The last work of Burne-Jones: a series of woodcut illustrations to the first chapters of Genesis, making a perfect epitome of his art. Reprinted from the original edition of 1902.
Ruskin is one of the most influential and exhilarating writers in English. Art critic, architectural visionary, social reformer, climate warner and incomparable teacher; Ruskin’s words not only transformed Victorian England but speak to us with increasing urgency today. This, the first general introduction to Ruskin for many years, places him in the social, economic and aesthetic world of Victorian Britain that he transformed – and shows how this transformation has much to teach us today. The extensive illustrations range from private notes and lecture diagrams to presentation drawings, including some of the most beautiful images of the 19th century and many never before published. Published in association with the Ruskin Foundation.
‘Janamsakhis’ are stories about the life of Guru Nanak (1469–1539). They have been circulating orally, in writing, and in paintings and illustrations. B40 is one such documented artistic expression held at the British Library in London. Its 57 beautiful iconotexts narrate the life of the first Sikh Guru from his first day at school to his final moments. The talented artist Alam Chand Raj illustrates Guru Nanak’s sensuous feel for the all-inclusive Divine, his interior and exterior journeys, his manifold inter-faith conversations, his environmental aesthetics, and his marvelous actions. In the language of vibrant colors Guru Nanak’s transcendent materiality and world-affirming existentiality are exquisitely written out. The stylistic infusions of Punjabi art, Chaurapanchasika style and folk-art style of the Rajasthani Malwa School bring the historical Guru close to the viewer. Along with the artwork there is the rich text by Nikky-Guninder Kaur Singh explaining the stories from a 21st-century perspective. She insightfully explores the question – how are the Janamsakhis relevant to the political, societal, economic, and environmental state of the world at present.
City kids and visiting families alike know there’s no better place for children than the Big Apple, and 111 Places for Kids in New York shows you where to take a big bite. From ultra-hip hangouts for the most urbane toddlers to natural wonders hiding in the middle of the concrete jungle, the five boroughs of New York offer children the richness and diversity of the world with the beloved traditions of home. In New York, you can explore the globe, from a Sri Lankan courtyard to a gritty parkour park to a quaint New England town — all with a swipe of a Metrocard.
With this guide, you will be inspired to explore new neighborhoods, treat the kids in your life to unbelievable experiences, and make the city your own. You’ll discover places and spaces you never knew existed, and rediscover familiar ones in new ways. Read up on helpful tips by been-there-done-that parents (psst — do you know where exhausted parents can bliss out on AC while their toddlers get friendly with baboons?). And learn insider secrets for ways to make the most of your visit to the parks, museums, restaurants, and adventures that make this metropolis so special and so inviting.
Billie Eilish is a fashion phenomenon. Her goth-skate-anime wardrobe resonates loud and clear with her generation and anyone who doesn’t want to be defined. Courted by the world’s biggest fashion houses, Billie has a way of spotlighting inclusivity, body image, environmental issues and more, while always looking awesome. In the latest addition to this popular series, fashion writer Terry Newman casts her eye over a young megastar with oversized clothes and an even bigger attitude.
When Billie Eilish burst onto the music scene aged just 14, her outfits told everyone who she was before they’d downloaded a track. She was savage and brooding. Her clothes were large and matched her attitude. Her wardrobe was made up of labels that speak the language of Gen Z and everyone who doesn’t want to be defined by others. Growing up hasn’t changed a thing – though she now has the command of fashion houses the world over. As such, Billie often mixes and matches Chanel, Balenciaga, Rick Owens, Yohji Yamamoto, Raf Simons and Prada with finds from Slumpy Kev, Skoot, The Incorporated and Freak City, and the result is beyond the realms of meta-modernism. It’s a look that might very well bite the hand that feeds it, but Eilish doesn’t care. She wears what she likes when she likes. And we’re here for it.
“… Like the singer herself, this book is just so damn sexy.” — The Detroit Free Press
Taylor Swift is the quintessential millennial. Free-thinking and creative, she navigates pop stardom with boundless charisma and a keen eye on her digital presence. She has become a truly global phenomenon but remains intimately connected with her fans. A born storyteller, her outfits mark the different phases of her whirlwind life every bit as clearly as her songs. From cowboy boots to cottage-core, Saint Laurent to sci-fi, onstage and on the street, her clothes are always carefully chosen to match the moment. These pages reveal those moments in gorgeous photographic detail with reliably astute analysis from the author of Harry Styles and the Clothes He Wears. The latest in a popular celebrity fashion series, this book charts the style evolution of a hyper-chic superstar at the vanguard of 21st-century culture.
To many the words Hill Station are evocative of an exotic and exciting vision when the subjects of the British Colonial Government gloried in the Hill Stations of India and Burma. Beautifully constructed holiday towns built at 3,000 feet or more where people flocked to escape the heats of the plains. High up the Shan hills of east Burma stood Maymyo. This book tells the stories of the people for whom Maymyo really was a heaven ‘lost on the clouds’.
Deep in the past, in South America and Mesopotamia, textile fibers were being given color, purple and red, to make them attractive and interesting and to give pleasure to those who wore them. Many centuries later, South America was the source of a bright and unusual blue, Maya blue, used in painting, but this too is associated with a more complicated, more varied story.
An important element of the story is that if the technology of dyeing in 18th-century London with, for example, madder is examined, it is not so far away from the work of the dyer in Mesopotamia centuries earlier. However, the 18th century was the time of wonderfully colorful and exuberant fabrics and tapestries. A century and a half later, a new age of brilliantly colored synthetic dyes, the likes of which had never been seen before, exploded onto the scene with hundreds of colors with exotic names and doubtful permanence. However, some old dyes were still used on an industrial scale: lichen purples and browns, unassuming and still widely traded, were used throughout the 19th century.
These and other stories will take the reader from the earliest times, a glimmer of color in the distant past, to the very real conservation problems of deteriorating containers of early synthetic dyes – a long and colorful history.
The topics covered in this edition vary from the dyes of South America, Mesopotamia, Austria, 17th – 19th Century Flanders and England to the use of lichen, lac and redwood lake as pigments and cochineal for paints and inks.
These papers were presented at the 37th, 38th and 40th meetings of the DHA group at NOVA University of Lisbon (2018), the University of Amsterdam (2019) and the online conference hosted by the British Museum, London (2021).
Authors Dave Doroghy and Graeme Menzies take you to find the cool, the quirky, and the unusual places hidden in Victoria amidst the unique architecture and glorious outdoor scenery.
Visit the place where author Rudyard Kipling slept. Explore Canada’s largest ant farm. Answer the call of nature in a pub’s haunted loo. Or take a date to a secluded, waterfront fish-and-chips shop. See the world’s tallest freestanding totem pole.
If it’s history you’re after, consider that James Cook was the first non-indigenous person to set foot near here in 1778. Later, the Hudson’s Bay Company established the spot as a trading post, naming it Fort Victoria after the reigning British queen. Vestiges of the old British Empire can still be spotted in the majestic colonial buildings in the inner harbor, the red double decker buses on its busy streets and the occasional old fashioned British telephone booths. God Save the King!
In the dark days of 1940, at the onset of the Battle of Britain Churchill’s ‘Few’, the brave fighter pilots who battled over the skies of Southern England, found a haven in the White Hart Inn in Brasted, where they could escape the traumas of war for a few hours.
The landlords Kath and Teddy Preston were there to share in the hopes and fears, the elation and sorrow of the men who lived their lives on the edge daily.
Inn of the Few is a tale of those precarious days, an insight into life at the White Hart and its famous visitors. The book includes fascinating anecdotes and archive photographs and documents of a momentous time in history, in which local lives gained national significance.
In 1851 John Ruskin came to the defence of the young artists of the Pre-Raphaelite Brotherhood by writing two letters to The Times, refuting widespread criticism of their paintings. Soon afterwards he published a pamphlet entitled Pre-Raphaelitism, beginning almost a decade of public support for the work of William Holman Hunt, John Everett Millais and their associates.
Already established as one of the leading writers on art, he took a personal risk in defending the Pre- Raphaelite cause, but saw a parallel in the hostile reaction to the paintings of his artistic idol J. M. W. Turner. In Millais especially, Ruskin hoped to nurture a worthy successor in landscape painting, arguing that the Pre-Raphaelites’ attention to truth and detail offered the opportunity to establish a “new and noble school” of British art.
This is the first compilation of all of Ruskin’s published writings relating to the Pre-Raphaelites, beginning with the celebrated passage in the first volume of Modern Painters (1843) exhorting young artists to “go to nature in all …. rejecting nothing, selecting nothing and scorning nothing,” later claimed by Hunt to have been an inspiration. As well as Pre- Raphaelitism (1851), rarely reprinted since, and the fourth of the 1853 Edinburgh lectures, it includes all the comments on paintings in the annual Academy Notes (1855-9) which pertain to Pre-Raphaelitism, underlining Ruskin’s significant contribution to the movement’s popular success and the widespread acceptance of its principles. From the period after 1860, when Ruskin was concentrating more on social issues, come the the little-known articles published in the Nineteenth Century magazine under the title The Three Colours of Pre-Raphaelitism (1878), and a number of lectures, including the last of his Slade Lectures, The Art of England (1883), delivered just a few years before his mental faculties failed.
Edited with a commentary and preface by Stephen Wildman, Director of the Ruskin Library and Research Centre, University of Lancaster, and with an introduction by Robert Hewison, one of Ruskin’s successors as Slade Professor of Art at the University of Oxford.
“Through superb photography, nostalgic ephemera and detailed descriptions by travel journalist, Ellie Seymour, we’re treated to a behind-the-scenes glimpse into the lavish worlds these historic establishments conceal.” — We Heart
In Grand Hotels of the World, travel journalist Ellie Seymour takes us on a nostalgic journey around the world to discover 40 legendary hotels that have welcomed guests in luxury and style for centuries. Through exquisite photography and detailed descriptions, we are given a behind-the-scenes glimpse into the lavish worlds these historic establishments conceal. From fabulous Claridge’s in London’s Mayfair and the luxurious St Regis New York, to the chic Splendido in Portofino and the timeless Villa Serbelloni on the shores of Lake Como, this book tells the fascinating stories of some of the world’s finest architectural gems and the famous guests to have sashayed through their storied corridors.
Welcome to Leeds; a great northern powerhouse of a city that has reinvented itself from an industrial center of wool, textiles and coal to one of the country’s biggest financial and commercial cities outside of London. Leeds is famous for its beautiful Victorian arcades, its magnificent architectural landmarks, its eclectic mix of shops and bars and its sporting venues. But scrape its bare bones and you will find it is a city rich in history, heritage and culture with a plethora of hidden places and talents.
Can you really sit in Her Majesty’s seat, catch a Dutch water taxi, go otter spotting in the center of town or get married on a tiny island in the city?
Leeds offers so much to locals and visitors alike and you can discover the answers to these questions and much, much more in this guide to 111 places in the great city of Leeds.
The delights of an 18th-century love story; the glitter of 16th-century gold; noble portraits of swift steeds; the civilizations in the Eastern islands of the Great South Sea, and the opulence of Venetian Orientalism. Transhistorical dialogs begin with Nobel Laureate Orhan Pamuk’s piece about Dayanita Singh’s photography and commentary on a recent Paris auction. A legendary book about the Nibelungen from the early 20th century is echoed in the fables and myths in Vittorio Zecchin’s painting cycle, The Thousand and One Nights, from the same period. Another dialog unfolds between the 16th and 18th centuries, with a look at a rare manuscript recounting adventures and colonization of Eastern lands in the 1500s, Antonio Filipe Pimentel’s article on the cenotaphs of the Escorial, Andrew Graham-Dixon’s penetrating examination of George Stubbs, horse portraitist in England in the 1700s, and Benedetta Craveri’s elegant depiction of an art-inspired love story in pre-Revolutionary France.
Making New Worlds: Li Yuan-chia & Friends is the first book to document the extraordinary activity at the LYC Museum & Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organized exhibitions, published books, exhibited archelogical artifacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travelers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle’s Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li’s work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner’s account is accompanied by nine short texts – by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer & Harriet Aspin, Nicola Simpson and Diana Yeh – that trace the diverse threads and ramifications of Li’s practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.
October 21, 1982. Three singers stand on the steps of the High Court with large cheques and broken dreams. The women are Annie (Annabel Leventon, the book’s author), GB (Gaye Brown), and Di-Di (Diane Langton). Their dream was of a British three-woman rock band, unique and different from anything that had gone before. They called themselves Rock Bottom. They were raunchy, rude and hilarious – the contemporary media described them as ‘a cross between the female Rolling Stones and the female Marx Brothers’ – and they nearly made it.
Until Thames Television stole everything and made a major award-winning series called Rock Follies, about them, based on them, but without them. It made stars of the three lookalikes playing them. And they lost everything.
A common enough tale of showbiz betrayal. Except that they fought back. At the offset of the Court trial, the Head of Drama at Thames TV sarcastically quipped, ‘three little actresses against the might of EMI?’ Forget it, the three ladies were told. Move on. They didn’t. They took the case to the High Court and won. Breach of Confidence is now on the Statute Books and it has become one of the defining cases in Intellectual Property.
The Real Rock Follies is a real-life story of youthful trust betrayed, dreams of stardom dashed and cruel lessons learnt. The three girls, then in their late twenties, learned too late that in the harsh showbiz world you can hardly trust anyone, not even your friends. However, despite everything, they got the last laugh. Their promising career couldn’t be returned to them but they enjoyed the huge satisfaction (both emotional and financial) that the ruling confirmed that the creative concept behind Rock Follies was fully theirs.
Although Muzharul Islam (1923–2012) is already regarded as an important pioneer of tropical Modernity, his work is hardly known internationally outside the context of its development in today’s Bangladesh. This first internationally published monograph presents Islam’s career, approach and a series of exceptional buildings and projects to a wider audience.
Many themes that shape current global architectural debate are already addressed in the groundbreaking ideas and buildings of Muzharul Islam: climate-sensitive architecture, overcoming colonial mindsets, social engagement and self-sufficiency are aspects that Islam unceasingly investigated from the beginning of his career in the early 1950s.
His ideas are no less relevant today than those of Balkrishna Vithaldas Doshi and Charles Correa, translating the often abstract conceptual construct of Modern building into a sensorial, approachable and contextual architecture that naturally integrates its users’ way of life.
Islam, who studied in the USA and England in the 1950s and 1960s, called for Modern architecture that was compatible with the local climate and culture, without lapsing into provincialism or unthinking internationalism. In keeping with his ideal of intercultural dialogue, he managed to attract international protagonists such as his teacher Paul Rudolph, his fellow student Stanley Tigerman and ultimately Louis I. Kahn to carry out important building tasks in his homeland.
Numerous contemporary photographs, plans and reproductions of Islam’s masterful original drawings take the readership on a voyage of discovery. Essays by former companions and the editors present multifaceted perspectives on Islam’s work, placing him within a historical context and current global interconnections.
Beyoncé is a force of nature. Her iconic songs, viral dance moves and daring acts of defiance are always delivered in sensational style. In the words of fashion legend Thierry Mugler, she represents ‘the duality between being a woman and a warrior’. Strutting and sashaying in Valentino leopard-print catsuits and her signature thigh-high boots, Queen B is more than just a glamor puss extraordinaire. She’s a leader and an inspiration. Messages of self-empowerment and inner strength define her wardrobe as much as they electrify her songs. Her fashion connoisseurship has led to partnerships with numerous big names. Versace, Bottega, Balenciaga, Givenchy and Louis Vuitton are just a few of the brands saluted in her 2022 Renaissance album, and Anna Wintour even handed Bey creative control of the September 2018 issue of American Vogue. Perfect for fans and fashionistas, Beyoncé and the Clothes She Wears charts her sartorial journey, from Destiny’s Child to the present day, in glorious visual detail.
Mixing Roman and medieval roots, Chichester sits at the heart of a storied landscape where South Down hills dotted with idyllic hamlets ripple back from a shoreline mixing wild dune-backed beaches with old-school seaside resorts. Reminders of smuggling and war add spice.
But a thrilling thread of modernity runs through this slice of West Sussex too. Chichester’s modernist Festival Theatre provided the foundation for London’s National Theatre, while masterpieces of contemporary architecture that draw admirers from around the world include Sea Lane House in East Preston and The White Tower in Bognor Regis.
Evocative ancient memorials abound. Chichester is blessed with the only English cathedral visible from the sea, while England’s largest castle rises above the ravishing – and cosmopolitan – riverside town of Arundel. Ancient yew trees mark the burial spots of Viking warriors in an idyllic Downland spot. And it’s a land vibrant with creative imprints: poets, painters, composers, from Blake and Keats to Joyce and Chagall.
This guidebook takes you exploring Chichester and its surroundings to find incomparable natural beauty, hidden secrets, astonishing history, art of all kinds, and much more.
A Year in the Vineyard is a tribute to the cycle of the vine. From winter pruning to vine leaves capturing the energy of the late autumn sun, the narrative is spun through vignettes about activities in vineyards around the globe, accompanied by photographs and background paintings. The book honors seasonal rhythms and rituals without glossing over potential risks, such as hail piercing acres of nascent chardonnay in Champagne or wildfires in the Napa Valley. The hope is that each spread captures a gesture, a step in a dance with the natural world, thus providing an experiential understanding of the axiom ‘wine is made in the vineyard’ and of the notion that fine wines are achieved in tandem with nature, not through triumph over the elements. It also shows wine growers as operating on the front line of the climate crisis, posing questions and offering potential remedies in response to the earth’s changing ecology.
Often referred to as Canada’s ‘Evergreen Playground’ Vancouver is a unique and breathtakingly beautiful city nestled between the ocean, mountains and forests. Its pristine fresh surroundings and mild laid back climate has always attracted artists, writers, thinkers and tinkers, and dreamers of every variety; over time they have left their indelible creative mark on this relatively young city. The outcome is a treasure trove of hidden sculptures, secret tree forts, quirky coffee shops, undiscovered galleries, eclectic stores, totem poles and bike lanes that wind around floatplanes and houseboats. From the glistening new glass and chrome towers of Downtown, to the worn cobblestone streets of Gastown, and the red pagodas of Chinatown, each neighborhood in the city contributes to a rich cultural mosaic. Diversity is not only celebrated in Vancouver, but it’s as widespread as the city’s frequent rain showers. Just as the seawall, which winds its way around Vancouver’s iconic Stanley Park presents a new and fresh attraction around every corner, 111 Places Vancouver puts you on a path to discover new insights and perspectives on Canada’s beloved west coast gem.
Stephen Ellcock’s Book of Textiles is a unique collaboration between bestselling author Stephen Ellcock and textile expert Karun Thakar. Together, they share an inspiring vision of the world through the medium of textiles, leading the reader on a journey into the splendors of nature and the infinite complexities of the human condition.
A social-media sensation, Ellcock is widely known for his online curation of artworks, while Thakar owns one of the world’s most important and varied textile collections. Through a spellbinding selection of more than 200 of the most significant, extraordinary and distinctive pieces in Thakar’s collection, these pages cover everything from fashion, costume and adornment to pattern and design, rituals and magic, pure abstraction and the sublime.
Combining Ellcock’s singular vision with Thakar’s expert eye, Stephen Ellcock’s Book of Textiles is a ground-breaking compendium of wonders and a must-read for anybody with an interest in art and visual culture, as well as textile devotees, experts and enthusiasts.
Back in their ’90s heyday, the Spice Girls were unstoppable. Their individual style choices and Britpop-tastic attitude aimed a defiant kick at the cultural status quo, defining a new era of British creativity and challenging the male-dominated music industry to change. With their unapologetic energy and knockout charisma, they launched a global pop-culture tidal wave, while their rallying cry of ‘Girl Power!’ changed the face of feminism almost overnight.
Featuring insights from bestselling author Terry Newman, Spice Girls and the Clothes They Wear celebrates their iconic outfits from the early days to their grown-up designer wardrobes. From Scary Spice’s animal prints to the story of Ginger Spice’s repurposed Union Jack tea towel, their bold looks once epitomized Y2K fashion and continue to occupy a special place in our hearts. Amid rumors of a massive reunion for the upcoming 30th anniversary of their formation, this latest addition to a popular celebrity series is perfect for fashionistas and Spice Girls fans, young and old.
This book presents the richness, diversity and strength of the work of the most famous street art artist in the world… and yet nobody knows his identity. We are invited to follow the evolution of the artist from England to the United States, France, Israel and the Ukraine, and through more than a hundred emblematic works, all explained. This is the original Catalog Raisonné of the Banksy Museum, in which all these works are reproduced in their urban contexts, allowing the general public to discover them in a realistic way and to grasp their strength, including those that have been stolen or defaced and no longer exist.