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The Hinder/Reimers Collection – which has been owned by the state of Rhineland-Palatinate since 1993 – is one of the most important collections of modern ceramics in Germany. It was built up from the early 1950s through the combined efforts of Jakob Wilhelm Hinder (1901-1976) and Lotte Reimers (* 1932). The focus of this large collection is on West German ceramics from the 1950s to about 1990. Since the mid-1970s it has been enlarged by Lotte Reimers to include outstanding works from outside Germany. These 1,587 objects provide insights into the crucial trends and stylistic movements in art ceramics after the Second World War as represented by the most distinguished ceramicists of the day.

Featuring explanatory texts and colour illustrations, the present publication presents the entire collection and, therefore, goes beyond the scope of Ceramics in Germany 1955-1990. The Hinder/Reimers Collection, published in 1997, which dealt with only a selection of works from the collection. The new publication, on the other hand, draws on the Hinder/Reimers Collection to survey the broad field of developments in studio ceramics in the latter half of the 20th century in western Germany while looking well beyond the borders of Germany.

Text in English and German.

Fierce, funny, and flamboyant, fifty-two heritage-breed chickens assess the camera with a keen gaze. By focusing on the faces of her avian subjects, Beth Moon reveals them to us not just as beautiful and exotic creatures, but as individuals in their own right. Moon’s intimate portraits capture a startling range of emotions and personalities, underscored by excerpts from literature. A martial Spanish White Face is flanked by a passage from Beowulf; a fantastical Buff-Laced Polish, by a line from Alice’s Adventures in Wonderland; and a refined Blue Polish, by a character sketch from Swann’s Way. An essay by chicken keeper and best-selling author Melissa Caughey and cultural critic Collier Brown sheds additional light on this fresh and remarkable body of work, which will appeal to animal lovers and literature buffs alike.

Like many middle-class Boston girls of the late 19th century, Annie McFarlane kept an autograph album, in which her schoolmates, family, and neighbours wrote messages of friendship and scraps of sentimental verse. This keepsake, with its stamped and coloured binding, was passed down through McFarlane’s family to her great-grandson, the independent scholar Theodore Dawes. Fascinated by the faded inscriptions in so many varied hands – from the spiky script of Andrew McFarlane (Father) to the laboured cursive of young Flossie L. Law – Dawes undertook an arduous course of archival research aimed at uncovering the identity and biographical details of everyone who signed the album.The result is this book, in which each page of Annie McFarlane’s autograph album is reproduced in facsimile, along with the biography of the person who signed it. Together these brief yet telling portraits reveal the texture of life in Boston circa 1890, as well as in Vanceboro, Maine, where the McFarlanes had a summer home.

United in the leaves of Annie’s album are the McFarlanes themselves, a family of Irish and Scottish extraction who achieved a modest prosperity in the linen trade; the Rothenbergs, owners of the legendary Boston department store of that name; the Kellys, stolid Maine farmers; and many others from every walk of life. Particularly striking are the voices of those too frequently omitted from our historical narratives: servants, labourers, and, of course, children. Autograph Album
is a landmark in the social history of New England. For the specialist, it will shed light on questions of class, ethnicity, gender, and popular literacy; for the general reader, it is a rich and poignant reminder of the worlds that lie hidden in a family heirloom.

The Formula One book.

Art of the Race, V19
is book six in a series that encapsulates the very essence of Formula 1 motor racing through the lens of Darren Heath, one of the sport’s greatest ever photographers. Across 256 pages of stunning photography, Art of the Race, V19
captures the key moments and rarely seen images of each race as the 2019 season unfolds, culminating in Lewis Hamilton winning his sixth World title. And there is no person better placed to capture these moments than Darren Heath, a multiple award-winning photographer and Honorary Fellow of The Royal Photographic Society, who is now in his 31st year covering the sport.

Tadema Gallery was founded in 1978 by Sonya and David Newell-Smith in London’s famed Camden Passage in Islington. They were successful photo-journalists who ventured into the field of 20th century abstract art and the decorative arts of the 19th and 20th centuries. By 1982 they had discovered a passion for artist-designed jewellery and showed in the gallery an eclectic choice of jewels from significant designers of the Revivalist, Art Nouveau, Arts & Crafts, Jugendstil, Art Deco, and Modernist movements. With over 500 unique jewellery pieces from the 1860s to 1960s, the book reflects the 40-year history of the gallery and the superb eye of its inspirational founders.

Our contemporary condition, governed by the abstract apparatus of the capitalist market, demands a critical reading of the distribution, ownership, and use of common resources such as land. This is especially true in Britain with its long history of privatisation stemming from land enclosure. The latest research campaign of Laboratory Basel (laba), a satellite studio of the École Polytechnique Fédérale de Lausanne, investigated the English manor house and how it can serve as a testing ground to reassess Britain’s complex and ongoing relationship with the countryside.

The south-west of England, the most rural region of one of the more densely populated countries in Europe, reflects all the absurdities of a globalised country under pressure to develop economically, physically and environmentally. Highly protected landscapes, both natural and composed, form the backdrop to historic seats of political power and wealth, whilst sites of intense modern productivity are neatly concealed behind natural veils.

Manor Lessons: Commons Revisited, the concluding volume of laba’s Teaching and Research in Architecture series, explores the lessons that can be learned from the compound history of the Manorial System, whose forgotten feudalistic origins were once rooted in the idea of the land, not as private property but as common ground.

Here are the best of the best: the stars of the dominant U.S. national team – like Megan Rapinoe, Alex Morgan, Julie Ertz, and Rose Lavelle – and their top competitors from around the world, like Sam Kerr of Australia, Lucy Bronze of England, Wendie Renard of France, and Marta of Brazil. This lively book features short biographies of 28 athletes in all, illustrated with colour photographs of the stars in action.
Revised and updated from cover to cover, Stars of Women’s Soccer is sure to whet the appetite of young fans who are eager to see the titans of the women’s game battle it out (finally) at the Tokyo Olympics.

Newcastle is England’s most northerly city and shares a long history with Gateshead, its neighbour on the south side of the River Tyne. The two, city and town respectively, are a heady mix of the old and new; both were industrial powerhouses during the 19th Century that have successfully embraced recent change, reinventing themselves as vibrant places of entertainment and culture. With this book in hand, journey over and under the Tyne to discover treasures such as the steam turbine ship Turbinia, a sleekly streamlined example of north-eastern mechanical know-how; wander across the wide-open space of the Town Moor, where President Jimmy Carter has the right to graze cattle; take in Saltwell Towers, an eccentric castle in the leafy surroundings of Saltwell Park; then top it all off with a pint in a pub where the ghost of Charles I may well make an appearance. Written by a Geordie, this book will help you explore the quirkier side of both Newcastle and Gateshead, and discover their hidden gems.

Whistler is so much more than one of the best places on Earth to ski. Tucked in the southwestern corner of British Columbia, less than two hours from Vancouver, the resort municipality is really as much a state of mind as a destination. Its modern culture, firmly rooted in the great outdoors, offers a unique healthy and active lifestyle that people around the world can only dream about. Yet many of the over two-million people that visit Whistler annually from every corner of the world are in such a hurry to get up into the mountains they miss so many of the secret sites, hidden gems and offbeat attractions scattered throughout the Sea to Sky corridor – home of Canada’s most scenic road. When you know where to look, you’ll be amazed by Whistler’s rich diversity and quirky surprises, from the funky dives where local “Liftees” dine, to high-end, glamorous shops in the village, aboriginal landmarks, ghost towns, and left-over traces of the Winter Olympics. And although mining and logging have been replaced by tourism, vestiges of the early pioneer days still pop up in the most unusual places.

Robin Grierson’s photography book, Steam Rally is published by Lost Press and has an introduction by the esteemed journalist and author, Ian Jack. It consists of 72 high quality colour photographs that explore steam rallies in England over the past 30 years. The images record the engine men, their restored traction engines, and the lively steam heritage scene, which draws thousands to its events around the country every summer.

Having grown up around his father’s bus garage in County Durham and spent much of his formative years tinkering with engines, Grierson found himself instinctively drawn to the steam people and their beloved vintage machines. This collection of thoughtfully composed images, include respectful portraits, close up details of people and their machines, and wider views of the steam rally within the rural landscape. Grierson pays particular attention to the work-worn textures, stained surfaces, and subtle colours of the working steam environment.
“The genuine tone of this work derives undoubtedly from the photographer’s long acquaintance with tough working men and the tools and sounds of busy engineering yard’s” – Ag magazine  

Renaissance Children puts child portrait painting from the 15th and 16th century in the spotlight and tells the historical, pedagogical and artistic story of the most remarkable paintings.

In the 15th and 16th century, the House of Habsburg ruled over a large part of Europe, and would turn into one of the most important European royal families in world history. In that time, Mechelen was the centre of education, where many Habsburg princes and princesses spent a large part of their youth, among whom Margaret of Austria and Charles V. Other powerful families also sent their children to Mechelen – the most famous of whom is perhaps Anne Boleyn, who would later become queen of England. Renaissance Children goes back to that Belgian city, where many portrait paintings of children originated. The book specifically focusses on child portraits of top artists, such as Jan Gossart, Bernard van Orley and Juan de Flandes. Includes unique paintings by Flemish Masters, such as Jan Gossart, Bernard van Orley and Juan de Flandes Insight into educational values and techniques from the 15th and 16th century The first publication about art and education at one the most important royal houses in European history

Neither derivatives of Western cities nor isolated from them, Chinese cities in the past four decades are perhaps best captured in their characteristic complexity through a concept in biological evolution: drift. Unlike mutation, adaptation, and migration, drift of phenotypes takes place when chance events terminate some features and allow other features to flourish. The Chinese culture, structurally divergent from the common Indo-European civilizational roots of Western cultures, can be seen to function as a set of “chance events” in the normative processes of urban change. The consequences of these “bottlenecks” of urban evolution are both fascinating and instructive: Chinese cities, when studied with this framework, begin to acquire an entirely different order of significance, injecting urban theory and practice with fresh vigor and insights. Through 13 case studies, more than 60 original maps and drawings, and extensive photographic documentation, the book reveals how three “drift triggers” – ten thousand things, figuration, and group action – have altered typological development in Chinese cities in recent decades.

Over the past decade, Frank Bowling has enjoyed belated attention and celebration, including a major Tate Britain retrospective in 2019. This comprehensive monograph, published in 2011, is now available in an updated and expanded edition.

Born in British Guiana in 1934, Bowling arrived in England in his late teens, going on to study at the Royal College of Art alongside David Hockney and Derek Boshier. By the early 1960s he was recognised as an original force in the vibrant London art scene, with a style that brilliantly combined figurative, symbolic and abstract elements.

Dividing his time between New York and London since the late 1960s, he has developed a unique and virtuosic abstract style that combines aspects of American painterly abstraction with a treatment of light and space that consciously recollects the great English landscape painters Gainsborough, Turner and Constable. In a compelling text the art writer, critic and curator Mel Gooding hails Bowling as one of the finest British artists of his generation.

Oxford has a special place in the history of Pre-Raphaelitism. Thomas Combe (superintendent of the Clarendon Press) encouraged John Everett Millais and William Holman Hunt at a crucial early stage of their careers, and his collection became the nucleus of the Ashmolean collection of works by the Brotherhood and their associates. Two young undergraduates, William Morris and Edward Burne-Jones, saw the Combe collection and became enthusiastic converts to the movement. With Dante Gabriel Rossetti, in 1857 they undertook the decoration of the debating chamber (now the Old Library) of the Oxford Union. The group’s champion John Ruskin also studied in Oxford, where he oversaw the design of the University Museum of Natural History and established the Ruskin School of Drawing. Jane Burden, future wife of Morris and muse (probably also lover) of Rossetti, was a local girl, first spotted at the theatre in Oxford.   
Oxford’s key role in the movement has made it a magnet for important bequests and acquisitions, most recently of Burne-Jones’s illustrated letters and paintbrushes. The collection of watercolours and drawings includes a wide variety of appealing works, from Hunt’s first drawing on the back of a tiny envelope for The Light of the World (Keble College), to large, elaborate chalk drawings of Jane Morris by Rossetti. It is especially rich in portraits, which throw an intimate light on the friendships and love affairs of the artists, and in landscapes which reflect Ruskin’s advice to ‘go to nature’.
More than just an exhibition catalogue, this book is a showcase of the Ashmolean’s incredible collection, and demonstrates the enormous range of Pre-Raphaelite drawing techniques and media, including pencil, pen and ink, chalk, watercolour, bodycolour and metallic paints. It will include designs for stained glass and furniture, as well as preparatory drawings for some of the well-known paintings in the collection.

Architecture as Art: The Work of Stephen M. Sullivan illustrates the author’s residential architectural practice based in the Pacific Northwest. It also describes his personal design philosophy founded both in the classics of western architecture and in his experience and appreciation of the architecture and craft traditions of Japan.

The book tells the story of Sullivan’s development as an artist using architecture as his medium. It includes essays on his views of architectural design, which have been shaped by his personal history in the landscapes and the architecture of New England and Japan. Sullivan’s training as a potter informs his architecture in its interpretation of houses as “vessels of experience” and in his work’s focus on materiality and the craft of construction.

Thematic essays address topics such as the importance of intuition in the design process and the interplay of analysis with nonrational ways of thinking. The influence of the site and its natural energies, the role of ordering principles, and the narrative capacity of architectural design influence Sullivan’s process of integration, forming unique design responses to diverse clients and settings. These themes address specific facets of his design method and introduce a selection of projects, which are illustrated with photographs and drawings. The projects display the author’s belief in generating an architectural language unique to a design’s client and its context, creating an architecture specifically tuned to its circumstances in time and place.      

Following a selection of primary projects, a section on small houses, and a section on historic projects, a catalogue of Sullivan’s selected projects executed between 1985 and 2020 is included.   

‘Another chocolate book?’ you might say? The answer is: this book is different than any other book on the market!

The Chocolatier’s Kitchen offers over 270 simple, concrete and practical recipes, covering the entire spectrum in confectionary (from bonbon, to truffles, snack bars…). From short, to medium or long shelf life, inspired by the Callebaut five colours of chocolate and executed in different chocolate types. The proud collective of Callebaut Chefs have bundled their expertise to conquer hearts and deliver inspiration, motivation and knowledge for every chocolate artisan & Chef, whether you are starting or want to further grow your chocolate business.

With contributions from the Callebaut Chefs Tribe: Davide Comaschi, Philippe Vancayseele, Clare England, Beverley Dunkley, Mark Tilling, Ciro Fraddanno and Ryan Stevenson

“The star-studded images are one thing, but their candid context is what makes them special.” – Joy Ling, Esquire Singapore

“…many famous names have stepped in front of his camera, captured quickly in his distinctive, clean style, with the images featuring in magazines and newspapers, galleries and exhibitions, and even earning him an MBE from Queen Elizabeth II for services of his photography.” – Chris Anderson, Air Magazine

“Andy’s contact-sheets give us what feels like a VIP pass to spend time with his subjects. We see their beauty, their flaws, charisma, humanity and even a glimpse into their thoughts and process. We see the person in these people and are touched by their being.” Kylie Minogue

“Above all Andy Gotts allows his subjects to shine through, untouched. His artistry does not come afterwards, in Photoshop and all the supposedly flattering trickery technology has taught us to expect. His skill is there in each frame, each moment, in the relationship he has built with his sitter, no matter how short a time they have shared, and the trust he has engendered in them because he is, quite simply, a good man. Anyone who encounters him can sense immediately his openness and kindness and I think this book is most of all a testament to those qualities.” Alan Cumming

” With this amazing book, you will see why Andy is as much a star as his subjects.” Gene Simmons

A 90-second shoot with Stephen Fry in 1989 launched the career of Andy Gotts, photographer to the stars. Through grift and graft and raw, honed talent, Gotts has become one of the most in-demand celebrity photographers working the circuits of Hollywood, British media, and the music industry. Gotts’s dramatic black-and-while style turns faces into artworks of shadow and light, while his colour portraits capture his subjects’ ineffable humanity.

For the first time Andy Gotts reveals the incredible depth of his archive, showing his most famous portraits and many rare images alongside. The book focuses on Andy’s contact sheets, which reveal the process behind capturing the perfect image. Accompanying texts from Andy shed light on his craft and delve into the stories behind these captivating photographs. This really is the definitive, career spanning book, produced to the highest standards. 

The book also contains personal testaments from a cross-section of the celebrities who Gotts has worked with: Alan Cumming, Gene Simmons, Ian McKellen, Jeff Bridges, Kylie Minogue, Michael Caine, Peter Capaldi and Simon Pegg.

Becoming Gustav Metzger, produced in association with The Gustav Metzger Foundation, is the first publication to examine the little-known formative years of refugee artist and activist Gustav Metzger (Nuremberg, Germany, 1926-London, England, 2017). Generously supported by the Paul Mellon Centre for Studies in British Art and the Association for Art History, Becoming Gustav Metzger includes original texts by Stephen Bann CBE (Emeritus Professor, University of Bristol), Andrew Wilson (Senior Curator Modern & Contemporary British Art, and Archives at Tate Britain), Dr. Elizabeth Fisher (Leverhulme Research Fellow, Northumbria University), Mathieu Copeland (independent curator and author of Gustav Metzger: Writings 1953-2016), and the curators. Fully illustrated, it also includes colour reproductions of rarely seen drawings and paintings from this crucial early period, as well as early abstract works on board and cardboard, and a kodak box. Together they chart Metzger’s artistic journey from figuration to abstraction prior to the development of his later radical auto-destructive practice.

Our Blooms & Beetles art from one of our favourite illustrators, Flora Waycott. 

Flora Waycott is an illustrator and artist from England, currently living and working in Australia. She incorporates elements of nature, everyday objects, and tiny details in her work, with a sophisticated, yet playful style influenced by a childhood spent in Japan.

teNeues NYC Stationery keeps up with fun and games at home with our museum-quality printed 500-Piece Puzzles.

Packaged in durable, compact boxes, our 500-Piece Puzzles feature full-colour artwork, expertly-printed with nontoxic inks on sturdy, puzzle grey board.

Focusing on recent works, the richly illustrated monograph Black Lemons provides an introduction to the work of Danish artist Emily Gernild (*1985). In conversation with editor and curator Milena Høgsberg, the artist explores how she builds her assertive, textured, colourful paintings, drawing from everyday life, dreams, curious idioms, or types of historical still life painting, determined to squeeze more out of them. With great ease she moves between oil paint and rabbit skin glue and pigment, allowing her to investigate the dynamic relationship between figure and ground in different ways. Art historian and writer Grant Klarich Johnson situates Gernild’s practice in the landscape of contemporary painting, drawing comparisons to other generations of women artists, who have also explored genres historically deemed “lesser”.

The Ashcan School and The Eight are now recognised as America’s first modern art movement: rejecting their academic training and the practices of the National Academy of Design, they forged a new art that represented America’s shifting values. By focusing on urban streets scenes, the lives of immigrants, popular entertainments, and the working poor, this loosely affiliated group of artists became synonymous with ordinary, everyday subjects — in the words of one critic, “pictures of ashcans.” Yet this is only part of their story: they also experimented with complex colour theory and embraced scientific studies about movement and perception, while also creating scenes of bourgeois leisure and society portraits in attempts to reconcile their high-art practices with their populist reputations.

This catalogue features nearly 130 works across media, including paintings, drawings, pastels, and prints — rarely seen objects and popular favourites. Collectively these works emphasise the Ashcan School’s and The Eight’s valuable contributions to the formation of American modernism at the beginning of the 20th century.

The moment he was handed a glass of Cockburn 1908 vintage port by his grandfather at 13 years old, Steven Spurrier knew he would make wine his career. He travelled Europe in his red sports car (fitted with a compact wine fridge in the boot), working the vintage in Burgundy, Bordeaux and Champagne, before his first extraordinary move was to set up shop and sell wine to the French. As an Englishman in the heart of Paris, this seemed a remarkably bold (if not foolish) project, but the plan worked.

Steven’s adventures in wine did not stop there. In 1976, he went on to mastermind the ‘Judgement of Paris’, the France v California blind tasting that changed the wine world forever.

This memoir looks back on Steven’s life charting the incidents, adventures, ideas and discoveries that formed his wine journey. With tributes from Hugh Johnson, Miguel Torres, Oz Clarke, Jancis Robinson MW, Warren Winiarski and many more…

Peter Vinding-Diers is a Danish aristocrat turned roving winemaker who, on escaping his studies at the Sorbonne one summer found himself on Burgundy’s Côte de Beaune, suddenly besotted. Peter’s first foray into wine took him to the Cape (via a quick turn parachuting into the war-zone in Vietnam), where he learned vineyard ways and wine science. Next came a dazzling decade in Bordeaux, where his pioneering exploits began to catch the world’s attention. He then ventured to Bulgaria, Brazil, Spain, Chile and Hungary earning himself the title ‘Flying Winemaker’ (he was one of the first!). Along his wine journey, Peter has frequently had to call on his Viking ancestors for help – not least in taming his ‘Montecarrubo’ vineyards on the wilder side of Sicily – but whether by accident or by design (mostly the latter), he has always found himself at the forefront of vinous discovery…

111 Places in County Durham You Shouldn’t Miss will unveil Durham’s secret depths and lesser-known delights, allowing it to step out from the shadow of its spectacular, UNESCO-listed cathedral and its highly-ranked university. 

This small, hilly city has its gems, but the county’s historic towns (Bishop Auckland, Barnard Castle, Newton Aycliffe), by the water (Hartlepool, Seaham) and nestled away in its tiniest villages (Kelloe, Tow Law) are home to Durham’s true hidden wonders. 

Discover the mysterious sea caves at Blackhall Rocks, or wander up Nose’s Point to Blast Beach. Traverse Durham city’s wonkiest staircase, or make your own mind up about the county’s most controversially-designed estate. 

Marvel at Killhope’s working Waterwheel, and uncover the county’s famous coal mining past. Unearth disused collieries and quarries reclaimed by the overgrowth surrounding them.  

Spot what’s left of a stone boar at Barnard Castle. Hear the real story behind Hartlepool’s most baffling local legend, and try to stand atop a haunted copse… if you dare.