All prints have value: instead of fussing over making the perfect gelatin silver print, for example, Bruno V. Roels realized that all printed versions of an image have value, and he decided to not show that one perfect print, but all of them, in one composition. Some of his compositions consist of hundreds variations of one single negative, all printed in the dark room. Photography is a mimetic art, it imitates life. But Roels pushes it further: when printing variants of one image; he creates a mimetic feedback loop. He uses the iconic image of a palm tree to prove his point. All palm trees look alike, and as a symbol the plants are highly recognizable. Because palm trees are so widely recognizable, he’s free to deconstruct his own notions of photography, while trying to get away from the “tyranny of camera viewfinders and rectangular boxes of enlarging papers”. Introduction for the book written by Simon Baker.
Text in English and Dutch.
Time is of no importance here. Past and present are one and eternal. The history of Peyrassol, in the massif des Maures, France, is that of an ancient place where Templars used to have a base. Today this enormous estate of over 1000 hectares has once again found its splendour. The owner Philippe Austruy has lovingly renovated Peyrassol, restoring it to its former glory. The stone walls surround the symmetrical vineyards, and centenary oak trees contribute to a unique atmosphere that simply breathes history. Wine is not the only guest of honour in Peyrassol, as the domain also houses one of the most beautiful modern sculpture parks.
Text in English and French.
The Kama Sutra is a two thousand year old mystical treatize on sexuality – read and revered for generations. This first ever collector’s edition takes a contemporary look at the perennial classic and pairs the ancient text with vibrantly colored and richly detailed illustrations.
Rare miniatures, gouache and tantric paintings are published here for the first time. The gold edged book comes in a hand made box made of pure silk. The lavish packaging and sumptuous production of the book makes it a remarkable keepsake.
Artists in Roman Italy created exquisite landscapes that reflect close ties with their environment, ranging from images of sunny seaside villas and tranquil country shrines to colorful views of Greece and Egypt. This groundbreaking volume explores the intimate connections between these works and ancient Romans’ social, political and religious lives. Essays by six distinguished scholars discuss landscapes in a variety of media that decorated urban houses and tombs in Rome, Pompeii and Herculaneum and sumptuous coastal villas on the Bay of Naples. The catalog features more than 65 wall paintings, marble sculptures, mosaics, and costly drinking vessels in silver and cameo glass from 100 BC to AD 200, including rarely seen works from museums and archeological sites in Italy. Richly illustrated, this timely volume reflects shared human concerns about control and development of the land, about the competing demands of wealth and piety, and about preserving natural resources.
The ancient treasures collected over the past 20 years by Ludovic Donnadieu, hail from a myriad of ancient cultures, famous or obscure, across all five continents. The selection maintains a balanced representation of different geographical areas, ensuring that all regions of the world and all historical or prehistoric periods are accounted for. Through this comprehensive panorama, the viewer is invited on a cultural and anthropological journey through time and space.
The showcased artworks are “miniatures”; few exceed a size of 20 centimeters. Indeed, an artwork doesn’t need to be monumental to evoke profound emotional impact and fascination! Fragility can endure, the minuscule can embody grandeur, and singular detail can convey a universal message.
This selection of 99 works, forming a unique ensemble worldwide, adheres to a triple criterion: authenticity, aesthetic quality, and balance, both among the represented subjects and across different forms, materials, or functions. The period covered spans from 6,000 BC to the early 20th century. Presenting this collection to the public holds a dual significance: in a world threatened by uniformity, it celebrates the richness and diversity of human cultures while also highlighting the beauty and grandeur of small-scale formats and the need to protect what is fragile.
The Donnadieu Foundation was established in 2023, under the aegis of the Foundation for Childhood, by Ludovic Donnadieu, art collector, certified public accountant, and founder of the firm Donnadieu & Associates, which specialized in securing funds entrusted to NGOs. The Foundation aims to enable young people, especially those from disadvantaged backgrounds, to broaden their horizons and engage in civic activism, while also raising awareness among the general public and policymakers about the importance of culture for the world’s youth.
Text in English and French.
A sumptuous celebration of one of the world’s most striking photograph collections from 1967 to 2017. This publication celebrates fifty years of collecting photographs at the National Gallery of Canada. In 1967, when the collection was established, the photography market was in its infancy and the collection reflects the availability of in-depth collections of work by some of the forefathers of the medium such as Charles Nègre, William Henry Fox Talbot, Gustave Le Gray and Roger Fenton, among others. Within a few short years of starting to build the collection the science of photographic preservation and conservation was making remarkable strides and influencing the acquisition and exhibition of photographs in museums. This publication celebrates the collecting of photographs, the historical and art historical context of their making and the deepening of our understanding of their physical nature. The work of 164 artists, such as: Benoit Aquin; Diane Arbus; Eugène Atget; Nicolas Baier; Edouard Baldus; Brassaï; Julia Margaret Cameron; Henri Cartier-Bresson; Lynne Cohen; Benjamin John Dancer; Walker Evans; Robert Frank; Lee Friedlander; Isabelle Hayeur; Arnaud Maggs; Robert Mapplethorpe; John Max; Lisette Model; Eadweard Muybridge; Charles Nègre; William McFarlane Notman; Marc Ruwedel; Jospeph Sudek; William Henry Fox Talbot and vernacular and news photographs by unknown photographers will also be included.
J.M.W. Turner 1775-1851 was perhaps the most prolific and innovative of all British artists. His outstanding watercolors in the Scottish National Gallery are one of the most popular features of its collection. Bequeathed to the Gallery in 1899 by the distinguished collector Henry Vaughan, they have been exhibited, as he requested, every January for over 100 years. Renowned for their excellent state of preservation, they provide a remarkable overview of many of the most important aspects of Turner’s career.
This richly illustrated book provides a commentary on the watercolors, addressing questions of technique and function, as well as considering some of the numerous contacts Turner had with other artists, collectors and dealers. The introduction concentrates on Henry Vaughan, one of the greatest enthusiasts for British art in the late nineteenth century, whose diverse collections have not previously been fully appreciated.
The Selous was my very first Africa experience, and it remains my favorite. Robert J. Ross’s extraordinary photographs take us into a natural world unlike any other on earth. A world of elephants. Of wild dogs. Of nature as it should be, can be, might be – if we keep these breathtaking images firmly in mind. A triumph! Bryan Christy, Director, Special Investigations Unit, National Geographic
The Selous Game Reserve in southern Tanzania is Africa’s oldest and largest protected area. Proclaimed in 1896, and bigger than Switzerland, the Selous is a UNESCO World Heritage Site. The Selous remains one of Africa’s largest and greatest undisturbed ecosystems, teeming with life including one of the two largest elephant populations remaining on the African continent, probably half of all of the wild dogs in Africa, vast herds of buffalo as well as more lions than any other protected area on the continent as reported by National Geographic in August 2013. The game reserve is becoming more important by the day as the pressure on elephants and other species grows – problems that are addressed here in this book. New-York born photographer Rob Ross has spent much of the past four years photographing in this vast and difficult to access reserve. He has compiled more than 100,000 images showing all aspects of the reserves varied landscapes, seasons, flora and large and small fauna. The spectacular large-format photography book features a selection of the very best images including landscapes, wildlife portraits and behavior, night photography, impressionist style work and breath-taking aerials.
Health Service has held a place at the heart of the nation. Promising to care for the citizens of Britain ‘from the cradle to the grave’, it offers universal health care for all, regardless of wealth or status. This book celebrates the triumphs and trials of the NHS through the years, highlighting key events and medical milestones, and providing a timely reminder of the importance of maintaining this vital institution that has long been the envy of all nations. Publishing to coincide with the 75th anniversary of the NHS.
“The Turner Prize winner leads a visual tour through his life in six artworks – from college days to knighthood.” — Telegraph
Grayson Perry is one of Britain’s most celebrated contemporary artists and cultural figures. This book, which includes first sight of new and previously unpublished works, is published to accompany the largest-ever retrospective of Perry’s art. It offers a vibrant insight into his life and work, from his youth in rural Essex to sell-out stage shows at the Royal Albert Hall.
Grayson Perry vividly reflects on his art, life and career, remembering the sources of inspiration and influences along the way. Victoria Coren Mitchell’s thought-provoking contribution considers the role of humour in Perry’s art, highlighting the often-underestimated effort involved in being at once a serious artist and a lovable character. Patrick Elliott provides an illuminating biographical essay of the artist. The reader is also given a fascinating glimpse into the technique and process behind Perry’s prints, pots and tapestries.
Showcasing 75 exhibited works, the book covers the full range and breadth of his astonishing career.
Since taking the helm of the National Galleries of Scotland in 1984, Sir Timothy Clifford has overseen the acquisition of some of the finest, and best-loved works in the national collection. This book chronicles the development of the collection under his directorship and casts light upon the wide range of acquisitions, including the fascinating stories behind their purchase. Lavishly illustrated, highlights of the book include The Virgin Adoring the Sleeping Christ Child by Botticelli, The Three Graces by Canova (purchased jointly with the Victoria and Albert Museum, London), and the most recent major acquisition, Venus Anadyomene by Titian. Works from the Scottish National Gallery of Modern Art’s internationally renowned Surrealist collection are also featured, as well as paintings from the Scottish National Portrait Gallery.
The National Galleries of Scotland is home to the most important collection of Scottish art in the world. This beautifully illustrated book introduces the collection through 100 works, specially chosen by the curatorial team who care for them.
The selection ranges chronologically from a 16th-century portrait of a Scottish king to 21st-century instalations and prints. Some of the most famous painters in Scotland’s history feature alongside some of the finest artists working in Scotland today. Many of the most distinctive movements in Scotland’s artistic heritage are represented, including the Celtic Revival, Arts and Crafts, the Glasgow Boys and the Scottish Colourists.
Each of the 100 works is reproduced alongside a text by one of 23 three expert contributors. The introduction gives an overview of the collection and Scottish art history more broadly. It is perfect for those who already love Scottish art, and those who are yet to discover its riches.
Farmer: Photographic Portraits by Pang Xiaowei represents a curated selection from more than 1000 portraits taken by Pang Xiaowei during a mammoth mission to photograph farmers from every province in China. It is a monument to China’s agricultural workforce that affords them the recognition they deserve and celebrates their dedication to their country.
The farmers of the Chinese mainland help feed 1.39 billion people. This powerful series of portraits captures the souls of these men and women: their hardiness, their work ethic, their dedication to the land.
Portraiture is one of the strongest visual methods of communication. As Pang Xiaowei says, “Portraits have a language; they can tell us so much. Portraits have force, and that force is directed towards our hearts.” Looking into the eyes of the farmers featured in this book, that connection is evident. These portraits forge a link between the observer and the subject, building on the ancient Chinese tradition of ‘spirit resonance in portraiture’ (chuan shen xie zhao). This aspect of Xiaowei’s photography is explored in an accompanying essay by the celebrated Chinese artist, Chen Lvsheng.
“What a super book! Great photos, and such interesting facts – it all makes a fascinating read.” Christine Walkden – BBC- TV and Radio 4 Gardening Expert
“This is a wonderful book, tracing the history of the family firm and the marvellous structures they created, in great detail. There are detailed accounts of 40 of the firm’s most prestigious structures, stunningly photographed by professional garden photographer Jennifer Lilly. There is even a detailed chronological gazetteer of all the known Pulhamite sites. Definitely a must for your Christmas present list and garden history bookshelf. Hazelle Jackson, Heritage Consultant London Landscapes Autumn/Winter 2012
“It is excellent . . . A brilliant piece of work – I thoroughly recommend it.” Peter Seabrook – Gardening Writer and Broadcaster Amateur Gardening
“The result of many years’ patient research, pulling together fascinating information on the Pulhams’ work, which extended from grand gardens such as Sandringham and Waddesdon to modest suburban villas.” The Times
“A Charming Labour of Love, this offers everything you could wish to know about Pulhamite – and probably much more… The photographs are superb, the research exhaustive and the gazetteer makes it invaluable for the study, restoration and maintenance of Pulhamite features in 19th to early 20th-century gardens.” BBC Gardens Illustrated
This book tells the story of James Pulham & Son, the eminent family of Victorian and Edwardian landscape artists who specialized in the construction of picturesque rock gardens, ferneries, follies and grottoes. The book covers more than four generations of the family business that was also responsible for the manufacture of extremely high-quality terracotta garden ornaments including fountains, vases, sundials and bulastrading. The rock gardens, for which the firm are mainly remembered today, were built with ‘artifical’ rocks – formed from heaps of old bricks and rubble, coated with cement, and sculpted to simulate the color and texture of natural stone. The author’s interest in James Pulham & Son stems from the fact that no fewer than five of his ancestors worked for the company as ‘rock builders’. Features many incredibly famous locations, including Buckingham Palace, Sandringham, Heatherden Hall, Waddesdon Manor, Battersea Park, Friar Park and RHS Garden Wisley.
Our Highland Home explores Queen Victoria’s and her husband Prince Albert’s love affair with Scotland. Their early journeys to Scotland, including visits to Dalkeith Palace, Taymouth Castle and Perth are discussed, as well as their stays at Balmoral, to which they formed a deep attachment. The author illuminates the private side of the royal couple’s existence away from their public life in London. Our Highland Home: Victoria and Albert in Scotland includes images from the collections of the National Galleries of Scotland, the Royal Collection Trust, and many public and private collections throughout the United Kingdom.
Greenwich is the one London district whose name resonates around the world. As ‘the place where time began‘, everyone has heard of it, so naturally everyone wants to come here when they visit the capital.
With a memorable and picturesque Thames-side location, its maritime history means that there‘s more to see here per square foot than any other outer London neighborhood, and this new guide tells you how to do it.
111 Places not only tracks down the most interesting nuggets among Greenwich’s mainstream sights, from the Cutty Sark to the Meridian Line, it also lifts the lid on the area’s lesser-known attractions – from haunted Jacobean houses and mudlarking in Deptford Creek to classic pie and mash shops and famous riverside pubs. It explores beyond the confines of Greenwich town centre, turning up treasures like Henry VIII’s favorite residence, Eltham Palace – now an Art Deco gem – and nearby engineering feats like the Thames Barrier.
You could come to London and spend half your time in Greenwich, and we wouldn’t blame you if you did. This book tells you how to make the most of London‘s maritime borough.
The Caravane Earth Foundation presents The Majlis book, a rich and colourful documentation of the creation of the “Majlis” exhibition, a multi-layered nomadic project at the 17th annual Biennale di Venezia. The book tracks the multifaceted nature of the exhibition itself, which comprised an architectural object, an exhibition, and a garden, all three hosted by the Abbazia di San Giorgio Maggiore in Venice, Italy. Additionally, the book tells the broader story of Caravane Earth, chronicling research conducted by the foundation and the key ideas that form its philosophy and agenda. The Majlis highlights the main elements of the project in Venice while giving an introduction to key members of Caravane’s community of experts.
With a narrative structure broken into four sections – Exhibition, Architecture, Craft, and Earth – The Majlis book features interviews with important figures and institutions from these fields, stunning visual documentation of the creation process and featured artefacts, and critical writings on permaculture, architecture, and craft. Featuring discussions with the Smithsonian Foundation, landscape architect Todd Longstaffe-Gowan, The International Network for Traditional Building, Architecture & Urbanism (INTBAU), director and curators of the Sheikh Faisal Museum, and many more, the collection provides a deep look and education into the many causes championed by Caravane Earth.
Tong Jun was an outstanding architect and architectural educator in contemporary China. He was widely considered an all-round talent in theory, creation, writing and painting in Chinese architecture. He had a deep foundation in ancient Chinese literature, and studied Chinese classical poetry since childhood. While studying at the University of Pennsylvania, he won many awards in the national architectural student design competition. He has left behind many works and manuscripts on landscape, architecture, and architecture history, sculpture history, and painting history that have enlightened and educated many generations. However, there are few records about him. This book recollects the last 20 years of his life, and introduces the reader to the very real and vivid practitioner that was Tong Jun.
Empirical evidence is scant and scattered. Between these fragments, historians have filled the voids with legends. Though legends are not evidence per se, they do carry a seed of truth – and hopefully, their incorporation in this volume will inspire new interest in the mystery of the world’s greatest temples. The engineering techniques that allowed ancient civilizations to construct such marvellous edifices have been lost to us for generations. Unfortunately, they have not received the attention they deserve, as relics of human culture and faith. This is especially true for Konark. In The Sun Temple of Konark, the author attempts to separate chaff from grain, utilizing scientific tools and methodologies. The Sun Temple has been recognized as a UNESCO World Heritage Site, and is considered one of the seven wonders of India. This seminal volume is the result of extensive research by the author into not only the history and legends related to the temple, but also the temple structure itself. An engineer and architect by profession, the author examines the temple in great detail. He questions several of the established theories regarding construction in its various stages and forwards his own theories with reasonable conviction. He takes great pains to go into as much detail as possible with regard to each and every portion, monument, and sculpture of the temple. With 415 images and 21 detailed architectural drawings, the book is a treasure trove for any admirer or student of Konark, or a researcher of its art, history, and architecture.
Kengo Kuma is a globally acclaimed Japanese architect whose prodigious output possesses an inherent respect and value of materials and environment, often creating a harmonious balance between building and landscape. He masterfully engages both architectural experimentation and traditional Japanese design with twenty-first-century technology, resulting in highly advanced yet beautifully simple, gentle, human-scaled buildings. He’s renowned for the drive to search for new materials to replace concrete and steel, seeking a new approach for architecture in a post-industrial society, and fusing interior and exterior realms to make spaces that both create a calming and tranquil atmosphere and which “transform” topography. In the pages of this exquisitely illustrated volume, Kuma presents close to forty of his most recognized and award-winning works, including FRAC Marseille, V&A Dundee, Mont-Blanc Base Camp, and Japan National Stadium. Kuma continues to forge a new design language: in this book he offers the reader deep insight into how he has engaged with different aspects of the architectural discipline by transforming topography, construction, and representation in order to give further progress to his ideas.
Along the great Silk Road, numerous objects of cultural heritage survive as witnesses to the mingling of indigenous cultures with ‘foreign’ cultures. One type of surviving witness is mural painting and the papers in this volume are witnesses themselves of a colloquium on the subject of Mural paintings of the Silk Road attended by art historians, historians and archaeologists, scientists and conservators from East and West, held in Tokyo in 2006. A newfound recognition of the vastness of the Silk Road, along with a genuine rediscovery of the ancient cultural exchanges that took place there is reflected in this collection of papers which examines the range of information (art styles, techniques and materials) encapsulated within mural paintings, allowing the reader a glimpse of the dynamism inherent in the cultural exchanges between East and West. Today, parts of the Silk Road, rich in the magnificence of the ancient arts they possess, are often located in countries facing major challenges. Countless important archaeological sites are in danger of demolition or severe damage by human encroachment or turmoil. This symposium also addressed such issues – more from an Asian point of view, reaching beyond European perspectives. This volume is published in association with the Japan Center for International Co-operation in Conservation, National Research Institute for Cultural Properties, Tokyo, and contains the proceedings of the 29th Annual International Symposium on the Conservation and Restoration of Cultural Property, National Research Institute for Cultural Properties, Tokyo, January 2006.
The culmination of five years’ travel with Indian pilgrims, Nostalgia for Eternity takes the reader into the depths of millennia-old spiritual and mystic traditions. It is a stunning visual poem about the timeless human search for transcendence and ultimate truth. Translated literally from the Greek, ‘nostalgia’ means homesickness; spiritually, it is the universal longing for existential peace and completeness – for a final resolution of all life’s conflicts and contradictions. ‘The truth is one,’ taught India’s ancient gurus, ‘the sages call it by many names.’ With breadth and insight unmatched by any other publication, Nostalgia for Eternity illustrates the worlds of pilgrims seeking that transcendent truth and illuminates the different paths that they travel. Through evocative, complex images we enter the secretive realm of Tantric worshippers of the Mother Goddess; and we walk with Sufi pilgrims across the deserts of Rajasthan. Meditative, richly layered photographs reveal the inner world of Bengali Bauls – mystics who worship the human being; and of Sidis – descendants of African saints whose religion merges African ancestor worship with Sufism. Richly annotated text reveals to the reader the deeper symbolic and mythological significance of the Hindu, Buddhist, Islamic, and syncretic practices explored in the book.
Ratha Yatra, the ancient annual festival of the chariot and Jagannatha, the presiding deity of the great temple Srimandira at Puri, is one of the grandest spectacles on earth.
Jagannatha (along with siblings Balabhadra and Subhadra) ride three colorful chariots in their annual sojourn to their garden house and birthplace Gundicha Temple, where they stay for seven days before returning back. Full of drama, vitality, and a panoply of rituals and ceremonies, Ratha Yatra is rooted in ancient traditions, myths and legends. It embodies the most colorful elements of the classical folk cultures of the Indian subcontinent and the Odisha region, and is the most succinct manifestation of India’s heritage today. Celebrating the Hindu faith, this festival keeps Jagannatha alive and vibrant in the great pilgrim town of Puri, one of India’s four most sacred cities.
Master printmaker Liu Chunjie is renowned for his beautiful woodcut art. Born to land reclamation workers in Heilongjiang Province’s 856 Farm, Lui began life in a remote part of China that was deemed to be a place of cultural exile. But it is here that a vibrant chapter in the history of contemporary Chinese printmaking, known as Beidahuang Prints, was born.
Living and breathing woodcut art, Liu takes the reader on a personal journey through his life’s work. Written in beautiful poetic prose, Liu describes how his art and the techniques he uses have developed over time, culminating in a stunning body of work that has made him the celebrated artist he is today.
Having experimented with colored ink, installation art and mixed-media painting, it is the spirit of woodcut that remains the foundation of Liu’s art. Using ancient tools and materials, he creates works that embody modern concepts, elevating the essence of woodcut art to a new level.