The leading artist of the German Reformation, and close collaborator of Martin Luther, Lucas Cranach was one of the most influential and prolific printmakers of the northern Renaissance. His spare and eloquent images of the Passion series, begun in 1509, are among his finest creations; they have a drama and pathos that rival the work of his exact contemporary Dürer.
Design models are an integral part of the design process, as prototypes and providers of ideas for those products that are later launched on the market as serial and mass goods. However, working with models is an interdisciplinary undertaking: The book reflects the design model as the basis for future concepts, as a collector’s item in a museum and in its actual function as a planning and work tool for designers and model builders.
Text in English and German.
The CARE Principles – Leadership Playbook leads us into the new era of leadership. This book shows us how to bridge the gap between different and diverse generations in our teams using the CARE Principles: Collaboration, Agility, Reliability, and Empathy. Through an easy 20 step process, practical tips and real-life stories from leaders like you, it breaks down how CARE can transform your team, making them perform better and feel truly engaged with your organization. The time for new leadership action is now.
Contemporary Living presents 20 new residential projects – houses and apartments – in the Middle East designed by renowned architects and interior designers. Packed full of inspiration and stunning photography, this coffee table book also includes a profile of each architect and designer, along with a presentation of each photographer specializing in the Middle East whose work is showcased.
Includes the work of Giacuzzo Design Studio – H+A Architects – Neeshay Nouman The Niche Corner – Tristan Du Plessis – HiProjects Melissa Charlier – Studio M Abboud Malak – VSHD – Leila Khalil – XO Atelier with Augustine Wong – ArchiSense – Leila Khalil, JMDA, NAQSH, Hana Hakim.
Archigram comprised Warren Chalk (1927-88), Peter Cook (1936-), Dennis Crompton (1935-), David Greene (1937-), Ron Herron (1930-94), and Michael Webb (1937-). Together they envisioned the future of architecture in ways that enthralled a generation. In an era defined by the space race, they developed a ‘high-tech’, lightweight, infra-structural approach that stretched far beyond known technologies or contemporary realities. They devised autonomous dwellings and focused on survival technology; they experimented with megastructures and modular construction systems; they explored mobility through the environment, and the use of portable living capsules: all through the medium of an incredible series of drawings and models. Archigram’s influence has been profound and enduring. They gave the high-tech movement its impetus; they inspired architects such as Renzo Piano and Norman Foster; and they laid the ground for the design of buildings such as the Pompidou Centre. Edited and designed by Archigram member Dennis Crompton, this book catalogues Archigram’s activities over fourteen years, together with commentaries by the architects and critics writing then and now.
The Art of Endurance is a coffee table book about the 2024 season of the FIA World Endurance Championship (WEC), which is one of the most exciting competitions in motorsport. This book is based on the very rich production of images that will be developed and embellished over the eight races that are held around the globe on internationally renowned circuits, including the legendary 24 Hours of Le Mans. The main goal is to capture the “spirit” that characterizes these endurance races. This beautiful publication will be a perfect promotional tool for the championship, whose considerable drawing power is due to the number of competitors and manufacturers who are taking part.
They are pioneers in their field, true geniuses, courageous inventors, celebrated stars, fallen heroes, brave fighters, impoverished thinkers, extraordinary sports stars, and exceptional musical talents.
And they all have one thing in common: they died far too young, often in spectacular ways. 365 anniversaries of death, 365 exciting short biographies.
The inspiring perpetual daily calendar is illustrated by artists from all over the world. A must-have for anyone looking for a daily dose of motivation.
In a world where creativity knows no bounds, The Feminine Touch: 33 Interior Designers Defining Tomorrow celebrates the artistry and vision of the globe’s leading female designers. This collection isn’t merely about aesthetics; it’s about the transformative power of spaces meticulously crafted to resonate with the soul.
Each page of this book showcases the brilliance of women who have not only mastered the craft of interior design but have also redefined it. Their work transcends traditional boundaries, blending innovation with a deep understanding of how our surroundings shape our lives. These designers bring a unique perspective that is both intimate and expansive, offering a glimpse into the future of residential spaces.
Within these pages, you will explore the favorite recent residential projects of these talented ladies. These homes are more than just structures; they are sanctuaries of style, comfort, and functionality. Each project tells a story of bold choices, intricate details, and an unwavering commitment to excellence. As you immerse yourself in the visual and narrative journey, you will be inspired by the diverse approaches and the common thread of passion that unites these extraordinary designers. The Feminine Touch is a tribute to their creativity and a celebration of the feminine essence that continues to shape the world of interior design.
Let this book be a source of inspiration, a touchstone for innovation, and a tribute to the remarkable women who are defining tomorrow, one room at a time.
Globalization has forced us to stop thinking that art only exists in the West. The very notion of art was invented by the West and refers to the learned version of its material culture. It was then projected onto other civilizations, particularly Asian ones, and finally onto the preliterate societies of Africa and Oceania.
Whether or not these cultures possess the concept of art is of little importance, because when they honor their gods, they inevitably address what they consider to be the acme of beauty. For a long time, this openness to other aesthetics was based on the arts of the past, until it was finally accepted that there were living creators in these distant lands, and that today’s means of communication have brought them closer to us.
These “others” who appeared in the 1980s are by no means a homogenous group. Without stretching this analysis too far, they can be regarded as falling into two categories: those who have opted for modernity and submit to the demands of the market and Western based institutions, and those who concentrate on giving visual expression to their communities and beliefs, ignoring the demands of the art market. Australian Aboriginal art represents an intermediate situation, since alongside art of a sacred nature, there are works deliberately produced for sale, initially encouraged by missionaries.
Nothing Too Beautiful for the Gods aims to show the variety of works connected with the spiritual impulse, from those used in religious rites to contemporary artworks that refer to them. These hybrid works are often the result of accommodations with modernity. The exhibition and accompanying book bring together altars from Africa, the Caribbean and Asia, works by artists invested with religious responsibilities (Didi, Shiraga), works by religious artists (Ramoun) and others by artists who refer explicitly to religions and spirituality (Sooja Kim, El Anatsui, Vasquez de la Horra, Bedia, Boltanski, Viola).
Text in English and French.
Aidan Dodson’s British Royal Tombs covers all the burials of the kings, queens (and lords protector) of England, Scotland and the United Kingdom, from the occupant of the great Sutton Hoo ship burial, to George VI, last Emperor of India, including of course the long-lost Richard III. This fully revised edition of a book that became an immediate classic of its kind will be equally interesting to the interested visitor and the student. The career of each ruler is briefly described, followed by what is known about his or her burial arrangements and the subsequent history of the tomb and its contents. Each tomb is illustrated as far as possible by at least one photograph or drawing. The posthumous fate of royal spouses is also included, together with information on each of the cathedrals, churches, chapels and other structures that house or once housed royal tombs; there are detailed diagrams for the major sites. A list of monarchs, family trees and an extensive bibliography complete the book.
In the space of a few short years, English and Welsh sparkling wines have become recognized as some of the best in the world. Improvements in viniculture, a changing climate and terroir that often mimics the conditions found in the Champagne region of France have combined with the care and attention of predominantly artisanal makers to make fantastic wine. Traveling around more than 50 vineyards, Sparkling Wine celebrates this revolution. The expert author provides tasting notes, visiting information, and details on the terroir for each vineyard, along with engaging insight into the makers and their craft. This book provides an effervescent accompaniment to any country holiday. It collates directions, maps and opening times, making for an informative and accessible guide. You are rarely as far from a vineyard as you might think, and with Sparkling Wine in your pocket, with its pictures of rambling hills and grape-laden vines, Britain’s vineyards seem even closer still.
The work of Polhemus Savery DaSilva (PSD) synthesizes ideas from modernism, Shingle Style, and New England vernacular architecture into special homes that are carefully crafted for each different site and client. PSD’s poetic architecture reflects on the joy of living by the New England coast, and this major new monograph, The Art of Creating Houses: Polhemus Savery DaSilva, beautifully presents that work and the ideas embodied within it. This lavishly illustrated and clearly written coverage of PSD’s most recent work features 27 select homes designed and built by the firm. This stunning volume also contains a foreword by Brian Vanden Brink; an introduction by Victor Deupi, PhD; and text by John R. DaSilva, FAIA, the firm’s Design Principal. This new volume is a brilliant companion to the firm’s earlier monographs, namely Living Where Land Meets the Sea, Shingled Houses in the Summer Sun, and Architecture of the Cape Cod Summer.
Wedding floristry has always been one of the most important fields of interest for florists all over the world. Time and again floral designers manage to redefine wedding bouquets, churches and table decorations. Florever Wherever presents around 15 complete wedding stories from 15 different countries. All weddings are decorated by world famous, top-class florists, all of them being spokespersons for the floral wedding traditions of their country. This magnificent publication will show every aspect of this unforgettable day: the bridal bouquet, corsages, bridesmaids, car decoration, church/venue decoration, table arrangements and the wedding party. A book that will have you lost in sweet reveries, a romantic feast for the eyes or a source of inspiration and a fountain of ideas for couples dreaming of chiming wedding bells. Featured Florists:
Moniek Vanden Berghe (BE), Daniel Santamaría I Pueyo (ES), Markus Donati (D), Jouni Seppänen (FIN), Robert Koene (GR), Kristin Voreland (N), Damien Koh (SGP), Giordano Simonelli (I), Mark Pampling (AU) and David Beahm (US).
Ethiopia is an amazing and mysterious country. People are moved by its rich nature, culture and history, which are linked both with the Western and Islamic worlds. Ethiopia is the home of coffee and khat, the place where the oldest human being in the world was found. It harbors the source of the Blue Nile in the west and numerous treasures of the Ethiopian Orthodox Church. Rock hewn churches and their relics lie hidden in the majestic mountainous landscapes of the north. In the east, people and landscapes blend into different customs, scents and colors, almost unnoticeably. In this warm fertile lowland, the impressive Harar is found: the city of a hundred mosques. Further south, there is a land of promise with lush meadows, glittering lakes and natural parks. This is the region of many colorful peoples with their centuries-old values and customs. In this country of rich traditions much is changing. In Ethiopia, modernization has begun, not only in terms of construction, technology and education, but also in the minds of its inhabitants. With its diversity of peoples, landscapes, cultures and traditions, this creates a stimulating force. Ethiopians are proud, friendly and religious. Regardless of whether they are Christian or Muslim, or worship ancient nature gods, religion provides most Ethiopians harmony, a foothold and hope. Ethiopia: Footsteps in Dust and Gold ia an amazing journey through an incredible landscape, beautifully illustrated with evocative text and illuminating photographs that capture fully its colorful diversity.
This is the first book on Venetian mosaics of the nineteenth century. It illustrates work by both the Salviati Company and the Venice and Murano Glass and Mosaic Company. A carefully researched work, Venetian Glass Mosaics addresses the revival of the art of Venetian mosaic making in the mid-nineteenth century and discusses the complicity of both Antonio Salviati and Sir Austen Henry Layard in that revival. It is a comprehensive work, illustrating Salviati’s earliest surviving mosaics, the 1860 mosaic decoration of the Royal Mausoleum at Frogmore and continuing through his company’s last commission, the Stanford Memorial Church in Palo Alto, California. The recovered art of Venetian mosaic in the late-nineteenth- and early twentieth-century is now seen as one of the most important aesthetic achievements of the Victorian-Edwardian era. Neglected and unappreciated for decades, surviving mosaics are being cleaned and restored worldwide. Whether highly visible monuments in major cities or small achievements of Venetian manufacturers are now treasured for the splendid masterpieces they are.
Afro Libio Basaldella (Udine, 1912-Zurich, 1976) was perhaps the most renowned member of the Friuli Avant-garde Movement, which influenced his approach towards a more Expressionist sense of painting that had always been based on traditional Venetian Colorism. In the 1940s, Afro joined the Fronte Nuovo delle Arti, and following a visit to the United States, he joined the Gruppo degli Otto, with whom he exhibited at the Venice Biennale in 1952. Although in certain aspects his style seemed similar to American Action Painting, his harmonious tonal modulation and later research into abstract shapes and forms produced intellectually sophisticated results. This is the catalog of the first French retrospective of the artist, held at the Tornabuoni Art Gallery in Paris, showing works ranging from the 1930s to the 1970.
Contents:
Preface by Philip Rylands;
Afro, his work by Philip Rylands;
Afro and the New York art scene by Barbara Drudi;
Letters and writings selected by Barbara Drudi;
Critical anthology selected by Philip Rylands;
The exposition of 1949 at the MoMA by Davide Colombo;
The Garden of Hope by Anne Monfort.
Inspired by poets, draftsmen and printmakers, painters also discovered Haarlem and its beautiful surroundings as rewarding subjects for their work. Jacob van Ruisdael and Gerrit Berckheyde both repeatedly pictured the city – the former with his ‘Haerlempjes’, where heavy cloudy skies dominate the landscape and the unmistakable St Bavo’s Church stands on the horizon. Berckheyde is known for his atmospheric cityscapes: the Grote Markt, with St Bavo’s as the focal point, the Weigh House on the River Spaarne and the city gates.
The definitive photographic guide to discovering the beauty of Rome. A historical-archaeological introduction immerses the visitor in the Eternal City. The 15 itineraries explore the main riches of the historic center of the Urbe, with its fountains, squares, churches, palaces, museums and parks, also include precious gems, far from the traditionally visited routes. Each itinerary features a map, a rich corpus of descriptive images, historical information, curiosities and tips for enjoying an authentic Roman stay.
QR codes at the opening of chapters get to digital contents that enrich the experience of getting to know the Eternal City, from paper to digital.
The definitive photographic guide to discovering the beauty of Rome. A historical-archaeological introduction immerses the visitor in the Eternal City. The 15 itineraries explore the main riches of the historic center of the Urbe, with its fountains, squares, churches, palaces, museums and parks, also include precious gems, far from the traditionally visited routes. Each itinerary features a map, a rich corpus of descriptive images, historical information, curiosities and tips for enjoying an authentic Roman stay.
QR codes at the opening of chapters get to digital contents that enrich the experience of getting to know the Eternal City, from paper to digital.
In Pigments of English Medieval Wall Painting, the author demonstrates that the techniques of wall painting in medieval England were far more complex than had previously been supposed. This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish churches, cathedrals and abbeys (Canterbury, Westminster, Norwich, Winchester, St Albans, Sherborne and Durham). The nature and extent of the palette used is revealed as well as the sophistication with which pigments were applied to achieve differing effects. Thirty pigments are detected including four previously unknown in the context of English medieval wall paintings – vivianite, salt green, kermes lake and madder lake. Also discovered are three alterations of pigments: the lightening of red lead; alteration of vivianite to a yellow form and the transformation of verdigris to a blue chloride-based alteration product. The use of different binding media employed for particular pigments in a single paint layer demonstrates the complex manner in which paintings were executed. The findings, discussed in the context of wall painting, sculptural polychromy and panel painting techniques in medieval northern Europe, show the broad chronological development in the choice, fabrication and application of materials linked to changes in artistic intent, technology and workshop practice. Beautifully illustrated with more than 200 color plates, Pigments of English Medieval Wall Painting has significant implications for the conservation methods of such paintings and is an important source of information for all those interested in pigments and paintings.
This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.
Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.
In 1751, John Holker (1719-1786), an English textile manufacturer exiled in France, undertook an industrial espionage mission to England to collect samples of English textiles on behalf of the French king, Louis XV. On his return, the samples were assembled in a manuscript volume, which is now preserved at the Museum of Decorative Arts in Paris. Each sample in this album is accompanied by a handwritten technical description specifying the quality of the fabric, its price, its dimensions and the manufacturing processes. This album is famous for preserving the oldest identifiable samples of jean fabric.
Completely bilingual, the book includes a facsimile reproduction of the album, accompanied by a transcription of its handwritten text and a dozen essays. The essays, written by academics, curators and specialists from France, Britain and North America, explore the album from various angles: the globalization of commerce, the slave trade, industrial espionage, economic rivalry between France and England, the taste for cotton and its role in the history of fashion, etc. The book demonstrates the importance of centuries-old links between France and the United Kingdom and is an indispensable work of reference for the history of textiles.
Text in English and French.
“Dachshunds, debutantes and Donald Trump: capturing the glitzy, bizarre world of 80s high society.” — The Guardian on Saturday Magazine
“Through these varying shades of grey, Jones was able to capture the pomp and grandeur of 1990s New York.” — Air Magazine
“British photographer Dafydd Jones documented New York’s upper class in the 1990s. His photo book “High Life, Low Life” is a testimony to a time lost in dreams.” — Die Welt Germany
“The renowned photographer, known for his images of debauchery at Oxford University, has released a new book of his time among East Coast socialites.” — The Times UK
“Dark, glamorous and hedonistic…captures New York in the 1990s.” — Wallpaper*
‘In England, I’d become too well-known as a Tatler photographer. It was wonderful to be invisible again.’
At the end of the 1980s, society photographer Dafydd Jones began a new life in New York. He had been hired by Vanity Fair to attend the most talked-about parties in the city and soon found himself descending into a world of human tableaux, ladies who lunch, princesses in powder rooms and dachshunds scrapping over canapés. Camera at the ready, Jones quickly filled the society pages of the illustrious magazine, snapping the likes of Leona Helmsley, Donald Trump, Jeffrey Epstein, Ghislaine Maxwell and Imelda Marcos as they celebrated, mourned and unravelled in the bright lights. During the day, he captured the city streets and the ordinary citizens grounded in the real world. In these pages, the author of England: The Last Hurrah reveals the story of New York, the highs and the lows, as the ’90s unfolded in front of his expert lens.
‘Mr. Jones goes about his business with cheery zest and a wicked eye.’ – New York Times, 1993