With a focus on the women designers of early avant-garde jewellery, this publication paints a fascinating picture of Austrian jewellery production from the 1970s to the present day. The show brings together some 80 jewellery objects, many of which exemplify sculptural and conceptual approaches to jewellery design. Selected works from more recent generations not only highlights references to works of the pioneers but also attests to the developments of a contemporary, vibrant jewelry scene, whose diversity is yet to be discovered. The book’s title refers to the landmark exhibition Kunst mit Eigen-Sinn: Aktuelle Kunst von Frauen (Willful Art: Contemporary Art by Women), which took place at the Museum des 20. Jahrhunderts in Vienna in 1985 and is regarded as a milestone in the artistic and social history of women.
Text in English and German.
From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.
“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.” — William Weinaug
Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art.
This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create.
These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several travelling art exhibits. Now, for the first time, they are being brought together in a single volume.
Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D’Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.
The unprecedented growth faced by the Chinese cities in the last decades entailed serious consequences: economic and social disparities, environmental crises, and demographic imbalances between the rural and the urban areas. These issues, together with a growing awareness of the intrinsic unsustainability of Chinese economic model, has stimulated debate on redefining the approach to urban development.
In this framework, Lishui, a minor municipality of Zhezjiang Province, launched the international competition Future ShanShui City. Dwellings in Lishui Mountains in 2020. In line with the main policies enacted at national level, this competition highlights the need of new spatial relations between urban and rural. This approach leads to a radical reconfiguration of the suburban spaces, which is giving rise to an unprecedent landscape where urban services are integrated in the countryside areas, and, vice versa, agriculture and environmental elements are part of the city.
The publication explores the ongoing processes of suburbanisation in Lishui Valley based on three years of design, research and teaching activities carried out by Politecnico di Torino and South China University of Technology since 2020. With a rich collection of original essays and projects, this book combines reflexive knowledge, critical imagination, and design experimentation to provide scenarios for Chinese suburban development.
This lavishly presented coffee table book features 60 new residential projects with a focus on the beautiful use of natural stone. The Beauty of Natural Stone in Private Residences includes over 200 photographs of houses and apartments where the use of this timeless organic material has been used to create unique and stunning entrance halls, kitchens, bathrooms, and wellbeing rooms. Packed full of inspiration this is a must buy for those looking to recreate similar spaces in their own homes.
This book features the work of Innsbruck-based architecture studio LAAC. Since 2012, this leading Austrian firm has been developing and exploring innovative architectural responses to contemporary urban and landscape challenges. This is done in collaboration with a network of other architects, artists, graphic designers, and experts from other disciplines. In addition to public buildings for culture, education, and sports, commercial buildings, and industrial structures, LAAC has a particular focus on landscape and public space designs.
Information & Formation is the first monograph on LAAC and documents 10 realised designs and projects in Innsbruck and other parts of the Austrian federal state of Tyrol, Vienna, and Venice in much detail through photographs, plans, visualisations, and texts. Essays by international authors and a complete catalogue of LAAC’s work to date round out this volume.
Text in English and German.
Designing for Empathy: The Architecture of Connections in Learning Environments explores the intersections between human development theories and spatial perception, and proposes design strategies for creating learning environments that catalyse empathy. The critical question guiding the book is: how can architecture influence human development, and by extension, how can concepts of empathy in development be influenced and catalysed by architecture? Planners, architects, and designers are responsible for shaping our physical environment — from our homes, schools, and cultural and religious centres to the wider neighbourhoods and cities within which human development takes place. However, architecture is conspicuously absent in most development theories, even though the environment is omnipresent.
In Designing for Empathy, architect Aybars Aşçı puts forth a new perspective on empathy in architecture, which shifts focus toward designing emphatic spaces. If the empathic imagination of the designer is at play during the creative process, designing for empathy occurs after the design reaches its intended users. Applied to the design of learning environments, this proposed approach aligns closely with development theories and explores the important impact of spatial environments on the experience of learning. Through examples of projects designed by Aşçı, the book illustrates how physical spaces have the potency to catalyse empathy in learning environments.
Jimi Hendrix has been for sure a unique guitarist and a master of rock music, who, with his early death, aged 27, entered the Rock’n’roll Hall of Fame with all the glory it takes. The never-heard-before result of his continuous improvement was contained in just three albums Are You Experienced?, Axis: Bold as Love and Electric Ladyland. A deep focus on the three most important years of Hendrix’s career, closely followed by Assante, skilled author and real expert on rock music. Unedited photos, quotes, legendary interviews and deep research to outline the iconic figure of this rock legend.
Focusing on the leading architectural designs with regional characteristics, Architecture China is a journal whose mission is to disseminate the creative works of contemporary Chinese architecture and deepen an appreciation of Chinese architectural traditions and trends. In this issue, Architecture China Award, the focus is on outstanding Chinese architecture and architects with the concept of “Building with Nature,” exploring the unique value of contemporary Chinese architecture and its future development direction. The content of this issue includes two articles, as well as the laureates and shortlists of four award categories: Architecture China Award in Practice, Exploration Award in Technology, Exploration Award for Young Architects, and Special Project Award.
The Veronese wine regions of Soave and Valpolicella – home to Amarone – are currently producing some of the world’s most drinkable quality wines. But both regions still struggle with a reputation for cheap, poor-quality wines brought about through industrial-scale production during the economic depression following the Second World War. In Amarone and the Fine Wines of Verona, Italian wine specialist Michael Garner traces a shift in focus towards new levels of quality driven by a generation of producers inspired by the area’s outstanding potential for producing fine wine.
Both regions produce versatile wines which, as well as being both deliciously drinkable and relatively affordable, have the flavour and structure to accompany a wide range of foods. In Valpolicella an appassimento wine, the famed Amarone, has gained comparable status to Barolo and Brunello di Montalcino, while Soave overlaps with the tiny denomination of Lessini Durello, where sparkling wine is produced from the rare, local white grape Durella.
Garner begins Amarone and the fine wines of Verona with a summary of the region’s history, before detailing its geography, grape varieties and approach to both viticulture and winemaking, leading into a discussion of each denomination’s character and wine styles. A cross-section of around 100 producers provides a capsule profile of each, along with analysis of some of their best and most distinctive wines.
For students of wine, those in the wine business and wine adventurers alike, Amarone and the Fine Wines of Verona provides a gateway to a sorely misunderstood wine region.
Eastern Europe is the last undiscovered gem of the wine world. Over the last thirty years three countries, Bulgaria, Romania and Moldova have been working hard to escape the legacy of communism. For all three the regimes that took hold after the Second World War affected their wine industries profoundly, with state farms favouring mechanization and mass production over care and quality. Recent decades have seen a huge switch in attitudes following privatization, with more focus on quality and reconnecting people with the land to rebuild these historic wine industries for today’s wine drinkers.
Bulgarian wine’s fall in sales in the West due to the rising popularity of New World wines, Moldova’s economic crisis at the hands of a Russian ban on Moldovan wine and Romania’s need to counter imports from foreign producers as tastes in wine change have forced wineries to rethink their approaches to viticulture and winemaking. Instead of production lines of anonymous wines, makers now focus on creating authentic regional wines using local and international varieties and modern techniques.
In The wines of Bulgaria, Romania and Moldova, Eastern European wine expert Caroline Gilby MW presents the wine stories of these three connected but distinct countries as one who has witnessed the vast changes as they happened. The cultures of the three countries, their complex and troubled histories and their roads to recovery are profiled here along with details of the geography, climate, grapes grown and, most importantly, the producers working to revive and reinvent their respective wine industries.
For those who seek something new beyond the traditional wines of Western Europe or who find New World wines losing their thrill The Wines of Bulgaria, Romania and Moldova is an inspirational introduction to a wine world waiting to be explored.
This insightful book examines in detail the lesser-known wines of Bordeaux – the dry whites, the rosés (including Clairet), the sweet wines (beyond just the famed Sauternes) and the relative newcomer crémant, the sparkling wine which now represents almost 1.5 per cent of all Bordeaux wine. The White Wines of Bordeaux examines the history and evolution of these less well-known wine styles and colours, and profiles the grape varieties planted. It highlights the different terroirs and vineyards across Bordeaux, and spotlights the grower–producers, their stories and their wines, which occupy the emerging ‘middle’ in an area that has traditionally been polarized as cru classé or generic. The book identifies and discusses the challenges the region and its growers face and assess important catalysts for change such as climate change, new markets made by globally travelled younger generations, a focus on sustainability and wine tourism.
This book looks at bronze through the remarkable collections of European bronze sculptures in the Ashmolean Museum of the University of Oxford. Largely thanks to the generosity of Charles Drury Edward Fortnum (1820–1899), the Ashmolean houses one of the world’s great collections of Renaissance and Baroque small bronzes.
The book provides a survey of the collection and an overview of the development of small bronze sculpture during a period of six centuries running from c.1200 to around 1800, although most of the works illustrated here were made within the shorter time frame of c.1450–1650. Any such survey is inevitably shaped by the strengths of the collection, which is conditioned by Fortnum’s taste, notwithstanding later acquisitions that have broadened its scope. He especially loved earlier Italian bronzes and so-called utensils — objects such as inkstands, candlesticks, salt-cellars, mirrors and seals — that are functional as well as beautiful. Fortnum was less interested in sculpture from the later 1500s onwards although, as this selection shows, he acquired some very interesting bronzes from the 17th and 18th centuries that deserve to be better known.
Portia Zvavahera is one of the outstanding artists of her generation. Born in Harare, Zimbabwe in 1985, she has developed a unique combination of print/painting techniques to register a private world of dreams, fantasies and figural constructions. She received her art education in Zimbabwe in the early 2000s, and has become recognised in the past decade as one of the foremost representatives of African figuration, showcased at the Venice Biennale in 2022, and in a number of commercial gallery exhibitions in South Africa, the US and the UK. She has not yet had a solo show in a public museum in Europe.
This new publication accompanies a major exhibition, curated by Tamar Garb, which will include reproductions of brand new works created on the occasion of this exhibition alongside a selection of recent and older paintings which reveal the depth and richness of Zvavahera’s practice. The focus will be on the theme of dreams, fantasy and figuration, and large details will highlight Zvavahera’s innovative amalgamation of printmaking and painting techniques that build rich surfaces to create her private cosmology of creatures and contexts.
The book will feature a significant new essay from curator Tamar Garb and will centre around an extensive conversation between Garb, Sinazo Chiya, Tandazani Dhlakama and Pumla Gobodo-Madikizela discussing Zvavahera’s engagement with eros, intimacy and female-centred experience.
The book will open up how Zvavahera’s works emerge from dreams; being figurative without being illustrative, registering a world of feminine experience and fantasy.
A photographic narrative that crosses the world’s main cities to witness the shared intentions and feelings that bind the single Pride events in one big wave that envelops and crosses all countries, exalting the uniqueness and variegated compositions of identities and modes. A snapshot of global LGBTQIA+ pride, with a focus on Pride parades marking momentous anniversaries, including New York Pride in 2019, 50 years after the events of Stonewall, and London Pride in 2020, 50 years after the birth of the Gay Liberation Front.
The book also bears witness to the spread of the Wave in the countries of Asia, Africa, the Middle East and Australia, which since the end of the 1990s, with particular regard to the last decade, has been gaining spaces for listening and rights.
The Pride project recounts, celebrates and enhances LGBTQIA+ pride around the world, through the faces and claims of the protagonists of a struggle that involves us all: that for a fair and inclusive world, in which no person should feel excluded or discriminated against for their way of being, living and loving.
Text in English and Italian.
Founded by Fredric Benesch and Katarina Lundeberg in 2009, Stockholm-based firm In Praise of Shadows Architecture engages in a wide range of projects of varied scales and typologies. This first monograph on their work features some 40 buildings and projects from the years 2009 to 2024. The selection includes small boathouses and garden pavilions, private homes, and housing developments, as well as retail spaces, schools, and library buildings.
The ideas and designs of In Praise of Shadows Architecture are remarkable, revealed in buildings which share an elegant signature that manifests itself in the choice of materials, the shaping of these, and a focus on spatial experience. Many of them are timber constructions, as sustainability is a core part of their philosophy. Unusually for a group of architects working from Stockholm, Benesch and Lundeberg and their collaborators take a special interest in the famous architectural culture of the Swiss canton of Grisons.
Whether it is about the revitalisation of entire districts or the seasonal restructuring of individual sales spaces, the topics of reuse and “further development” of existing buildings are becoming increasingly relevant throughout the retail industry. The creative repurposing of empty department stores and parking blocks makes use of space and resources. Exceptional concepts are presented in this yearbook.
Text in German and English.
Begin Again. Fail Better: Preliminary Drawings in Architecture engages with one of the principal activities of the architect in the process of design: drawing by hand. It explores the act of designing through a focus on beginnings. Architects try, fail, try again, fail better until they start to move in the direction that ultimately becomes a building – or not.
This book brings together some 180 preliminary architecture drawings. More than 50 contemporary Swiss architecture firms each contributed two pieces that reveal something of their individual approach and understanding of architecture. This selection is enhanced by historical works by Swiss and European architects that come from four significant British and Swiss archival collections, dating from the 20th and back to the 16th century. The illustrations are complemented by essays providing a critical and historical framework, as well as a conversation engaging with the conditions and importance of failure within the design process. Brief Interludes by international architects, archivists and teachers, introducing a range of perspectives, round out this beautiful volume.
Gumshoe is new series of architectural books, introducing a new approach to the writing of architectural history. It returns the focus of architectural discourse back onto buildings, in a style and form that is original and scholarly but also easy and enjoyable to read. It emulates the detective novel – a form of writing beloved by many, but also one that has enjoyed a parallel academic life in disciplines and by writers as diverse as psychoanalysis (Sigmund Freud), film (Sigfried Kracauer), and art history (Carlo Ginzburg) — but, significantly, not yet by architecture. Each volume will investigate a singular building as if it were a mystery waiting to be solved.
Written by distinguished French architectural critic and historian Françoise Fromonot, the first case — The House of Doctor Koolhaas — is about the Villa dall’Ava, a private residence in Saint-Cloud, a suburb of Paris. Fromonot brilliantly unpicks, explains and interprets the very first building completed by Rem Koolhaas, who is universally regarded as the world’s most celebrated architect, and his Rotterdam-based firm Office for Metropolitan Architecture.
Family of Migrants is inspired by the legendary exhibition Family of Man, an ode to humanity created by photographer and curator Edward Steichen, that opened at the Museum of Modern Art in New York in 1955. At the time, Family of Man told the universal and timeless story of humanity. Family of Migrants will do the same, but with a focus on perhaps the most universal and timeless topic of all: migration.
This book features around 400 photographs and will show the most striking photography on the subject of migration, bringing together photographers and photos from all over the world. Old and new photos, made between the late 19th century and the present day, as well as colour and black-and-white are shown side to side. The photos deal with topics such as departure, journey and arrival, and themes like family, loss and love. Together they show that the movement of people around the world is a timeless and universal phenomenon that shaped our world.
The book accompanies the inauguration of the FENIX museum in Rotterdam, April 2025.
This monumental monograph is dedicated to Dutch painter Jaap van den Ende (Delft, 1944). In richly illustrated chapters, four authors illuminate the development of a multiform oeuvre spanning almost six decades. Starting in the 1960s as a purely abstract, ‘systematic’ painter, figuration reluctantly made its appearance in the mid-1980s. For Van den Ende, however, these, at first glance very different approaches to painting, are not mutually exclusive. Since the late 1990s, abstraction and figuration have coexisted within the same painting. ‘I have started to feel more and more, to strive to be fully present,’ says Van den Ende. ‘I am not someone who exclusively abstract thinking. I want to touch everything.’
Text in English and Dutch.
“There have been volumes written on and by Terence Conran and Mary Quant, but this is the first time they have been placed together in a book. And it works.” – Colin McDowell, The Times “It is given to a fortunate few to be born at the right time, in the right place, with the right talents. In recent fashion there have been three: Chanel, Dior and Mary Quant.” – Ernestine Carter. Transporting you back to London at the height of the Swinging Sixties, this book provides vital context for two of the biggest and boldest names in ‘Pop’ fashion: Mary Quant, alleged mother of the miniskirt, and Terence Conran, the entrepreneur behind the new wave of ‘lifestyle’ stores. Friends, associates and allies in design, Quant and Conran stood at the head of an informal but influential bohemian group who steered the rudder of style during the Pop era. ‘The Chelsea Set’ resist definition; there was no comprehensive members list. Conran/Quant: Swinging London – A Lifestyle Revolution explores the contributions of designers and artists from Laura and Bernard Ashley to Eduardo Paolozzi, Nigen Henderson and Alexander Plunket Greene, all of whom were essential generators of Sixties Style.