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The Bargue-Gérôme Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue.

The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 académies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature.

Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gérôme, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and colour schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

This is the first book to explore the work of the forgotten ceramics concern – Chetham & Woolley. The original partnership of James Chetham and Richard Woolley established a factory in Longton, Staffordshire in 1795. The partnership was responsible for developing a new ceramic body – semi-transparent stoneware, properly termed Fildspathic Stoneware. In its day the Chetham & Woolley factory occupied a very important position in the Staffordshire ceramics industry. Until recent research carried out by Colin Wyman practically all memory of Chetham & Woolley had been lost. This book re-establishes the factory’s well-deserved reputation.

“When one is tired of London, one is tired of life.” – Samuel Johnson London has long been a centre of the literary world. From Shakespeare to Amis, Byron to Blake, Plath, Thomas, Christie and Rowling; many of the greatest names in literature have made this metropolis their home. Writers’ London guides the reader through homes, bookshops, pubs and cemeteries, in search of where literary greats loved and lost, drank and died. Discover the Islington building where Joe Orton was murdered by his lover, the Soho pub where Dylan Thomas left his manuscript, the Chelsea hotel where Oscar Wilde was arrested, and the Bank of England where Kenneth Graham was shot at (and missed) three times. Gathering hundreds of famous and less-well-known anecdotes, this meticulously researched volume will entertain any lover of literature. Also in the series: Vinyl London ISBN 9781788840156 Rock ‘n’ Roll London ISBN 9781788840163 Art London ISBN 9781788840385 London Peculiars ISBN 9781851499182

The wee folk have returned! Uncover the mystery of who they are and why they are here in the first book of the Vinetrope Adventures. Following a young girl, Sara, who has recently lost her mom to cancer, Return of the Vinetropes tells the story of a remarkable fairy-like creature found in Sara’s back yard. Lucinda Vinetrope: born wise, full-grown, and all alone. She may only be 12 inches high, but her personality is huge! Her arrival signifies the return of the Vinetrope nation, but also the return of their evil counterparts, the Chargons and the Vinkali. Joined by a supporting cast of comedic characters, animal and human alike, Sara and Lucinda set off on their quest to find the other Vinetropes and protect their world from danger.

Jean-Leon Gérôme has become a popular artist. Progressively more young people are showing interest in his work, and collectors worldwide are hunting down pieces of ever increasing value. Lost works are appearing on the market, and galleries are showcasing all they own.

This volume is a condensed presentation of his monographs together with a catalogue raisonné. It comprises a complete overview of Gérôme’s life and long career.

When the British colonial power in the nineteenth century extended its influence to the mountainous borderland between India and Burma, it brought about an era of fundamental cultural changes for the native Naga tribes. The guns of the conquerors were followed by the dogmas of the missionaries, as well as the drawing pens and cameras of the documentarians. Their pictures and artefacts soon found their way onto the tables of parlours and into Europe’s museums.

The spectacular material culture with its individualistic aesthetics, along with the fascination of headhunting, soon led to the Naga being stylised as the epitome of ‘noble savages’. The pictorial documentation of the tribe reached its peak in the 1930s, following the research expeditions by the Austrian ethnologist Christoph von Fürer-Haimendorf and his German colleague Hans-Eberhard Kauffmann.

The photographic heritage of Kauffmann, believed to be lost and then rediscovered by the author, is the focus of this publication. It attempts, by means of a detailed pictorial ethnography, to reconstruct the aesthetic and cultural reality of the Nagas in the 1930s, through the ethnographer’s lens. This is contextualised by Fürer Haimendorf’s photographs, alongside other sources.

A detailed introduction presents the working practices and analyses the biographies of the two ethnographers and their political and ideological entanglements.

2018 marks the fiftieth anniversary of the first international symposium of silver jewellery Jablonec ’68. Thanks to the liberalisation endeavours as part of the ‘Prague Spring’, European jewellery artists from East and West came together for a ‘summit’ at the invitation of the Czech artists’ association in Jablonec, northern Bohemia. On the guest list were such renowned names as Anton Cepka, Hermann Junger and Bruno Martinazzi – artists celebrated today as the founders of studio jewellery. The jewellery pieces that developed at that time have remained in the Muzeum skla a bizuterie in Jablonec nad Nisou and to this day have lost nothing of their exceptional and pioneering aura. This publication – which contains a reprint of the original catalogue from 1968 – makes these pieces accessible to a wider audience for the very first time. A document that in a wholly authentic way allows the reader to experience this unique historical moment in the history of the international studio jewellery scene.

Text in English and German.

Accompanies the exhibition at Die Neue Sammlung The Design Museum, Munich (DE), 10 March-3 June 2018.

Photographs taken in Japan between the late Edo period and early Meiji periods found their way overseas, and played a major role in forming Westerners’ image of Japan. Among these collections, the pictures gathered by the Swiss diplomat Aimé Humbert (1819-1900) in the 1860s were crucial in building lasting representations of the island nation: many of these, mainly collected in 1863/64 during a sojourn in Yokohama and Edo, were used as sources for the well-known and largely distributed engravings of his famous book Le Japon illustré, published in Paris in 1870. Belonging to the collection of the MEN, these beautiful and well-preserved photographs are published here for the first time. Presented by Japanese and Swiss scholars before the narrative backdrop of their acquisition and application by foreigners, they offer a striking view of a lost world.

By radically turning his back on the crystal cutting technique that was prevalent worldwide at the time, Bernd Munsteiner started to revolutionise the shaping of gemstones in the 1970s. For him, the aesthetic quality of the gemstones represented a rediscovery and it formed the basis of his worldwide success. Since 1997, his son Tom and daughter-in-law Jutta have taken over the atelier in Stipshausen near Idar-Oberstein. Over the past 15 years, ‘The Young Generation’ have developed their own very characteristic form language, based on Bernd Munsteiner’s work, which makes the virtual interior space of the cut gemstone the focus of aesthetic contemplations. Tom Munsteiner is a gemstone designer, Jutta Munsteiner is a jewellery and gemstone designer and goldsmith. This richly illustrated book presents a comprehensive overview of Tom and Jutta Munsteiner’s artistic creations. It provides not only a deep insight into the crystalline world of gemstones, but also shows that crystals have lost nothing of their centuries-old fascination as an artistic material. Text in English and German. Contents: Wilhelm Lindemann – Introduction; Artworks – Tom Munsteiner: Magic Eye; Ritmo; Prisma; Spirit of Nature; Imagination; Mantis; Kaskaden; Hexagonal; Sculptures and Objects; Special unique Stone Objects; Art Objects; Jutta Munsteiner: Onda; Personalities; Tom + Jutta Munsteiner: Twins; Ikarus; Extensions; Unique Pieces; Biography of the Artists.

From the latter half of the nineteenth century, Idar-Oberstein developed into an important centre of costume jewellery production. Numerous factories, large and small, produced costume jewellery for the world into the 1980s although today this trade has virtually lost its former significance. During that long time span, Idar-Oberstein was one of the four major German jewellery centres along with Pforzheim, Schwäbisch Gmünd and Hanau.

Idar-Oberstein costume jewellery reflects each of the prevailing fashions in turn: Historicism, Jugendstil/Art Nouveau, Art Déco – to 1960s and 1970s Informel and Zero. Innovative handling of simple (inexpensive) materials soon led to an aesthetic that stood on its own merits, independently of “real” jewellery. Here the Bengel company – with its sophisticated Art Déco jewellery – exemplifies innovative models and business policy.

The author was able to study many early documents and photographs in Idar-Oberstein archives as well as pieces of jewellery that, taken together, are highly instructive on the history of costume jewellery. A vivid image of twelve jewellery manufacturers is evoked; proprietors and employees, production conditions, models policy, pieces of jewellery in each period style and worldwide marketing and distribution. Costume jewellery from Idar-Oberstein was not usually marked (stamped) because it was sold through wholesalers; this is what makes attribution to specific makers quite difficult today.

Text in English & German.

Also available:
Bengel Art Deco Jewellery 9783897902718

Interviewing nearly 30 of the Aldermaston potters, many of whom have written some fascinating submissions about this incredible workshop. The book features a wonderful, previously unpublished, account from Geoffrey Eastop’s memoirs, about how he came to Aldermaston and helped to establish the pottery with Alan Caiger-Smith in the mid 1950s. The book tells the story of the 51 years of the Aldermaston Pottery, through the words and experiences of as many of the potters as possible, whilst also chronicling Alan’s own achievements over the decades. The images also play an important part in telling the story. The book also follows the subsequent careers of the potters, and tell how they went on to make a difference, and to sustain the maiolica tradition, all over the world.

As there has never been a book published that has traced the career of this important figure or the life of the pottery, or the 60 people who worked and trained there, and there are very few photographic records of this lost way of working, this book will fill that gap in the history of 20th century studio pottery.

The retail world must keep up with digitization. Shops compete with online stores that operate in an augmented or virtual reality. However, despite the recent boom in internet shopping, the tangible human component has never quite lost its appeal. This standard work about the retail sector shows how new forms of spatial expression can be created to appeal to all the senses. It provides an overview of innovations in multi-channel and omni-channel commerce, from pioneering in-store technology to new products. Around 50 current best-practice examples, from temporary pop-up stores to avant-garde brand worlds and hybrid retail centres, offer an inspiring cross section of retail designs from around the world.

“‘Globalization’, a commonly used word these days, is the reason of changing global landscapes. Larger firms buy small, authentic companies, the small companies that want to keep doing what they do, and don’t want to be bought by larger firms, struggle to compete, eventually they disappear. My view on this phenomenon is displayed in my first book Bus Stop. For decades, sons and daughters kept alive the bus company started by their mothers and fathers. These past 2 years I travelled through Belgium to document their activities, to feel the atmosphere on board and to show who they are. What’s evolving and what could be lost in a few years.” – Nick Claeskens. Text in English and Dutch.

In this book of poignant and expressive images, Stockholm-based photographer Christer Löfgren captures the fundamental humanity of people from around the world. He addresses the credibility of documentary photography, which many believe was lost with the advent of Photoshop. The widespread practice of manipulating photos makes it difficult to judge their authenticity. In these images, the artist asserts that documentary photography has not drowned in the world of Photoshop, and addresses the importance of the ‘uncensored’ image.

On July 21, 1969, the first man set foot on The Moon. When Neil Armstrong was asked if this made him feel big, he answered: “No, it made me feel really, really small.” 50 years later, this publication celebrates that special moment that put life on earth into a totally different perspective. It collects pictures of the world’s best photographers from the 1840s until today. Next to historical photographs and imagery printed in media, the publication features many artists that each in their own way reflect on this mystical celestial body, we call ‘moon’. The book shows the diversity of meanings of The Moon, it’s relation to mankind and to nature. The Moon has always both attracted and scared people around the world. It is our everyday connection to the unfathomable universe. Since time immemorial it is revered for its beauty, its stillness and mysterious appearance and yet also feared for its supernatural-seeming qualities. In mythology The Moon has always been given a central place. With its magnetic forces it changes the tides and has a direct and uncontrollable impact on mankind from above. In 1840, barely three years after the invention of photography, J.W. Draper makes the first picture ever made of The Moon and since that day photographers have never stopped following his example. The paradoxical aspects of the moon continue to fascinate and inspire. Like a photograph The Moon depends on sunlight to be visible. It has no light of its own and no apparent strength to resist our nightly city lights either. Photographers feel this close connection to The Moon’s characteristics and find the perfect object in its aesthetics. The landing on The Moon was a culmination point of the1960’s Space Race between the United States and the Soviet Union, which quickly became a symbol of the Cold War. The images of the landing became the bearer of values and symbols of the United States and were widely spread through various media. In 1973 NASA abolished its moon program. The Moon had been conquered and the public seemed to have had lost interest. However, today people still find The Moon fascinating, and humanity continues to dream about setting foot on the sun’s shadow.

Steve McQueen: actor, filmmaker, racing driver – and friend. Siegfried Rauch, who plays McQueen’s unyielding rival in the film classic Le Mans, was a close friend of the actor in real life. Rauch takes us through this book and, for the first time, tells us how it was: what McQueen was like, the time he ate sauerkraut at the Rauch’s, or played with their children – and how he became their godfather. Rauch shows a different, private side to the ‘king of cool’. The other stars of Le Mans have their say as well: the real racing drivers. Herbert Linge reminisces about the Porsche 908 – which belonged to McQueen – that Linge drove as a dolly during the race. Hans Herrmann and Richard Attwood tell about their victory in the Porsche 917 – the first Porsche overall victory at the Sarthe. Stuntman Dr. Erich Glavitza, who also prepared the cars, explains what happened in 1970 during the shooting in ‘Solar Village’, and David Piper, who lost a leg during the production. This unique book offers completely new insights into the filming of what has become a cult classic.

An aristocratic and blue-collar town, a technological and esoteric site, it’s easy to get lost in Turin’s well-ordered boulevards that gently follow the Po river. You will find warm and sweet shelter in its Art Nouveau cafés or be astonished by the sudden sight of the white mountain peaks that crown it. Turin, in the heart of Piedmonte, has always been a capital: of the Savoy family, of Italy, of the Alps, of publishing, of industry. A very elegant city that gave birth to the first marketable hard chocolate and Italy’s most iconic car, the Fiat 500 – and also gave hospitality to the most important figures in European culture. Visionary architects and enlightened entrepreneurs made it great and beautiful and the city is now booming with contemporary art, live music, museums, and innovative food and wine culture. This guide will reveal 111 different faces of Turin: places, flavours, shades, and people.

Unique city guide for a visit to New York with the whole family. Five outlined walks tailored to families, with sights for all ages. Get to know the Big Apple through the eyes of 19 locals who grew up in this magical city. Numerous infographics, fun facts and games for children and adults. Do you find travelling with children a hassle? Do you think New York is only interesting for adults? Totally wrong. If only one city welcomes children, it has to be New York. Every neighbourhood has the most fantastic playgrounds, you can change diapers almost everywhere, and in museums children are treated as real VIPs. From babies to teenagers, New York is interesting for everyone. In Be NY Family, the authors tell us what the life of children looks like in this metropolis. To explore New York, there are no age limits: from the sling, on roller skates or a skateboard, to a sleepover in a museum, it’s all possible. Also available: Be NY ISBN 9789401434690

In this book, the Biblioteca Medicea Laurenziana celebrates one of the most famous 16th-century manuscripts in its collections, the Historia general de las cosas de Nueva España (‘General History of the Things of New Spain’) by Bernardino de Sahagún, commonly referred to as the Florentine Codex.
A Spanish Franciscan friar who had arrived in Mexico as a missionary after the conquest of the region by Cortés (1519-21), Sahagún devoted his life to the study of indigenous cultures. Much like a modern-day anthropologist, he prepared questionnaires for prominent native elders, and from 1558, with the help of young Nahua students who had studied under him at Tlatelolco, compiled an unprecedented encyclopedia about the peoples and cultures of Central America. With its twelve books written in Nahuatl (the language most widely spoken in the region) and translated into Spanish, and its over 2,000 colour illustrations, the Florentine Codex is an extraordinary source of information about the myths, religious beliefs and practices, everyday life, history, traditional crafts and even eating habits of the Aztecs, with large sections devoted to animals and plants and a moving account of the Spanish Conquest and its devastating consequences. It soon began to be suggested that the Historia might encourage idolatry, and in 1577 King Philip II of Spain ordered that all of Sahagún’s writings should be sent to Spain so as to prevent the work’s circulation. The friar wrote to the king himself in order to find out whether the precious codex had reached Europe, but never knew what had happened to it. At the age of almost eighty he set to work once again, spending his last years desperately trying to recover the material he believed had been lost.

Also available in the series:

Imaginary Creatures ISBN 9788874610983

Calum Colvin is one of Scotland’s most innovative and exciting contemporary photographers. In his work he creates a kaleidoscope of figures, symbols and ideas, which are blended into the most vibrant and stimulating images. With this project, Colvin has explored the mysterious world of Ossian. Ossian, a third century Celtic bard, was first discovered by James MacPherson, himself a poet but also a cultural entrepreneur and an adventurer. MacPherson published the ballads of Ossian in the years after 1760. These mournful elegies to the lost world of the Gael became a cause celebre in Enlightenment society. On the one hand, MacPherson was hailed as the discoverer and translator of a “Celtic Homer”, while on the other, he was accused by Samuel Johnson, of having perpetrated a cruel fraud on the public. While this dispute rumbled on, the poems of Ossian became feted throughout Europe and America and touched the art of poets, writers and composers such as Burns, Goethe, Longfellow and Mendelssohn. Colvin has taken these events as the basis for his surreal meditation on contemporary culture. Through the ideas and associations inspired by MacPherson’s Ossian, he has produced a discourse on national identity, “authenticity” and the human psyche. It is characteristic of Colvin that he has successfully explored these difficult themes while simultaneously creating accessible, provocative photographs.

The Friedman House is a modernist icon, designed by Frederic Lasserre, founder of the UBC School of Architecture, and landscaped by Cornelia Oberlander. Faced with demolition, it was saved by purchasers who understood its architectural value and historical significance. This book reflects on the possibility of its destruction, remarking on what has been salvaged by its continued existence, and what could have potentially been lost.

Once the third largest lake in California, and among the world’s greatest air pollution offenders, the deadened Owens Lake was for decades merely a catastrophic footnote to the most notorious water grab in modern history. Now, the lake has been re-assembled to exceed the value of what was lost – without refilling its shores and depriving Los Angeles of its water supply. In The Spoils of Dust the lake’s peculiar redemption is the backdrop for investigating contemporary relationships between landscape design, control, and perception. The lake-like terrain is the most intimate display of modern technocratic vision and exposes the limits of invention and control of infrastructural ecologies. Whether by observations of dust or scenery, it is as much the product of how we perceive and value landscape today. Answering its analysis, the book concludes with a visual atlas and proposal to induce more imaginative outcomes and perceptions.

Today, Italian architect and designer Carlo Mollino (1905-73) is known chiefly for his furniture designs. He is famous also for his erotic polaroid photography of the 1960s, which has been subject of many exhibitions and has lost nothing of its great appeal to the fashion world today. Much less attention has so far been given to Mollino’s architecture, and a comprehensive critical study of his work in this field has been lacking. Yet his built work, although relatively small, constitutes a seminal contribution to modernism that is uniquely marked by a strong relationship with Surrealism.

Based on years of research and drawing on rich archival material as well as on Mollino’s own writings, this new book is the overdue tribute to an extraordinary personality in 20th-century architecture. It features an exemplary selection of his key designs, both built and unrealised, lavishly illustrated with images and reproductions of previously unpublished plans, drawings, and documents. Rounded out with scholarly essays by expert authors, this is a long-awaited addition to the library of architecture lovers, professionals, and scholars.

Two lives, fatefully interlinked; two sets of memories, in danger of being lost. Clare Stone’s past has suddenly caught up with her. When a long-suppressed memory comes vividly alive, she finds herself being pulled back to the place of its origin: Bangkok. There she meets Tarrin Wandee, the writer whose book unsettled her. But have they met before, all those years ago, when she was young, idealistic and dangerously naïve? And so their stories unfold in a steady rhythm between the past and the present, fiction and reality, in relief against the pulsating backdrop of Bangkok itself. All our lives are linked; it’s just a question of how. Moody and atmospheric, Curtain of Rain is a story of politics, power and greed, and the search for meaning, and redemption.