A beautifully illustrated and extensively researched collection of 100 of the most famous houses of Britain’s Arts and Crafts Movement.
The Arts and Crafts Movement, founded in the philosophies of John Ruskin and William Morris, produced some of the world’s most enduring architectural masterpieces. Author and architect David Cole presents the 100 great Arts and Crafts houses, each individually described and analyzed with insightful detail and floor plans, and illustrated with stunning photography.
Beginning with Morris’s own iconic Red House, the book traces the fifty-year span of the movement, with a short chapter dedicated to each of these extraordinary houses: from the works of the pioneer Arts and Crafts architects, to the great reformer architects of the next generation, to the craftsman architects who took their lives and their work to the countryside, to the movement’s Scottish architects, and finally to the houses of the Garden Cities and suburbs built through the movement’s last decade before the First World War. The book features the great houses of some forty of the movement’s most renowned architects, including Philip Webb, R. Norman Shaw, E.S. Prior, William Lethaby, C.F.A. Voysey, Edgar Wood, Ernest Gimson, the Barnsley brothers, C.R. Ashbee, M.H. Baillie Scott, Edwin Lutyens, Charles Rennie Mackintosh, Robert Lorimer, Parker and Unwin, and many others.
As Morris famously said, “Have nothing in your house that you do not know to be useful or believe to be beautiful.”
The monumental complex of St Agnes is located on the Via Nomentana in the north-east of Rome. The site consists of an underground cemetery (catacombs), the remains of the ancient circiform sepulchral basilica, commissioned by the imperial family of emperor Constantine, the mausoleum dedicated to St Constance and the basilica of St Agnes Outside the Walls, built by Pope Honorius I (625-638) on the small room with an altar, venerated as the burial place of the martyr Agnes.
The mausoleum dedicated to St Constance, which houses the remains of the imperial princess Constantine, is a splendid example of late antique architecture. The deambulatory is covered by a sumptuous mosaic decoration with Hellenised geometric motifs and cosmic-seasonal phytomorphic and zoomorphic elements, symbolic scenes such as the harvest and portraits of historical figures.
The basilica of St Agnes, until the beginning of the 17th century, was below ground and to reach the ground floor a staircase was used. The basilica still retains many elements unchanged from the time of Pope Honorius: the splendid reused roman columns, the famous mosaic showing Agnes between Honorius I and Pope Symmachus, and the Proconnesian marble and porphyry facing of the apse… Above the high altar is the statue of St. Agnes, made by Nicolas Cordier from gilded metal, using an ancient oriental alabaster for the bust.
1000 piece puzzle featuring the artwork of Sarah Cain.
Sarah Cain brings rooms to life with experiments in color, composition, and non-conformity. Cain modifies canvases by cutting, sewing, and attaching found objects. She also paints floors, walls, and furniture on-site, grounding each space she occupies in the present tense. Her process of creation and destruction is steeped in the history of painting and feminist art practices. and this feeling (2023), incorporates sand and prisms to add a touch of found-object energy to planes of pure color and are typical of Cain’s boundless approach to art.
A 1,000-piece puzzle featuring the artwork of Simone Johnson.
Bodega cats are as essential to New York City as the subway! The skyscrapers! The yellow cabs! Bodega cats are cute, sure, but really, they’re around to keep mice out of bodegas, which are mainstays of NYC culture. Simone Johnson is their eager and gifted portraitist, capturing them at work—which is to say, napping on crates of fruits, stacks of canned beans, and amidst twelve packs of beer, one eye always open for intruders.
Scotland has produced an astonishingly high number of men and women whose lives have inspired and changed the world. This book, illustrating just over forty portraits, represents only a few of them, but with Robert Burns and Walter Scott, Eric Liddell and Alex Ferguson, Bonnie Prince Charlie and Queen Victoria, it represents the flavour of the collection at the Scottish National Portrait Gallery.
This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer’s ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them beyond the circumstance of making the pictures. Many of the images represent the artists themselves, with nudity carrying connotations of self-exploration, vulnerability, playfulness or fantasy. Martin Hammer’s innovative study seeks to explain naked portraiture as a symptom of wider currents in modern culture, a visual parallel to various other manifestations of an impulse to reveal what is hidden, profound, or authentic, beneath the surface facade. The book also opens up for consideration the wider issue of how and why the genre of portraiture has been radically extended and reinvented, in so many different ways, within the art of the last hundred years.
Considered to be one of Scotland’s leading figurative painters, Moyna Flannigan is known for her wry and penetrating observations on society. Her portrait miniatures reflect the styles, manners and culture of contemporary life. In this book Keith Hartley examines Flannigan’s paintings and discusses the artistic and social influences on her work. The illustrations are accompanied by poetic prose by award-winning Scottish writer Dilys Rose, which sets up an imaginative dialog with the miniatures. ‘Dilys Rose is one of the most versatile writers in Scotland, as well as one of the best‘ – Douglas Dunn
This book reveals the wealth of British and European miniatures preserved in Scottish private collections, most of which are not normally on show to the public. Some of these intimate and private works are new discoveries, published here for the first time. These works are drawn from some of the notable private collections in Scotland, led by the most famous of all, that of the Duke of Buccleuch & Queensberry. The protagonists of the Stuart cause are well represented in portraits of Prince James and his sons Prince Charles Edward and Prince Henry Benedict, taken from the collection of one of the most significant Jacobite families, that of the Dukes of Perth. The book illustrates some of the most personal portraits of the leading figures among the great families of Scotland from the early seventeenth to the mid-nineteenth century. Twenty of the key works are illustrated in colour, with extended captions, and a complete catalogue of the collection is also included.
Portrait Miniatures from the Merchistion Collection is the fifth in a series of titles which examines the portrait miniature. This collection, which has never been on public display, was assembled on the London art market during the 1970s and 1980s. Scottish miniaturists from the late eighteenth and early nineteenth centuries are particularly well represented with fine works by Scouler, Bogle, and Skirving and Sir William Charles Ross. Of outstanding interest is Nicholas Hilliard’s matching pair of tiny lockets of Queen Elizabeth and her admirer Robert Dudley, Earl of Leicester. Stephen Lloyd’s essay discusses the formation of the collection and the impact of the invention of photography on the art of miniature painting. It also explores the social history of the miniature. Twenty of the key works are illustrated in color, with extended captions, and a complete list of the collection is also included.
In an age of soaring uncertainty, small moments of connection – with ourselves and our planet – matter more than ever before. The 200 intimate portraits in this volume tell stories of courage, hardship and hope, across continents and through generations.
This beautiful publication explores the secret and intimate world of the miniature painted portrait. The art of painting in miniature has a long history dating back to Tudor times. The medium attracted many skilled and famous artists, whose works have been treasured by successive generations. The works included are from the collection of Daphne Foskett (1911-1998). They are exquisite works of great skill and delicate paintings by the leading exponents of the art working in Britain during the seventeenth and eighteenth centuries. Daphne Foskett is a universally acknowledged authority on the subject of miniatures.
“Ms. Ruttenberg’s latest efforts make her a force to contend with as a narrator and symbolist, a form maker and colorist.” – Roberta Smith, New York Times The Nature of the Beast is a comprehensive retrospective of artist Kathy Ruttenberg’s work in the past six years including ceramics, drawings, and watercolors. With text by curator and art historian Charles Stuckey, the book also features a tour of her eccentric estate and studio in upstate New York where pigs, rabbits, chickens, and goats roam free. Her most recent show at Stux Gallery in Manhattan for the Fall of 2014 culminate in a conversation between Ruttenberg and Sir John Richardson which is also featured.
Jaime Fernandes was born in 1899, in a small village, near one of the most unspoiled and rebellious rivers of Portugal, the River Zêzere. He grew up in an idyllic rural landscape, a crossing site with a geography of fertile lands, where gold, wolfram, and tin were extracted from its entrails. A small rural landowner, he married and watched over his five children up to 38 years of age, when he entered Miguel Bombarda Lunatic Asylum in Lisbon, 300 km from his village.
He is the most important Portuguese author of art invented in a psychiatric asylum context. About ninety drawings in ink, lead pencil, and ballpoint pen on paper, of varied sizes and quality, are known.
His artistic activity, entirely lacking the supervision of any visual art atelier, was encouraged by his hospital psychiatrist, who collected most drawings by Jaime. The crudeness of these drawings impresses the unwitting observer: they are anthropomorphic and zoomorphic representations — cattle, goats, elephants, fish, and birds. The human figures burst through as bodies are placed on hold, arms in the air, eyes wide open that observe, others, sometimes, appear merged with animals. Jaime practiced drawing and wrote lengthy semantically indecipherable texts, in a singular calligraphy, where time is set in long numbers.
He did this solely motivated by the pure pleasure gained from this slow exercise of revisiting his memories. In that pleasure, he would have acquired a taste for the imaginary, the world of dreams and fantasies of creation, of being cherished by all who participated in the portraits that he gave us to observe. Jaime died in Lisbon in 1969.
Text in English and French.
This book collects Li Qiang’s classic photographs from 1981 to the present with three chapters: Northern Homeland, Distant Memory, and City Encounter. Li Qiang applies black and white images to record the changes in the lifestyle and cultural landscape of this era, from his hometown of Liyaoxian in northern Shaanxi to Xi’an, where he works and lives, and then to Shenzhen, Hong Kong and Macau in the south. These photographs record the social landscape of the current accelerated industrialization and urbanization, criticize the destruction of nature and original civilization, and pay attention to the state of individual existence. This deep humanistic sentiment is placed in every frozen moment, allowing us to refocus on the freshness and touching of daily life that has long been common place. Li’s influence on contemporary photography is not only reflected in his absolute adherence to his own aesthetic system, but also in his personal understanding between his hometown and modernity, and between himself and the times, providing a unique path for the innovation and expression of photographic language.
500 Piece Puzzle featuring the artwork of Rachel Hayden.
Rachel Hayden’s paintings seek order in chaos by puzzle-piecing together a handful of objects into balanced and symmetrical compositions. The artist creates full yet uncluttered canvases where figures float harmoniously in midair without touching. Hayden’s work repeatedly depicts different iterations of a small number of natural subjects, such as rainbows and shooting stars—often anthropomorphized with human faces.
a+u’s April issue, guided by guest editors Ko Nakamura, Keigo Kobayashi, and Mamiko Miyahara, investigates the interconnection of architecture and food. Food insecurity is a major challenge that cities face in the Anthropocene that architects and urbanists must rise to meet. Presenting more than 20 projects of varying scales, this issue highlights alternative strategies that architecture and urban design may adopt in the urgent effort to address this shared global burden. Five key themes – New Ways of Production, Globalism and National Strategies, In Community, Meeting the City, and Exploring Food Space – organize the projects. Real-time examples, such as Vertical Urban Farm, reveal possible directions that could be followed, while other projects interrogate existing notions, like Floating Farm Dairy, which aims to reintegrate isolated industrial harbor spaces with the rest of the city by introducing space for animal husbandry. Food is an integral part of not only basic survival but also of fostering community and the conviviality of the built realm. Thus, architecture acts as the crucible where agricultural innovation, forms, community action, and environmental sustainability meet.
Text in English and Japanese.
Master printmaker Liu Chunjie is renowned for his beautiful woodcut art. Born to land reclamation workers in Heilongjiang Province’s 856 Farm, Lui began life in a remote part of China that was deemed to be a place of cultural exile. But it is here that a vibrant chapter in the history of contemporary Chinese printmaking, known as Beidahuang Prints, was born.
Living and breathing woodcut art, Liu takes the reader on a personal journey through his life’s work. Written in beautiful poetic prose, Liu describes how his art and the techniques he uses have developed over time, culminating in a stunning body of work that has made him the celebrated artist he is today.
Having experimented with colored ink, installation art and mixed-media painting, it is the spirit of woodcut that remains the foundation of Liu’s art. Using ancient tools and materials, he creates works that embody modern concepts, elevating the essence of woodcut art to a new level.
In 2006, Laurent de Wurstemberger founded the Atelier ar-ter in Carouge with two partners, and in 2011, along with the material scientist Rodrigo Fernandez, the company Terrabloc, which turns excavated material from construction sites into compacted clay blocks. In 2018, he opened his architectural practice in Geneva and has since completed a number of smaller, more sophisticated projects, including the renovation of a farm in Choully (GE).
Text in English and German.
Master printmaker Liu Chunjie is renowned for his beautiful woodcut art. Born to land reclamation workers in Heilongjiang Province’s 856 Farm, Lui began life in a remote part of China that was deemed to be a place of cultural exile. But it is here that a vibrant chapter in the history of contemporary Chinese printmaking, known as Beidahuang Prints, was born.
Living and breathing woodcut art, Liu takes the reader on a personal journey through his life’s work. Written in beautiful poetic prose, Liu describes how his art and the techniques he uses have developed over time, culminating in a stunning body of work that has made him the celebrated artist he is today.
Having experimented with colored ink, installation art and mixed-media painting, it is the spirit of woodcut that remains the foundation of Liu’s art. Using ancient tools and materials, he creates works that embody modern concepts, elevating the essence of woodcut art to a new level.
Rembrandt in a red beret: the vanishings and reappearances of a self-portrait follows the fortunes of a fascinating painting along two lines. First is the history of the painting as a precious collector’s object, a story almost too unlikely to be true. In 1823 it was bought by the future King Willem II as one of his first purchases for the greatest collection of paintings ever assembled by a Dutch individual. For nearly a hundred years it remained with his heirs, coming to Weimar. Then, in 1921 it was stolen from the Weimar Museum, to turn up in 1945 in Dayton, Ohio, owned by a man who said he bought it in 1934 from a German sailor on the New York waterfront. What followed is revealed in this book for the first time, based on declassified U.S. government information. In 1947 the U.S. government seized the Rembrandt under such strict terms that 20 years later, when it wanted to return it to Germany, it was forced to go into legislative and diplomatic gymnastics to do so. Upon its return, an heir to the Weimar title sued for its restitution, and after seven years of one trial after another, she got it. She sold it in 1983 to the private collector who still owns it. Since 1921 it has been on public display only for 10 days in Dayton (1947) and 10 weeks in Washington (1967). The book also traces the critical history of the painting as a Rembrandt. In 1969 his authorship was disputed by Horst Gerson, an opinion that was seconded by the Rembrandt Research Project. Examining all the evidence and arguments, the eminent Rembrandt specialist Gary Schwartz comes to the conclusion that there is no reason not to accept the painting for what it looks like – a self-portrait of the great master, painted by his own hand.
The Lake District delights its visitors with a series of superlatives: England’s largest national park, highest mountain, deepest lakes and now a new World Heritage status. One of Britain’s best-loved and most visited locations unveils its secrets. This unusual guidebook explores 111 of the area’s most interesting places, it leaves the well-trodden paths to find the unknown: marvel at a stained glass window which inspired the American flag, let others flock to Hill Top while you explore Beatrix Potter’s holiday home, walk through ancient forest to talk to fairies and swim with immortal fish. Pause to wonder at a stunning lake where a President proposed, view a constellation of stars like nowhere else, find out why exotic spices are used in local cuisine.
New Zealand, also known as Aotearoa, the “Land of the Long White Cloud” in the indigenous language, offers breathtaking scenery. In our mind’s eye we see high snow-capped mountains alternating with green valleys, while the sea holds up a mirror to all of this. Ever since Peter Jackson’s film adaptation of The Lord of the Rings we have come to expect a hobbit or an elf behind every rock. In reality, however, we mostly encounter sheep, although their number is constantly decreasing.
This volume of CURVES focuses on another, lesser-known New Zealand attraction: the incredible roads that can be found across the North and South Islands. Spectacular views are guaranteed here, as the panorama could hardly be more varied. Soulful driving is included! And if you need to reset your head full of impressions, there are numerous picturesque towns ready to recharge your batteries. Join Stefan Bogner on his tour of discovery through New Zealand!
Text in English and German.
Cycling has never lost its appeal. Alongside mass-produced models, the craftsmanship of bespoke bicycle makers has emerged to satisfy the passion of people who ride bikes as a means of daily transport, as a sport and for recreation. This book by passionate cyclists Christine Elliott and David Jablonka is the product of a worldwide search for the most influential custom bicycle makers on the planet. The result is a presentation of a wonderful collection of expertly honed, human-powered machines, built by some of the most creative bicycle makers in the world. It highlights the range of techniques, materials, design elements, and dedication that go into producing a custom handmade bicycle. It is guaranteed to take you on the ride of your life. Bicycle brands featured include: Anderson Custom Bicycles, Baum Cycles, Bilkeny Cycle Works, Black Sheep Bikes, Bob Brown Cycles, Bohemian Cycles, Bruce Gordon Cycles, Calfee Design, Columbine Cycle Works, Crisp Titanium, Cycles Alex Singer, Cyfac, Davidson Handbuilt Bicycles, Don Walker Cycles, GURU Bikes, Independent Fabrication, Ira Ryan Cycles, Jeff Jones Custom Bicycles, Keith Anderson Cycles, Kirk Frameworks, Kish Fabrication, Llewelyn Custom Bicycles, Lynskey, Marschall Framework, Moots, Naked Bicycles and Design, Pegoretti, Richard Sachs Cycles, Roark Custom Titanium Bicycles, Robin Mather, Signal Cycles, Steve Potts Bicycles, Strawberry, Sweet Pea Cycles, Vanilla Bicycles, Vendetta Cycles, Vicious Cycles, Wolfhound Cycles. Also available: Racing Bicycles ISBN: 9781864704822
The book presents a significantly curated cross-section of the textile treasures offered by Varanasi. It combines the past and the present, linking them to different moments in the city’s history, and makes a powerful case for rediscovering, preserving and patronizing these textile treasures that are inextricably bound to the ancient aura of the city. Jaya Jaitly, emphasizes the need to acknowledge the beauty of Varanasi’s textiles emerging out of age-old traditions and techniques. She highlights the danger of the loss of livelihoods and highly sophisticated skills. She expresses concern over erosion of identity and importance in the wake of machine-made imitations being produced in other parts of the world that has already begun.