“There have been volumes written on and by Terence Conran and Mary Quant, but this is the first time they have been placed together in a book. And it works.” – Colin McDowell, The Times “It is given to a fortunate few to be born at the right time, in the right place, with the right talents. In recent fashion there have been three: Chanel, Dior and Mary Quant.” – Ernestine Carter. Transporting you back to London at the height of the Swinging Sixties, this book provides vital context for two of the biggest and boldest names in ‘Pop’ fashion: Mary Quant, alleged mother of the miniskirt, and Terence Conran, the entrepreneur behind the new wave of ‘lifestyle’ stores. Friends, associates and allies in design, Quant and Conran stood at the head of an informal but influential bohemian group who steered the rudder of style during the Pop era. ‘The Chelsea Set’ resist definition; there was no comprehensive members list. Conran/Quant: Swinging London – A Lifestyle Revolution explores the contributions of designers and artists from Laura and Bernard Ashley to Eduardo Paolozzi, Nigen Henderson and Alexander Plunket Greene, all of whom were essential generators of Sixties Style.
Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.
Europunk: The Visual Culture of Punk in Europe catalogs the extraordinary exhibition of artwork under the same name, inspired by European punk rock between 1976 and 1980. Hosted at Cité de la Musique, the critically acclaimed exhibition beautifully showcased the innovative energy of this artistic revolution. This catalogue preserves this energy in style with a vibrant array of visual material from the exhibition including fanzines, posters, clothes, paintings, objects, record covers and flyers. The book focuses on the visual culture of Punk in Europe in the second half of the 1970s and the simultaneous appearance of an alternative way of creating and using images in England and France. This fascinating story is told through the work of legendary graphic designers, illustrators, and agitators such as Jamie Reid, Malcolm McLaren and Bazooka, a team consisting of Olivia Clavel, Kiki Picasso, Loulou Picasso, Ti-5 Dur and Bernard Vidal. Guiding you along this journey is curator Eric de Chassey, director of the French Academy in Rome, and Fabrice Stroun, Director of the Museum of Modern and Contemporary Art of Geneva, as well as contributors Jon Savage, author of England’s Dreaming, and Dutch journalist Jerry Goossens.
Margaret Mercer Elphinstone (1788-1867), with her powerful mind and independent spirit, was never daunted by adversity as she sought to realize her ambitions for her family against the background of intellectual upheaval and social and political change which followed the French Revolution and the end of the ancien régime. The turning-point in her life was her controversial marriage in 1817 with the general Charles de Flahaut (1785-1870), which, contrary to all expectations, resulted in one of the most successful partnerships in the ‘auld alliance’ between France and Scotland.
Whereas the life of her husband, the dashing Napoleonic general and diplomat Charles de Flahaut, is well known, Margaret has remained in the shadows. Yet this biographical study, based on unpublished correspondence in the Archives Nationales, Paris, reveals her to have been the more interesting of the two. It shows how much he depended on her brains, political judgment and artistic taste as well as her fortune to guide him in his career. Her lively, observant but wicked pen takes us with her on visits to Talleyrand, to the marquis de Lafayette, to the duchesse de Praslin, to house parties in stately homes of England and Scotland. Acknowledged a superb hostess, her descriptions of the menus, and entertainments organized in her homes in Scotland, London and Paris, and at the Flahaut embassies in Vienna and in London capture the flavor of those cosmopolitan gatherings. A lifelong liberal in politics and an upholder of Whig principles, her politicomanie inspires sharp comments on the opponents of Reform in England and on the self-seeking ministers of Louis-Philippe in France.
The Studio Notes were precursors of the factory and office ‘house magazine,’ but solely written and illustrated by Doulton employees – a highly talented community of over two hundred women and a much smaller group of a dozen or so men, enjoying an unusually benign working environment in late nineteenth-century England. From the rich variety of educational and social opportunities provided by work and leisure emerged an enchanting flowering of amateur talent in the form of a regular series of manuscript compilations entitled Studio Notes. The contents are a delight to the eye: elaborately detailed title pages; delicate watercolors; humorous verses; philosophising tracts; holiday journals; competitions and the familiar chit-chat and scandal inseparable from any happy working community. Out of the forty or so original volumes assembled over ten years (1883-1892), only half have been traced. This anthology comprising a selection from ten surviving volumes from 1883-1887 with original illustrations, and facsimiled texts annotated by Peter Rose, allows us to enter into the private lives and adventures of these working men and women, capturing the flavor of their experiences and values to an extraordinarily intimate degree.
“Showcasing 25 residences by today’s leading classical architects, this wonderful new book also addresses the fundamental issue of collaboration between architect, decorator, landscaper, and the enormous cast of characters who bring their formidable talents to the realization of every project. An Ideal Collaboration is an important addition to the literature of architecture and design.” – Ellie Cullman
“An Ideal Collaboration shares a place in my library next to volumes on great 20th century Classicists. It is essential as a visual reference to the continued evolution of timeless style.” Steven Gambrel
In the follow-up to the critically acclaimed The Art of Classical Details, Phillip James Dodd continues his look at some of the finest examples of contemporary classical architecture in Great Britain and the United States, while also examining how collaboration is the key to their successful design. In reality, collaborative relationships are rare, especially amongst designers, where each is often focused on their own individual objectives and unable to transcend their own egos. Often used as a catch phase, but not often realized, true collaboration requires an understanding and an appreciation – of the role that all parties play in the design and construction of a home. An Ideal Collaboration includes the work of some of the most notable names in contemporary residential design. Architects, decorators, landscape designers, consultants, builders, craftsmen, artists and vendors, all address the design process and the pivotal role that collaboration plays in creating cohesive timeless designs.
This wide-ranging study is the outcome of the author’s thirty-year quest to collect information about a neglected and almost forgotten field of history – the prisoner of war, the conditions under which he was held and how he employed his time during long years of captivity. In this instance, the whole is set against an historical background dating from the Seven Years War (1756-63) to Napoleon’s downfall in 1816. Information has been painstakingly acquired by detailed searches through the Public Records Offices of England, Scotland and Wales and the archives of numerous county towns. The author has also studied more than one hundred towns and villages, where paroled captured officers were detained, and visited the sites of prison depots – great and small – and ports and rivers where the dreaded prison hulks had once been moored. The gathering and examination of artefacts, relics and other relevant material was a further important aspect of this extensive study. During the course of his lengthy researches, the author assembled what may well be one of the largest private collections of prisoner of war artefacts in existence. Although thousands of items of prisoners’ work have survived to the present day, most have disappeared into private collections and museums, at home or abroad. A representative selection of items from the author’s own extensive collection is featured in the second volume and shows the extraordinary high standard of workmanship achieved by many of the prisoners of war.
They call Yorkshire God’s own country. This is because England’s biggest county is also England’s most epic and most historically exciting. It has everything: unimaginably beautiful countryside, derelict castles, cliff-hugging coastlines, brutally bleak moors, quirkily quaint villages, wondrously winding waterways and industrial monsters of cities. Many of the most interesting episodes in English history have happened here: the Wars of the Roses, the English Civil War, the birth of the industrial revolution, the rise of the Labour movement.
But when people think of Yorkshire they also think of the unusual and the unsung: Bettys delightful tea rooms, cricket at Scarborough, the windswept steps of Whitby Abbey, the steam railway of the Railway Children, Mother Shipton’s Cave, and racing at Doncaster and York.
Yorkshire has also given birth to some of the greatest and most talented figures in English history: Brian Clough, Harold Wilson, John Wycliffe, William Wilberforce, the Brontë Sisters, David Hockney and Barbara Hepworth.
“This is the travel photography book for our digital age. Tom’s incredible eye for capturing historical detail creates captivating imagery for the ultimate in escapist pleasure.” Kelly Wearstler, Interior Designer
“A true Renaissance man, Tom shares his vast architectural knowledge, artistic talent, and sense of humor in photographs and watercolors.” Amy Astley, editor-in-chief, Architectural Digest
This book is a celebration of the power of the smartphone camera combined with Tom Kligerman’s unique eye. Tom is a New York architect who adores travel and the different cultures of the world, recording vibrant details and evocative scenes on his iPhone as he journeys from India to New Mexico, from Beaux-Arts monuments to rustic barns, from ocean to mountaintop. The images have been curated into dynamic pairs that spark a conversation about the world and the different ways of seeing it. They are accompanied by Tom’s reflections, and those of his Instagram followers, in a series of captions, comments and mini essays. This book is a child of the pandemic, a time when people could only dream of traveling or relive past experiences, as Tom has done, from the image banks on their mobile devices. It rejoices in both the potential of new media and the physical pleasure given by a beautifully made and structured book. It allows readers a moment of pause and reflection, so necessary if we are not to be lost in the digital feed.
This elegant exhibition catalog is presented by The San Diego Museum of Art to accompany the 2023 major exhibition O’Keeffe and Moore, which explores the evolution of Modernism through the work of Georgia O’Keeffe and Henry Moore. Featuring essays from prominent scholars, including representatives of both the Henry Moore Foundation and the Georgia O’Keeffe Museum, the catalog’s richly illustrated text delves into each artist’s motivation and methodology, and the parallels between them, in particular, the inspiration both took from nature and organic forms, such as bones and seashells. The publication serves as an essential companion to the exhibition. In addition to explorations of the artists’ studios that provide further insight into their working methods, the catalog presents drawings, paintings, and sculpture that illustrate the organic roots of Modernism developed independently, yet concurrently, by O’Keeffe and Moore. Thematic sections of the catalogue include the Real and the Surreal; The Artists’ Studios; Bones; Stones; Seashells, Flowers, and Internal/External Forms; and Landscapes of Forms. Essay topics include Henry Moore: Modernism, Nature, and National Identity; “A Revelation of the Perfect Relation”: The Influence of D.H. Lawrence on the work of Henry Moore and Georgia O’Keeffe; and Finding the Form and the publication will also include a comparative chronology of the lives and careers of the two artists.
In this evocative new book, historian David Kynaston tells the fascinating story of Anthony de Rothschild (1887–1961). Through access to never previously consulted diaries and letters, a three-dimensional picture emerges of a complex and thoughtful man guiding the City’s most famous merchant bank through the turbulent years between the 1920s and 1950s.
In politics he was open-minded and constructive whilst in his philanthropy, not least through his leading role in helping Jewish refugees (especially children) to leave Nazi Germany for England, he was thoughtful and generous. Austere on the surface but warm beneath, impatient equally of fools and idealogues, always searching for how he could contribute to make a better world – Anthony de Rothschild deserves, arguably more than almost anyone else in the 20th-century City, to be known properly by later generations.
“Skins by Gavin Watson has been argued as being ‘the single most important record’ of 1970s skinhead culture in Britain, who have possibly been one of the most reviled yet misunderstood of the nation’s youth subcultures.” — Daily Mail
“Gavin Watson documented his friends as they came of age at the heart of a misunderstood community.” — i-D
“Gavin Watson’s cult documentary photo book Skins chronicles the radical and inclusive spirit which originally animated the emerging skinhead culture of 70s Britain.” — Dazed
Skins by Gavin Watson is arguably the single most important record of ’70s skinhead culture in Britain. Rightly celebrated as a true classic of photobook publishing, the book is now reissued in a high-quality new edition under close supervision from the photographer.
The scores of black and white shots offer a fascinating glimpse into a skinhead community that was multi-cultural, tightly knit and, above all else, fiercely proud of its look. These are classic photographs of historical value.
“What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer, so it feels like you’re in the photo rather than just observing.” – Shane Meadows (Director of award-winning film This Is England).
The book, described by The Times as “a modern classic”, forms an important visual record of its time and has attained cult status in the genre, alongside works by other eminent photographers such as Derek Ridgers and Nick Knight.
“Arguably one of the best and most important books about youth fashion and culture ever published.” – Vice Magazine
Skins by Gavin Watson is arguably the single most important record of ’70s skinhead culture in Britain. Rightly celebrated as a true classic of photobook publishing, the book is now reissued in a high-quality new edition under close supervision from the photographer.
The scores of black and white shots offer a fascinating glimpse into a skinhead community that was multi-cultural, tightly knit and, above all else, fiercely proud of its look. These are classic photographs of historical value.
“What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer, so it feels like you’re in the photo rather than just observing.” – Shane Meadows (Director of award-winning film This Is England).
The book, described by The Times as “a modern classic”, forms an important visual record of its time and has attained cult status in the genre, alongside works by other eminent photographers such as Derek Ridgers and Nick Knight.
“Arguably one of the best and most important books about youth fashion and culture ever published.” – Vice Magazine
A decade-old obsession for Dutchman Pieter Boogaart resulted in a guidebook that looks like no other, to a subject never before fully explored: the A272. Three continuous texts wind their way through the book, simultaneously exploring the A272 itself and the countryside it passes through; extra commentary is provided in yet another level of text. Hundreds of color photographs complete this homage to the ‘epitome of England’. After eight reprintings, now in a fully revised, updated, improved FOURTH edition and – naturally – 272 pages long!
Faneuil Hall is fine and the duck boats are just dandy, but if you want to go beyond the Boston of brochures and get to the heart of this mysterious, charming old metropolis, you have to dig deep and be willing to get a little weird. 111 Places in Boston That You Must Not Miss is a guidebook with a twist: one that takes you far off the beaten path – and the Freedom Trail – to explore a side of the city that’s offbeat, unexpected, and completely fascinating for visitors and locals alike.
Whether you want to pay your respects at the memorial for a fictional character, sneak behind a vending machine to go shopping for sneakers, sip cocktails where hardened criminals sat behind bars, or hang out with some life-sized puppets, you can do it all here… and before dinnertime, to boot. Throw on your Red Sox cap, hop on the T, and uncover some secrets along the way.
The delights of an 18th-century love story; the glitter of 16th-century gold; noble portraits of swift steeds; the civilizations in the Eastern islands of the Great South Sea, and the opulence of Venetian Orientalism. Transhistorical dialogs begin with Nobel Laureate Orhan Pamuk’s piece about Dayanita Singh’s photography and commentary on a recent Paris auction. A legendary book about the Nibelungen from the early 20th century is echoed in the fables and myths in Vittorio Zecchin’s painting cycle, The Thousand and One Nights, from the same period. Another dialog unfolds between the 16th and 18th centuries, with a look at a rare manuscript recounting adventures and colonization of Eastern lands in the 1500s, Antonio Filipe Pimentel’s article on the cenotaphs of the Escorial, Andrew Graham-Dixon’s penetrating examination of George Stubbs, horse portraitist in England in the 1700s, and Benedetta Craveri’s elegant depiction of an art-inspired love story in pre-Revolutionary France.
We the Forest aims to ‘rewild the imagination’ by opening children’s eyes afresh to the wonder of forests through a meld of science and contemporary artwork. New scientific discoveries show that the interconnectedness of the forest runs deeper than we ever imagined. This title explores how all life in the forest is linked and our own human connection to and dependence on the forest.
Engaging text evokes the magic of forests – from how trees communicate to their superpowers of regeneration and protection of the planet – accompanied by commissioned illustrations. Interspersed throughout are arresting artworks inspired by forests from a wide variety of contemporary artists: learn to speak in ‘tree’ with Katie Holten’s tree alphabet, peer through Levon Biss’s lens to see what a giant beetle would look like, or witness the terrible beauty of forest fires in Jeff Frost’s photos. Interactive elements encourage the reader in their own creative projects.
“Capturing the spirit of every Glastonbury since 1992, this coffee table book from award-winning photographer Liam Bailey brings together three decades of revelry and wonder among festivalgoers on Somerset’s most famous dairy farm.” — Redonline.co.uk
“…Iconic Photos That Capture the Messy Essence of Glastonbury.” — VICE
“The book’s images capture the rugged anarchy that spreads through Somerset each year around the solstice.” — MSN
“There are many books about the music scene but few that show punters in all their beautiful variety. Liam Bailey’s long-term documentation has really paid off – this book about the craziness of Glastonbury Festival is terrific.” – Martin Parr
Glastonbury is the striking distillation of over 30 years’ unprecedented photographic access to the world’s largest green-field music and performing arts festival. In over 120 memorable images, Liam Bailey invites us to share his experiences of being among its diverse tribes.
Although Glastonbury has evolved into a sprawling fixture of the British summer calendar, this famously vibrant event is still powered by the belief in alternative communal culture. It is this special energy that has kept Bailey returning every year since 1992. Above all, this ‘access all areas’ visual diary makes a case for the positive human potential of over 200,000 people being able to get together in the open air – to enjoy music, performance and each other.
Bailey’s work has been exhibited in the UK and abroad, and appeared in magazines and newspapers including The Independent, The Guardian and Condé Nast Traveller.
Photographer Scott Mead (b.1954) revisits his formative years spent documenting New England, USA, in Rites of Passage for the first time. Shot over a five-year period between 1971 and 1976, we follow Mead through early adulthood and explore scenes of discovery, ritual, rural beauty and urban metropolis.
At a junction between an American road trip and a personal visual diary, Mead’s images depict a world as it was then, shaped by political upheaval, profound civil changes and the Cold War. The cloth-bound hardback book features 100 large-format prints of Mead’s poignant photographs to be considered in a new context.
Rites of Passage shows Mead with a camera always at hand and presents his delicate, often amusing and sometimes uneasy portraits alongside cityscapes, landscapes and snapshots of the lives of friends and strangers. All of the artist’s proceeds from Rites of Passage benefit Great Ormond Street Hospital for Children in London.
‘Not only is this a visually luscious book of Ptolemy Mann’s work, it makes a fascinating – and timely – contribution to the ongoing debate about the relationship of art and textiles.’ — Alice Rawsthorn, author of Design as an Attitude.
‘[Ptolemy Mann] has been creating textile works of extraordinary colour and vibrancy for nearly 30 years. In 2021, after a period of experimenting with painting on paper, she turned her brush to her painstakingly dyed and handwoven cloths – the striking results can be seen in Mann’s first monograph, Thread Painting.’ — Killian Fox, the Guardian
British artist Ptolemy Mann’s studio practice bridges weaving and painting, creating distinctive, refined and radiant wall-based work, often on a large scale. Her early work was focused on weaving, and she then turned to painting on paper, later combining the two to paint directly onto her hand-woven artworks.
Focusing on the past decade, Thread Painting features over 140 stunning full-color images of these three phases in Mann’s artistic career, and is her first published monograph. Thread Painting includes written contributions from Ann Coxon, curator of international art at Tate Modern, and Chloë Ashby, arts critic and author. A conversation between Mann and childhood friend, artist and stage designer Es Devlin sheds light on Mann’s early influences and her meticulous process.
Thread Painting is a celebration of Mann’s unique work during a fascinating decade of artistic output, exploring the relationships between dye, thread, paper, paint and time.
Put down your phone, open your eyes and immerse yourself in your surroundings. The way to discover Britain is not through packed schedules and perfect Instagram posts; this is a book about traveling for those of us who’d rather take our time, focusing on authentic approaches to popular British destinations. From swimming in Snowdonia (Eryri) to walking Hadrian’s Wall, eating Pembrokeshire’s wild food to soaking up the history of Skye, travel is so much more than ticking off landmarks or filling an Instagram grid. Don’t go far, go slow.
Between 1978 and 1987, renowned British photographer Derek Ridgers captured London youth culture in all its glory. With skinheads, punks and new romantics, in clubs and on the street, his images have come to define a seminal decade of British subculture.
This completely reimagined edition of 78/87 London Youth showcases a fresh selection of those images from the depths of Ridgers’ exceptional archive – including several previously unseen – beautifully printed and bound in an oversized volume.
Each picture is a tribute to the trials and triumphs of youth, and a precious document of style and culture in 1980s England, from the height of punk to the birth of acid house. Several have been exhibited internationally in cities as far-ranging as Moscow, Adelaide and Beverly Hills, in the National Portrait Gallery, Tate Britain and Somerset House. Ridgers has also collaborated with a number of major fashion houses, including Saint Laurent and Gucci, and his images continue to inspire photographers, artists and fashion designers around the world.
‘As time passes, this kind of observational photography attains a new importance’ – Sean O’Hagan, The Observer
‘Ridgers’ portraits of young boys and girls are weighted with a raw poetry and beauty’ – Cory Reynolds, artbook.com