“This lovely book focuses on Porsche collectors and enthusiasts all over the world, taking readers on detailed investigations of the motivations behind their manias.” – Brett Berk, Car and Driver And Road & Track

A garage with a Porsche is therefore more than just a garage. It is a museum, exhibition space and retreat, a place of passion and love for sports cars. This special way of life is reflected in this unique illustrated book: Porsche Home visits some of the biggest Porsche fans all over the world and offers unique insights into their sacred halls over more than 200 pages. Among the well-tended and well-kept collector’s items are production vehicles as well as Porsche vintage cars. Selected individual cars are lovingly presented, opulent collections impressively staged. Always included in the portrait: the people behind the treasure in the garage. Porsche Home demonstrates that special Porsche models and exciting people make a good story. Whether celebrity or passionate enthusiast, all Porsche collectors give very personal insights into their garages. The result is a multi-faceted collection, compiled with great sensitivity and attention to detail by the editors of the Porsche magazine Christophorus and Porsche Klassik. The impressive pictures are supplemented by informative articles on the topics of Porsche restoration, passion for collecting and value development. A very special illustrated book in which many car lovers and Porsche fans will recognize themselves!

What is the relationship between the Holy Trinity and social media? How do hashtags influence us? Why are we so inclined to use filters? Why do we treat digital images differently than analogue ones? Art history offers a beginning of answers.

Instagrammable explores the paradox of looking without seeing and seeing without looking. Koenraad Jonckheere examines trust in and distrust of images, drawing on 2,500 years of thinking about visual art. In eleven chapters, he examines the world of digital images through numerous intriguing examples from art history.

In this new, ground-breaking work, Woven Masterpieces of Sikh Heritage, Frank Ames’ unique passion for the subject reveals the events and ideas that transpired within this Khalsa (Sikh Brotherhood) movement, transforming the Kashmir shawl to one of powerful ethnic proportions. During this era of Punjab’s colorful history a variety of complex and enigmatic patterns emerged, some purely geometric, others symbolic, which have long eluded textiles experts. Maharaja Runjit Singh’s takeover of Kashmir in 1819 had an extraordinary impact on the fashion of the legendary Kashmir shawl, giving rise to “a major artistic expression in the subcontinent”. Through the exploration of miniature painting of Northern India and the hill states, Kashmiri manuscripts, the Sikh Holy Scriptures of the Sri Adi Granth and Janam Sakhis, and illustrations of unique shawls from world collections, Ames describes with his usual penchant for exacting detail the nature and source of these enigmatic patterns that define the Sikh period. In addition, textile enthusiasts will discover new material in chapters devoted to the Mughal period, lacquer painting and Indo-Persian shawl influences and trade.

What Denis Rouvre admires about Sâdhus is the way they are in the world, the way they respond to the world, and the way they carry the burden of parallel paths. In non-identity toward extinction, they resist the necessity of their birth. They are born to die, to no longer exist. Every day, individuals defy their common destiny. Among the people whose portraits are exhibited by photographers, we are referring to those who, by their own will and courage, place themselves among the gods.

Issue 8: In our cover story, Roger Caillois and Detlef Heikamp explore the exquisitely unintentional art of stones (also Sgarbi and Mercogliano). Richard Meyer and William Saroyan recall the dreamlike paintings of Morris Hirshfield, the misunderstood, humble visionary who had a brief but brilliant career in 1940s New York. The Masone Labyrinth presents Orhan Pamuk’s notebooks, hybrid works of art and text that reveal the evocative inner life of this Nobel laureate and visual artist manqué (Stefano Salis). Giorgio Villani writes on 17th-c. Sicilian altar frontals in which inset marble, jasper, and other semiprecious stones evoke otherworldly holy scenes. And Rui Galopim de Carvalho explores the remarkable transformation in the culture of jewelry-making in Portugal with the sudden influx of diamonds and gems from 18th-c. Brazil. Also a few Hors-d’Oeuvres: Mariotti explores the ephemeral and the FMR-al, Antei revisits the reasons that the Gestapo didn’t steal a statue in WWII, and Navoni tells of a sleeping Rubens.

This volume, published in association with the Rijksmuseum (Amsterdam), contains the results of research by scientists, conservators and art historians into the materials and techniques of early paintings from the Northern Netherlands in the museum’s collection. In order to investigate the materials used by the artists, including the provenance of the materials and the methods of preparation and application, 14 paintings and frames were examined. Information on the panels, grounds, underdrawings, pigments, oils, diluents etc. are explored in relation to the descriptions in mediaeval texts and treatises.

This richly illustrated book gives a clear understanding of the lost skills, forgotten materials, and technical secrets of medieval painting – a world so different from ours – thereby making the materials and methods of the medieval past less foreign to us.

Ruskin is one of the most influential and exhilarating writers in English. Art critic, architectural visionary, social reformer, climate warner and incomparable teacher; Ruskin’s words not only transformed Victorian England but speak to us with increasing urgency today. This, the first general introduction to Ruskin for many years, places him in the social, economic and aesthetic world of Victorian Britain that he transformed – and shows how this transformation has much to teach us today. The extensive illustrations range from private notes and lecture diagrams to presentation drawings, including some of the most beautiful images of the 19th century and many never before published. Published in association with the Ruskin Foundation.

In 2023 the Danner Foundation is honoring exceptional achievements in craft at the Church of the Holy Spirit in Landshut, Germany, with the Danner Prize, four additional honorary awards, and a remarkable exhibition featuring a total of 41 artists.

Gunther Pfeffer received the Danner Prize for his display cabinet Raster. The unit comprises fir slats arranged in a grid, which, depending on the angle of view, reveal what is inside and render the grid visible, or obscure the view and meld into a single surface.

The objects are presented in the publication in large-format photographs and informative descriptions of the concepts. Personal statements by the artists provide insights into their various working methods. To conclude, texts by renowned authors look into the significance and development of handicraft today from different perspectives.

Text in English and German.

The culmination of five years’ travel with Indian pilgrims, Nostalgia for Eternity takes the reader into the depths of millennia-old spiritual and mystic traditions. It is a stunning visual poem about the timeless human search for transcendence and ultimate truth. Translated literally from the Greek, ‘nostalgia’ means homesickness; spiritually, it is the universal longing for existential peace and completeness – for a final resolution of all life’s conflicts and contradictions. ‘The truth is one,’ taught India’s ancient gurus, ‘the sages call it by many names.’ With breadth and insight unmatched by any other publication, Nostalgia for Eternity illustrates the worlds of pilgrims seeking that transcendent truth and illuminates the different paths that they travel. Through evocative, complex images we enter the secretive realm of Tantric worshippers of the Mother Goddess; and we walk with Sufi pilgrims across the deserts of Rajasthan. Meditative, richly layered photographs reveal the inner world of Bengali Bauls – mystics who worship the human being; and of Sidis – descendants of African saints whose religion merges African ancestor worship with Sufism. Richly annotated text reveals to the reader the deeper symbolic and mythological significance of the Hindu, Buddhist, Islamic, and syncretic practices explored in the book.

Tyres, mics, mohawks and halfpipes – by bringing together aspects of BMX, Punk and underground youth culture, this collection reveals the freedom of those that do things their own way and live life from the heart. Lodown Magazine calls the book “a testament to Ricky Adam’s ability to capture the optimism, energy and enthusiasm of a generation that prefers to live a counter lifestyle.”

This volume is the first to bring together the V&A Museum’s collection of 19th-century temple hangings from South India, made in the kalamkari style of hand drawing, mordant-dyeing and painting. This is the first time they have been fully illustrated with complete translations of their inscriptions, accompanied by detailed analyses of their narratives. Published in association with the V&A Museum, London, this volume features original research and lavish illustrations.

Introduction: The Ramayana: Contructed, Killed and Brought; Ramayana Chirala; Ramayana Machilipatnam; Ramayana Srikalahasti; Ramayana Srikalahasti (English captions); Ramayana Sri Lanka; Ramayana: Selected Scenes; Balakanda Madurai; Yuddhakanda Madurai; Krishnacharita Coastal Andhra. Two Episodes from the Mahabharata; The Killing of Shishupala Madurai; The Duel between Karna and Arjuna Madurai. Two Ganga Hangings; Ganga Dupatti Machilipatnam; Ganga Dupatti Machilipatnam; Mahalakshmi Pithakam Machilipatnam. Introduction to Holy Sites; Sri Subrahmanya Temple, Tiruchendur; Sri Subrahmanyaswami Temple, Tirupparankunram; Sri Ranganathaswami Temple, Srirangam; Alagar Koyil Chittirai Festival; The Life of Christ Srikalahasti; Bibliography; Glossary; Acknowledgements.

The book features about 60 paintings mostly on handmade paper and some on silk. Executed in Bikaner style, the works have clearly been impacted by Mughal traditions, particularly in terms of the detailed anatomical depiction, and the richness of the palette. There is an impressive collection in the art track of ascetics, priests, sufi saints, sadhus, maulvis, and pilgrims each lost in their meditative trance, as the artist observed them during his sojourns to Khumbh or at Ganga Sagar Math or at the famous holy Dargah shrine at Ajmer, the sketches made on site were developed into paintings later in the studio. Images of Radha and Krishna, inspired by Geet Govind, Hanuman along with Ganesha also appears in various other incarnations. The repertoire also encompasses 24 distinct avatars or godly incarnations based on studies of Bhagwat Puran.

The Artscape of Mahaveer Swami brings alive the richness in the art tradition of Bikaner, inspired by his religious and artistic upbringing, along with his rigorous training.

Contents: Preface -Martin Gurvich; Mode and Material; The Artscape of Mahaveer Swami: Reliving the tradition of Bikaner art -Sushma K. Bah; The Art of Bikaner-Geet Govinda; Sadhus; Avatars Hanuman; Asta Ganesha; Spiritual India; Biography of Mahaveer Swami.

In Immersions: Bombay/Mumbai, Priya Sarukkai Chabria weaves an elegant narrative around the ever-pulsating metropolis – India’s financial capital – accompanied by Christopher Taylor’s fascinating photographs that complement the text. Readers receive a fresh experience of Mumbai – layered with pungent edginess, abundant human stories, ruin versus new rooting and its throbbing – often decomposed – corporeality. The cross genre book – memoir, travelogue, investigation, poetic expositions all perfectly blended – maps several rhythms of time as the author and photographer travel round the city. Unexplored precincts, high-rises and heritage villages, poignant stories from the streets, the city’s history and the illusory yet surreal Bollywood images come to the fore, outlined by the city’s inequality, demographics and vitality in the stimulating prose and fabulous photographs – ruminating on the flow of life in a cruel yet captivating city. Contents: Introduction; Concrete to Basalt; Mosaics of Movement; Tides; Transport: Movements Seen and Unseen; Tales of Migrants; Money; South to North: From Old to New; Immersions; Mills to Malls; Holy Trinity: Bhuleshwar-Kalbadevi-Madhav Baug; Mazagaon; Dadar & Matunga: Once Bombay’s Suburbs, Now Central Mumbai; Behind Bollywood; Urban Forest; Cab ride through; Bombay/Mumbai; Notes; Select Bibliography; Acknowledgements.

The East has been for centuries, or perhaps forever, the holy, the sacred, the source of life. Not only does the sun rise in the East, so does a Gautam Buddha. The East has produced thousands of mystics. Just as the West has produced great scientists, the East has produced great explorers of one’s being. The East attracts the seeker, almost like a magnet. Mystics of the East is a compilation of Osho’s discourses on some of the Enlightened Masters who were born in the East: Atisha, Baul mystics, Boddhidharma, the Buddha, Chuang Tze, Kabir, Lao Tzu, Mahakashyap, Nansen, Patanjali and Tilopo. Contents: Introduction Atisha Baul Mystics Bodhidharma Gautama the Buddha Chuang Tzu Kabir Lao Tzu Mahakashyap Nansen Patanjali Tilopa

Zorba is not separate from Buddha. The West is not separate from the East. In fact, any form of materialism that has no values of spirituality is going to be very mundane, profane and ugly. It will not have any flights to the open sky towards the stars. It will not flower and release its fragrance; it will be just a rock. Spiritualism without materialism may have beautiful values but it is without foundations. It may create great palaces reaching to the stars, but without foundations these palaces can only be hallucinations, they cannot be real. Zorba the Buddha comprises of a selection made from Osho’s discourses on the synthesis of materialism and spiritualism, the Zorba and the Buddha. Contents: Preface; The Ultimate Synthesis; I Proclaim Homo Novus; We Have to Create Zorba the Buddha; I am Pregnant with the Authentic Religion; Zorba the Buddha is Humanity’s Future; The Whole Man is the Only Holy Man There Is; Only a Pagan can Become a Buddha; An Enlightened Man is Free; The Buddha is the Peak the Zorba is the Foundation; The World Needs Only One Kind of Man: Zorba the Buddha; Without Zorba there is no Buddha; I Have Called the New Man Zorba the Buddha; Zorba is Playfulness, Buddha is Reverence; Only a Zorba can be a Buddha, and only a Buddha can be a Zorba; Zorba Has To Become Buddha; Zorba is the Beginning, Buddha is the Fulfillment; In You the Synthesis is Happening; Zorba is Only the Beginning; Meditation is the Bridge between Zorba and Buddha; Zorba is Love, Buddha is Awareness; My Whole Effort is to Create the New Man as Zorba the Buddha; Zorba the Buddha is the New Man; I have joined Zorba and Zen; Epilogue .

Banaras is a city on the banks of the river Ganges. It is the holiest of the seven sacred cities in Hinduism and Jainism, and played an important role in the development of Buddhism. It is regarded as one of the oldest continuously inhabited cities in the world. It is portrayed beautifully through Majumdar’s captivating perspective on different walks around the city. Banaras witnesses thousands of devout Hindus who journey to the banks of the Ganga to wash their sins away. The ghats and the riot of colors only add to the character of this city. Banaras now known as Varanasi is also a major tourist attraction and welcomes thousands from around the world.

Winemakers all over the world have set out in search of the Holy Grail: to repeat Burgundy’s success with Pinot Noir. In Search of Pinot Noir investigates the changing character of Burgundy, asks what happens to Pinot Noir outside of Burgundy, and examines how the wines of each region age. How far are styles of Pinot Noir inside and outside of Burgundy due to terroir and how far are they influenced by winemaking? Extensive tasting notes address these issues and complement discussion of the regions where Pinot Noir is grown. Is Pinot Noir uniquely successful in Burgundy or have other regions in Europe or the New World succeeded in their challenge? Can Pinot Noir really achieve its full complexity only on limestone soils, or does it produce equally interesting expressions in other terroirs? Is there only one true path for Pinot Noir or have plantings in new places revealed alternative truths for this fascinating grape? What is the ultimate Pinot Noir?

Pinot Noir is a uniquely challenging grape with an unrivalled ability to reflect the character of the site where it grows. In Search of Pinot Noir is a world wide survey of everywhere Pinot Noir is grown, extending from Burgundy to the New World .