In more than 150 varied recipes, master baker Stefan Elias guides both beginners and experienced bakers to a feast of delicious pastries, breads, cakes, pies, etc. With quiches and pizza tartlets, among others, the salty kitchen is also part of the mix. Thanks to the vegan recipes, everyone at the table can join in.
Historian Greet Draye (Centre for Agrarian History) brings the entire baker’s culture to life through the recipes with all sorts of anecdotal stories.
Sasha Gusov (b.1960) is a Russia-born, UK-based photographer, fascinated by the morals, customs, and manners of people across the world. Alongside his commercial work for influential clients including Vogue, Christie’s, and Sotheby’s, Gusov is an avid street photographer, and his keen eye finds the differences, commonalities, comedy, and gravity in people and places.
Collecting the World presents his photographs taken over twenty-five years in a picture selection curated by editor Amanda Renshaw. An essay by academic and photographer Peter Hamilton sheds light on Gusov’s life as a photographer in Russia and London and his unique visual language.
In Collecting the World Gusov juxtaposes toreadors outside a bullring in Spain with synchronized swimmers in Belarus; a sumo wrestler riding a bicycle with a pilot sitting with his bike in front of an aircraft; and Jude Law in jeans and a ballerina from the Bolshoi Ballet in costume puffing on cigarettes. His message is clear: people are people all over the world.
The Japanese tea ceremony is usually identified with chanoyu and its bowls of whipped, powdered green tea served in surroundings influenced by the aesthetics of Zen Buddhism. Tea of the Sages introduces the philosophy and material culture of an alternate Japanese tea ceremony featuring sencha (steeped green leaf tea). Sencha initially gained popularity among Japan’s Sinophile intellectuals, who learned of it from immigrant seventeenth-century Chinese scholar-monks of the Ōbaku Zen school. They championed the beverage as an elixir consumed by ancient Chinese sages. Sencha inspired painters and poets, and fostered major advances within craft industries, especially ceramics, metalwork, and bamboo basketry. Its popularity as an everyday drink remains strong and has spread widely outside Japan. The sencha tea ceremony survives as well, with more than a hundred schools still in existence today.
Tuscan cooking lives in the region’s homes and gardens, its small shops and market stalls. With From the Markets of Tuscany, at once a collection of traditional, seasonal recipes and a guide to the area’s top food markets, Giulia takes readers on a journey through her beloved Tuscany, exploring famous places but also more remote areas – from Florence’s urban streets and enchanting Volterra to mountainous Garfagnana and the wilds of Lunigiana, the gentle rolling hills of Val d’Orcia, and the vineyards and olive groves of Chianti. Through photographs, words and recipes, Giulia tells the story of Florence’s historic markets, local organic farmers’ markets, and the weekly market days held in Tuscan towns and villages. She also explores Tuscany’s coastal fish and seafood markets, together with the roadside vendors of the Maremma area, with their vibrant fresh fruit and vegetable stands. With each encounter, Giulia delves into the stories of Tuscany’s food markets, drawing on memories and recipes that taste of home.
Over 200 years ago, the Mauritshuis hosted not one, but two museums. On the upper floor was the Royal Cabinet of Paintings, while on the ground floor, thousands of objects of all kinds were on display in the Royal Cabinet of Rarities. This rarities cabinet closed in 1875 and the objects were distributed to various Dutch institutions. The temporary exhibition The Vanished Museum about this Royal Cabinet of Rarities is accompanied by a publication with essays by 30 experts, including curators of the Rijksmuseum in Amsterdam and the Wereldmuseum in Leiden. In relatively short texts, the reader is taken through the rich and often complex history of the institution. The diverse topics and perspectives suit the motley nature of the collection. From a text about an unusual ivory Chinese puzzle ball, to a reflection on the formation of cultural stereotypes; from a kayak on the ceiling, to a hat that turns out not to belong to Willem van Oranje after all.
How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather – we are talking about the depths of the Little Ice Age – contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its center. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins.
Addressing one of the urgent issues of climate crisis and environmental pollution, this book explores our relationship to the sea: how we live alongside it, our bodily relationship to it, its role in the creation of a connected, global society and, perhaps most critically, the threat we pose to it.
Through a broad selection of works by contemporary international artists, Can the Sea Survive Us? responds to the urgent need to resuscitate our seas. While the oceanic environment is essential to all life, its vulnerability to human action is highlighted by an ever-increasing loss of biodiversity. This book prompts the reader to imagine a future in which collective human behavior can mitigate the effects of climate change. As ocean temperatures reach record highs, it is clear that time is not on our side. This ambitious project aspires to accelerate climate awareness and deliver the critical climate action we urgently need.
Horological trends flit by faster than ever in today’s fast-paced society. But Rolex does not rely on gimmicks; theirs is a more perennial allure, with a reputation built on traditions and hard-earned skill. A company that innovates while paying homage to their roots, every Rolex is the culmination of centuries of watchmaking expertise. Within this bestselling book you will find explanations of the making process, descriptions of the materials involved and expert commentary on what makes each Rolex wristwatch unique.
This new revised edition of The Book of Rolex has been brought right up to date since it first published in 2015, to include all the latest information on this most desirable of watch brands along with many new images. Demonstrating how each model fits its social milieu, present and past, this book also addresses the multitude of fakes on the market, including the so-called ‘Frankensteins’ – watches made from a mixture of real parts and forgeries, which are notoriously hard to spot – imparting all the skills needed to pick counterfeits out of a line-up. A holistic view of Rolex watches, this book promises to be as timeless as the brand itself. Should you be considering a Rolex, this book will convince you of its worth as an investment.
The Little Book of Solitude invites you to explore the meaning and impact of seclusion. Photographer Joost Joossen presents a collection of inspiring stories, quotes, and insights from extraordinary thinkers, artists and famous writers, all of whom have embraced the power of being alone. This book offers a fascinating glimpse into their minds, exploring the power of solitude and the importance of withdrawing from the hustle and bustle of daily life. Learn how inspiring figures like David Lynch, Susan Sontag but also the Japanese samurai look for and find moments of profound reflection in seclusion and how they translated these valuable insights into their work and creative expression. Whether you yearn for a moment of silence and introspection yourself or simply have a curiosity about the inner journey of remarkable minds, the content but also the carefully designed form of this book will inspire you to embrace the power of being alone and discover how it can enrich your own ideas and insights.
Paris is the physical memory of seven World Expos that took place in the city from 1855 to 1937. These Expos left behind monuments like the Eiffel Tower, the Musée d’Orsay, the Grand and Petit Palais… But many traces are more subtle: your suitcase today is an evolution of the trunk Louis Vuitton won a gold medal with at Paris’ Exposition Universelle in 1867, and the typical Parisian bistro chairs were designed during those years when a multitude of cafés and restaurants flourished because of the Expos, including icons like Le Procope.
A cocktail of travel guide and history book, Nobody Sits Like the French tells these stories and many more, pointing out the marks the Expos left behind. From now on, you’ll know that every time you sip a glass of burgundy, drink from Baccarat crystal, admire a Manet or a Gauguin, and even enjoy the benefits of a working sewer system in Paris, you owe it to a World Expo there.
Follow The Coast guides you along the Atlantic coast, on the west side of the Iberian peninsula, from San-Sebastián, the capital of gastronomy, to Gibraltar, on the southern tip of Europe. This visual travel guide explores the Spanish and Portuguese coastlines, with countless charming beaches, rugged cliffs and hidden gems. The book is a photobook gathering high-end nature photography, but also a guide which can be your companion for a road trip or beach holiday. Last but not least, it tells the formidable story of our project where we run the entire European coastline with a collective of brave runners who run 100km a day.
The latest in the super-successful Stickerbomb line of urban art sticker books. This book, of fully peelable stickers, brings together the best in today’s craft label brewing design and illustration from around the world. From super slick minimal design, wild and wacky illustration to raggedy type, The Craft Beer Sticker Book presents an exploration of the visual culture behind indie brewing.
Featuring over 300 stickers from 34 microbreweries near and far including Admundsen, Basqueland, Exale, To-øl, Reubens, The Craft Beer Sticker Book explores the eye-catching visuals breweries use to make their beer stand out. With key interviews with designers on the forefront of brewing, this sticker book is an indispensable collection for any beer, graphics and illustration obsessive.
Geert Baudewijns, full-time ransomware negotiator, is called every week by hacked companies and governments across the globe. But by then, it’s too late. Cybercriminals have infiltrated the system. To prevent worse-case scenarios – weeks of downtime, all your data leaked – over 70 percent of the victims give in to ransom demands. And malicious hacker collectives on the dark web are making fortunes. This is still a taboo because no one wants to go public with it. Who is at risk? How do hackers operate? How can we protect ourselves? In this book, Baudewijns takes the reader into the dark side of the digital world. His insider stories describe recent cases from around the world.
The new edition of The Art of Cookery re-proposes the recipes of the Florentine culinary tradition, enhancing their simplicity, capturing their modern aspects, veering some of them towards an accuracy in the procedures to ensure that those who try the recipes – and then those who are lucky enough to taste them – will discover the presence and taste of each individual ingredient. All organized within the time frames of today’s schedules. We should not be scandalized if the procedures cemented in the historical memory of domestic walls are made faster through the use of the appliances now routinely used in the kitchen. So bring on the pressure cookers, mixers, blenders and immersion robots if they can help to free up a bit of time and a bit of happy effort in favor of imagination and creativity.
Cooking with passion is a game that continually puts us to the test, with results that only our guests can judge.
Hewlett Johnson, the Red Dean of Canterbury Cathedral from 1931 to 1963, was one of the most complex and intriguing public figures in 20th-century Britain. Converted to communism in the 1890s, he spent more than half a century as a priest in the Church of England. At the heart of Johnson’s Christian faith was his unshakeable conviction that the principles of communism were all but indistinguishable from Jesus’s teaching about the Kingdom of God on earth. For those who heard his sermons on Christianity and politics, Hewlett Johnson was either adored as a Christian visionary or hated as a mouthpiece of Soviet propaganda. There was little middle ground. Despised by the senior ranks of the Church of England, Hewlett Johnson was welcomed in high political places throughout the world. He had audiences with Stalin, Khrushchev, Molotov and Malenkov, Mao Tse-Tung and Chou En-Lai, Castro and Che Guevara. He also talked with Truman in the White House. He was tracked by MI5 for 35 years, was awarded the Soviet equivalent of the Nobel Peace Prize, twice spoke to huge audiences in Madison Square Garden, and was condemned by an Archbishop of Canterbury as blind, unreasonable and stupid. He was a prolific writer and a gifted orator, had two long marriages each of nearly 30 years, and became a father for the first time at the age of 66. This biography, which draws on his unpublished personal letters and papers, neither lauds nor condemns him, but re-examines his extraordinary life and career on the 80th anniversary of his appointment as Dean of Canterbury.
The art of East Anglia was pre-eminent during the late thirteenth and the first half of the fourteenth century. Wooden screens with painted panels were one of the most essential fittings of late pre-Reformation churches, serving both to protect the high altar and to define the division between the chancel and the nave and aisles. Whereas very few screens dating from the thirteenth and fourteenth centuries survive, the surviving fifteenth-century rood-screen paintings in East Anglia form the largest body of late mediaeval painting to be found in England. Details of more than a thousand panels from more than one hundred screens are listed, described and in many cases illustrated in this volume accompanied by commentaries on their design, techniques and materials used in their making and how they were paid for.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on New England, the Classicist No. 20 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field. Contributors include Michael J. Lewis, Professor at Williams College and architecture critic for the Wall Street Journal; Kenneth Hafertepe, Professor at Baylor University; Aaron M. Helfand, Architect at Knight Architecture in New Haven; Sarah Allaback, author and architectural historian; Mark Alan Hewitt, architect, preservationist, and architectural historian; Keith N. Morgan, architectural historian and Professor Emeritus at Boston University; Kyle Dugdale, architect, historian, and Senior Critic at Yale University; and John Tittmann, founding partner at Albert Righter Tittman Architects, alongside submissions to the professional and academic portfolio.
A remarkable private collection formed over the last thirty years is the focus of this richly illustrated book that introduces the reader to English silver spanning a century and a half from a little before the Tudor age (1485-1603) to the threshold of the Civil War (1642-51). This was a period when England changed out of all recognition. At the beginning it was still essentially a medieval country dominated by an autocratic king and a rich and powerful Church; by the end of the period the Church had lost virtually all of its power and, with the execution of Charles I in 1649, the monarchy itself was abolished. To a degree, this changing world is mirrored in the styles represented by the silver featuring in the collection. Besides setting the silver against its social and historical background the book examines the wide range of techniques used by silversmiths at the time to shape and adorn silver objects.
“… this is an excellent reference for dealers, collectors and silver historians.” Antiques Trade Gazette
“The book is lavishly illustrated, thoughtfully laid out and undoubtedly the most important book so far on the subject.” Antique Silver Spoons
“… a work of art in its own right.” Ian Collins in Eastern Daily Press
“… this must be reckoned the most important publication so far on the subject … it is a ‘must’ for anyone seriously interested in the subject …” The Finial
The beauty and stunning craftsmanship of silver made in East Anglia have long been celebrated by scholars and collectors. East Anglian Silver describes in depth a wealth of important silver articles made in the region which are now to be found in museums and private collections in Britain, America and Australia, as well as in churches in Norfolk, Suffolk and Essex. Many of the objects featured have never been published before, including a beaker in the Royal Collection by Elizabeth Haslewood, Norwich’s only woman silversmith of the Stuart period, and a magnificent Charles II tankard from the Gregory Peck collection. The essays, the results of new research on many aspects of the economic and social history of the region, set the silver in its historical context. They present a fascinating perspective on everyday life for many East Anglians during the sixteenth and seventeenth centuries. Even modest households might have owned a few silver spoons at that time. The consumer demand from yeomen, merchants and others was filled by silversmiths working not only in Norwich, the second largest city in the kingdom, but also in smaller towns such as King’s Lynn, Great Yarmouth, Beccles, Ipswich, Colchester and Cambridge. Norwich closely guarded its right to mark silverware made in the city with its civic arms. In the reign of Elizabeth, silversmiths there such as William Cobbold made objects to equal the finest creations of London, Antwerp and Amsterdam. European influences, especially from the Netherlands, were especially important in Norwich, which had a large community of immigrant craftsmen during the sixteenth and seventeenth centuries. Nearly a hundred photographs of marks used by silversmiths throughout East Anglia, many of them newly identified, make this book an essential tool for the collector as well as the local historian.
A Guide to Rubens’ Antwerp highlights the life and work of Peter Paul Rubens (1577-1640) in a comprehensive and accessible way. The Antwerp museums and churches contain about a hundred paintings, drawings, designs and sketches by Rubens. A large part of those are public. Antwerp is the only city in the world that is so deeply rooted with Peter Paul Rubens and his baroque heritage. A Guide to Rubens’ Antwerp allows you to experience Rubens and the Baroque in an intense way. This multifaceted acquaintance with Rubens goes hand in hand with a dive into the glorious past of the vibrant city of culture, where the master’s life largely took place. A mapped walk takes you to the various places in Antwerp where Rubens’ work can be seen. You can visit his house with the studio, where so many masterpieces came about. You also visit the homes of his friends Balthasar Moretus and Nicolaas Rockox, and you can admire paintings of him in the historic churches in the rooms for which they were made.
Text in German.
The palaces built in Rome in the 17th and 18th centuries are some of the most magnificent buildings in Europe – yet they remain relatively unfamiliar. This is the first stand-alone overview guide ever published. We produce it as a companion volume to our revised edition of Anthony Blunt’s seminal A Guide to Baroque Rome: The Churches.
In this volume, Anthony Langdon draws on an encyclopedic knowledge of the hugely productive scholarship in the field, which he distills with elegance, acumen and wit. Over the last 30 years all aspects of the design, construction, decoration and functions of these great houses have been examined and our understanding of the period has been transformed. Scholars and visitors will find this volume stimulating, concise and eminently readable.
The rich illustrations include over 140 contemporary prints, as well as plans, elevations, and specially taken photographs. Full references and indexes complete this indispensable aid to further research.
Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius’ treaty on architecture, and the examples of modern architects like Donato Bramante.
This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.
Aidan Dodson’s British Royal Tombs covers all the burials of the kings, queens (and lords protector) of England, Scotland and the United Kingdom, from the occupant of the great Sutton Hoo ship burial, to George VI, last Emperor of India, including of course the long-lost Richard III. This fully revised edition of a book that became an immediate classic of its kind will be equally interesting to the interested visitor and the student. The career of each ruler is briefly described, followed by what is known about his or her burial arrangements and the subsequent history of the tomb and its contents. Each tomb is illustrated as far as possible by at least one photograph or drawing. The posthumous fate of royal spouses is also included, together with information on each of the cathedrals, churches, chapels and other structures that house or once housed royal tombs; there are detailed diagrams for the major sites. A list of monarchs, family trees and an extensive bibliography complete the book.
In the space of a few short years, English and Welsh sparkling wines have become recognized as some of the best in the world. Improvements in viniculture, a changing climate and terroir that often mimics the conditions found in the Champagne region of France have combined with the care and attention of predominantly artisanal makers to make fantastic wine. Traveling around more than 50 vineyards, Sparkling Wine celebrates this revolution. The expert author provides tasting notes, visiting information, and details on the terroir for each vineyard, along with engaging insight into the makers and their craft. This book provides an effervescent accompaniment to any country holiday. It collates directions, maps and opening times, making for an informative and accessible guide. You are rarely as far from a vineyard as you might think, and with Sparkling Wine in your pocket, with its pictures of rambling hills and grape-laden vines, Britain’s vineyards seem even closer still.