judgement in the Sistine Chapel (Vatican).
The Spalliera was never completed, but its model, painted on canvas, was later acquired by cardinal Bernardino Spada to be placed in his roman palace (now Galleria Spada), where it was used in radically different fashion as a frieze, completed with parts by other artists.
The book is the first in-depth study of this work and of its significance in Perino’s artistic career, marked by an intense dialog with Michelangelo’s art. It also explores the importance attributed by Michelangelo to decoration, apparently antithetical to the heroic dimension for which he is celebrated
The reception of the Spalliera by different artists is studied through a group of drawings deriving from it and lasting until the baroque age, as attested by Rubens.
“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons
“Caine, the timeless gentleman.” — Diego Armes, GQ Portugal
“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books
“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”
A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.
Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.
Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.
The camera always replaces the sketch pad in the process of creating a picture, and Reiffers has collected a gigantic archive of motifs that are brought to new life in his studio. The photographic templates are projected onto the screen, but in the end they subtly deviate from reality. Color, form and space thus develop independently on the canvas.
Text in English and German.
This catalog is published on the occasion of the photo exhibition in Cologne, which will take place from September 17, 2020 to January 31, 2021.
Text in English and German.
Customers today demand a highly personalized and unique purchasing experience: they require expert guidance in a purchasing process that is relevant and efficient from start to finish. Less Contact, More Impact explores the dynamics of corporate sales today and in the future as a function of trust and cooperation. The RIO model developed by Belgium-based Blinc Sales Institute marks the evolution of a new era in which genuine contact between client and salesperson is crucial to meeting the challenges of customer expectations. The goal of this book is to guide sales in the digital age in order to achieve maximum personal impact, better results, and consistent customer satisfaction in a minimum amount of time.