‘Another chocolate book?’ you might say? The answer is: this book is different than any other book on the market!

The Chocolatier’s Kitchen offers over 270 simple, concrete and practical recipes, covering the entire spectrum in confectionary (from bonbon, to truffles, snack bars…). From short, to medium or long shelf life, inspired by the Callebaut five colours of chocolate and executed in different chocolate types. The proud collective of Callebaut Chefs have bundled their expertise to conquer hearts and deliver inspiration, motivation and knowledge for every chocolate artisan & Chef, whether you are starting or want to further grow your chocolate business.

With contributions from the Callebaut Chefs Tribe: Davide Comaschi, Philippe Vancayseele, Clare England, Beverley Dunkley, Mark Tilling, Ciro Fraddanno and Ryan Stevenson

The 500 Hidden Secrets of Rome helps you set out to discover the most attractive, fun and unique places in Italy’s capital. Luisa Grigoletto and Christopher Livesay share 500 addresses and facts that many tourists don’t know, sometimes off the beaten track, but always loved by the locals and worth a visit.

This book lists, among other things, the 5 best gelaterías, the 5 most beautiful historic shops, 5 breathtaking palazzi which played an important role in art history and 5 sites where major Italian films were shot. It is the perfect book for those who wish to discover the city, but avoid all the usual tourist haunts, as well as for residents who are keen to track down the city’s best-kept secrets.

This sumptuous book offers a behind-the-scenes look at the Grand Prix world, featuring rare on-track moments, fashion shows and extravagant parties that make up the glamour and excitement of this elite sport. A stunning collection of over 100 high-quality photographs that capture the flair of Grand Prix racing – from vintage black and white shots to vibrant colour photos of prized cars, legendary drivers and glamorous celebrities.  

High-quality photography captures the essence of a fascinating lifestyle full of beauty and prestige.

“The quality of the reprint is nearly perfect, with a good selection of papers for the three sequential parts of the book: the texts, the drawings, and the black-and-white photographs. Text and drawings are on matte heavyweight pages, while the photos are on glossy paper. The inks make everything read well; in particular, the drawing reproductions are exquisite.” — Archidose
Edwin Lutyens, one of the most famous architectural names of the 20th century, died in 1944. As a memorial, three large volumes of his drawings and photographs were commissioned from the thousands found in his office, and were published by Country Life. 

All three volumes will be republished in 2023. The first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests. The book embodies the quintessence of the man and his work; the variety of style and design seen in the houses brings together in one volume the many strands of Lutyen’s fertile mind. Two further volumes will include his corporate and public buildings.

The genius of Lutyens is now universally recognised. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings.

Walk into any bar, in almost any part of the world, and there, on the back shelf you’re likely to see Baijiu, Cognac, Vodka, Scottish and Irish Whisky, Shochu, Tequila, Bourbon, Rum, Gin, and Absinthe. These drinks helped shape our culture; inspired authors and painters, brought both anarchy and harmony and even, in some cases, induced mass hysteria. In Ten Drinks That Changed the World, bartender, poet and writer Seki Lynch tells the stories behind the spirits. Tracing the origins of each drink, he dissects the ingredients and locates the first makers, exploring how perceptions and consumption levels have ebbed and flowed through the centuries. Cocktail recipes, lists of artisan makers and insights from the great, good and notorious drinkers of history help complete the résumé for each drink. London artist Tom Maryniak has created original illustrations of each drink for the book.

Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye in 2001–05. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society including for socially disadvantaged people. The goal of the Idea Stores – eight of them have so far been opened in various London boroughs – is to enhance formerly neglected neighbourhoods and offer a low-threshold source of education and information.

From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her Library – Idea Store series reveals a calm, repetitive but insistent image of the city and offers insight into the small everyday variations of the surrounding world. Her photographic reflection is accompanied by a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and – without actually showing the building – the impact of urban design and the architect’s intentions.

The ‘golden age’ of advertising is usually seen to be the last decades of the 20th century, centred on Fitzrovia, vast in quantity, swamping the plethora of magazines and newspapers appearing (and disappearing) at that time, and making optimal use of the novelty of commercial television. But the true ‘golden age’ of British advertising was in the decades immediately after the First World War, when zealous entrepreneurs banded together in local clubs and in national bodies to take the activity from the back room of jobbing printers or from being sketched on the back of envelopes on ego-driven managers’ desks to becoming a valid profession.

It was in the inter-war years that Titans in the field, such as William Crawford and Charles Higham, not only built their own empires and taught the government how to publicise itself, but even morphed the concept of advertising and publicity from something rather shady and disreputable to having a moral status of being a crucial arm of the nation’s economy and an educator of the masses. This book tells the story of some of these early agencies and the contribution they made.

 The Grid examines the multiple uses of the grid in contemporary art. Textile weaves, graphic grids, framework for materials, typological systems, spatio-temporal frameworks, computer matrix, narratives and documentary devices. The Grid presents works by renowned artists including Max Bill, François Morellet, Vera Molnár, Carl Andre, Sol LeWitt, Dennis Oppenheim, Esther Ferrer, Gina Pane, Christian Boltanski, Sherrie Levine, Claudia Andujar, Analívia Cordeiro and Anna Bella Geiger.
“Each grid has its own texture, uniqueness, individuating features, capacities for creative enactment, and relationship to other grids, as much as each person combines and utilises a grid for him- or herself.’ Hannah B. Higgins

A.S. Jasper’s memoir of growing up in the East End of London before the First World War was acclaimed as a classic when it was described by the Observer as ‘Zola without the trimmings.’ In this definitive new edition, it is accompanied by the first publication of the sequel detailing the author’s life in the cabinet-making trade, The Years After.
Illustrated with line drawings by James Boswell and Joe McLaren.

Institutions — the state, the church, the army, the judiciary, the university, the bank, etc.— organise social relations. As social structures, they regulate societies according to various practices, rites and rules of conduct, and guide our actions by delimiting what is possible and thinkable. Institutions’ individual scope depends on how the society as a whole understands them. They are in perpetual mutation and thus form complex entities. Architecture plays an essential role in the establishment, identification and perpetuation of this social structure as it formalises value systems in space and represents ideologies in permanent physical structures. Architecture establishes and reveals the way an institution functions through different strategies.

Institutions and the City investigates this role of architecture, taking the Tracé Royal (King’s Street) in Brussels as an example. Running from the Place Royale in the heart of the city to the Église Royale Sainte-Marie in the Schaerbeek district north of it, it is the place where several of Belgium’s national political, legal, religious, financial, and cultural institutions are located. The book explores the stratagems put in place over time by the various institutions to inscribe themselves durably on the country’s social order, and reveals similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political and cultural reference points are being blurred.

Text in English, French and Dutch.

“What a super book! Great photos, and such interesting facts – it all makes a fascinating read.” Christine Walkden, BBC-TV and Radio 4 Gardening Expert

“This is a wonderful book, tracing the history of the family firm and the marvellous structures they created, in great detail. There are detailed accounts of 40 of the firm’s most prestigious structures, stunningly photographed by professional garden photographer Jennifer Lilly. There is even a detailed chronological gazetteer of all the known Pulhamite sites. Definitely a must for your Christmas present list and garden history bookshelf.” Hazelle Jackson, Heritage Consultant London Landscapes Autumn/Winter 2012

“It is excellent… A brilliant piece of work – I thoroughly recommend it.” Peter Seabrook, Gardening Writer and Broadcaster Amateur Gardening

“The result of many years’ patient research, pulling together fascinating information on the Pulhams’ work, which extended from grand gardens such as Sandringham and Waddesdon to modest suburban villas.” The Times

“A Charming Labour of Love, this offers everything you could wish to know about Pulhamite – and probably much more… The photographs are superb, the research exhaustive and the gazetteer makes it invaluable for the study, restoration and maintenance of Pulhamite features in 19th to early 20th-century gardens.” BBC Gardens Illustrated

This book tells the story of James Pulham & Son, the eminent family of Victorian and Edwardian landscape artists who specialised in the construction of picturesque rock gardens, ferneries, follies and grottoes. The book covers more than four generations of the family business that was also responsible for the manufacture of extremely high-quality terracotta garden ornaments including fountains, vases, sundials and bulastrading. The rock gardens, for which the firm are mainly remembered today, were built with ‘artifical’ rocks – formed from heaps of old bricks and rubble, coated with cement, and sculpted to simulate the colour and texture of natural stone. The author’s interest in James Pulham & Son stems from the fact that no fewer than five of his ancestors worked for the company as ‘rock builders’. Features many incredibly famous locations, including Buckingham Palace, Sandringham, Heatherden Hall, Waddesdon Manor, Battersea Park, Friar Park and RHS Garden Wisley.

Women Garden Designers presents twenty-seven of the most important and influential women garden designers and their gardens from around the world, showing both their finest commissions as well as the gardens they designed for themselves, in their own space. The carefully researched text examines their influences and their legacy to garden design. Beginning with the remarkable Gertrude Jekyll and Beatrix Farrand, who were working simultaneously, though on different sides of the Atlantic, the book then moves on into the 20th century, featuring international designers as diverse as Florence Yoch – who created gardens for film sets and for glamorous Hollywood homes – and Vita Sackville-West – whose regular gardening column in the Observer, along with her own garden at Sissinghurst, influenced those in Britain. In Australia, Edna Walling supplemented her income from her practice with regular articles in life-style magazines. Increasingly with picture-led articles, designers found a way to publicise and advertise their work, thus gaining new clients in emancipated women who were in a position to place their own commissions. Women designers were more likely and quicker to embrace the ecological garden movement particularly in Germany and Sweden in the middle of the 20th century. They are represented by Herta Hammerbacher and Rosemary Weisse, who created the glorious perennial plantings in Munich’s West Park and Ulla Bodorff in Sweden, as well as Isabelle Greene in California with her dry native plantings. The modern movement includes Monica Gora and Topher Delaney, for whom spirituality and landscape as works of art are important. The more conventional structured approach is represented by Penelope Hobhouse and Rosemary Verey, who began creating gardens later in their lives, following motherhood. Haruko Seki from Japan and Isabel du Prat from Brazil express their own special cultural qualities in their trans-global practices. Contents: Gertrude Jekyll (1843-1932, English); Beatrix Farrand (1872-1959, American); Norah Lindsay (1876-1948, English); Marian Coffin (1876-1957, American); Florence Yoch (1890-1972, American); Vita Sackville-West (1892-1962, English); Edna Walling (1895-1973, Australian); Brenda Colvin (1897-1981, English); Herta Hammerbacher (1900-1985, German); Sylvia Crowe (1907-1997, English); Maria Teresa Parpagliolo Shephard (1903-1974, Italian); Joane Pim (1904-2002, South African); Ulla Bodorf (1913-1982, Swedish); Rosemary Verey (1918-2001, English); Cornelia Oberlander (1921-, Canadian); Rosmarie Weisse (1927-2002, German); Penelope Hobhouse (1929- English); Niki de Saint Phalle (1930-2002, French); Isabelle Greene (1934- American); Arabella Lennox-Boyd (1938- Italian); Nancy Goslee Power (1942- American); Topher Delaney (1948- American); Isabel du Prat (1954- Brazilian); Petra Blaisse (1955- Dutch); Monica Gora (1959- Swedish); Haruko Seki (1959- Japanese).

The Global Eye. Dutch, Spanish and Portuguese Maps in the Collections of the Grand Duke Cosimo III de’ Medici is the companion catalogue to the exhibition of the same name. For the first time, it presents all 82 ‘Castello’ maps in colour. The maps are so named because from the end of the 18th century until their transfer to the Laurentian Library in 1921 they decorated the rooms of the Medicean villa of Castello outside Florence.

From 1667 to 1669, the young Grand Duke Cosimo III conducted his grand tour, which took him to various countries in Europe. While in the Low Countries on his first journey he purchased 65 maps and hand-drawn views of cities; on his second, longer trip he arrived in Lisbon, where he bought copies of maritime maps. The collection of maps and colonial vistas from Holland, Portugal and Spain provide us with insight into the shape of the world in the mid-17th century as well as information about the circulation of people and ideas.

The catalogue describes and accurately analyses each map while providing details on the places shown and the contents of the legends and captions, when these are present. The essays discuss the history of the maps, from the time of their purchase by the grand duke to their arrival at the Laurentian Library.

In the late decades of the 19th century a textile manufacturer sent his teenage son to Leeds to develop the business. Little did Mr. Holme senior know what that move would lead to. The young man, Charles Holme, happened to attend a lecture given by a business man just returned from the Far East. In very little time the inspired youth was travelling across Far Eastern countries developing his own business. On his travels he came to the conclusion that countries didn’t get along together because of the barrier of language. He thought that if they could be exposed to each others cultures visually all would be peace and light. It was that notion that led Charles Holme on his retirement from trading, without any relevant training or experience, to become a publisher, his business entitled The Studio Ltd., its first publication, The Studio. For over 50 years, involving three generations, The Studio Ltd. grew to be Britain’s biggest publisher of magazines and books on art and design in the first half of the 20th century. Its story is told here.

50 Ways to Cycle the World is the kind of book you’d give to a friend or family member who’s considering cycling somewhere in the world but feels that there are too many obstacles to overcome. 50 Ways encapsulates 50 unique cycling projects accomplished by 75 cyclists from 23 countries. It serves as the ultimate visual guide and encyclopedia to travelling by bicycle no matter what your personal situation is. You’ll find impressive, powerful, emotional and incredibly fun stories on almost every page, accompanied by the beautiful and inspiring photography shot all over our planet by the many cyclists who’ve shared their cycling stories.

Want to know what it’s like to cycle alone, with a dog or a cat, with kids, or with strangers you meet on the road? Or how to travel by tandem, folding bicycle, e-bike or on a bamboo frame? Or maybe you’re simply in need of that last little push over the doorstep, inspired by those who’ve seen the world by bike. Featuring over 400 revealing questions and answers, we’re sure 50 Ways to Cycle the World will tell you exactly what you need to know in order to overcome whatever is holding you back from starting out on your big adventure.

Kim Buck is partial to using well-known jewellery motifs such as hearts, daisies, signet rings, and crosses as a point of departure, but the materials can be anything from precious metals to found objects and ready-mades. With surprising combinations, wordplay, and a touch of irony, he questions the conventions of the jewellery business as well as the way national and religious symbols are used and abused. Even Denmark’s national jewellery piece, the daisy brooch, is up for scrutiny. To a conceptual artist, raising questions and prompting reflection is of utmost importance. The questions raised by Kim Buck through his jewellery and objects touch upon values, ethics, and social status and reach far beyond the jewellery field itself, disrupting our cultural habits and understanding of the self.

Text in English, Danish and Chinese.

Tracing human interactions with the world’s most famous tropical timber species, The Social Life of Teak maps worlds revolving around teak forests, trees and wood.

What gives Tectona grandis such a powerful aura, stoking desires and capturing imaginations? How has teak shaped people’s lives, driving fortunes and impacting futures? What has happened to the teak forests and what is their destiny?

In this illustrated anthology of oral histories, people connected personally or professionally to teak speak of survival, change and learning, creativity and destruction, growth and demise. Woven together, these experiences bring to light the ways that teak has been sought, crafted, cultivated, traded and prized over time.

Animist beliefs, creative expression, scientific invention, economic viability, imperialist expansion, peak luxury, violent repression, ecological disaster and the regenerative power of nature all find a home in this global intergenerational tale.

Charting the domestication of wilderness and exposing the era of extinction of a feted natural resource, this book seeks to stimulate conversations about our role as nature’s most troublesome offspring.

Up until about a century ago, wood had always been the only available material for the construction of the first bicycles, and it was as recently as the 1950s that wood was the only material used for bike wheels in all competitive cycling realms. These days, in opposition to the great industrialisation of steel manufacturing, wood and bamboo are increasingly being used to create a niche space in design within the industries of transportation, sport, art, culture and indeed modern lives in general. With the significant advances in technological research and application, wood and bamboo are increasingly being promoted as materials suitable for the construction of bicycle frames and individual bicycle components.

Showcasing more than 250 designers from around the world, including craftspeople (many of them renowned bicycle makers), manufacturers and associated organisations, this book dedicates hundreds of pages to beautiful bike designs, illuminating the latest modern trends in specialist bicycle craftmanship. Set out with detailed, distinctive design dialogues from each craftsperson or manufacturer, we learn how wood and bamboo are being enhanced and developed as extremely durable, aesthetically appealing materials, and which are considered sustainable, ecologically viable, user friendly and dynamic across each application. Beautifully illustrated, with historical references and texts by experts in the trade, and backed up with technical engineering knowledge,

Jan Verlinden refers to himself as a “Scenery Sculptor,” specialising in the creation and design of green spaces for exceptional country homes and castles in Belgium and France. His work emphasises a harmonious balance between humanity and nature through intuitive design. In this first monograph, he showcases his eight favourite garden and landscape designs from recent years, richly illustrated with his stunning drawings and accompanying texts. Jan is introduced by three prominent figures in the field: architect Bart Moors, “Solitair” owner Dirk Cools, and the Pas-Partoe architecture and interior design studio.

World-renowned photographer Thomas De Bruyne (Cafeine, with over 140,000 followers on Instagram) has taken on the challenge of capturing the landscape and garden poetry of Jan Verlinden in stunning photographs.

Text in English and Dutch.

Do fashion and art go together? Fashion and art are both physical and psychological instruments that define our identity in this world. They bring moments of enchantment and passion. Discover the romantic clash between art and fashion in the form of a love story between two young people and get to know the true nature of two worlds that seem completely different from each other. This book is a mix of fiction and non-fiction. The love story between an artist and a fashionista teaches us that both fashion and art can be an élan vital for men and women. Do you remember your first encounter with art and fashion? Was it collecting art or consuming fashion? Fashion is action. Art is a reflection of this action. The authors of this book bring together experts from both disciplines, including 20 top designers and artists.

“I had seen the photographs and the drawings of this great work. And yet, until about ten minutes ago I had no conception of its magnitude, its permanent beauty and its importance.” – Franklin Delano Roosevelt, upon first viewing Mount Rushmore, August 30, 1936. Now in paperback, The Carving of Mount Rushmore tells the complete story of the largest and certainly the most spectacular sculpture in existence. More than 60 black-and-white photographs offer unique views of this gargantuan effort, and author Rex Alan Smith-a man born and raised within sight of Rushmore-recounts with the sensitivity of a native son the ongoing struggles of sculptor Gutzon Borglum and his workers.

A voyage in discovery of the wonders of the human body, to reveal in front of the eyes of the little readers how our body moves, eats, sees, and hears. A new way of learning while having fun even thanking the scientific yet easy to understand and funny texts. Lifting the flaps the readers could see the structure of the organs, of the bones, of the teeth and of all the other parts of the human body. A new title from our best-selling series of lift the flap books. Scientific, very accurate texts that are, at the same time, also very funny and tailored for children. Ages: 5 plus