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English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood’s invention of the jasper body which was to be the tour de force associated with his name. Wedgwood’s jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters.

This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper.

The authors have, for the first time, utilised Wedgwood’s surviving sales records from 1774-1794 and these have made it possible to allow for more specific dating of body types and forms as they correspond to the Wedgwood Shapes Books.

Three hundred and fifty black and white illustrations with seventy-five color plates, many shown here for the first time, provide an invaluable guide to the identification of these wares. Detailed research into the more than sixty other potteries concerned with the production of these handsome, ornamental and useful stonewares, makes this the most comprehensive reference book ever produced on the subject.

This wide-ranging study is the outcome of the author’s thirty-year quest to collect information about a neglected and almost forgotten field of history – the prisoner of war, the conditions under which he was held and how he employed his time during long years of captivity. In this instance, the whole is set against an historical background dating from the Seven Years War (1756-63) to Napoleon’s downfall in 1816. Information has been painstakingly acquired by detailed searches through the Public Records Offices of England, Scotland and Wales and the archives of numerous county towns. The author has also studied more than one hundred towns and villages, where paroled captured officers were detained, and visited the sites of prison depots – great and small – and ports and rivers where the dreaded prison hulks had once been moored. The gathering and examination of artefacts, relics and other relevant material was a further important aspect of this extensive study. During the course of his lengthy researches, the author assembled what may well be one of the largest private collections of prisoner of war artefacts in existence. Although thousands of items of prisoners’ work have survived to the present day, most have disappeared into private collections and museums, at home or abroad. A representative selection of items from the author’s own extensive collection is featured in the second part of this book and will show the extraordinary high standard of workmanship achieved by many of the prisoners of war.

The following is inscribed on page 308 of the author’s copy of Bertrand Russell’s A History of Western Philosophy:

‘During this chapter decided to write a history of landscape architecture, at 10.05am Sunday 23rd May 1958‘, and ‘completed at Taormina, Feb. 1975‘

Ten years later the idea of translating his great work The Landscape of Man
into visible form was formulated at Seattle on the evening of 19 May 1985. The sketch plan, with little future deviation, was completed in time for breakfast the following morning.

The Historical Gardens that this book describes are only part of a multi-million twenty year programme initiated by the Moody Foundation for the enrichment of Galveston, Texas – a city destroyed by inundation in 1900 and now materially recovered. The site of the gardens themselves is twenty-five acres of flat land adjoining sea marshes. This will be divided by artificial mountains into West and East. There will be fifteen cultures and the guide will take the visitor through them by water in a spectacular mile-long odyssey. First comes the western classical sequence, heralded by a succession of water trumpets: Eden, Egypt, Rome, Islam, the middle ages, 16th century Italy, 17th century France, 19th century England. Then follows a twisting tour through 18th century romantic Europe, through the awesome mountain within which lie the painted caves of universal pre-historic man. Thence through the three spheres of China: Taoism, Tao-Buddha, and pure Buddhism; and so home through Japan and primeval forest. The journey by water-bus should awaken visitors’ interest to return on foot to study more closely what is in fact a cultural history of the world as seen in miniature through landscape.

While it is essential that the interpretation of the spirit of history should be academically correct, this principal and, we hope, enchanting composition of cultures (elsewhere usually in opposition one to another in time, space and philosophy) is intended to be a single deeply suggestive work of surrealist art of our own time.

Of the 200 black and white and 32 color illustrations, over 100 are fine detailed drawings and sketches by the author.

Pinks are popular garden plants with an impressive history, having been grown for hundreds of years. They are found throughout the world and were a favorite in the United Kingdom, even before the reign of Elizabeth I, when they were grown to edge garden borders, to be picked for posies and made into bunches to be sold in the market. This is an attractive record of all those Old Pinks that Mary McMurtrie was personally able to find and paint. Although the collection is not complete, all the examples that she painted are gathered and reproduced here, accompanied by her own useful notes. Once again, the author has employed her considerable artistic skills to inform and delight her readers with the aid of more than seventy highly individual, yet wonderfully understated, watercolor drawings. This is a book to treasure and enjoy.

This anthology of Thomas Kellner, an artist from the German city of Siegen, is being published in celebration of his exhibition at the American Museum in Bath, England, and includes texts about his Anglo-American works, such as the Boston Athenaeum, the Hearst Tower, NASA’s control center in Houston or the Grand Canyon. Richard Wendorf, Roy Flukinger, Freddy Langer, Alison Nordström, Allison Pappas and Roger Watson introduce the reader to Kellner’s works in partly new essays.

The Formula One book.

Art of the Race, V19
is book six in a series that encapsulates the very essence of Formula 1 motor racing through the lens of Darren Heath, one of the sport’s greatest ever photographers. Across 256 pages of stunning photography, Art of the Race, V19
captures the key moments and rarely seen images of each race as the 2019 season unfolds, culminating in Lewis Hamilton winning his sixth World title. And there is no person better placed to capture these moments than Darren Heath, a multiple award-winning photographer and Honorary Fellow of The Royal Photographic Society, who is now in his 31st year covering the sport.

Tadema Gallery was founded in 1978 by Sonya and David Newell-Smith in London’s famed Camden Passage in Islington. They were successful photo-journalists who ventured into the field of 20th century abstract art and the decorative arts of the 19th and 20th centuries. By 1982 they had discovered a passion for artist-designed jewelry and showed in the gallery an eclectic choice of jewels from significant designers of the Revivalist, Art Nouveau, Arts & Crafts, Jugendstil, Art Deco, and Modernist movements. With over 500 unique jewelry pieces from the 1860s to 1960s, the book reflects the 40-year history of the gallery and the superb eye of its inspirational founders.

Newcastle is England’s most northerly city and shares a long history with Gateshead, its neighbor on the south side of the River Tyne. The two, city and town respectively, are a heady mix of the old and new; both were industrial powerhouses during the 19th Century that have successfully embraced recent change, reinventing themselves as vibrant places of entertainment and culture. With this book in hand, journey over and under the Tyne to discover treasures such as the steam turbine ship Turbinia, a sleekly streamlined example of north-eastern mechanical know-how; wander across the wide-open space of the Town Moor, where President Jimmy Carter has the right to graze cattle; take in Saltwell Towers, an eccentric castle in the leafy surroundings of Saltwell Park; then top it all off with a pint in a pub where the ghost of Charles I may well make an appearance. Written by a Geordie, this book will help you explore the quirkier side of both Newcastle and Gateshead, and discover their hidden gems.

Whistler is so much more than one of the best places on Earth to ski. Tucked in the southwestern corner of British Columbia, less than two hours from Vancouver, the resort municipality is really as much a state of mind as a destination. Its modern culture, firmly rooted in the great outdoors, offers a unique healthy and active lifestyle that people around the world can only dream about. Yet many of the over two-million people that visit Whistler annually from every corner of the world are in such a hurry to get up into the mountains they miss so many of the secret sites, hidden gems and offbeat attractions scattered throughout the Sea to Sky corridor – home of Canada’s most scenic road. When you know where to look, you’ll be amazed by Whistler’s rich diversity and quirky surprises, from the funky dives where local “Liftees” dine, to high-end, glamorous shops in the village, aboriginal landmarks, ghost towns, and left-over traces of the Winter Olympics. And although mining and logging have been replaced by tourism, vestiges of the early pioneer days still pop up in the most unusual places.

“This lovely book focuses on Porsche collectors and enthusiasts all over the world, taking readers on detailed investigations of the motivations behind their manias.” – Brett Berk, Car and Driver And Road & Track

A garage with a Porsche is therefore more than just a garage. It is a museum, exhibition space and retreat, a place of passion and love for sports cars. This special way of life is reflected in this unique illustrated book: Porsche Home visits some of the biggest Porsche fans all over the world and offers unique insights into their sacred halls over more than 200 pages. Among the well-tended and well-kept collector’s items are production vehicles as well as Porsche vintage cars. Selected individual cars are lovingly presented, opulent collections impressively staged. Always included in the portrait: the people behind the treasure in the garage. Porsche Home demonstrates that special Porsche models and exciting people make a good story. Whether celebrity or passionate enthusiast, all Porsche collectors give very personal insights into their garages. The result is a multi-faceted collection, compiled with great sensitivity and attention to detail by the editors of the Porsche magazine Christophorus and Porsche Klassik. The impressive pictures are supplemented by informative articles on the topics of Porsche restoration, passion for collecting and value development. A very special illustrated book in which many car lovers and Porsche fans will recognize themselves!

Robin Grierson’s photography book, Steam Rally is published by Lost Press and has an introduction by the esteemed journalist and author, Ian Jack. It consists of 72 high quality color photographs that explore steam rallies in England over the past 30 years. The images record the engine men, their restored traction engines, and the lively steam heritage scene, which draws thousands to its events around the country every summer.

Having grown up around his father’s bus garage in County Durham and spent much of his formative years tinkering with engines, Grierson found himself instinctively drawn to the steam people and their beloved vintage machines. This collection of thoughtfully composed images, include respectful portraits, close up details of people and their machines, and wider views of the steam rally within the rural landscape. Grierson pays particular attention to the work-worn textures, stained surfaces, and subtle colors of the working steam environment.
“The genuine tone of this work derives undoubtedly from the photographer’s long acquaintance with tough working men and the tools and sounds of busy engineering yard’s” – Ag magazine

Renaissance Children puts child portrait painting from the 15th and 16th century in the spotlight and tells the historical, pedagogical and artistic story of the most remarkable paintings.

In the 15th and 16th century, the House of Habsburg ruled over a large part of Europe, and would turn into one of the most important European royal families in world history. In that time, Mechelen was the centre of education, where many Habsburg princes and princesses spent a large part of their youth, among whom Margaret of Austria and Charles V. Other powerful families also sent their children to Mechelen – the most famous of whom is perhaps Anne Boleyn, who would later become queen of England. Renaissance Children goes back to that Belgian city, where many portrait paintings of children originated. The book specifically focusses on child portraits of top artists, such as Jan Gossart, Bernard van Orley and Juan de Flandes. Includes unique paintings by Flemish Masters, such as Jan Gossart, Bernard van Orley and Juan de Flandes Insight into educational values and techniques from the 15th and 16th century The first publication about art and education at one the most important royal houses in European history

Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The group’s champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford.

Oxford’s key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Jones’s illustrated letters and paintbrushes. The collection of watercolors and drawings includes a wide variety of appealing works, from Hunt’s first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskin’s advice to ‘go to nature’.

More than just an exhibition catalog, this book is a showcase of the Ashmolean’s incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolor, bodycolor and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection.

‘Another chocolate book?’ you might say? The answer is: this book is different than any other book on the market!

The Chocolatier’s Kitchen offers over 270 simple, concrete and practical recipes, covering the entire spectrum in confectionary (from bonbon, to truffles, snack bars…). From short, to medium or long shelf life, inspired by the Callebaut five colours of chocolate and executed in different chocolate types. The proud collective of Callebaut Chefs have bundled their expertise to conquer hearts and deliver inspiration, motivation and knowledge for every chocolate artisan & Chef, whether you are starting or want to further grow your chocolate business.

With contributions from the Callebaut Chefs Tribe: Davide Comaschi, Philippe Vancayseele, Clare England, Beverley Dunkley, Mark Tilling, Ciro Fraddanno and Ryan Stevenson

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

“…many famous names have stepped in front of his camera, captured quickly in his distinctive, clean style, with the images featuring in magazines and newspapers, galleries and exhibitions, and even earning him an MBE from Queen Elizabeth II for services of his photography.” – Chris Anderson, Air Magazine

“Andy’s contact-sheets give us what feels like a VIP pass to spend time with his subjects. We see their beauty, their flaws, charisma, humanity and even a glimpse into their thoughts and process. We see the person in these people and are touched by their being.” Kylie Minogue

“Above all Andy Gotts allows his subjects to shine through, untouched. His artistry does not come afterwards, in Photoshop and all the supposedly flattering trickery technology has taught us to expect. His skill is there in each frame, each moment, in the relationship he has built with his sitter, no matter how short a time they have shared, and the trust he has engendered in them because he is, quite simply, a good man. Anyone who encounters him can sense immediately his openness and kindness and I think this book is most of all a testament to those qualities.” Alan Cumming

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

A 90-second shoot with Stephen Fry in 1989 launched the career of Andy Gotts, photographer to the stars. Through grift and graft and raw, honed talent, Gotts has become one of the most in-demand celebrity photographers working the circuits of Hollywood, British media, and the music industry. Gotts’s dramatic black-and-while style turns faces into artworks of shadow and light, while his color portraits capture his subjects’ ineffable humanity.

For the first time Andy Gotts reveals the incredible depth of his archive, showing his most famous portraits and many rare images alongside. The book focuses on Andy’s contact sheets, which reveal the process behind capturing the perfect image. Accompanying texts from Andy shed light on his craft and delve into the stories behind these captivating photographs. This really is the definitive, career spanning book, produced to the highest standards.

The book also contains personal testaments from a cross-section of the celebrities who Gotts has worked with: Alan Cumming, Gene Simmons, Ian McKellen, Jeff Bridges, Kylie Minogue, Michael Caine, Peter Capaldi and Simon Pegg.

The value of inventories in charting how houses were arranged, furnished and used is now widely appreciated. Typically, the listings and valuations were occasioned by the death of an owner and the consequent need to deal with testamentary dispositions. That was not always so. The inventory for Castlecomer House, Co. Kilkenny, for example, was drawn up to make a claim following the house’s devastation in the 1798 uprising.

Mostly hitherto unpublished, the inventories chosen give new-found insights into the lifestyle and taste of some of the foremost families of the day.

A comprehensive index facilitates access to the myriad items within the inventories, while the books listed at three of the houses are tentatively identified in separate appendices. A foreword, together with preambles to the inventories, sets the households in their historical context. The book will appeal to historians of interiors, patronage, collecting and material culture, as well as to scholars, curators, collectors, creative designers, film directors, bibliographers, lexicographers and historical novelists.

The Ashcan School and The Eight are now recognized as America’s first modern art movement: rejecting their academic training and the practices of the National Academy of Design, they forged a new art that represented America’s shifting values. By focusing on urban streets scenes, the lives of immigrants, popular entertainments, and the working poor, this loosely affiliated group of artists became synonymous with ordinary, everyday subjects — in the words of one critic, “pictures of ashcans.” Yet this is only part of their story: they also experimented with complex color theory and embraced scientific studies about movement and perception, while also creating scenes of bourgeois leisure and society portraits in attempts to reconcile their high-art practices with their populist reputations.

This catalog features nearly 130 works across media, including paintings, drawings, pastels, and prints — rarely seen objects and popular favorites. Collectively these works emphasize the Ashcan School’s and The Eight’s valuable contributions to the formation of American modernism at the beginning of the 20th century.

The moment he was handed a glass of Cockburn 1908 vintage port by his grandfather at 13 years old, Steven Spurrier knew he would make wine his career. He traveled Europe in his red sports car (fitted with a compact wine fridge in the boot), working the vintage in Burgundy, Bordeaux and Champagne, before his first extraordinary move was to set up shop and sell wine to the French. As an Englishman in the heart of Paris, this seemed a remarkably bold (if not foolish) project, but the plan worked.

Steven’s adventures in wine did not stop there. In 1976, he went on to mastermind the ‘Judgement of Paris’, the France v California blind tasting that changed the wine world forever.

This memoir looks back on Steven’s life charting the incidents, adventures, ideas and discoveries that formed his wine journey. With tributes from Hugh Johnson, Miguel Torres, Oz Clarke, Jancis Robinson MW, Warren Winiarski and many more…

Peter Vinding-Diers is a Danish aristocrat turned roving winemaker who, on escaping his studies at the Sorbonne one summer found himself on Burgundy’s Côte de Beaune, suddenly besotted. Peter’s first foray into wine took him to the Cape (via a quick turn parachuting into the war-zone in Vietnam), where he learned vineyard ways and wine science. Next came a dazzling decade in Bordeaux, where his pioneering exploits began to catch the world’s attention. He then ventured to Bulgaria, Brazil, Spain, Chile and Hungary earning himself the title ‘Flying Winemaker’ (he was one of the first!). Along his wine journey, Peter has frequently had to call on his Viking ancestors for help – not least in taming his ‘Montecarrubo’ vineyards on the wilder side of Sicily – but whether by accident or by design (mostly the latter), he has always found himself at the forefront of vinous discovery…

111 Places in County Durham You Shouldn’t Miss will unveil Durham’s secret depths and lesser-known delights, allowing it to step out from the shadow of its spectacular, UNESCO-listed cathedral and its highly-ranked university.

This small, hilly city has its gems, but the county’s historic towns (Bishop Auckland, Barnard Castle, Newton Aycliffe), by the water (Hartlepool, Seaham) and nestled away in its tiniest villages (Kelloe, Tow Law) are home to Durham’s true hidden wonders.

Discover the mysterious sea caves at Blackhall Rocks, or wander up Nose’s Point to Blast Beach. Traverse Durham city’s wonkiest staircase, or make your own mind up about the county’s most controversially-designed estate.

Marvel at Killhope’s working Waterwheel, and uncover the county’s famous coal mining past. Unearth disused collieries and quarries reclaimed by the overgrowth surrounding them.

Spot what’s left of a stone boar at Barnard Castle. Hear the real story behind Hartlepool’s most baffling local legend, and try to stand atop a haunted copse… if you dare.

“A true collector’s item…” — Tim Chan, Rolling Stone

“Filled to the brim with everything from Harry’s colour palettes to his inspiration, this pick combines high-fashion with all the quirkiness we love about HS and it’s just perfect.” — Glamour UK

“Have the best-dressed coffee table by adorning it with this book filled with photos of THE best-dressed man.” — Seventeen Magazine

“It’s a wonderful book… if you’re a Harry Styles fan or not…just have a look at how he wears clothes, look at his influences, and if you are a Harry Styles fan, it’s a double whammy.” — BBC’s Jo Good Show

“This deep dive into some of his most iconic fits is a dream gift for the person who basically spent 2021-2023 living, breathing, and eating Love On Tour.” — Buzzfeed

“I’m incredibly lucky to have an environment where I feel comfortable being myself” – Harry Styles.

Stepping bravely into the cyclone of 21st-century fashions, Harry Styles is more than weathering the storm. Whether he’s breaking the internet with his $7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or fronting cult magazine The Beauty Papers, as he did in March 2021, Hazza’s sparkle knows no boundaries.

Gucci met Styles in 2014, and there was instant chemistry. According to designer Alessandro Michele, Harry is ‘a young Greek God with the attitude of James Dean and a little bit of Mick Jagger’ – and that effortless superstardom certainly radiates from the photos in this collection, which document the heart of Harry’s wardrobe, both on-stage and off.

Part fashion history lesson, pulling references from the rock and roll greats of the past, and part innovation, Harry’s style pays homage to Kurt Cobain and Marc Bolan, Prince and Little Richard, while developing into something authentic and entirely his own. This chic book fizzles with facts about Harry’s styling choices, presenting the star’s most revered looks alongside pictures that trace the roots of each design. With quotes from key designers, this is the perfect gift for any fan.

“Good evening. I’m from Essex, in case you couldn’t tell.” Thus spoke the inimitable punk poet of the flat lands, Ian Dury, in 1977. Few other parts of England have so distinctive an identity, sent up by a hundred comedians since the 1990 birth of Essex Man, epitomized by the rise of the ‘Mockney’ radio celeb, and incarcerated through their hideous offspring in TV’s The Only Way is Essex. It’s not just an accent, it’s a way of life, a culture shaped by the Diaspora from London generation after generation, the lure of the sea and powerful Thames estuary, the encroaching of the waters from innumerable creeks and inlets, the dream seaside resort of Southend, the longing for the most succulent of seafood indulgences, the delicious countryside of copses and boughs painted by Constable, but also the threat of invasion by hostile forces repelled by Britain’s most formidable forts. It’s Essex. You can tell.

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons