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“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

“…many famous names have stepped in front of his camera, captured quickly in his distinctive, clean style, with the images featuring in magazines and newspapers, galleries and exhibitions, and even earning him an MBE from Queen Elizabeth II for services of his photography.” – Chris Anderson, Air Magazine

“Andy’s contact-sheets give us what feels like a VIP pass to spend time with his subjects. We see their beauty, their flaws, charisma, humanity and even a glimpse into their thoughts and process. We see the person in these people and are touched by their being.” Kylie Minogue

“Above all Andy Gotts allows his subjects to shine through, untouched. His artistry does not come afterwards, in Photoshop and all the supposedly flattering trickery technology has taught us to expect. His skill is there in each frame, each moment, in the relationship he has built with his sitter, no matter how short a time they have shared, and the trust he has engendered in them because he is, quite simply, a good man. Anyone who encounters him can sense immediately his openness and kindness and I think this book is most of all a testament to those qualities.” Alan Cumming

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

A 90-second shoot with Stephen Fry in 1989 launched the career of Andy Gotts, photographer to the stars. Through grift and graft and raw, honed talent, Gotts has become one of the most in-demand celebrity photographers working the circuits of Hollywood, British media, and the music industry. Gotts’s dramatic black-and-while style turns faces into artworks of shadow and light, while his color portraits capture his subjects’ ineffable humanity.

For the first time Andy Gotts reveals the incredible depth of his archive, showing his most famous portraits and many rare images alongside. The book focuses on Andy’s contact sheets, which reveal the process behind capturing the perfect image. Accompanying texts from Andy shed light on his craft and delve into the stories behind these captivating photographs. This really is the definitive, career spanning book, produced to the highest standards.

The book also contains personal testaments from a cross-section of the celebrities who Gotts has worked with: Alan Cumming, Gene Simmons, Ian McKellen, Jeff Bridges, Kylie Minogue, Michael Caine, Peter Capaldi and Simon Pegg.

The value of inventories in charting how houses were arranged, furnished and used is now widely appreciated. Typically, the listings and valuations were occasioned by the death of an owner and the consequent need to deal with testamentary dispositions. That was not always so. The inventory for Castlecomer House, Co. Kilkenny, for example, was drawn up to make a claim following the house’s devastation in the 1798 uprising.

Mostly hitherto unpublished, the inventories chosen give new-found insights into the lifestyle and taste of some of the foremost families of the day.

A comprehensive index facilitates access to the myriad items within the inventories, while the books listed at three of the houses are tentatively identified in separate appendices. A foreword, together with preambles to the inventories, sets the households in their historical context. The book will appeal to historians of interiors, patronage, collecting and material culture, as well as to scholars, curators, collectors, creative designers, film directors, bibliographers, lexicographers and historical novelists.

The Ashcan School and The Eight are now recognized as America’s first modern art movement: rejecting their academic training and the practices of the National Academy of Design, they forged a new art that represented America’s shifting values. By focusing on urban streets scenes, the lives of immigrants, popular entertainments, and the working poor, this loosely affiliated group of artists became synonymous with ordinary, everyday subjects — in the words of one critic, “pictures of ashcans.” Yet this is only part of their story: they also experimented with complex color theory and embraced scientific studies about movement and perception, while also creating scenes of bourgeois leisure and society portraits in attempts to reconcile their high-art practices with their populist reputations.

This catalog features nearly 130 works across media, including paintings, drawings, pastels, and prints — rarely seen objects and popular favorites. Collectively these works emphasize the Ashcan School’s and The Eight’s valuable contributions to the formation of American modernism at the beginning of the 20th century.

The moment he was handed a glass of Cockburn 1908 vintage port by his grandfather at 13 years old, Steven Spurrier knew he would make wine his career. He traveled Europe in his red sports car (fitted with a compact wine fridge in the boot), working the vintage in Burgundy, Bordeaux and Champagne, before his first extraordinary move was to set up shop and sell wine to the French. As an Englishman in the heart of Paris, this seemed a remarkably bold (if not foolish) project, but the plan worked.

Steven’s adventures in wine did not stop there. In 1976, he went on to mastermind the ‘Judgement of Paris’, the France v California blind tasting that changed the wine world forever.

This memoir looks back on Steven’s life charting the incidents, adventures, ideas and discoveries that formed his wine journey. With tributes from Hugh Johnson, Miguel Torres, Oz Clarke, Jancis Robinson MW, Warren Winiarski and many more…

“A true collector’s item…” —┬áTim Chan, Rolling Stone

“Filled to the brim with everything from Harry’s colour palettes to his inspiration, this pick combines high-fashion with all the quirkiness we love about HS and it’s just perfect.”┬á— Glamour UK

“Have the best-dressed coffee table by adorning it with this book filled with photos of THE best-dressed man.”┬á— Seventeen Magazine

“It’s a wonderful book… if you’re a Harry Styles fan or not…just have a look at how he wears clothes, look at his influences, and if you are a Harry Styles fan, it’s a double whammy.”┬á— BBC’s Jo Good Show

“This deep dive into some of his most iconic fits is a dream gift for the person who basically spent 2021-2023 living, breathing, and eating Love On Tour.”┬á—┬á┬áBuzzfeed

“I’m incredibly lucky to have an environment where I feel comfortable being myself” – Harry Styles.┬á

Stepping bravely into the cyclone of 21st-century fashions, Harry Styles is more than weathering the storm. Whether he’s breaking the internet with his $7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or fronting cult magazine The Beauty Papers, as he did in March 2021, Hazza’s sparkle knows no boundaries.┬á┬á

Gucci met Styles in 2014, and there was instant chemistry. According to designer Alessandro Michele, Harry is ‘a young Greek God with the attitude of James Dean and a little bit of Mick Jagger’ – and that effortless superstardom certainly radiates from the photos in this collection, which document the heart of Harry’s wardrobe, both on-stage and off.┬á

Part fashion history lesson, pulling references from the rock and roll greats of the past, and part innovation, Harry’s style pays homage to Kurt Cobain and Marc Bolan, Prince and Little Richard, while developing into something authentic and entirely his own. This chic book fizzles with facts about Harry’s styling choices, presenting the star’s most revered looks alongside pictures that trace the roots of each design. With quotes from key designers, this is the perfect gift for any fan.┬á

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

“On Champagne is the wine book that every lover of the world’s most famous bubbles has been waiting for – whether they realised it or not.” — Club O Enologique

“…if you love champagne, this is another must-buy. And apologies for the terrible pun, but it is genuinely true – this book fizzes with wonderful stuff.” — Jancis Robinson

“Presenting the story of the iconic French fizz from its accidental beginnings to the present day and looking to the future, there is plenty for Champagne-lovers to enjoy.” — Decanter
Champagne is never a simple glass of fizz… As soon as the cork flies, the first sip reveals a wine of fascinating complexity. For even the most modest non-vintage cuvée, a bevy of blending decisions, multi layers of history and the incalculable climate of this northern corner of France all come into play. In On Champagne the thoughts, opinions and conclusions of the world’s finest champagne writers gather to reveal this wine’s action-packed trajectory from the myth of its accidental discovery – not in France, we find, but in the cider cellars of England – to the development of a high-tech champagne fit for space travel. It’s a journey that starts and ends with capturing that sparkle in a bottle and along the way beguiles us with the nuances of its chalky terrain, the determination of rebels from Ambonnay to Avize, and the mystery of a champagne cellar under the sea. We meet the pioneers who created the great champagnes of the past and the personalities who are ‘greening’ this landscape, nurturing it through climate change to shape the exquisite champagnes of the future.

A century ago, northern Thailand (or Siam as it was then known) was home to small communities of Westerners, many of them British diplomats and foresters (like Reginald Le May and Reginald Campbell) or American missionaries (like Lucy Starling and Mary Lou O’Brien). Though few in number, they left behind a considerable written legacy. The writing is invariably personal and often vivid, describing their hopes and aspirations, the challenges they faced in their work and daily lives, and their attachment to this enchanted land. This book makes a selection of that writing accessible to a wide readership, much of it for the first time. The texts are illustrated by 65 evocative photographs, many of them contemporary.

“His is a warm, charming page turner of an autobiography: from start to finish full of fascinating characters, incredible and amusing anecdotes, self-effacing humour and wry asides, beautifully detailed observations and, of course, stuffed with great nuggets of jewellery and art history.” — The Jeweller Magazine

“In this dazzling memoir revealing his encounters with royal and celebrity clients including the Queen Mother, Sir Elton John, Dame Joanna Lumley and Frank Sinatra, Antiques Roadshow presenter and jewellery expert Geoffrey Munn reflects on his stellar career, having spent more than five decades bejewelling some of the biggest names in the world.” — Hello!

“In this colourful and witty narrative, Geoffrey Munn, OBE, MVO, FSA, FLS, best known as a presenter on BBC’s Antiques Roadshow, reflects on his career in the London art world, spanning over 50 years.” — Arts & Collections magazine

“Discover delightful anecdotes from Fabergé expert Geoffrey Munn’s time at Wartski in 1970s London, featuring encounters with royalty, Hollywood icons, and the pursuit of Imperial Eggs.” — The Jewellery Editor

Born and bred in Sussex, Geoffrey Munn, Antiques Roadshow presenter and jewelry expert, came from a traditional rural background – but only weeks after leaving a country Grammar School in 1972, he was plunged into the vortex of the London art world. It was the beginning of the career of a lifetime at the famous firm of Wartski, whose showrooms scintillated with gem-set necklaces, tiaras and three of the famous Fabergé Imperial Easter Eggs.

In a colourful and witty narrative, Geoffrey relates his daunting but delightful encounters with HM Queen Elizabeth The Queen Mother, HRH Princess Margaret and HRH The Duchess of Cornwall. In their wake, Geoffrey met a rich variety of luminaries, including Frank Sinatra, Bing Crosby, Joanna Lumley, Stephen Fry, Elton John, Vivienne Westwood and Dame Edna Everage. This is certainly a rapid and amusing read but it is also unique study of a narrow and fast-changing society.

Northumberland is the ‘Land of the Far Horizon’ and England’s most northerly county. It was once a place of industrial innovation and manufacturing, literally fuelled by the coal brought up from its depths. Now Northumberland is a quieter place, loved by residents and visitors alike for its rolling hills and long, sandy beaches, as well as its charming towns and villages.

With this book in hand, meet Grace Darling, a Victorian heroine who took to storm-tossed seas to help rescue survivors of a terrible shipwreck; visit Amble, the ‘Friendliest Port’, and discover its connection to the Mauretania, once the fastest passenger ship to sail the Atlantic; and take in Turner’s View, an atmospheric stretch of coastline that was a lifelong inspiration to Britain’s greatest landscape painter.

You can also take a walk to the top of Cheviot, the county’s highest mountain and what was once a massive and very active volcano; and then top it off in the tranquil setting of St Cuthbert’s Island, where the eponymous saint went to get away from the strangely hectic whirl of monastic life.

Written by a proud northerner, this book will help you discover the more offbeat corners of Northumberland, and appreciate its many treasures.

The Book of Norman: Norman Sunshine / A Life in Art, brings together more than seven decades of the American artist Norman Sunshine’s painting, sculpture, pencil, charcoal, and digital work, all deftly interwoven into his remarkable life story. Born and raised in Los Angeles, Sunshine began as an illustrator for the entertainment industry and the New York Times, eventually moving into advertising, where he authored some of the most recognizable campaigns of the 1970s. He quickly drew acclaim as a painter of southern California’s soft geometry and quiet loneliness. After moving back to the East Coast, his practice expanded: sometimes through distinctively experimental, Cezanne-like still-lifes, sometimes capturing the austerity of the New England winter, but always developing a visual language equally attuned to the psychological and physical spaces he inhabited.

The Book of Norman is both a memoir of the social and artistic worlds of post-war America and a deep reflection on a life devoted to making art. The art critic Donald Kuspit said of Sunshine’s work that it is, “a classical example of dynamic equilibrium.” That statement is also true of the artist himself.

Berthe Morisot: Shaping Impressionism is the first major UK exhibition of the renowned Impressionist since 1950. In partnership with the Musée Marmottan Monet, Paris, it will bring together around 30 of Morisot’s most important works from international collections, many never seen before in the UK, to reveal the artist as a trailblazer of the movement as well as uncovering a previously untold connection between her work and 18th century culture, with around 20 works for comparison.
A founding member of the Impressionist group, Berthe Morisot (1841-1895) was known for her swiftly painted glimpses of contemporary life and intimate domestic scenes. She featured prominently in the Impressionist exhibitions and defied social norms to become one of the movement’s most influential figures. Berthe Morisot: Shaping Impressionism will draw on new research and previously unpublished archival material from the Musée Marmottan Monet to trace the roots of her inspiration, revealing the ways in which Morisot engaged with 18th century art and culture, while also highlighting the originality of her artistic vision, which ultimately set her apart from her predecessors.
Highlights will include Eugène Manet on the Isle of Wight (1875), painted while Morisot was on honeymoon in England, and her striking Self-Portrait (1885), which will appear alongside Jean-Honoré Fragonard’s Young Woman (c.1769) from Dulwich Picture Gallery’s collection. Apollo revealing his divinity to the shepherdess Issé, after François Boucher (1892), In the Apple Tree (1890) and Julie Manet with her Greyhound Laerte (1893), are among nine paintings on loan from the Musée Marmottan Monet, many receiving their first ever showing in the UK.

One of today’s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Self-referential, playful and imaginative, Addenda to a Sequence of Appearances documents his exhibitions with Thomas Dane Gallery across Europe and is a guide to the artist’s key bodies of work.
Uncovering processes is central to Beshty’s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial Portraits. The work that has gone into this substantial monograph, which features contributions from publisher Francis Atterbury, book designer Billie Temple and Thomas Dane partner Francois Chantala, is laid bare. Also presented is an insightful essay by leading professor of Juridical Sociology Carlo De Rita.
Adopting a semiotic approach to books as ‘not just a thing you hold, but something held in common’, Addenda to a Sequence of Appearances embraces the archetypal format, tropes and conventions of a traditional – if unorthodox – book, employing printing and publishing practices seldom seen in contemporary bookmaking.

Writer, novelist and cultural commentator Michael Bracewell explores the paradise behind the PARADISICAL PICTURES; the 35 artworks made by Gilbert & George in 2019. The artists’ work confounds and rejects all art historical classification or affiliation to other schools or movements in art. As affirmed by the PARADISICAL PICTURES, there is no formalist, aesthetic or conceptual precedent to the ideology and vision they convey with such intensity.

The paintings are fantastical, allegorical, narrative, representational, psychedelic, absurdist, modern yet archaic, surrealist-grotesque, inflected with both tragedy and comedy, filled with pathos, touchingly eloquent of human frailty, age and exhaustion. The art of Gilbert & George is a visionary art, above all – reports from a cosmic journey through life that begins on the streets of London.

The PARADISICAL PICTURES suggest a chapter in a story that has been unfolding before them and will continue beyond them. This ‘paradise’ is not a destination but a stage on a longer journey. It is a dream of paradise and the exploration of an archetype that is both secular and sacred.

The paradise of these PARADISICAL PICTURES proposes a more ambivalent view – a place of biomorphic mutation, exhaustion, watchfulness and possession.

Hurtwood’s Special Edition of PARADISICAL PICTURES is released to celebrate the opening of the Gilbert & George Centre and will include original artwork.

“The book “Rihanna and the Clothes She Wears” satisfies the cravings of fans and fashion enthusiasts alike, boasting over 100 images of Rihanna and her favorite designers who have influenced her taste.” — HOLA! Magazine

“I grew up on a really small Island, and I didn’t have a lot of access to fashion, but as far as I could remember, fashion has always been my defence mechanism. Even as a child I remember thinking, she can beat me, but she cannot beat my outfit.” – Rihanna, accepting the CFDA Fashion Icon of the Year Award in 2014.

From the author of the runaway bestseller Harry Styles and the Clothes He Wears comes a new, fresh look at style icon Rihanna.

Rihanna has learnt how to define her own terms whatever she does – whether in the worlds of fashion, music, beauty, philanthropy, business, or activism, she is both muse and creative, a collaborator and pioneer. To date she has 135 million Instagram followers and counting. In 2022 at the age of 34, largely because of her Fenty Beauty empire, she became Forbes’ youngest self-made billionaire.

But it is her personal wardrobe and the way she wears it that embodies Rihanna’s charisma, integrity, and humor most: everything she does reflects what she wears herself. She is a risk-taker, but as she said on the red-carpet in 2014 “you will never be stylish if you don’t take risks.” The gamble has paid off. Rihanna’s mix-and-match method of wearing high fashion and streetwear, young designers and vintage, hip-hop classics, and avant-garde custom-made pieces, has meant that she has equal footing in both the music and fashion industries. Chairman and CEO of the LVMH group, Sidney Toledano says she is: “a style icon for today’s generation”.

The breadth of Rihanna’s fashion knowledge and style is astounding. In Rihanna and the Clothes She Wears, Terry Newman steps into the world of this fashion icon by examining her style. From couture catwalks to her own empire Fenty, political statements to high street casual, this chic book fizzles with facts about Rihanna’s styling choices, presenting the star’s most revered looks. With quotes from key designers, this is the perfect gift for any fan.

“These are just a few highlights amongst the 43 projects featured in Architects at Home, but each is certain to reveal both the pleasures and challenges of designing a home for oneself.” — Canadian Interiors
This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world’s best-known architects. Not only do these pages offer a rare glimpse into each architect’s personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain.

Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.

Fully revised and updated edition, now in full color and with two new chapters: Brunoy and Parc Saint Cloud.
The spectacular medieval castle where Henry V died, Napoleon’s private château, dancing in fifties guinguette cafés, a Victorian gunpowder factory – these are just some of the unexpected delights discovered by Annabel Simms just half an hour from Paris.
Following the format of her small classic, An Hour from Paris, and written with the same delight in the little-known treasures of the Île de France, the revised edition of Half an Hour from Paris now presents twelve new destinations easy to reach from central Paris, each with a carefully planned walk, ample meanderings through the cultural, historical and social milieu, comprehensive practical information and clear, detailed maps.

Discover half-hidden chateaux and artists’ country houses; walk, boat or dance by the river; explore old towns and country footpaths; and eat in family-run restaurants with 1950s decor–and prices to match. Based on over 20 years’ experience of exploring the Paris countryside by train, each visit includes the essential historical context and practical information to help you discover places unknown to many Parisians. Written with humor and a flair for the unusual and authentic, the text is illustrated with original photos and local maps. It includes a unique guide to using the excellent local train network.

‘To know his work without his talk is “not to know him” …only when they are side by side is the common origin and aim seen and the complete man displayed.’ Thus Thomas Rooke, studio assistant to Burne-Jones, who over four years memorized and recorded much of his master’s studio and lunch-table talk. The man revealed with startling freshness and immediacy is far from the familiar painter of knightly melancholy and abstract angels. Burne-Jones emerges as a loveable and charming man, far more practical and down-to-earth, far more witty and ironic than might have been expected. He may still regret that he was not born in the Middle Ages and reminisce about the golden years with William Morris and Dante Gabriel Rossetti in the 1850’s and ’60s. But he is still hard at work on his last great collaboration with Morris, the Kelmscott Chaucer, while not hesitating to fulminate about Britain’s imperial pretensions and the hypocrisy that accompanied them. And he is unfailingly articulate when it comes to discussing the craft of painting in relation to himself, his contemporaries and the giants of the past. The conversations are edited by Mary Lago, Professor of English at the University of Missouri-Columbia.

In Venice, on the Grand Tour in 1731, the future fourth Duke of Bedford met with the great art agent, Consul Joseph Smith. The commission he placed resulted in 24 of the greatest and most typical works of Canaletto. First installed in Bedford House London, they were moved to their splendid position in the Dining Room at Woburn in 1800, where they have remained ever since. Fully illustrated with many details, this publication marks the first time these paintings have been reproduced in color. An extensive introduction by the leading Canaletto scholar Charles Beddington puts these works into perspective.

Though born in England, John Kingerlee has lived on Ireland’s Beara peninsula for much of his life, the wild landscapes finding passionate and all- encompassing expression in his paintings. This beautiful book celebrates his most recent work, with 51 paintings, drawings and collages reproduced, many for the first time. For the first time too, John Kingerlee has written about his life and the inspirations for his work. His words are complemented by a suite of specially commissioned portrait photographs by the great Irish photographer John Minihan. John Kingerlee has produced some of his very best, most expressive, most free spirited and ultimately most profound work in his later years. These paintings deal with universal problems of our existence and our planet; they address fundamental rather than ephemeral issues. The art itself has a quality of timelessness about it, not least because it is often created over many years and is often so multi-layered as to feel sculptural.

Whistler was one of the most original, if also tirelessly self-promoting artists of the later 19th century. After his disastrous run-in with John Ruskin, the greatest critic of the previous generation, Whistler poured his thoughts and feelings about art into this lecture, which made him if anything more notorious, but was also widely admired for its insights and wit. It is reproduced here exactly as he had it printed, with an essay by the leading scholar Margaret MacDonald putting it into the context of Whistler’s career and times.

The last work of Burne-Jones: a series of woodcut illustrations to the first chapters of Genesis, making a perfect epitome of his art. Reprinted from the original edition of 1902.