“It amazes me that after all these years and countless books, the scope of subject matter on The Beatles is so amazingly large that writers always find a new angle. This book does that in a very unique and clever way. It’s a must for every Beatles fan.” – Billy J. Kramer

“…It’s a magical mystery tour through the band’s life and times.”  —Yahoo Entertainment The It-List

“Part biography and part map to the stars, The Beatles: Fab Four Cities is your “Ticket to Ride” and walk in the footsteps of John, Paul, George and Ringo. It’s the next best thing to actually driving their car…”—Nina Violi, Capitol File. and Gotham magazine

“While the book can be used as a handy tour guide filled with addresses, maps and photos, it also makes for great reading.”  —Steve Matteo, The Vinyl District

“But now comes a “magic carpet volume” for Beatles fans that blends travel guide with historical reference in an expanded study of The Beatles’ homes, schools, pubs, venues, and important historic sites…”  —Jude Southerland Kessler, Culture Sonar

John Lennon said: “We were born in Liverpool, but we grew up in Hamburg.”
To paraphrase Lennon, we could say that: “The Beatles were born in Liverpool, grew up in Hamburg, reached maturity in London, and immortality in New York.”
Four cities. Four stars. The Fab Four – the Beatles – are revered the world over, but it is in these urban centres that their legacy shines brightest. Liverpool: where the band graduated from church halls, leaving their initial line-up as ‘The Quarrymen’ far behind. Hamburg: where their raucous stage act was honed; where arrests earned them a more notorious celebrity reputation, but they became a true emblem of rock ‘n’ roll. London: where The Beatles produced Sgt Pepper, and home to the iconic album cover for Abbey Road. And New York: the city that became John Lennon’s home, where their appearance on the Ed Sullivan Show announced them to 73 million Americans.
The Beatles: Fab Four Cities invites the reader on a cosmopolitan trek across continents, tracing the Beatles’ rise to fame from one metropolis to the next. Flush with timelines, stories, trivia, the numerous links and connections between the cities and both pop cultural and local history, this is a travel guide like no other.

Bhutan is a country rich in ethnic, cultural, and religious traditions, having moved towards modernization only in the latter half of the 20th century. While some initiatives have been undertaken to understand the history of the land and its people, there is so much that is yet to be discovered. It is this fascination for Bhutan and its people that drove the author to pen The Unexplored Kingdom: People and Folk Cultures of Bhutan. The book reveals the diverse facets of the Land of the Thunder Dragon, exploring its historical background, ethnic lifestyles, and cultural and religious practices.

Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius’ treaty on architecture, and the examples of modern architects like Donato Bramante.

This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.

Digital Architecture employs computer modeling, programing, simulation, and imaging to create both virtual forms and physical structures, and it is becoming increasingly popular in today’s architecture landscape the world over.
This book presents the fast-shaping and actively progressing digital architecture scene in China as it discusses the current status and trends in its development, design, and construction, in the different dimensions of digital architecture.
It includes four parts: Theoretical Explorations; Building Practice; Research Projects; and a chronology of digital architecture in China. The first part summarizes the understanding and positioning of digital architecture in China from the perspectives of construction, design techniques, and design concepts. The second and third parts provide readers with a wealth of information and resource through many analytical diagrams, technical drawings, and construction and completion images. This book is not only an academic review, but also a lively account of digital architecture in China. This read will feel like a visit to a vivid Chinese digital architecture exhibition, and will be a welcome addition to any architecture reference collection.

Hibino Sekkei has worked on over 560 design projects in Japan as well as overseas; they include kindergartens and nursery schools, primary and secondary schools, and other spaces where children spend long periods of time at. They think of a space as more than a space. They value all the “contents” in the container called space as significant as the container itself. This book is a collection of selected prominent works by Hibino Sekkei Youji no Shiro and KIDS DESIGN LABO, beginning from spaces to key design elements, furniture design, and visual identity design. The book aims to share Hibino Sekkei’s design concepts in the hope that they inspire the readers in crafting their own unique designs for children’s facilities. What’s more, they have interviewed several of the principles of the kindergartens and nurseries,who would provide valuable information on children’s spaces design from an educator’s point of view.

This issue focuses on the Belgian practice, architecten de vylder vinck taillieu, based in Ghent. Curated by guest editors, Seng Kuan and Angela Pang, it introduces 17 of their mostly recent works. Rather than providing objectives or primary information, a unique characteristic of the practice is that they prefer to emphasize the stories that connect people and things to buildings.

Correspondingly, this issue is relatively sparing with data on scale and orientation, in favor of texts for each project that tell stories with futures. Their work, which can sometimes seem kitsch or surrealistic, is supported by their unique and surprisingly energetic approach, one that gives us the courage to continue trying something different.

Text in English and Japanese.

British flower painting has its own unique, if relatively recent, history, but it can only be judged in the light of the wider history of the subject and by comparison with other, particularly European, countries. The first chapter of A History and Dictionary of British Flower Painters, therefore, sets the scene with a brief introduction to floral art world wide before the next four chapters concentrate on British flower painting in the seventeenth, eighteenth, nineteenth and twentieth centuries. The dictionary provides the biographical details of almost 1,000 British flower painters, offering information regarding their specialities, awards and exhibitions.

This book considers how and why people bought, sold, donated, and received works of art during Japan’s Edo period (1600-1868), when opportunities to obtain art increased as audiences for art expanded. Many urbanites enjoyed money in their pockets and access to information, which allowed them to emerge as influential consumers. With this, patronage of art by a small cohort of powerful and wealthy individuals gave way to support of art by a broader audience and, concurrently, exchanges between those making art and those acquiring art developed into new and dynamic interactions. The study of Edo-period art acquisition is comparatively new, but important to those seeking greater knowledge about art objects, as well as many others looking to understand the social life of visual forms. Some contributors to this volume examine broad themes like art and the marketplace, or art and political dissent; others explore cases of ownership by ranking officials, imperial ladies, temple abbots, and business entrepreneurs. As a whole, the book allows for a deeper understanding of Edo-period acquisition practices, as well as a fuller comprehension of the vital connections between Japanese art and its audiences.

The Designline is a 4.5 meter long illustrated history of design, which can either be used as a booklet, or unfolded as a large poster. It includes examples from important epochs and exemplary forms – be it in the shape of a kidney-shaped table designed by Isamu Noguchi as an example for organic design, or the ground plan of Daniel Libeskind’s Jewish Museum in Berlin, representative of deconstructionism. Numerous photos and information on historical developments, outstanding works and designers from each epoch accompany the design history, making the Designline important both as an example, and in terms of product language. The Designline is interdisciplinary and synoptic, covering industrial and graphic design and architecture. The documented period begins with the industrial revolution.

Text in English and German.

This book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy. The many photos, plans and project data provide in-depth information about these projects, all of them extraordinary in terms of design and content and on the cutting edge of technological and social innovation.

Magritte in 400 images offers a selection of the most iconic paintings from the master Surrealist, René Magritte, along with a multitude of perhaps less well-known, but no less exciting jewels from his expansive oeuvre. The novel choice of works will surprise and delight the reader as they continue to uncover ever more facets of the celebrated painter, from his gouaches to his painted bottles and much more. Spanning seven chapters, this book brings together the myriad aspects of Magritte’s pictorial vision. Beginning with his first forays into abstract painting in the 1920s, navigating his search for solace in his Sunlit Period, as well as his brittle période vache and moving on to his Surrealist masterpieces of the 1950s and 1960s, it gently guides the reader through Magritte’s world. Each chapter opens with a summary of the artistic stakes at play during that period and Magritte’s place in them, immersing the reader in the contemporary artistic milieu. The 400 reproductions of Magritte’s work are complemented by a unique selection of historical photographs. Alive with images and information, this compact gem is a must-have for all art enthusiasts and connoisseurs.

“Understanding Jewellery is a love letter to glorious pieces from the last hundred years.” —M. J. Rose, The Adventurine“

“An enjoyably scholarly romp through the past and a feast for the eyes for the novice and the consummate jewelry fan and collector.”—Beth Bernstein, Forbes

“A must-have coffee table book for jewellery aficionados…” —Elisa Vallata, Departures International

“As with stocks, education is the way to begin. There are many excellent books on the jewelry market, but start with Understanding Jewellery, the industry bible by two former Sotheby’s jewelry executives, David Bennett and Daniela Mascetti.” —Bloomberg

“Speaking of classic books, one that I recommend to friends who want a readable, educational and beautifully illustrated book about antique and vintage jewelry is Understanding Jewellery, by David Bennett and Daniela Mascetti…” — Instore

Understanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewelry book of our time – a ‘Bible’ in the jewelry trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery.
In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopaedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewelry in the 20th century.
Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewelry images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject. 

“This book immediately becomes the reference on how to create exhibitions in modern museums and how to work through the complexities of the exhibition development process, and it does so with humour, flair, and great understanding of the hard work involved.” – Russell Briggs, Director Engagement, Exhibitions & Cultural Connection, Australian Museum

“This method is an indispensable tool for all museum professionals: from director and curator to project manager and marketeer.” – Wim van der Weiden Founder of EMA

Developing Exhibitions describes an extensive in-depth methodology and practical framework on the development and production of exhibitions. It is a manual, with schemes and systems and a focus on the processes, and on the practice of developing content and storylines. As there is no other such clear-cut manual at present, it is already clear it will be used by several courses and programmes. 

“Any man that loves Bond will love to get this amazing book in their life.” – Men’s Journal

“A great coffee table book filled with amazing photos of everyone’s favourite spy.” – Tom Lorenzo, Men’s Journal

“No fan of 007 will want to miss this coffee-table album…” – Michael Dirda, The Washington Post

“Shy, lascivious, self-confident or sometimes completely private – O’Neill always knows. The photographs are all very aesthetic, somehow magical and an absolute must for all Bond fans.” – Lovely Books Germany

Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognizable spy.

Terry O’Neill opens his archive to give readers – and viewers – the chance to enter the dazzling world of James Bond. Lavish color and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O’Neill’s photographs.