The baking industry has seen a developing momentum in recent years. The competition is stiff; it’s not just the quality of the food that attracts customers, so it’s often necessary to ensure the design of the bakery itself is both creative and eye catching, while still being functional. A well-designed store can not only increase sales, but also help develop a brand identity. This book includes fifty bakery designs from all over the world, including Spain, Greece, Canada, Italy, Poland, Portugal, Singapore, Israel, the USA, Germany, Vietnam, Indonesia, Turkey, China, Japan, Brazil, Romania, Thailand, Austria, Lebanon, and France. The designers responsible exhaustively examine their projects in order to illustrate the design process.

This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.

Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.

Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country’s culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam’s Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble – only to re-emerge in a ‘modernized’ form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford’s evocative and powerful photography chronicles life throughout Hanoi and its surroundings over the course of the last three decades. Filled with full-color photographs and informative essays on his experiences and the people he encountered, Crawford’s work – showcased in this beautifully presented volume – provides a unique visual catalogue of the evolution of a city and its inhabitants, and particularly the complex historical area known as The 36 Streets.

To understand the development of private gardens, one must accept that there is no classroom that can explain how approaching such a project is accomplished. It is a long journey that is ignited in those who begin to pursue a passion for garden design. Beginning with, first, the study of plants and the wonder of all their characteristics, this knowledge then needs to be combined with a solid understanding of the mathematics of geometry and the use of scale and the relationship of proportions. Landscape designers must progress on to developing a style that fits a designer’s personality while, at the same time, expanding the vision for each landscape. Garden design seems simple, but actually it is very complicated work.

This book covers nearly 40 beautiful private gardens from all over the world, including traditional European gardens, American gardens, Japanese gardens and a number of gardens from Southeast Asia, with a wealth of high-res photos, floor plans, sketches and plant details to show the beautiful view of gardens. This will undoubtedly provide design tips for designers who want to stand out in the field of private garden design.

Melle Smets and Joost van Onna took only twelve weeks to assemble Turtle 1, a car built entirely from recycled parts. Made in Africa, Turtle 1 is entirely suited to the local context, sufficiently sturdy to resist the climate and the road conditions, and easy to operate.This book is part of an extensive documentation of the project; this documentation spans several years and has used exhibitions, films and apps to tell the story of this great idea. The automobile industry is monopolised by multinational companies who care only for profit, and constantly seek to outbid each other by developing ever more sophisticated technology. The majority of people outside of the Western world have little access to this market. However, Turtle 1: Building a Car in Africa proves how people’s ingenuity can tackle any challenge. Dutch artist Melle Smets and sociologist Joost van Onna went to Suame Magazine in Ghana, one of the largest industrial areas in sub-Saharan Africa where some 200,000 people dismantle and repair cars and sell used spare parts. Their aim was not only to develop a totally new type of car but, more importantly, to boost autonomy and self-reliance in an attempt to be free from global economic interests. Within two years, the vehicle attracted much attention from the public and the media both in Africa and the Netherlands, prompting Smets and van Onna to create the conditions for producing the car on a small, local scale. The production, however, never took off as their Ghanaian partners had other intentions in spite of all success. While Smets and van Onna promoted their recycling model, the Africans had tragically begun to work on a luxury version of the car. A homage to a project that was never fully realised, this book is a succinct demonstration of humanity’s ability to overcome odds. Exhibition runs until 28 August 2016, Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.

“A true collector’s item…” — Tim Chan, Rolling Stone

“Filled to the brim with everything from Harry’s colour palettes to his inspiration, this pick combines high-fashion with all the quirkiness we love about HS and it’s just perfect.” — Glamour UK

“Have the best-dressed coffee table by adorning it with this book filled with photos of THE best-dressed man.” — Seventeen Magazine

“It’s a wonderful book… if you’re a Harry Styles fan or not…just have a look at how he wears clothes, look at his influences, and if you are a Harry Styles fan, it’s a double whammy.” — BBC’s Jo Good Show

“This deep dive into some of his most iconic fits is a dream gift for the person who basically spent 2021-2023 living, breathing, and eating Love On Tour.” —  Buzzfeed

“I’m incredibly lucky to have an environment where I feel comfortable being myself” – Harry Styles. 

Stepping bravely into the cyclone of 21st-century fashions, Harry Styles is more than weathering the storm. Whether he’s breaking the internet with his $7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or fronting cult magazine The Beauty Papers, as he did in March 2021, Hazza’s sparkle knows no boundaries.  

Gucci met Styles in 2014, and there was instant chemistry. According to designer Alessandro Michele, Harry is ‘a young Greek God with the attitude of James Dean and a little bit of Mick Jagger’ – and that effortless superstardom certainly radiates from the photos in this collection, which document the heart of Harry’s wardrobe, both on-stage and off. 

Part fashion history lesson, pulling references from the rock and roll greats of the past, and part innovation, Harry’s style pays homage to Kurt Cobain and Marc Bolan, Prince and Little Richard, while developing into something authentic and entirely his own. This chic book fizzles with facts about Harry’s styling choices, presenting the star’s most revered looks alongside pictures that trace the roots of each design. With quotes from key designers, this is the perfect gift for any fan. 

Crafting a Future is a heartfelt celebration of artisans and their vocational skills. Each region in India has its own distinctive raw materials, craft techniques, textiles, motifs and color palettes, and through her well-researched narrative enriched with numerous stories, Archana Shah demonstrates the diversity and true value of handcrafted textile processes. She believes that handspun, handwoven fabrics made using indigenous fibers and natural materials for dyeing will help create a unique identity for handcrafted textiles, and suggests ways to repurpose the abundant artisanal talent available across the country to rejuvenate this sector. These tenets are woven throughout the book, which is broadly divided into three sections based on natural fibres: cotton from plants, silk from insects and wool from animals. This resonates with Gandhiji’s concept of developing khadi and village industries to rejuvenate the rural economy, and stimulate development through a bottom-up approach.
Beyond its beauty and heritage value, artisanal production is eco-friendly, has a negligible carbon footprint and fulfils most of the United Nations Sustainable Development Goals (SDGs). It has the potential for creating dignified employment opportunities for millions of people in their own regional location, so that they are not compelled by economic constraints to abandon their ancestral professions and migrate to urban slums to earn a meagre livelihood as unskilled laborers. In essence, the book focuses on artisans, their aspirations and fulfilment in their work. It also draws upon their traditional wisdom to address two of the most serious challenges that we face today: growing unemployment and climate change.

Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.

This issue discusses the topic of globalization and locality through four essays and eleven projects. The essays attempt to observe the tension between the different forces of globalization, which is being widely debated as a distinguishing trend, and also highlight globalization’s impact on local architecture, as well as the various efforts being taken to ensure local identity and distinctive locality in architecture design. The projects, accompanied with full-color photos and text descriptions, demonstrate the many successful attempts in developing design concepts and methods to cope with the globalization trend while maintaining locality. These essays and projects are carefully selected to represent diversity in project locations, and includes locations such as Thailand, India, Japan, and China.

Since 1987, Eileen Joy Liebman and Fernando Villavecchia Obregón have focused on developing housing and measures to existing buildings. Over the years, they have gradually developed an oeuvre with the special qualities of reserve and “silence”. Projects include the careful renovation of the Casa Coderch Milá in Cadaqués (2017) and the Casa in Sant Llorenç (2014), inherently engaging with the rural architecture.

Text in English and German.

This book sets out to define fashion spaces as an emerging area of research within architectural writing.

Social media has brought a new type of space into the world of fashion retail. When architecture and fashion meet in the creation of ephemeral spaces for the immediate presentation of new collections, for example, these temporary but real spaces are brought into the realm of the everlasting digital space as they are shared and re-shared on platforms like Instagram. Fashion spaces can best be defined, then, as co-created, ever changing and prevailing metaspaces where the dialog amongst designers, consumers and industry leaders continues well after the real space has vanished.

Can these fashion spaces have a bigger impact on consumers than real-time experience of space? How may the dialogs developing within and as result of fashion spaces influence physical retail design? Can designers use fashion spaces as sites for new cultural production? These are but some of the questions tackled by Fashion Spaces: A Theoretical View. The book is created via a practice-oriented approach to academic teaching and research, through the collaboration of academics, students and the retail industry.

Following an introductory essay by professor Vésma Kontere McQuillan and assistant professor Kjeld Hansen, which tackles the problematics of research in the field and presents a conceptual model for further research, seven case studies developed by students of the retail design program at the School of Arts, Design, and Media at Kristiania University College explore possible applications of this model.

This handbook prescribes hybridization – a fusion of gastronomy, co-working, hospitality and performative formats – as a powerful remedy against the digital disruption of the food retail industry.

Online shopping and changing consumer demands radically transform the food retail industry for the first time since the introduction of the supermarket in the 1930s. After decades of stagnation, food retail is currently one of the most creative and fastest developing typologies in spatial design.

As a result of a three-year research project with over 100 students of retail design at PBSA Peter Behrens School Of Arts, University of Applied Sciences Dusseldorf, Hybrid Food Retail offers an overview of the history, presents an encyclopedic analysis of the elements, and highlights the emerging trends in the food retail industry. As new formats are being developed, this handbook prescribes hybridization – a fusion of supermarket and gastronomy, co-working, hospitality and performative formats – as a powerful tool against digital disruption.

The Book of Norman: Norman Sunshine / A Life in Art, brings together more than seven decades of the American artist Norman Sunshine’s painting, sculpture, pencil, charcoal, and digital work, all deftly interwoven into his remarkable life story. Born and raised in Los Angeles, Sunshine began as an illustrator for the entertainment industry and the New York Times, eventually moving into advertising, where he authored some of the most recognizable campaigns of the 1970s. He quickly drew acclaim as a painter of southern California’s soft geometry and quiet loneliness. After moving back to the East Coast, his practice expanded: sometimes through distinctively experimental, Cezanne-like still-lifes, sometimes capturing the austerity of the New England winter, but always developing a visual language equally attuned to the psychological and physical spaces he inhabited.

The Book of Norman is both a memoir of the social and artistic worlds of post-war America and a deep reflection on a life devoted to making art. The art critic Donald Kuspit said of Sunshine’s work that it is, “a classical example of dynamic equilibrium.” That statement is also true of the artist himself. 

“With his legendary swag, Norman Anderson, aka Normski, hip-hop ambassador in the United Kingdom since its emergence in the 1980s, is the great archivist of these glory days he captured London to Detroit.” — Rolling Stone France
“The difference between Normski’s photograph of me and any other is that it captures my soul.” — Goldie

“He was a larger-than-life character, full of energy and totally motivating. He really was the hip hop photographer of the day in the UK.” — Stereo MC’s
“This book contains a striking catalogue of images, many of which have been exhibited by establishments such as Tate Britain, the V&A, Somerset House and the Smithsonian National Museum of African American History and Culture.” — Marcus Barnes

“On the heels of Hip-Hop’s 50th anniversary, Man with the Golden Shutter is a celebratory record of hip-hop as much as it is a definitive collection of Normski’s incredible photographs.” — GQ Middle East

Normski was a vital witness to the period known as the Golden Age of Rap, when big US artists like Run DMC, LL Cool J and Public Enemy started to play in the UK. At the same time, a British music scene born of Black music and myriad multicultural influence was developing, giving birth to Jungle, Garage and Techno.

The author, who describes himself as having been a “young Black British homeboy photographer”, was in the right place at the right time to document the emergent music, community and social movements of hip hop and rap in the UK. Normski: Man with the Golden Shutter presents Normski’s personal journey through that world from the mid-1980s to early 1990s.

The book includes Normski’s often previously unseen photographs of Public Enemy, N.W.A., Cypress Hill, De La Soul, Goldie, Ice-T, Run DMC, Wu-Tang Clan and many others, alongside the photographer’s stories and anecdotes from the center of what would become a hugely influential cultural movement.

Long awaited by collectors, scholars, and enthusiasts, this book illustrates the bronze pieces, most of which have never before been published, collected by Syrop during more than 40 years of passionate, attentive, and untiring research.

An architect by profession and a collector by instinct, Arnold Syrop was a pioneer for his interest in this particular area of African material culture, developing what Susan Kloman in her introduction calls “one of the best eyes” in the field of African bronze artefacts.

As remarked by the author/collector in his preface, these bronzes are for the most part “spiritual in nature,” their function being to protect and give strength to their owner.  

Text in English and French.

Taking those steps that will lead to your ultimate victory and achieving top performances, everyone dreams of it. In The Ultimate Victory, top sports psychologist Ellen Schouppe teaches you how developing attitudes such as leadership, energy management and mental resilience can leverage your talents. Take your personal development into your own hands, be inspired by top performers and achieve your own goals as a professional in your field, as an athlete, as an entrepreneur, but above all, as a person.

Antoine Leperlier (b. 1953) is a trained visual artist and painter. He has been working as a freelance glass artist since the 1980s, developing his own glass technique based on casting and the lost-wax technique to create large-format translucent and painterly blocks.

In this survey of work spanning more than 40 years, skulls float, snakes are frozen alive, and what looks like abstract watercolors are preserved forever. Time stands still, the universe speaks. His works explore transience and memory, past and future; he stops time, makes moments eternal. Enamel and ceramic inclusions, bubbles, colors, and engravings create colorful, expressive worlds reminiscent of organic forms floating in outer space. This endeavor to capture dynamic images in material form is an approach unique in contemporary glass art.

Text in English and French.

Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalog, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.

Text in French.

You’ve heard of the “Starchitects.” Now meet the “Marketects.” This monograph spans all twenty-five years of Powers Brown Architecture and evinces why all clients deserve good design.

“Marketecture,” a term coined by Powers Brown Architecture as an antithesis to the “Starchitecture,” is a market-driven strategy for striving for the best design solutions for all clients. Through this bottom-up approach, Powers Brown seeks cutting-edge solutions that elevate a seemingly mundane building type beyond client expectations. Its dedication to working with clients to develop cost-effective, market-driven buildings without sacrificing good design has resulted in a broad range of commercial projects that respond to everyday pragmatics while still exhibiting strong architectural ideas and developing new technologies along the way.

In Powers Brown Architecture: Commodity and Virtue in Architecture, the firm presents a curated collection of work that spans its entire twenty-five years in practice and includes projects not covered in earlier publications. The body of work evinces the disciplined structure of the practice itself over a predominant style or form.

Projects such as Hillel Student Center in Washington, D.C. and the Transit Terminal in Galveston, Texas showcase the firm’s approach to public work. Frank’s International and Seismic Exchange explore the possibilities of corporate architecture to create place as much as to make a statement. Arabella showcases the potential for variety, rather than repetition, in a condominium building, and the Thompson Hotel & Arts Residences in San Antonio navigates pedestrian scale in a twenty-storey tower. POST covers the commitment to resiliency and the future of the planet, while MEDDNet™ transforms urban design tactics into a national-scale disaster relief strategy.

The introduction is by journalist Stephen Sharpe, who has covered Powers Brown’s work for nearly twenty years. An extended essay by principal Jeffrey Brown, FAIA, situates the firm’s position at the conversational threshold of scepticism about “Starchitecure” and the reality of everyday architecture, or “Marketecture.” Architecture professor and author Donna Kacmar, FAIA, interviews Brown to reveal the details behind the firm and its work.

“Beauty is the quality or qualities that give pleasure to the senses or mind. These qualities are both tangible and intangible, creating a visual and perceptual experience that stirs an emotional response. This collection of work showcases beauty in architecture and design. We are on a continual exploration of how to make beautiful buildings, spaces, and objects, always developing our knowledge and experience of what is beautiful, as it is manifested and perceived in different ways.

While some architects work in one style, continuously refining and perfecting it, I love to explore different styles and to learn, discover, and evolve. I grew up in America and have traveled, lived, and studied around the world. Now in Indonesia for more than thirty years, I bring this broad understanding and perspective to our work, while always being inspired by and embracing Indonesian culture, tradition, and the sharing of ideas. It’s this fusion and approach that sets my work apart.

The words you’ve encountered in this book are some of the ways in which we manifest beauty in our work. These words reflect both the physical and sensorial qualities in a design. Sometimes you see them, such as the materiality, palette, and light. Sometimes you feel them, such as anticipation and transitions. These qualities are all highly considered and carefully layered to create residential, commercial, and hospitality spaces that we characterize as “comfort luxury” and that have a positive emotional affect. They are spaces for people to feel at home; oases to enjoy after a long day.

Crafting the spaces comes from thoughtful consideration of the journey through a house, and what people will see and feel as they transition from space to space—from public to private, from collective spaces to sanctuaries.” – Thomas Elliott (from the Afterword)

This major retrospective catalogue is the first institutional show focusing on the visual works of art by Stanley Donwood and Thom Yorke. The majority of the paintings, drawings and digital works were specifically made for Yorke’s internationally celebrated band Radiohead, formed in Oxford in 1985. This features iconic artworks from the 1980s until today, relating to Radiohead albums, their covers and promotional band images, as well as sketchbooks and rare materials from their archives that have never before been published. It offers fresh views on the art of album covers, exploring the complex relationship between visual art and music.

Radiohead was formed in Abingdon, Oxfordshire, in 1985. The collaboration with the artist Stanley Donwood began in 1994 when the band was developing their second album, The Bends, which was released on 13th March, 1995. 2025 is therefore the 40-year anniversary of the band and the 30-year anniversary of the release of The Bends. The catalogue’s focus is upon the art produced by both Stanley Donwood and the band’s lead vocalist, Thom Yorke presented chronologically. Radiohead’s popularity has never waned and they have a strong core following and new fans (many of who are the children of ‘original’ fans).

The high-quality reproductions are complemented by exclusive interviews with the artists, and essays by Alex Farquharson, Nico Kos Earle, Benjamin Myers, James Putnam and Jennifer Ramkalawon.

A major retrospective will be held at the Ashmolean Museum from August 2025 to January 2026.

Linda Vinck is a visual artist with a long-standing and sustainably developed body of work centered around rhythm and pattern formation. The materiality of her artworks strengthened by the mixed media techniques the artist uses, demonstrate her fascination by the interplay of predictable and unpredictable micro-forms in nature, psychocorporeal transformations, dance, and contemporary composers. The impact and integration of color and spirituality in her practice refer to her yearlong residencies in Cape Verde, South Africa, and Japan.

For almost five decades Linda Vinck has been developing a consistent body of work around rhythm and pattern formation. This comprehensive publication contextualizes and presents this artist’s oeuvre, and introduces her prolific language as a visual artist in relation to her unique artistic identity.

Text in English and Dutch.

All About Eve is the latest series of the American artist Ruth Marten (*1949) which she has been developing since 2022. Here she unfolds a complex interplay involving the boundaries of reality, time, and genre.

She began her career as a tattoo artist and later worked as an illustrator for various publishers and magazines. It was during this time that she discovered the technique of overpainting and collage, subsequently to become integral to her artistic practice. Marten’s works are based on old graphic prints from the 18th and 19th centuries, as well as on photographs from the late 19th and early 20th centuries. By reworking the originals, she creates a fascinating link between historical representations and contemporary perspectives.

The All About Eve series reflects on the radical cultural shift of the 1920s: the heliogravures reworked by Marten depict female dancers from a French variety theater, embodying the new freedoms of the post-war era. Through her artistic reworkings, Marten emphasizes the diversity and complexity of female possibilities, infusing them with her characteristic dash of humor and subversion.