In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister pays homage to the muses who have sparked their alienating dream world. From artists worldwide, legendary figures, their collection of taxidermy to lurid places where their figures were born, such as the catacombs of Palermo, Pyramiden or the disaster area around Chernobyl. A special fairy tale world that flirts with the morbid, religious and grotesque and in which stuffed animals are brought back to life in an extraordinary way.

This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject “Christ Carrying the Cross,” and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.

Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.

Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.

Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.

This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.

The Konyaks – a once fearsome headhunting tribe in Nagaland on the border of Myanmar in northeast India – are well known for their iconic body and facial tattoos, originally earned for taking an enemy’s head. This book – over four years in the making – is the personal journey of a Konyak woman who retraces the steps of her grandfather and great-grandfather by documenting her tribe’s tattooing practices. She explores the Konyak’s concept of beautification of the body using it as a canvas for art, with inscriptions marked on the skin as a form of rite of passage and cycle of life. With elegant and powerful portraits of elders, both men and women, this book preserves the unique but vanishing practices of the culture, together with tattoo patterns, their meanings, and the oral traditions attached to them in folktales, songs, poems and sayings. It includes descriptions and information on headhunting and tattooing practices; reasons behind them; techniques used; tattoo artists; different tattoo groups; types of tattoos; and personal stories. Contents: The Konyaks; Headhunting; Traditional Tattooing Art; Tattoo Artist; Face Tattoo Group SHEN-TU; Body Tattoo Group TANGTA-TU; Nose Tattoo Group KONG-TU; The Last of the Tattooed Headhunters; Glossary.

A unique insight into the ways in which one of today’s leading artists is inspired by great works of the past. In 16 emphatically modern new paintings, renowned artist, Alison Watt, responds to the remarkable delicacy of the female portraits by eighteenth-century Scottish portraitist, Allan Ramsay. Watt’s new works are particularly inspired by Ramsay’s much-loved portrait of his wife, along with less familiar portraits and drawings. Watt shines a light on enigmatic details in Ramsay’s work and has created paintings which hover between the genres of still life and portraiture. In conversation with curator Julie Lawson, Watt discusses how painters look at paintings, explains why Ramsay inspired her, and provides unique insight into her own creative process. Andrew O’Hagan responds to Watt’s paintings with a new work of short fiction and art historian Tom Normand’s commentary explores further layers of depth to our understanding of both artists.

This volume marks the publishing debut of the Spanish-Argentinian photographer based in Milan, Patricio Reig, and introduces one of the artist’s preferred subjects: the female portrait.

Patricio Reig prints and sets his images on special oriental paper, folded over and over, and finally dipped in a bath of coffee and sodium thiosulfate. He has found the result intriguing ever since his very first experiments: fortuitous coffee stains become scars that denote each photograph, and consequently every story they tell.
As he himself says: “A portrait is not the recording of a single identity, but rather the layering of many elements. For this reason, the image may be fragmented, pieced back together, or even folded over, and yet it never loses its essence.” 

Text in English, French and Spanish.

The fascinating and truly exceptional Portrait of a Lady in White Satin, which forms part of The Klesch Collection, offers Marco Tanzi the leading expert on 16th- and 17th-century Cremonese painting an opportunity to delve into some hitherto unknown aspects of the painter’s artistic production. Breaking away from the repetitive monotony of a celebration firmly rooted in an audacious biography that is more or less fictional, but above all anchored to some erroneous attributions that are traced back to Bernardino Campi, her first master.

The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Northern California, the Classicist No. 21 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field. Contributing authors include Daniel Gregory, architectural historian and editor; Laura Ackley, author of San Francisco’s Jewel City: The Panama-Pacific International Exposition of 1915; Lucia Howard, Partner at Ace Architects and Piraneseum; Therese Poletti, author of Art Deco San Francisco: The Architecture of Timothy Pflueger and journalist at MarketWatch; and Andrew Shanken, Professor of Architecture at UC Berkeley College of Environmental Design.

This impressive book offers a comprehensive overview of designer and sculptor Eric Schmitt’s work, focusing on the years 2015–2025 while tracing the notable shifts of his practice since the 1980s. Working primarily with noble materials such as patinated bronze, alabaster, marble, natural stone, and glass, Schmitt blends traditional French craftsmanship with a modern aesthetic to create functional works of art that balance geometry, fluidity, and subtle strength. Written in English and French, the book opens with an introduction by Patrick Mauriès, who charts the development of Schmitt’s artistic influences—from his early fascination with the Creative Salvage movement in the 1980s to his enduring commitment to hands-on fabrication. Organized thematically, the book’s central section explores Schmitt’s creations through chapters such as Cornerstones, Metal & Company, Levitation, and Material Illusions, with opening ommentaries by Axelle Corty.

Through stunning photography by Adrien Dirand, readers are invited onto the grounds of Le Chapitre, while Alexandra Babeanu’s text shares the story behind the restored 12th-century farm that serves as Schmitt’s home, studio, and collaborative workshop. 

The volume concludes with an extensive catalogue raisonné of more than 700 pieces, establishing the book as both a visual archive and an essential reference for collectors, curators, and design professionals. Eric Schmitt portrays the distinguished designer’s multi-faceted practice, one that continues to blur the boundaries between design,

sculpture, and architecture.

Eric Schmitt (born in 1955) is a renowned French designer and sculptor internationally recognized for his sculptural, timeless furniture and objects. Self-taught, he began his career creating expressive wrought-iron pieces before evolving toward refined, minimal-ist forms inspired by nature, architecture, and his upbringing in Poitou, France.

Text in English and French

Discover the Finger Lakes: 4,692 square miles of Upstate New York packed with history, vineyards, waterfalls, gorges, and hidden treasures.

111 Places in the Finger Lakes That You Must Not Miss takes you off the beaten path to the odd, the unexpected, and the downright fascinating. Explore stories, legends, and secrets most visitors never find. Visit the place where Tom Sawyer and Huck Finn came to life. Spin on the world’s fastest carousel. Stand beneath waterfalls taller than Niagara. Tour a haunted winery. Browse a collection of brains. Try your hand at circus school. Wander a garden inspired by Claude Monet. Visit the Dalai Lama’s North American retreat.

The Finger Lakes have been called magical, creative, historic, and breathtaking – and you’ll see why. Adventure, mystery, and wonder await at every turn.

In 111 Places in Buffalo That You Must Not Miss, author Brian Hayden reveals the lesser-known stories, off-the-beaten path locales, and hidden gems that make Buffalo and nearby Niagara Falls extraordinary. Journey through the region and explore century-old ethnic clubs, neighborhood taverns with incredible wings, a hiking trail in the shadow of a collapsed power plant, possible buried treasure in the Niagara River and the small town that invented the kazoo.

Find out why Irish Civil War Veterans launched an invasion on Canada from Buffalo, how the manuscript of a Mark Twain masterpiece ended up in a downtown library, and where you can see a “stunter’s row” of daredevils buried together in a Niagara Falls Cemetery. Shop for unique finds in the city’s last “junk shop,” browse for produce grown by recently resettled refugees at an urban farm, and play Buffalo Gay Bingo in an Amvets Hall. Discover the places and people who have called this region home for centuries – and the new arrivals from around the world who have infused New York’s second largest city with new life. Experience the Buffalo and Niagara Falls that even locals might not know about – and come away with a renewed appreciation for this historic and inspiring region.

Andy Goldsworthy tells the story of his career in his own words – from school art classrooms to the ambitious retrospective exhibition this book accompanies. In a wide-ranging and personal conversation, Goldsworthy recalls the triumphs and tribulations that have shaped his journey to become an artist of global renown. Illustrated by many of his iconic installations and ephemeral works, this book also includes previously unseen drawings for new creations. This is an unmissable account of the life and work of an artist pushing the boundaries of the art world.

“Words and ideas are as one – and at war – in Finlay’s witty, elegant work…”  — The Guardian

In celebration of the centenary of artist, poet and landscape designer Ian Hamilton Finlay’s birth, Fragments draws together 100 of his artworks. With each piece accompanied by a short text, either by the artist or by a noted writer on Finlay’s work, this book accompanies a series of eight exhibitions taking place in Basel, Brescia, Edinburgh, Hamburg, Palma de Mallorca, London, New York and Vienna in May 2025.

Best known for his Little Sparta – a seven-acre site at Stonypath farm in Scotland that has attained almost-mythical status – and for his installed guillotines, A View to the Temple, at Documenta Kassel 1987, Finlay’s large body of work can be found in museums, parks and gardens worldwide. His artistic creations also incorporate short stories, poems and concrete poetry, many of which have been published by his own publishing house Wild Hawthorn Press, and which, with a mixture of wit and beauty, engage with the relationship between violence and civilization.

Wu Changshuo is one of China’s most celebrated calligraphers and painters. On the 180th anniversary of his birth, the Shanghai Wu Changshuo Art Museum has put together this anthology of selected writings alongside over 130 works from the museum’s collection to accompany a year-long series of exhibitions of this celebrated artist. With each piece written from a different perspective, this fascinating book is an appreciation of the resolute character and accomplishments of this great Chinese calligrapher, painter, seal engraver and poet.

Born in 1844 in the late Qing period, Wu Changshuo went from impoverished farm worker to celebrated artist. Leading the Xiling Seal Art Society, Wu would go on to become part of the avant-garde Shanghai School with its unique ‘East meets West’ culture. A great believer and practitioner in studying the ancient masters and their techniques in order to create a solid foundation and expert knowledge of the arts, Wu went on to create his own school of thought which combined this ancient wisdom with his own innovative interpretations.

“… it’s also a book to dip into – for inspiration, for discovery, or simply for the pleasure of armchair exploration.” — Worldwide Writer

Dorset doesn’t have any motorways. Or cities. Or major industries. We do have railways – but don’t expect high speed intercity connections. But these are the reasons why the county is so appealing: The pace of life is slower, the people friendlier, the views more unspoiled. The county is a magnet for creative types: artisan food producers, eco-preneurs, artists and craftspeople who are quietly building businesses in small towns and villages, tucked away in back lanes and converted farm buildings.

Whether you’re a local, a seasoned traveler or first-time visitor, beautiful, quirky Dorset will surprise and delight you. This guide will introduce you to 111 off-the-beaten track (and sometimes off-the-wall) locations that make this slice of the West Country a wonderful place to live and a great place to visit.

Pick flowers in the grounds of a ruined abbey. Watch the summer solstice at a mini Stonehenge. Spot badgers in fancy dress. Buy wobbly bread from a post office. Moon-bathe in a beach-side sauna. Or fill your boots at a dry dock.

“Capturing the spirit of every Glastonbury since 1992, this coffee table book from award-winning photographer Liam Bailey brings together three decades of revelry and wonder among festivalgoers on Somerset’s most famous dairy farm.” — Redonline.co.uk

“…Iconic Photos That Capture the Messy Essence of Glastonbury.” — VICE

“The book’s images capture the rugged anarchy that spreads through Somerset each year around the solstice.” — MSN

“There are many books about the music scene but few that show punters in all their beautiful variety. Liam Bailey’s long-term documentation has really paid off – this book about the craziness of Glastonbury Festival is terrific.” – Martin Parr

Glastonbury is the striking distillation of over 30 years’ unprecedented photographic access to the world’s largest green-field music and performing arts festival. In over 120 memorable images, Liam Bailey invites us to share his experiences of being among its diverse tribes.

Although Glastonbury has evolved into a sprawling fixture of the British summer calendar, this famously vibrant event is still powered by the belief in alternative communal culture. It is this special energy that has kept Bailey returning every year since 1992. Above all, this ‘access all areas’ visual diary makes a case for the positive human potential of over 200,000 people being able to get together in the open air – to enjoy music, performance and each other.

Bailey’s work has been exhibited in the UK and abroad, and appeared in magazines and newspapers including The Independent, The Guardian and Condé Nast Traveller.

Goya’s last set of etchings were made between 1815 and 1823, the dark years after the fall of Napoleon, when Goya was living in his farm, The House of the Deaf Man (Quinta del Sordo). Enigmatic and sinister, the etchings were not published until long after his death. They are variously known as The Proverbs, The Dreams, or, most often, Los Disparates, or The Follies. They are some of the most compelling images in Western art and their technical virtuosity is second to none.

You’ve heard of the “Starchitects.” Now meet the “Marketects.” This monograph spans all twenty-five years of Powers Brown Architecture and evinces why all clients deserve good design.

“Marketecture,” a term coined by Powers Brown Architecture as an antithesis to the “Starchitecture,” is a market-driven strategy for striving for the best design solutions for all clients. Through this bottom-up approach, Powers Brown seeks cutting-edge solutions that elevate a seemingly mundane building type beyond client expectations. Its dedication to working with clients to develop cost-effective, market-driven buildings without sacrificing good design has resulted in a broad range of commercial projects that respond to everyday pragmatics while still exhibiting strong architectural ideas and developing new technologies along the way.

In Powers Brown Architecture: Commodity and Virtue in Architecture, the firm presents a curated collection of work that spans its entire twenty-five years in practice and includes projects not covered in earlier publications. The body of work evinces the disciplined structure of the practice itself over a predominant style or form.

Projects such as Hillel Student Center in Washington, D.C. and the Transit Terminal in Galveston, Texas showcase the firm’s approach to public work. Frank’s International and Seismic Exchange explore the possibilities of corporate architecture to create place as much as to make a statement. Arabella showcases the potential for variety, rather than repetition, in a condominium building, and the Thompson Hotel & Arts Residences in San Antonio navigates pedestrian scale in a twenty-storey tower. POST covers the commitment to resiliency and the future of the planet, while MEDDNet™ transforms urban design tactics into a national-scale disaster relief strategy.

The introduction is by journalist Stephen Sharpe, who has covered Powers Brown’s work for nearly twenty years. An extended essay by principal Jeffrey Brown, FAIA, situates the firm’s position at the conversational threshold of scepticism about “Starchitecure” and the reality of everyday architecture, or “Marketecture.” Architecture professor and author Donna Kacmar, FAIA, interviews Brown to reveal the details behind the firm and its work.

The Bund was once a mud land criss-crossed with farm fields, wild reeds, and a rooster fighting yard. Then its shape transformed dramatically looking similar to a European City, thus the mud Bund became the modern and attractive gold Bund. The stories of the Bund are about how the mud land turned into a billion-dollar skyline.

This book is a practiced journalist’s notebook about historical buildings in the Bund. The story of the Bund is the history of Shanghai’s rapid development. The book records the past and present details of 30 buildings on the Bund north of Yan ‘an East Road, and shares hundreds of architectural photos and historical pictures. The 30 buildings listed in the book are accompanied by the latest tourist tips, as well as colorful architectural maps of the Bund and data analysis charts. The great changes in Shanghai can be seen more clearly from the authors’ unique perspective.

Michelle Qiao has done arduous research in Xujiahui Library where abundant historical archives from Shanghai’s old English newspapers are kept. This book presents Bund architecture with the authors’ unique descriptions and vivid photos.

Text in English and Chinese.

“It’s less of a traditional reference book and more of a meditation on place – through its people, purpose, and possibility. With a healthy yet necessary and perhaps overdue dose of historical context, political awareness, nuance, and care, they offer a portrait of California wine that finally acknowledges all the hands that shaped it.” — Decanter

“The most complete panorama yet of California wine today… An ambitious, thought-provoking book, The Wines of California is a new classic for you to read and add to your bookshelf.” — World of Fine Wine 

“… It’s as interested in power structures as in Parker points, and that’s what makes it essential.” — Forbes 

“… anybody interested in how California wine became a world force ought to read this book.” — NY Times
“This book is core, essential. For anyone just beginning their journey, this will put wine in context in straightforward language with little jargon…. Brown’s book is both current and timeless. Chukan Brown takes at in-depth look at the forces that made, moved and continue to shape Califorina wine. In investigating the history, they look hard at the instrumental part played by Indigenous Peoples and the reliance of the wine (and other agricultural sectors) on inexpensive farm labour. It will appeal to an audience far beyond the typical wine book reader.” — Grape Collective

A concise, complete, smartly delivered and cohesive book for serious readers and students of wine. Focusing on the world’s fourth largest producer of wine – California – the book takes readers on a journey through the golden state’s wines, paying due attention to famous regions such as Sonoma and Napa as well as introducing readers to exciting up-and-coming regions to explore.

The book is divided into three major sections. The first presents the key ideas that help make sense of California wine as a whole, including the history of California wine in brief, how the topography delivers California’s overarching climatic and soil conditions, and the basics of vineyard and winery factors relevant to the state such as the role of the AVA.

The second section takes each major region in turn and looks into its history, growing conditions and varieties, as well as discussing the most significant and interesting producers. A final section looks at current themes in Californian wine and discusses the future of the industry across the state.

• Explains all the state’s AVAs, examining the development, growing conditions and varietal trends for each.
• Profiles the main producers and individuals shaping the wine industry today.
• A useful reference on California that also provides alternative insights and insider knowledge.
• Author Elaine Chukan Brown is a prolific commentator on the wines of California and a speaker at events around the globe.
• Supported by color maps and photos.

Food is a social phenomenon: it keeps us alive, influences our identity and creates social codes and values. Food and food preparation is no longer simply a question of sustenance, but of lifestyle as well. At the same time, however, agriculture and the current standards of food production are among the main drivers of climate change. What does the future of our food look like in the light of dwindling resources and the globalization of the food industry? How can we produce enough food for the rapidly increasing global population in a way that respects the earth’s ecosystems? Food Revolution 5.0 tries to find answers to these questions. The Museum für Kunst und Gewerbe Hamburg has invited the Dutch design studio Makkink & Bey to create a multidisciplinary laboratory dedicated to the future of food, including four stages – farm, supermarket, kitchen and table as visual representations of the food cycle from start to finish. The book takes a critical look at the global food industry and presents visions of designers, architects, scientists and photographers. Text in English and German.

The dahlia, a flower that was once thought of as old-fashioned, has surged in popularity over the past few years due to the development of new varieties and an uptick in appreciation from Royals and celebrities. They appear in a broad spectrum of beautiful colors and eccentric shapes, and thanks to their long flowering time they are garden crop favorites. This inspirational book explores every aspect of the dahlia from its history to its sustainable cultivation.

A Shepherd’s Life centres on Jenny Armstrong, born in 1903 at the farm of Fairliehope, who spent her life working as a shepherdess in the Pentland Hills. In a series of remarkable paintings made over twenty years and based on close observation, Victoria Crowe, one of Scotland’s foremost painters, pays tribute to the life and work of this exceptional woman. In spite of their different ages and backgrounds, the two women came to value each other’s company and it was through the shepherdess that the artist learned how to interpret the surrounding landscape. At the same time the paintings depict an ancient way of living that has been long in the decline and which, at the start of a new millennium, may be finally disappearing.