Rare Special Editions available from ACC Art Books –  More Information

In How Artists See Jr.: Babies children will encounter pictures of laughing babies, sleeping babies, playing babies, and more, created by Leonardo da Vinci, Mary Cassatt, Keith Haring, and others.
The How Artists See Jr. board books are a child’s first introduction to the magic and beauty of art. Like a miniature museum exhibit that parent and child can explore together, this book features twelve diverse works of art from around the world, centered on a theme that little ones love: Babies, Dogs, Horses or Trains.
The ‘apples to apples’ comparisons will engage young children, helping them see the familiar in unexpected ways, while the books’ comfortable size and colorful presentation will make them lasting family favorites. Designed specifically to encourage parent-child interaction, thoughtful conversations and vocabulary enrichment, the books feature a ‘Parents’ Guide’ on their back covers suggesting questions for Mom or Dad to ask while browsing.
Adapted from the acclaimed How Artists See series by Colleen Carroll, the concise, appealing How Artists See Jr. format gives young learners a taste of the many exciting ways in which artists see their world. Once they have finished looking at the books, kids may want to create some art of their own!

Age Range: 2 to 6-year-olds

In How Artists See Jr.: Horses children will encounter pictures of racehorses, pet horses, “horses of a different color,” and more, created by Edgar Degas, Utagawa Hiroshige, ancient Greek sculptors, and others.
The How Artists See Jr. board books are a child’s first introduction to the magic and beauty of art. Like a miniature museum exhibit that parent and child can explore together, this book features twelve diverse works of art from around the world, centered on a theme that little ones love: Babies, Dogs, Horses or Trains.
The ‘apples to apples’ comparisons will engage young children, helping them see the familiar in unexpected ways, while the books’ comfortable size and colorful presentation will make them lasting family favourites. Designed specifically to encourage parent-child interaction, thoughtful conversations and vocabulary enrichment, the books feature a ‘Parents’ Guide’ on their back covers suggesting questions for Mom or Dad to ask while browsing.
Adapted from the acclaimed How Artists See series by Colleen Carroll, the concise, appealing How Artists See Jr. format gives young learners a taste of the many exciting ways in which artists see their world. Once they have finished looking at the books, kids may want to create some art of their own!

Age Range: 2 to 6-year-olds

Women have had a special relationship with the camera since the advent of photographic technology in the mid-19th century. Photographers celebrated women as their subjects, from intimate family portraits and fashion spreads to artistic photography and nude studies, including Man Ray’s Violon d’Ingres. Lesser known –  and lesser studied –  is the history of women photographers, who continue to make invaluable contributions to this flourishing art form.

Featuring more than 300 illustrations, A History of Women Photographers is the only comprehensive survey of women photographers from the age of the daguerreotype to the present day. In this edition, author Naomi Rosenblum expands the book’s coverage to include additional photographers and 14 new images. The text and the appendix of photographer biographies have been revised throughout, and Rosenblum also provides a new afterword, in which she evaluates the influence of rapidly changing digital technology on the field of photography and the standing of women photographers in the 21st century.

This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realisation of the building together with its interior design. The volume contains a selection of images taken from the Institute’s historical archive, as well as a new photographic reportage on the architectural and design elements featured in this building.

It is well-known that Ponti took a great interest in Sweden (suffice it to think of all the space that was devoted to Swedish design in the pages of the magazine Domus from the early 1950s), yet it is fascinating to learn more and find answers regarding the dynamics that lay behind the making of this structure. Indeed, Gio Ponti managed to surpass the Swedish architect Ture Wennerholm’s original idea, to breathe life into a project where the spaces, albeit organised according to function, succeed one another in a harmonious play of broken lines and different hues. Assisting him in the task were Pier Luigi Nervi and Ferruccio Rossetti.

Gio Ponti gave life to a “classical modern” project in which art and architecture merge, proof that he had overcome the limits that were set by the trends characterising that day and age. In so doing, he laid the groundwork for a new course in the cultural relations between Italy and Sweden.

Text in English and Italian.