Desperately Young
introduces the masterpieces left behind by some of the greatest rising stars in fine art – all of whom died before their thirtieth birthday.
Precocious talent seeps from each artist’s work, along with a sense of unfulfilled potential. Informative biographies detail their legacies, while their tragic deaths lead us to wonder what heights they might’ve reached, had their lives not been cut short. Richly illustrated, Desperately Young
presents prime examples of each artist’s work, demonstrating how our cultural heritage is just a little narrower for their loss.
From Europe to America to Japan and the Indian Subcontinent, the mid-14-hundreds to the late 20th century, this book hails the acknowledged greats and introduces those who died before they could leave an indelible mark on history. A compendium of 109 artists who fell prey to sickness, warfare, heartbreak or bad luck, Desperately Young is the only book to provide an in-depth study of artists who died young.
Contents: With works from Tommaso Masaccio, Frédéric Bazille, Thomas Girtin, Egon Schiele, Henri Regnault, Ernst Klimt, Jeanne Hébuterne, Kaita Murayama, Hermann Stenner, Maurycy Gottlieb, Fyodor Vasilyev, Marie Bashkirtseff, Richard Parkes Bonington, Luisa Anguissola, Walter Deverell, August Macke, Pauline Boty and Jean-Michel Basquiat – among many others.
In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he’d like to photograph the singer if given the chance. Dylan’s new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording ‘Highway 61 Revisited’. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan’s almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously.
That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg’s sittings with Dylan work so successfully and are so important. Dylan is relaxed, he’s funny, he takes the props that the photographer gives him and has fun with them – he’s obviously not taking himself too seriously. Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer’s most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, ‘Blonde on Blonde’) says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.
“I had access to what felt like a secret world. It was a subject that had been written about and dramatized but I don’t think any photographers had ever tackled before. There was a change going on. Someone described it as a ‘last hurrah’ of the upper classes.” – Dafydd Jones
Oxford University at the start of the eighties, rife with black ties and ballgowns. A change was on its way – best described by a newspaper as ‘the Return of the Bright Young Things’.
At this time, Oxford University was synonymous with the wealthy, the powerful and the privileged. Many of the young people in these pictures moved on to have careers in the establishment including Boris Johnson and David Cameron. In these photographs, however, their youth is undeniable: teenagers in full suits celebrate the rise of Thatcher in England and Reagan in America, in between punting on the river, chasing romance and partying through the night.
“It was Thatcher’s Britain, a period of celebration for those that had money” – Dafydd Jones
Oxford: The Last Hurrah
shows a world that has been written about and dramatized, yet never photographed. Affectionate and critical, it pokes affectionate fun at its subjects while celebrating English eccentricity. From the architectural marvels of the colleges to misty mornings along the river at dawn, this is Oxford at its most beautiful – and the students of the 1980s at their most raw and honest.
In over 300 pages, 200 images and a number of original extracts from her sketchbook, Crossroads tells the story and showcases the artwork of Alice Pasquini, one of the top female street artists worldwide. Alice is a prolific illustrator, creative designer and painter who has been gifting cities with her artwork for over a decade: through her work, women and children become an integral feature of any urban surrounding. From large artwork – like the wall of the Italian Museum in Melbourne – to small cameos in London or Marseille, Alice’s creativity shines through in every city thanks to her unique style. The images in Crossroads have been taken from renowned photographers including Martha Cooper and Ian Cox. The book is brought together by a foreword from the editor Paulo von Vacano, texts by Jessica Stewart and journalists Nicolas Ballario (Rolling Stone) and Stephen Heyman (New York Times), as well as article extracts by Steven P. Harrington and Jaime Rojo – Co-founders of Brooklyn Street Art [BSA], Serena Dandini, DJ Gruff and Chef Rubio.
Brussels is well known for its wide variety of buildings in the Art Deco style, which were built in the aftermath of the Great War in the 1920s and 1930s. In this book, the authors have created seven walking (or biking) itineraries that explore Art Deco and modernist architecture in neighborhoods throughout the city. Several key architects are profiled, and the historical context of the period is discussed, offering readers new insights into the living heritage that lines the streets of Brussels.
Also available: Brussels Art Nouveau ISBN 9782390250456.
Silence of the Tides
presents a stunning selection of images from a newly-released documentary about the Wadden Sea, the largest tidal wetlands area in the world. Stretching for 500 kilometres (310 miles) and encompassing 43 islands, this UNESCO World Heritage Site touches on the North Sea borders of the Netherlands, Germany, and Denmark. The film beautifully captures the vulnerable relationship between nature and humans, and the unique dynamic of the Wadden Sea and its surroundings. This book features frames from the documentary and photographs of the filming itself which have been selected by its director, Pieter-Rim de Kroon, an award-winning Dutch cinematographer.
“Silence of the Tides is a cinematic portrait that breathes and gives the audience the opportunity to draw their own conclusions.” – Pieter-Rim de Kroon.
“A hypnotizing large screen look into the cycles and contrasts of the seasons: life and death, storm and silence, the masses and the individual. All this is set against a larger than life backdrop of sky, water, wind, mist and constantly changing light.” – Film and Digital Times.
Frédéric Zaavy’s brilliant career as a master jeweler shone like a meteor but flamed out far too soon. Zaavy considered himself heir to the legacy of Jean-Baptiste Tavernier, gem dealer to Louis XIV, and was chosen as the exclusive jeweler for the 21st century revival of Fabergé. Zaavy’s artistic genius lay in painting with precious stones and in engineering remarkable settings to hold those stones almost invisibly. His works achieved a preëminence in the thousand-year evolution of French jewelry. The influences on his life and work were myriad. Nature, quantum physics, art, music, spirituality, poetry, literature, and even science fiction all shaped his extraordinary world view and taste. He was a philosopher jeweler. Stardust
encapsulates the last year of his life, from the moment he learned he would soon die, right through to the end, with his life still at full throttle.
With a text by acclaimed French philosophical writer Gilles Hertzog and a stunning visual narrative by celebrated photographers John Bigelow Taylor and Dianne Dubler, Zaavy’s work and life are presented in a portrait of what was and of what might have been.
Text in English and Simplified Chinese.
From acclaimed Hollywood photographer Firooz Zahedi comes Look at Me, a collection of his most distinguished and intimate celebrity portraits. From editorial commissions from magazines – including Vanity Fair, Glamour, InStyle, GQ, and Entertainment Weekly, to iconic movie posters such as Pulp Fiction, Edward Scissorhands, and The Addams Family – Zahedi has been photographing Hollywood’s biggest stars for over 35 years.
Each photograph is accompanied by a short text offering personal insight into how each shot came together. Also included are never-before-seen photographs as well as special behind-the-scenes snapshots and notes from Zahedi’s appreciative subjects. Look at Me is a celebration of this golden age of celebrity as seen through the lens of one of Hollywood’s most accomplished photographers.
“It reveals a unique look into the profession of photography.”—Gerd Ludwig Photography
Charles Moriarty, Stills department manager for Star Wars and photographer for Amy Winehouse, presents Photographers on the Art of Photography: a series of intimate conversations with some of the most highly regarded names in photography. From celebrity portraitists such as Terry O’Neill, to famed fashion photographers like Jerry Schatzberg and wildlife specialists Tim Flach and Sue Flood, this book offers a unique insight into all angles of the profession. Twenty celebrated photographers discuss how they got started, as well as their favored techniques, motivations, inspirations and greatest accomplishments. Discover each artist’s vision in their own words and reflect on what makes their talents unique.
Interviews from: Ed Caraeff (music); Terry O Neill (celebrity portraiture); Norman Seeff (music); Johnathan Daniel Pryce (fashion); Douglas Kirkland (Hollywood); Gerd Ludwig (National Geographic); Slava Mogutin (queer fine art); Jerry Schatzberg (fashion, film, music, portraiture); Tim Flach (wildlife); Richard Phibbs (fashion, commercial, portraiture); Eva Sereny (Hollywood, celebrity portraiture); Sue Flood (wildlife); Tom Stoddard (photojournalism).
“The richness of the illustrations in this larger format enables us to better appreciate the intricacy of her illuminated manuscripts, the tonal subtleties of Traquair’s tooled leather book bindings and the processional scale of her muraled interiors.” — Journal of the Scottish Society for Art History
A fully updated and expanded edition of the definitive study of Phoebe Anna Traquair.
This is a compelling account of the life and career of Phoebe Anna Traquair, a leading figure in Britain’s Arts and Crafts movement. The new edition features new research about her artistic practice, materials and technique as well as her intellectual life, including her correspondence with John Ruskin. Her total commitment to the place of art in her daily life is revealed alongside new details on her family and social life.
Traquair was remarkable for her openness to all types of art, and worked in a range of media including embroidery, enamels, illuminated manuscripts and murals. This new edition features 120 illustrations including new discoveries, as well as some of her most famous and best-loved works.
Beautifully illustrated and featuring the artist’s own words, this book is at once a fascinating biography and an artistic study of one of Scotland’s first professional women artists.
The Dictionary of Victorian Painters, first published in 1971, and since reprinted and revised many times, has for so long been the undisputed standard reference on a period of painting that continues to excite and interest the art world, that it was only a question of time before another revision and reformatted version appeared. The Dictionary now appears in two volumes, each complementary to one another yet entirely independent works depending on the particular interest of the reader. This volume, Victorian Painters: 2. Historical Survey and Plates, opens with a scholarly survey of Victorian painting in which the author discusses the development and characteristics of Victorian painting, setting it within the context of the time. This fascinating survey ranges over the early years of Victoria’s reign and the vogue for literary genre, social realist and fairy paintings; analyses the brief life of the Pre-Raphaelite Brotherhood in the 1850s and its enormous and far-reaching influence for virtually the rest of the century; discusses the various artistic movements – aesthetic, classical, romantic – and the ‘giants’ who created and contributed to them; and discusses the depiction of social ills and the idealised life of the cottager during a period of rapid change and readjustment.
The study also includes discussion of the more traditional areas of painting: portrait, landscape, marine, military, topographical, still-life, garden, sporting and animal. It ends with a discussion of English Impressionism and the vogue for artists’ colonies at the end of the 19th century, a far cry from when the story began, and an indication of the diversity and richness of this period in English art. This book is illustrated with 47 full colour plates, and is followed by a section of some 750 black and white plates which reflect the tremendous output and range of the period. As a visual reference this title will prove invaluable not only to art historians, museum curators, dealers and students of the period, but will also have a wide general appeal. The companion to this volume, Victorian Painters: 1. The Text, contains over 11,000 entries which list every artist recorded during the period 137-1901.
Thorvald Hellesen (1888-1937) was a Norwegian avant-garde artist who lived and worked in Paris in the 1910s and 1920s. He and his wife, the French artist Hélène Perdriat, were part of a circle of artists that included Pablo Picasso, Fernand Léger, Constantin Brâncuși, Piet Mondrian, Theo van Doesburg, and many others. In his short yet intense life, Thorvald Hellesen created an impressive unique oeuvre, oriented on Modernism, consisting of oil paintings, watercolors, gouaches, drawings, design projects, and textiles. Nevertheless, even in Norway he is only known to a few. With this publication the authors Dag Blakkisrud, Matthew Drutt, and Hilde Mørch have created a written portrait of Hellesen. In addition to classifying him within the history of art, they try to find explanations as to why his artistic practice is only now being considered important and interesting for Norwegian and international art history.
Text Norwegian.
Today we have access to almost everything and anything we want, whenever we want it, to the point of losing our identity as individuals. People evolve from free, creative, playful kids into consumers. They adopt and act based on whatever comes to their mind at the given moment. There are very few things left that are still unique. Sven Jacobsen is drawn to extraordinary, unusual characters who portray their own unique beauty far away from the expected norms society offers. He chooses them because he has the feeling that they stand for something, that they have an opinion of their own and are living their lives while staying true to themselves and their beliefs. They seem to be unswayed by anything that happens to be hip; they simply show their own strong personality.
Text in English and German.
In 2017, Marvin Böhm’s mother was diagnosed with cancer. From then on, he began to capture his private life with a camera – led by his intuition. He had little interest in chronicling her suffering and illness: Böhm’s main goal was to ‘carry on’ and continue into the future. His incessant interaction with the resulting images soon turned into a sort of therapy. Even though his mother appears in the pictures again and again, his attention was drawn especially to familiar settings and objects, friends and commonplace occurrences. Above all, he considered these ordinary situations worthy of being recorded. His reflection on death revealed the small everyday moments that make life worth living.
Joined together, these pictures provide a photographic diary: at times, it is difficult to decipher and almost abstract, then again it seems full of emotion and optimism.
Owing to their stylized black-and-white contrasts, the photos convey an atmosphere that is deeply moving and oscillates somewhere between drama and gloom. And although they depict very intimate moments, the images express an almost universal experience.
Text in English and German.
The Academy of Independent Creators in Watchmaking (Académie Horlogère des Créateurs Indépendants, AHCI) is celebrating its 35th anniversary in 2020: that’s over one-third of a century of total independence, creativity, exhibitions, and sharing watchmaking craftsmanship. Here, AHCI, the oldest organisation in the world devoted to protecting independent, artisanal watchmaking, presents an inside portrait of its members and candidates. They share their most iconic creations and their knowhow, give guided tours of their workshops, and offer a glimpse into their own private world. This dive into the beating heart of independent watchmaking is for all lovers of creativity and authenticity, be they connoisseurs of fine craftsmanship or experienced collectors willing to take the road less traveled.
Since 1998 Jan C. Schlegel has regularly traveled with his analogue photo equipment to remote places, which are secluded from the tourism of the western world. On his tours the artist observed the rapid decline of traditions and increasing change of the way of life of the people within their tribes due to globalization. The inexorable changes woke the urgent wish in the photographer to portrait people, to capture impressions and to preserve traditional life forms in his pictures.
Through patience and compassion, photographer Matt Karwen has accomplished unprecedented, expressive dog portraits, which depict the animals’ personalities in various facets. In the absence of outside influences, their faces reveal moods and emotions that range from joy over curiosity to serenity.
“This lovely book focuses on Porsche collectors and enthusiasts all over the world, taking readers on detailed investigations of the motivations behind their manias.” – Brett Berk, Car and Driver And Road & Track
A garage with a Porsche is therefore more than just a garage. It is a museum, exhibition space and retreat, a place of passion and love for sports cars. This special way of life is reflected in this unique illustrated book: Porsche Home visits some of the biggest Porsche fans all over the world and offers unique insights into their sacred halls over more than 200 pages. Among the well-tended and well-kept collector’s items are production vehicles as well as Porsche vintage cars. Selected individual cars are lovingly presented, opulent collections impressively staged. Always included in the portrait: the people behind the treasure in the garage. Porsche Home demonstrates that special Porsche models and exciting people make a good story. Whether celebrity or passionate enthusiast, all Porsche collectors give very personal insights into their garages. The result is a multi-faceted collection, compiled with great sensitivity and attention to detail by the editors of the Porsche magazine Christophorus and Porsche Klassik. The impressive pictures are supplemented by informative articles on the topics of Porsche restoration, passion for collecting and value development. A very special illustrated book in which many car lovers and Porsche fans will recognize themselves!
“Bruce Springsteen in All His Rock Star Glory.” —Janet Macoska, The Daily Beast
“Two careers were born on that cold night in 1974. Macoska would blossom into one of the most notable rock ‘n’ roll photographers of the last 50 years. And Springsteen was on his way to becoming The Boss.” —Jay Crawford and Meg Hambach, wkyc3
“…Live In The Heartland covers almost five decades of touring from The Boss, and also includes set-lists and corresponding editorial content. The majority of the photos are previously unseen.” —Classic Rock Magazine
“There’s only one boss of rock ‘n’ roll.” —Tria Wen, Reader’s Digest
“… an energetic and moving visual tour that records the romance between The Boss and the Cleveland stages.” —GQ Mexico
Five decades of blue-jeans, down-to-earth rock ‘n’ roll. Five decades of poetic, authentic performances, political commentary, global tours and even a Broadway show. Bruce Springsteen hasn’t just left an impact on the surface of modern music, he helped shape its foundations.
From the early beginnings in 1974 to the seminal Born in the USA – one of the best-selling albums of all time – to the 2016 River Tour, the highest grossing tour of the year, Springsteen has a truly timeless appeal, captured here by lauded rock photographer, Janet Macoska. Macoska charts Springsteen through the ages. Through her lens we witness his enduring energy on the stage, from 1974 to 2016. Here is Springsteen at his finest: a down-to-earth superstar, whose powerful performances stand the test of time.
“Bruce would rip his heart out and give it to his audience. He put everything into his performance. He was all over the stage, and the whole rest of the band was in lockstep, complimenting that energy. It was going out to the audience in bundles. We were sending it back , too, and that’s really electric. That energy, those visuals? Photographers love that. It’s perfect to have something like that to photograph.” – Janet Macoska
“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons
“Caine, the timeless gentleman.” — Diego Armes, GQ Portugal
“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books
“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”
A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.
Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.
Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.