The Swiss collects the work of Swedish photographer Christian Nilson, who has lived in Switzerland for more than ten years. During that time, he has travelled hundreds of miles throughout the country, camera in hand, capturing countless people and places through his inimitable self-taught technique, which involves using a flash to ensure every detail is perfectly visible. Nilson brings his perspective as an immigrant in Switzerland to a wide variety of subjects, which show his love of his adopted country in all its conflicted complexity – the traditional and the innovative, the spectacular and the mundane. By turns pensive and humorous, Nilson’s photographic journey through Switzerland will be of interest to anyone who has called a new place home, while also introducing new audiences to one of the most exciting young voices in European photography. With sixty-seven full-colour images, the book also includes an essay by Jon Bollmann. Text in English and German.
As the world speeds up, as technology takes over, it is worth remembering how we used to live. This three-book series is a nostalgic hymn to an era when life was slower: a meandering ramble through the British countryside by bicycle, automobile and train.
Squeeze the brakes, sit back and coast downhill with this irreverent collection of cycling memorabilia. The Bicycle
is packed with pictures, fun facts, and light-hearted commentary, gathering photographs of vintage bikes, John Bull puncture repair kits, and misspelled signs rejecting the rights of ‘Bycicles’ to be locked to railings. Crossing the country from Cumbria to Cambridge, this quaint, pocket-sized manual is a compendium of all things two-wheeled.
“Expand your mind and look good doing it with these new boundary-bending works of theoretical exploration by some of the field’s premier thinkers.” — The Architect’s Newspaper
“This jog through the history of physical culture vis-à-vis modern architecture features a series of drawings (beautifully rendered in metallic ink over black paper) and an impressive assortment of archival imagery. Taking the book over the finish line: a collection of somersaulting, weightlifting, and jeté-ing silhouettes that are bound to elicit more than a few smiles.” — Architectural Record
The Advanced School of Collective Feeling explores the advent of radical new conceptions of the body—a phenomenon known in the 1920s and ’30s as “physical culture”—and their impact on the thinking of some of modern architecture’s most influential figures. Using archival photographs, diagrams, and plans, the book reconstructs a constellation of provocative domestic projects by Marcel Breuer, Charlotte Perriand, Richard Neutra, and others. This obscure chapter in the modern movement gestures towards a remarkable synthesis of the individual and the collective, a perspective that holds enormous potential for articulating an architecture of today.
Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment.
Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening publics around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability.
Futures of the Architectural Exhibition records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura, Mexico City), Giovanna Borasi (Canadian Center for Architecture, Montreal), Ann Lui (Future Firm, Chicago), Ana Miljački (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania, Philadelphia), Martino Stierli (Museum of Modern Art, New York), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
A rich and deeply personal journey into the labyrinth of the Thai past, following spectres and vanished landmarks across present day Bangkok. Chariot of the Sun relates the history of Siam to that of the author’s family story; the Bunnags came from Persia in the early 17th century and through daring, cunning and good fortune were to hold commanding positions of power during the 19th century.
Shane Bunnag’s family saga weaves an ancient prophecy with Siamese history to give us a rich and deeply personal account of both his own family and Thai history.
“Shane Bunnag’s artful merging of text and photographs creates an alternative history of Thailand laced with nostalgia and laden with stories – an evocative, dream-like foray into the past that is both enchanting and enlightening.” – Emma Larkin, author of Finding George Orwell in Burma
Plunge down, down, to the bottom of the sea with this breathtaking illustrated version of Jules Verne’s classic tale Twenty Thousand Leagues Under the Sea. Verne’s early sci-fi novel is a timeless masterpiece that predicted the invention of the submarine.
This stunningly illustrated retelling introduces young readers to the enigmatic Captain Nemo and takes them along on a fantastic voyage on-board the Nautilus. Artist Francesca Rossi vividly captures the ocean’s depths and the amazing creatures that live there, bringing children right into the heart of the adventure. Ages: 6 plus
The Weighty Body reflects on the fascinating relation mankind has with its appearance. The main theme of the book is the history of “hungering”. Why do people decide to stop eating? Do they have personal or aesthetical motives, religious ones or economical? When can one talk about an abnormal relationship with his or her body? Are we the boss of our own body nowadays? The book goes on to discuss disorders such as anorexia and bulimia through history and in different cultures. Through exhibitions and books, The Museum Dr. Guislain aims to put the focus on important psychiatric problems and put them in a broader social and cultural context.
Text in English, Dutch and French.
This publication commemorates the public unveiling of the Sherwin and Shirley Glass Glass Collection at the Flint Institute of Arts in its new wing, dedicated to contemporary craft. Amassed during a ten-year period by Atlanta-based collectors Sherwin and Shirley Glass, this contemporary glass collection represents the greatest achievements by a large and diverse group of important international artists. With glass masterworks by more than 85 artists representing 19 countries around the world, this collection shows an explosion of creativity in the medium of glass from the late 20th through the early 21st century.
In this catalogue, FIA Executive Director John Henry demonstrates why Flint, Michigan, is an ideal location for a contemporary craft wing; Habatat Galleries founder Ferd Hampson discusses how the Glasses’ collecting interests represented a “quest for the best”, and Patricia Grieve Watkinson contextualises the Glass Glass Collection within international and American glass movements.
Contents: Contemporary Craft in Flint – John B. Henry; A Quest for the Best – Ferdinand Hampson; Tradition, Innovation, and Meaning: The Sherwin and Shirley Glass Collection – Patricia Grieve Watkinson.
This delightful new series of colour filled pages with easy, short and fun text makes exploring fish swimming in the ocean an exciting adventure for little ones with soft felt flaps to flip and uncover! This interactive board book with durable felt flaps plays on children’s innate attraction to peekaboo and hide-and-seek.
Ages 3+
“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Chicago to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”- The Independent
What are the 5 restaurants for new Flemish cooking? Where would you find the 5 best antique shops? Where can you find the most unexpected view of Ghent? Where are the cool coffee bars that play the best music? And if you wanted to find the most mysterious places in the Citadelpark, where are they? The 500 Hidden Secrets of Ghent is a wonderfully eclectic guide to this multifaceted city. An insider’s view of Ghent featuring little known facts and snippets of useful information, presenting the quirky and the off-beat, and sharing the whereabouts of some of the city’s wonderful hidden gems like the Hotel d’Hane-Steenhuyse and the Gruut City Brewery.
The 500 Hidden Secrets of Ghent offers a practical guide to Ghent’s finest places, and Derek Blyth covers all bases to ensure no visitor to the city is ever anything short of captivated. Packed with accessible, easy-to-read information summarised in handy lists, maps, itineraries, sections on food & drink, accommodation, green spaces, museums, galleries and shops; this guide is an essential resource for the inquisitive traveller.
Also available: The 500 Hidden Secrets of London, The 500 Hidden Secrets of Dublin, The 500 Hidden Secrets of Paris, The 500 Hidden Secrets of Lisbon, and many more. Discover the series at the500hiddensecrets.com
The Gentle Author assembles a choice selection of ‘Cries of London’, telling the stories of the artists and celebrated traders, and revealing the unexpected social realities contained within these cheap colourful prints produced for the mass market. For centuries, these lively images of familiar hawkers and peddlers have been treasured by Londoners. In the capital, those who had no other means of income could always sell wares in the street and, by turning their presence into performance through song, they won the hearts of generations and came to embody the spirit of London itself.
Spirit of the Amazon is the work of photojournalist Sue Cunningham and writer Patrick Cunningham. It is a celebration of cultural difference and a call for better stewardship of the world. Sue’s stunning photographs demonstrate the spiritual and material value of the Xingu tribes to all mankind; they keep the forest alive and they protect the climate of South America and the rest of the world. Their spiritual connection to their environment and the wider Earth shows us an alternative way to connect to the natural richness of the planet, built on foundations completely different from those of global materialism. During their expedition by boat, the authors followed the course of the Xingu river, a tributary of the Amazon, travelling 2,500 km through the heart of Brazil. They visited forty-eight tribal villages in this remote part of the Amazon, accessible only by small plane or by negotiating the rapids of the Xingu. This is the story of the tribal communities they met; their daily lives, their connection to the land and to the rivers, the threats which pervade each day of their lives. It is also a validation of their importance to the rest of the world; why these small, remote and often secretive indigenous communities are so important to our own lives and to our shared planet. It is a celebration of their vibrant cultures, their rituals and their rites of passage, of cultures very different from each other, but with a shared spiritual basis which respects the trees, the rivers and the rain. And it is a call for the world to protect them, their lands and their forests and rivers from the destruction which our avaricious greed for natural resources drives ever closer and deeper into their realm.
Despite its consistent presence in architectural practice throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown’s view, collage changes the terms of architectural authorship and challenges outdated definitions of originality.
Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art’s curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown’s intriguing exploration of an intersection of architecture and art.
This book details how copies of Indonesian batik, manufactured in Europe and initially intended for the South-East Asian market, enjoyed unexpected success on the west coast of Africa at the end of the 19th century. The Scottish merchant Brown Fleming introduced the first wax-printed batik imitations made by Prévinaire and produced in the Netherlands, and adapted them to the tastes of African customers.
New research based on Dutch, English and Swiss archives has enabled us not only to reconstruct the earliest collections, but also to provide an overview of the development of Dutch wax in Europe from its beginnings to the last surviving company, Vlisco, in Helmond (Netherlands), which still prints these classics today.
This book will be the first to focus on the history of wax for West Africa in the various European countries from its beginnings to the present day, drawing of course on existing literature, but above all on primary sources.
A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York Pop Art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l’Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Erró, Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, Stämpfli, Télémaque and Voss, to name a few. Edited by Jean-Paul Ameline, who curated the Figuration narrative, Paris, 1960-1972 exhibition, held at the Grand Palais in 2008, this catalogue includes all its key works, with commentary and analysis by curators and art historians specialising in a movement that left an indelible mark on 1960s Europe.
The study of fifteenth-century painting in France was inaugurated a century ago by the exhibition Primitifs français (1904) and has developed considerably over the past few decades, especially thanks to the work of Charles Sterling, Michel Laclotte, Nicole Reynaud, and François Avril. This research has led to the revival of several forgotten figures (Barthélemy d Eyck, André d Ypres, Antoine de Lonhy, Jean Hey, Jean Poyer, etc.) and the reassessment of many centres of artistic production. Linked together, they formed a crucial part of the trade network across Europe. It is this extremely complex artistic geography that this book’s three sections attempt to recreate. The first is devoted to the interplay between the French courts and Paris, as a thriving centre of artistic production at the time of the flowering of international gothic (1380-1435). The second examines the spread of ars nova (the illusionist art of Flanders) and its selective adoption in the kingdom of France in the time of Charles VII and Louis XI (1435 1483). The third concentrates on the gradual development of a generally accepted standard form of the French language, based on the model of Jean Fouquet and evolving in parallel to the work of the grand rhetoricians under Charles VIII and Louis XII (1483-1515).
In the years 1945-1963, Jean Dubuffet set about documenting his collection of Art Brut. He had the pieces photographed by recognised photographers on the Paris art scene, including Henry Bonhotal and Emile Savitry. But he also had pieces photographed that were not in his own collection, including works that interested him because, like Art Brut, they were marginal to the official art world. These notably include works of popular and naïve art, children’s drawings, tattoos, graffiti photographed by Brassaï and graphic works from the Solomon Islands. Dubuffet arranged these photographs of artworks by over a hundred artists – including Gaston Chaissac, Aloïse Corbaz, Joseph Crépin, Auguste Forestier, Somuk and Adolf Wölfli as well as anonymous artists – in extraordinary sequences contained in 14 albums (755 pages in total). These have been preserved since 1976 in the archives of the Collection de l’Art Brut, Lausanne. Classified by artist, the images document paintings, drawings, embroideries, sculptures and collages. In assembling this image bank in the years 1945-1963, Dubuffet set up a dialogue between highly diverse forms of expression of his period, all of which flowered away from the more familiar terrains of art history and culture. This facsimile edition of the Photographic Albums of Jean Dubuffet is combined with a booklet of essays by specialists: preface by Sarah Lombardi, Director of the Collection de l’Art Brut and essays by Baptiste Brun, Nicolas Garnier, Karoline Lewandowska, Jean-Hubert Martin, Jérôme Pierrat and Michel Thévoz. Text in English and French.
Antonio (1431/1432-1498) and Piero (1441/1442-after 1485) del Pollaiuolo have always enjoyed a certain notoriety and, together with Verrocchio, Botticelli, and Ghirlandaio, occupy a central place in all books about Florentine art at the time of Lorenzo the Magnificent. However, the image we now have of these two bold artists, the sons of a chicken vendor in the old market of Florence, is rather misty. It is generally thought that Piero, ten years younger than his brother, was merely an assistant to the multi-talented Antonio, who excelled in disciplines as various as painting, sculpture, silver and gold work, and architecture.This view is attributable to Vasari but fails to correspond to the respect in which both artists were held at the time and probably deserves to be reconsidered. The almost total disappearance of brooches, necklaces, cups, bowls, candlesticks, crosses, incense-burners, chalices, and reliquaries made of gold, silver, enamel, and precious stones created by Antonio has greatly harmed the reputation of this highly talented artist. These objects are all documented, but they were all at some stage melted down and their precious materials reused (a common fate for many pieces of gold and silver plate). The visionary and dramatic imagination of the man Florence proudly remembered at his death, calling him ‘our citizen, a famous sculptor of unrivalled skill in his art,’ is displayed especially by the two bronze tombs of Pope Sixtus IV and Pope Innocent VIII in St. Peter’s and by a wonderful body of drawings. In these autograph sheets, Antonio’s sure line, precise as a scalpel, gives birth to a race of fabulous heroes with superhuman build, chests expanded to the utmost, lithe and elastic arms and legs: gladiators, archers, musclemen, martyrs. The two funerary monuments in the Vatican, which amazed the artist’s contemporaries, mark the highpoint of Antonio’s career. One of his most impressive works is the highly original tomb designed for Sixtus IV, a great bronze creation covered with panels containing allegorical figures that was designed to fit into the chapel the Pope himself had built for the purpose, decorating it with ancient porphyry columns and frescoes by Perugino. It is no surprise that such a masterpiece of bombastic commemorative intent should have been commissioned by the dead Pope’s nephew, Giuliano della Rovere, who as Pope Julius II in turn engaged Michelangelo to design a tomb for him that would surpass even his uncle’s in inventive magnificence.
The World’s Best Beaches takes you to 200 breathtaking beaches scattered across the globe. This book is a true tribute to the most beautiful coastlines, where every beach lover can find their paradise. From pristine, pearl-white sands in the tropics to dramatic cliffs along rugged shores, these carefully selected destinations are all worthy of your bucket list. Be inspired by gorgeous photos that make you dream of your next beach adventure, and plan your trip with the practical information provided. This book is a must-have for anyone who loves sun, sea, and sand.
“A joyous, mysterious portrait of rural American boyhood.” – THE NEW YORKER ON RANDY
Robin de Puy (b. 1986) has lived for several years in Wormer, a small village just to the north of Amsterdam. She is fascinated by the American countryside, and during the recent lockdown discovered that her new environment proves to be very universal, with the same sort of local small-town icons that she has often encountered during her travels through the rural landscapes of America.
For example, she meets an eleven-year-old shaman who shows her around barefoot in forbidden territory, she drives around with four giggling brothers in the back seat, and she meets a palm reader who immediately gives her the keys to his house. Dozens of encounters follow and, slowly, not only a photo book is created but also a world in which she starts to feel at home.
Text in English and Dutch.
The Paris guide is focused on describing the complexity of this European metropolis through its 20th and 21st century architecture.
Following Haussmann’s transformations, Paris, the most densely constructed city in Europe, expanded thanks to a flexibility based on a matrix able to absorb and integrate the directional courses of the architecture of the period. However, the complexity of the urban transformations and the changes in the Parisian architectural panorama did not erase the solid identity of the city’s urban image. This book guides the reader through decades of Parisian architectural history beginning with the great names of the Modernist movement, Loos, Le Corbusier and Oscar Niemeyer. The second half of the 20th century is famous for the cultural vitality of the city reflected in the innovative architecture of the Centre George Pompidou designed by Piano and Rogers. The Pompidou Centre is both the symbol and result of the 1968 student revolution. The 1980s and 90s were defined by the forceful initiatives of President François Mitterrand, promoter and advocate of iconic projects like the Louvre Pyramid, the Musée d’Orsay renovation, the Parc de la Villette and the Arab World Institute. The present period is represented with several selected projects that have elevated the quality of certain areas on the outskirts of the urban agglomeration.
The volume, investigating the extraordinary season of the Italian Renaissance, highlights the great contribution offered to the culture of that period by the Jewish world, still little documented in today’s studies. Indeed, there is no doubt that Judaism, with its long-lasting identity and tradition strongly rooted in territorial states, has made a peculiar contribution to the sphere of arts, literature and humanistic philosophy, contributing to giving many original and inimitable intonations to the Italian Renaissance. The investigation proposed here focuses on the relationship – harmonious in some cases and conflicting in others – between the Christian majority society and the Jewish identity in the period between the early fifteenth and mid-sixteenth centuries, meaning from the full affirmation of the Humanism to the conclusion of the Council of Trento, offering at the same time a precise geographical overview of the phenomenon. The volume is divided into thematic chapters, it contains a rich catalogue of testimonies ranging from liturgical objects to those of daily use, from manuscripts to furnishings to some art masterpieces, and is supplemented by bibliographical apparatus. Essays by: Guido Bartolucci, Giulio Busi, Donatella Calabi, Saverio Campanini, J.H. Chajes, Andreina Contessa, Miriam Davide, Silvana Greco, Maria Giuseppina Muzzarelli, Mauro Perani, David B. Ruderman, Angela Scandaliato, Salvatore Settis, Giacomo Todeschini, Francesca Trivellato, Giuseppe Veltri, Gianni Venturi, Joanna Weinberg.
A humorous analysis of facadism in London – why it is happening and what it means – accompanied by a gallery of the most notorious examples guaranteed to induce laughter and horror in equal degree.
Learn how to make a positive impact in these milestone years of your child’s development, when he or she goes from crawling to walking, and from knowing just a few words to speaking in complete sentences. Armin Brott guides you through this crucial phase of fatherhood three months at a time, in the third volume of the New Father series trusted by millions of dads nationwide. Each chapter covers: Your child’s physical, intellectual, verbal, and emotional/social development
What you’re experiencing as a father Age-appropriate activities you and your child can enjoy together Family matters, including your relationship with your partner, sibling relationships, and more
This new edition of The New Father: A Dad’s Guide to the Toddler Years has been thoroughly updated to cover the issues dads face today, from balancing work and family to managing kids’ screen time. Dads will rely on this friendly yet authoritative book—and moms will find it helpful, too.